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Directed by | |||
| Kevin Smith | |||
Writing credits(WGA) | ||
| Kevin Smith | (written by) | |
Produced by | |||
| Tim Cruz | .... | development producer | |
| Carla Gardini | .... | executive producer | |
| Laura Greenlee | .... | co-producer | |
| Scott Mosier | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| James L. Venable | |||
Cinematography by | |||
| David Klein | (director of photography) | ||
Film Editing by | |||
| Kevin Smith | |||
Production Design by | |||
| Robert Holtzman | |||
Art Direction by | |||
| Marc Fisichella | |||
Set Decoration by | |||
| Susan Lynch | |||
Costume Design by | |||
| Roseanne Fiedler | |||
Makeup Department | |||
| Sarah Ault | .... | assistant hair stylist | |
| Brooke Bell | .... | assistant makeup artist | |
| Amy Harmon | .... | key makeup artist | |
| Janine Rath | .... | key hair stylist (as Janine Rath-Thompson) | |
| Tricia Sawyer | .... | key makeup artist | |
| Nicole Venables | .... | key hair stylist | |
Production Management | |||
| Tim Clawson | .... | executive in charge of physical production (as Timothy Clawson) | |
| Marjorie Ergas | .... | unit production manager | |
| Michael Jackman | .... | executive in charge of post-production (as Michael A. Jackman) | |
| Alyson Latz | .... | production supervisor: New Jersey | |
| Tracy McGrath | .... | executive in charge of physical production | |
| Leslie Rodier | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second second assistant director: New Jersey (as Nick Bell) | |
| Chris Carroll | .... | second assistant director: New Jersey | |
| September Death | .... | second second assistant director | |
| Heather I. Denton | .... | second assistant director (as Heather Denton) | |
| Tony Steinberg | .... | first assistant director | |
Art Department | |||
| Nina Alexander | .... | on-set dresser | |
| Scott 'Whitey' Anderson | .... | construction coordinator: New Jersey (as Scott Anderson) | |
| Jesse Bringas | .... | foreman | |
| Rustie Burris | .... | art department assistant | |
| Rustie Burris | .... | art department production assistant | |
| Corey Burton | .... | prop maker | |
| Ernie Castillo | .... | construction medic | |
| Billy Constantine | .... | lead set painter (as Bill Constantine) | |
| Noreen Coyne | .... | art department coordinator | |
| Lisa De Alva | .... | property master | |
| John Deranian | .... | laborer | |
| Justin Fisher | .... | leadman | |
| Michael T. Galvin | .... | set dresser: New Jersey (as Michael Galvin) | |
| Tom Groody | .... | set dresser: New Jersey | |
| Heather Hazelwood | .... | swing gang | |
| Scott Head | .... | general foreman | |
| Greg Hendrickson | .... | prop maker (as Gregg Hendrickson) | |
| Brandon Jay | .... | swing gang | |
| James Joyce | .... | set painter | |
| Michelle Joyce | .... | set painter | |
| Elena Lepe | .... | laborer | |
| Neil Marra | .... | plasterer | |
| Brendan Maze | .... | swing gang | |
| Bruce Mink | .... | additional assistant property master | |
| Brad Moorhead | .... | lead set painter | |
| Scott Purcell | .... | graphic consultant (as R. Scott Purcell) | |
| Antonio Ramirez | .... | laborer | |
| Frank Ramirez | .... | signwriter | |
| Christopher Reams | .... | swing gang (as Chris Beams) | |
| Rich Robinson | .... | assistant property master | |
| Johanna Ruhe | .... | set dresser: New Jersey (as Johanna 'Jolie' Ruhe) | |
| Erich W. Schultz | .... | construction coordinator (as Erich Schultz) | |
| Jeff Smith | .... | prop maker | |
| Billy Stearne | .... | assistant property master: Red Bank, New Jersey | |
| Christine Sysko | .... | leadman: New Jersey (as Chris Sysko) | |
| Bruce Valdes | .... | prop maker (as Bruce Valdez) | |
| Sal Valle | .... | additional assistant property master | |
