A Cock and Bull Story (2005)

User Rating:

6.9/10   

Director:

Michael Winterbottom

Writers:

Laurence Sterne (novel)
Frank Cottrell Boyce (screenplay)

Release Date:

20 January 2006 (UK)

Genre:

Comedy

Tagline:

Because everyone loves an accurate period piece.

Plot:

Director Michael Winterbottom (Northam) attempts to shoot the adaptation of Laurence Sterne's essentially unfilmable novel, "The Life and Opinions of Tristram Shandy, Gentleman."

Plot Keywords:

Split Screen | Interview | Baby | Teeth | Midwife

Awards:

2 wins & 12 nominations

Cast

Steve Coogan	...	Tristram Shandy / Walter Shandy / Steve Coogan
Rob Brydon	...	Capt. Toby Shandy / Rob Brydon
Keeley Hawes	...	Elizabeth
Shirley Henderson	...	Susannah
Raymond Waring	...	Trim
Conal Murphy	...	Young Tristram Shandy - Age 6
Joe Williams	...	Young Tristram Shandy - Age 9
Paul Kynman	...	Obadiah
Mark Tandy	...	London Doctor
Mary Healey	...	Midwife
Dylan Moran	...	Dr. Slop
Jack Shepherd	...	Surgeon
David Walliams	...	Parson
Jeremy Northam	...	Mark
Benedict Wong	...	Ed

Also Known As:

Tristram Shandy (UK) (working title)
Tristram Shandy: A Cock and Bull Story (USA)

MPAA:

Rated R for language and sexual content.

Runtime:

94 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:R | Ireland:15A | UK:15 | Argentina:16 | Sweden:Btl | Finland:K-11 | Singapore:M18 | Canada:14A (Ontario) | Australia:M

Filming Locations:

Blickling Hall, Blickling, Norfolk, England, UK

Company:

BBC Films

Trivia:

The film features several pieces of music by Nino Rota from the Federico Fellini film 8½ (1963), which is also about frustrated efforts to make a movie.

Quotes:

Steve Coogan: This is a postmodern novel before there was any modernism to be post about.

Movie Connections:

References Schatten der Engel (1976)

Soundtrack:

Unknown Waltz

Film version of a possibly unfilmable--some might say unreadable--novel

Just saw this at the New York Film Festival, where it was met with the wild enthusiasm and raucous laughter it so fully deserves.

I intentionally avoided reading any reviews before I went, as I was so curious to see how Winterbottom (whose "24-Hour Party People" I had loved) would approach this bear of a book.

The film begins with the two stars getting made-up and chatting about the size of their roles and the color of their teeth (the actors, who appeared with Winterbottom in the post-screening Q&A at the festival, assured the audience that this opening scene, as well as their conversation over the end credits, was completely improvised). The scene shifts to Tristram Shandy beginning the narration of his life with an anecdote about Groucho Marx--and proceeds to go wild from there.

The cast is made up of some of the finest actors in British television--apart from the two leads, Dylan Moran of "Black Books" and David Walliams of "Little Britain" appear, as well as Stephen Fry, Shirley Henderson, and a host of others, including a splendid turn by Keeley Hawes in a role that consists of little more than labor pains and screaming--and one American: Gillian Anderson in a couple of wonderful scenes, one as herself and the other as the Widow Wadman.

As one of the actors observes in the film, Laurence Sterne had written "a post-modern novel before modernism had even been invented," and Winterbottom honors that admirably.