| Tom Evangelista | ... | Himself (The Boss) | |
| Flo Evangelista | ... | Herself (The Wife) | |
| Chris Evangelista | ... | Himself (The Nephew) | |
| Dana Giassakis | ... | Herself (The Daughter) (as Dana Evangelista) | |
| Sal Evangelista | ... | Himself (The Teenager) | |
| Frankie Evangelista | ... | Himself (The Kid) | |
| Dawn Carfora | ... | Herself (Sister-in-Law #1) | |
| Jimmy Carfora | ... | Himself (Brother-in-Law) | |
| Kim Persinger | ... | Herself (Sister-in-Law #2) | |
| Dan Boswith | ... | Himself (No Relation) |
Directed by | |||
| Steven Cantor | |||
Produced by | |||
| Nancy Abraham | .... | executive producer | |
| Steven Cantor | .... | executive producer | |
| Matthew Galkin | .... | producer | |
| Julie Goldman | .... | co-executive producer | |
| Krysanne Katsoolis | .... | co-executive producer | |
| Daniel Laikind | .... | executive producer | |
| Owen Levin | .... | line producer | |
| Margaret McCombs | .... | associate producer | |
| Sheila Nevins | .... | executive producer | |
| Caroline Stevens | .... | co-executive producer | |
| Pax Wassermann | .... | co-producer | |
Original Music by | |||
| Stephen Thomas Cavit | (2004) | ||
| John Dragonetti | |||
| Money Mark | |||
Cinematography by | |||
| Paul Dokuchitz | |||
| Peter Rieveschl | |||
Film Editing by | |||
| Andrew Ford | |||
| Sari Gilman | |||
| Mary Manhardt | |||
| Doug Morrione | |||
| Trevor Ristow | |||
Production Design by | |||
| David Korins | |||
Set Decoration by | |||
| Jeremy O'Keefe | |||
Sound Department | |||
| Neil Cedar | .... | supervising sound editor | |
| Philippe Desloovere | .... | sound editor | |
| Ken Hahn | .... | sound re-recording mixer | |
| Stuart Stanley | .... | foley editor | |
| Stuart Stanley | .... | foley recordist | |
| Brian Vancho | .... | foley artist | |
Visual Effects by | |||
| Steven LaMorte | .... | visual effects: opening title sequence | |
| Nuncle | .... | titles | |
Camera and Electrical Department | |||
| Ben Logan | .... | assistant camera (2004) | |
| Ben Logan | .... | camera operator (2004) | |
Editorial Department | |||
| Katherine Booth | .... | assistant editor | |
| Jamie Courville | .... | assistant editor | |
| Mat Lynch | .... | first assistant editor | |
| Matt Sarno | .... | assistant editor | |
| Pax Wassermann | .... | supervising editor | |
Music Department | |||
| Janet Billig | .... | music supervisor | |
| Dean Parker | .... | composer: additional music (2004) | |
Other crew | |||
| Deborah Barak | .... | assistant production coordinator | |
| Darren Coyle | .... | key production assistant | |
| Christina Fontana | .... | key production assistant | |
| Matthew Lalime | .... | production assistant | |
| Frank Murray | .... | production accountant | |
| Mark Swenson | .... | production consultant | |
| Lauren Veloski | .... | production assistant | |
| Derek Yip | .... | additional production accountant | |
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I liked this documentary is because I am originally from that area and I know how life is for a bail-bondsman. Tom Evangelista, the hard-core tough tempered, but very understanding boss of his own company knows how to get the job done. Flo is the boss of the household, who can easily tame Tom in a single heartbeat. And I wonder who I should fear first? Having the older son and nephew working with him will definitely making things easier for him right? Wrong! His in-laws help but sometimes wanting to strike out on ones own can complicate things in the process. When you're family, things will always work out for everyone. The family can party, wisecrack, spat, but love is always the factor, and that what keeps the family together. And as for Tom, "Get another van!" and use the original as a back up. Never sell it or junk it. If it's beyond saving. This is one of favorite do-cu-dramas HBO has ever made. I can't wait for the second season of it!