| Suzanne Van Dyke | .... | construction medic (as Suzie Van Dyke) | |
| Elise G. Viola | .... | art director: New Jersey (as Elise Viola) | |
| Christine Wick | .... | set decorator: New Jersey | |
| Jim Williams | .... | on-set dresser: New Jersey | |
Sound Department | |||
| David Acord | .... | sound effects editor | |
| Chris Barron | .... | digital transfers (as Christopher Barron) | |
| Patricia Brolsma | .... | boom operator: New Jersey (as Patti Brolsma) | |
| C. Douglas Cameron | .... | boom operator | |
| John Countryman | .... | digital transfers | |
| Kat Craig | .... | sound utility operator | |
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Luke Dunn Gielmuda | .... | foley editor | |
| Coya Elliott | .... | supervising assistant editor | |
| Sean England | .... | foley recordist | |
| Christopher Fondulas | .... | utility boom: New Jersey (as Chris Fondulas) | |
| Jonathan Greber | .... | digital transfers | |
| Ellen Heuer | .... | foley artist | |
| David Hunter | .... | digital editorial services | |
| Neda Joncich | .... | mix facility coordinator | |
| Mike Lane | .... | client services | |
| Leff Lefferts | .... | digital editorial services (as Leffert Lefferts) | |
| Brian Magerkurth | .... | machine room operator | |
| Alan Mays | .... | engineering services | |
| Michael A. Morongell | .... | mix engineer (as Michael Morongell) | |
| Steve Morris | .... | engineering services | |
| Tom Myers | .... | sound designer | |
| Tom Myers | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr recordist | |
| Gordon Ng | .... | client services | |
| Whit Norris | .... | production sound mixer | |
| Juan Peralta | .... | mix technician | |
| Eva Porter | .... | client services | |
| Brandon Proctor | .... | mix technician | |
| Richard Quinn | .... | foley editor (as Rich Quinn) | |
| Gary Raymond | .... | audio playback | |
| Todd D. Reynolds | .... | stage engineer | |
| Frank Rinella | .... | foley mixer (as Frank Aglieri-Rinella) | |
| Gary Rizzo | .... | sound re-recording mixer (as Gary A. Rizzo) | |
| Ronald G. Roumas | .... | machine room operator (as Ron Roumas) | |
| Renee Russo | .... | client services | |
| Michael Silvers | .... | dialogue editor | |
| Michael Silvers | .... | supervising sound editor | |
| Mac Smith | .... | sound effects editor | |
| Mac Smith | .... | supervising assistant editor | |
| Daniel Sperry | .... | sound consultant: Dolby (as Dan Sperry) | |
| Eric Thompson | .... | adr mixer | |
| Dennie Thorpe | .... | foley artist (as Denise Thorpe) | |
| John Torrijos | .... | video services (as John 'JT' Torrijos) | |
| Jana Vance | .... | foley artist | |
| Clayton Wood | .... | engineering services | |
| Dustin Cawood | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects (as Charlie Belardinelli) | |
| Connie Brink | .... | special effects: New Jersey (as Conrad Brink) | |
Visual Effects by | |||
| Joseph Grossberg | .... | producer: V-Dome | |
| Joseph Grossberg | .... | visual effects supervisor: V-Dome | |
| Kelvin McIlwain | .... | matte painting supervisor: V-Dome | |
| Brian Nogle | .... | imaging supervisor: Pacific Title and Art Studio | |
| Marc Ross | .... | head of scanning and recording: Pacific Title and Art Studio | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Stunts | |||
| Houston Hooker | .... | stunts: stunt kid #3 | |
| Kanan Hooker | .... | stunts: stunt kid #2 | |
| Ethan Jensen | .... | stunts | |
| Gary Jensen | .... | stunt coordinator | |
| Jessi Jensen | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunt double: Becky (as Tracy Keehn Dashnaw) | |
| Gino Woulard | .... | stunts: stunt kid #1 | |
| Kofi Yiadom | .... | stunts | |
Casting Department | |||
| Dixie Webster | .... | extras casting director: Smith & Webster/Davis Casting (as Dixie Davis) | |
Costume and Wardrobe Department | |||
| Amy Fegely | .... | key set costumer | |
| Christine Hawes | .... | set costumer | |
| Mayumi Masaoka | .... | costume production assistant | |
| Kia Tyrrell | .... | costume supervisor | |
Editorial Department | |||
| Travis Avitabile | .... | digital laboratory project manager: LaserPacific | |
| Craig Bilsky | .... | digital laboratory project manager: LaserPacific | |
| Mike Cecconi | .... | post-production assistant | |
| Jeff Charles | .... | digital data conformist: LaserPacific | |
| David Cole | .... | digital intermediate colorist: LaserPacific (as Dave Cole) | |
| Kyle DeVriendt | .... | digital film recording: LaserPacific (as Kyle Devriendt) | |
| Valance Eisleben | .... | digital data conformist: LaserPacific | |
| Donald Erfert | .... | post-production assistant | |
| Bruce Goodman | .... | dailies colorist: LaserPacific | |
| Elliot Greenberg | .... | first assistant editor | |
| Doug Jaqua | .... | color scientist: LaserPacific | |
| David Slaughter | .... | digital film recording: LaserPacific | |
| Andre Tréjo | .... | digital laboratory project manager: LaserPacific (as Andre Trejo) | |
| Stacy Underhill | .... | digital data conformist: LaserPacific | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Music Department | |||
| Nathaniel T. Cartier | .... | music pre-mix | |
| Brian Dixon | .... | music score mixer | |
| Angela Leus | .... | music clearances | |
| Rachel Levy | .... | executive in charge of music | |
| Larry Mah | .... | digital score recordist | |
| Ryan McClure | .... | music pre-mix | |
| Joe Rangel | .... | music consultant | |
| Jennifer Kes Remington | .... | music pre-mix | |
| Loria Roberson | .... | assistant to composer: James L. Venable | |
| Ralph Sall | .... | soundtrack album producer | |
| Erich Stratmann | .... | music editor | |
Transportation Department | |||
| Chris Collins | .... | driver: New Jersey | |
| David Conelli | .... | driver: New Jersey | |
| John Embry | .... | driver (as John Embrey) | |
| Billy Featherstone | .... | driver: New Jersey (as William Featherstone) | |
| Don Feeney | .... | transportation captain | |
| Maurice Fitzgerald | .... | transportation captain: New Jersey | |
| Bobby Galliher | .... | driver: New Jersey | |
| Bruce Golden | .... | driver: New Jersey | |
| Michael Hogan | .... | driver: New Jersey | |
| Michael Iriarte | .... | driver: New Jersey (as Michael Iriate) | |
| Bobby Jones | .... | driver: New Jersey | |
| David Joseph | .... | driver: production van | |
| Thomas Kearns | .... | driver: New Jersey | |
| Erin Maguire | .... | driver | |
| Tom Mawyer | .... | driver: New Jersey (as Thomas Mawyer) | |
| Thomas Morris | .... | driver: New Jersey | |
| Derek Raser | .... | transportation coordinator | |
| Geoff Teagardin | .... | driver | |
| Chuck Tomasello | .... | driver (as Chuck Thomasello) | |
| Jimmy Valdes | .... | driver (as James Valdes) | |
| Doug Wright | .... | driver: New Jersey | |
Thanks | |||
| Jeff Anderson | .... | the director would like to thank: For not only coming back, but for knocking it out of the park and keeping me honest. (as Jeff) | |
| Joseph Azzolina Jr. | .... | special thanks | |
| James Baker | .... | special thanks | |
| Carol Banker | .... | the director would like to thank: For keeping the axis straight, yet again. (as Banker) | |
| Bobby Bates | .... | thanks | |
| Juana Benavides | .... | special thanks: Molly Pitcher Inn | |
| Justin Brown | .... | additional thanks | |
| Brad Butler | .... | thanks | |
| Ming Chen | .... | the director would like to thank: For being my Lord of the Web-Rings. (as Ming) | |
| Greg Conger | .... | special thanks: UFCW Local 324 [Orange County] | |
| Shaun Paul Costello | .... | additional thanks | |
| Rosario Dawson | .... | the director would like to thank: For saying yes and turning in a performance so great, it made me actually believe that Becky would fuck Dante. (as Rosario) | |
| Trevor Fehrman | .... | the director would like to thank: For an Elias you could pity and love. (as Trevor) | |
| Joey Figueroa | .... | the director would like to thank: For the hours of awesome "Train Wreck". (as Joey) | |
| Joe Gariffo | .... | additional thanks | |
| James Gierman | .... | the director would like to thank: For the perfect location. (as James) | |
| Laura Greenlee | .... | the director would like to thank: For holding it all together so amazingly. (as Laura) | |
| Greg Halibozek | .... | special thanks: UFCW Local 324 [Orange County] | |
| Elizabeth Hammon | .... | special thanks | |
| Graham Hart | .... | special thanks | |
| Robert Holtzman | .... | the director would like to thank: For my favorite set of all time. (as Ratface) | |
| Eric Jaffe | .... | additional thanks | |
| Bob Kaplan | .... | special thanks for myspace support | |
| David Klein | .... | the director would like to thank: Welcome back, sir. No flicks without you, ever again. Promise. (as Dave) | |
| Zak Knutson | .... | the director would like to thank: For the hours of awesome "Train Wreck". (as Zack) | |
| Marty Kudelka | .... | the director would like to thank: For being Lords of the Dance. (as Marty) | |
| Aine Leicht | .... | acknowledgment | |
| Ken Leicht | .... | acknowledgment | |
| Jason Mewes | .... | special thanks | |
| Scott Mosier | .... | the director would like to thank: My true hetero life-mate and second-to-one soul-mate (as Scott) | |
| Brian O'Halloran | .... | the director would like to thank: For being the world's best straight man (as Brian) | |
| Scott Purcell | .... | the director would like to thank: For his brilliant art. (as Purcell) | |
| Derek Raser | .... | the director would like to thank: Wait a second... thank ME, bitch, for rarely having to move a truck this time. (as Razer X) | |
| Michael Rooney | .... | the director would like to thank: For being Lords of the Dance. (as Michael) | |
| Bob Rose | .... | additional thanks | |
| Dylan Sachse | .... | special thanks | |
| Jennifer Schwalbach Smith | .... | the director would like to thank: She who keeps my heart beating, and makes me appreciative and scared. And loved; always loved. (as Jenny) | |
| Josh Shanks | .... | thanks | |
| Harley Quinn Smith | .... | the director would like to thank: For being the spring in Dad's step. (as Harley) | |
| Byron Stanley | .... | the director would like to thank: For quietly having sex, and for keeping my life running smoothly. (as Byron) | |
| Gail Stanley | .... | the director would like to thank: For quietly having sex, and for keeping my life running smoothly. (as Gail) | |
| Tony Steinberg | .... | the director would like to thank: For keeping us on schedule. (as Tony) | |
| The Thapar | .... | special thanks | |
| Bob Weinstein | .... | the director would like to thank: For the cash, the green light, and the freedom. (as Bob) | |
| Harvey Weinstein | .... | the director would like to thank: For the cash, the green light, and the freedom. (as Harvey) | |
| Addison Wylie | .... | additional thanks | |
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| Clerks. | Knocked Up | Super Troopers | Go | Harold & Kumar Go to White Castle |
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This movie was everything I hoped it would be. It is especially (or maybe even primarily) for fans of Kevin Smith's "ViewAskewniverse". (And yes, it's in color...mostly.) Also, there was no subtitle...it was titled simply "CLERKS II"...no "the second coming" or "the passion of the CLERKS".
I don't want to hit any spoilers this soon before the movie comes out, but the general idea is that it is a "coming of age" story for the Gen X slackers, who finally in their 30s find themselves not having advanced very far in life, careers, personally or even in general (this is primarily Dante's role, anyway). He decides (due to some things beyond his control) to FINALLY move on, "grow up", get married and leave Leonardo New Jersey and its band of bad influences behind.
Randall, of course, is not so keen at his only friend leaving NJ, is perfectly happy living with his parents and doing as little as possible, and a good part of the movie is spent on Randall challenging Dante's decision and exploration of their friendship.
Now, this may sound like some kind of melodrama, BUT IT ISN'T!!! That basic story is weaved between the plot devices, smart dialogue and gritty or "pushing the limits" humor we come to expect from Kevin Smith.
There's Jay and Silent Bob of course, who have a mini-character arc/growth experience themselves, Jason Lee in with an all new character for one short scene (I think this is his 5th new character in Kevin's ViewAskew franchise), and Ben Affleck with a mercifully brief (one or two line) cameo. Jay and Bob's antics are always a great break from the other action, never an intrusion, even when they are TRYING to intrude, by making asses of themselves (literally) in the background of the primary action.
Plus, a couple of new characters, a crew member at Mooby's (a McDonald's type fast food joint) named Elias who is a very religious, naive counterpoint to Randall's ruthless and jaded personality, and therefore the butt of many jokes/gags. His and Randall's comments regarding "Lords of the Ring" vs "Star Wars" are priceless and vintage Kevin Smith.
Another new character, "Becky", is played by Rosario Dawson, who is the manager at the same restaurant. She plays the part of the good female friend who depends on Dante and challenges Dante to consider if he really wants to settle for a girl who is merely tolerable.
As with the first "CLERKS", this movie pushes the limit of what can be put on film and actually get released in theaters. I hope the more controversial parts make the final cut because I think the shock value that makes you say "NO THEY DIDN'T!" is a valuable part of the equation and expected from this film franchise. Without giving anything away, there are particularly two of the films ongoing jokes, one having to do with bestiality, the other in which some very NON-PC racial terms are used, REPEATEDLY, including the "N-word". No one else has the guts to address these issues and make them funny. 'Cept Kevin Smith.
Finally, the movie really does have a story without being preachy, we're treated to known characters without it being a nostalgia-fest (for instance, Jay and Bob are in their signature places in front of the Quick Stop, but Jay utters not once "Snootchie Bootchies"...but not to fear, he finds a NEW way to crack us up...Bob's discovered a way to keep Jay's mind off of drugs. Fans of Jay will NOT be disappointed.)And the movie goes through an interesting story arc, with surprises and twists resulting in a satisfying ending.
I'm concerned that the more risqué scenes might have to be neutered for ratings' purposes; hopefully not. If so, they will be on the DVD for sure. I can say that even in very conservative KC, the audience laughed A lot, no one walked out during the most "offensive" part, and everyone seemed to really enjoy the edgy wit, smart dialogue as well as the bathroom humor that kept the film at a fun pace.
*EDIT-I've since read that 3 people walked out, which isn't bad from an audience of nearly 500 and with a movie this edgy. I guess I was enjoying myself too much to notice the walkouts!
The movie is also more realistic than some of the other View Askew movies; more like Clerks, obviously. None of the comic book type stunts like in "Mallrats" (Silent Bob's batman utility belt and flying around with a cape) or "Jay and Silent Bob Strike Back" (with the fake lightsaber scenes and flying on the bicycle through a wall and not getting hurt) or all the special effects,mythology and divine interventions of "Dogma" (Alanis Morisette as God appearing at the end to save the world). There are no scenes to groan at and think "ah, right, like that could happen". These characters are real, and real things happen to them, no special abilities, creatures from the underworld or new age messiahs. Just real people that many of us can relate to.
In closing...don't take your grandmother to this movie. It is full of obscene language, profane concepts, drug references, "unnatural" sexual references, etc. Unless you know your girlfriend is hip and not easily offended, test her with a DVD of "CLERKS" first to see if she "gets" the humor.
Otherwise, get a gang of friends, go to this movie and get ready to laugh your freakin' BUTT off!