| Photos (see all 73 | slideshow) | Videos |
Directed by | |||
| Steven Shainberg | |||
Writing credits(WGA) | ||
| Erin Cressida Wilson | (written by) | |
| Patricia Bosworth | (book "Diane Arbus") | |
Produced by | |||
| Laura Bickford | .... | producer | |
| Patricia Bosworth | .... | co-producer | |
| Gerry Robert Byrne | .... | co-producer | |
| Alessandro Camon | .... | executive producer | |
| Vincent Farrell | .... | co-producer (as Vincent D. Farrell III) | |
| Andrew Fierberg | .... | producer | |
| William Pohlad | .... | producer | |
| Edward R. Pressman | .... | executive producer | |
| Michael Roban | .... | executive producer | |
| Mary Jane Skalski | .... | co-producer | |
| Bonnie Timmermann | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Bill Pope | (director of photography) | ||
Film Editing by | |||
| Kristina Boden | |||
| Keiko Deguchi | |||
Casting by | |||
| Ellen Parks | |||
Production Design by | |||
| Amy Danger | |||
Art Direction by | |||
| Nick Ralbovsky | |||
Set Decoration by | |||
| Carrie Stewart | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Kate Biscoe | .... | special makeup effects artist: Robert Downey Jr. | |
| Justin Ditter | .... | makeup effects crew: Stan Winston Studio (as Justin Gerard Ditter) | |
| Robert Fama | .... | key hair stylist | |
| Connie Grayson | .... | makeup effects crew: Stan Winston Studio (as Connie Criswell) | |
| Gudrun Halt | .... | hair stylist (as Gudi Holt) | |
| Wayne Herndon | .... | hair stylist: Ms. Kidman | |
| Audrey Klein | .... | makeup effects crew: Stan Winston Studio | |
| Todd Kleitsch | .... | special makeup effects artist: Robert Downey Jr. | |
| Rachel Levieux | .... | makeup effects crew: Stan Winston Studio | |
| Shane Mahan | .... | makeup effects supervisor: Stan Winston Studio | |
| Robert McCann | .... | hair stylist: Ms. Kidman | |
| Robert McCann | .... | makeup artist: Ms. Kidman | |
| Evelyne Noraz | .... | assistant makeup artist | |
| Kyra Panchenko | .... | makeup artist: Ms. Kidman | |
| Jackie Payne | .... | additional hair stylist (as Jacqueline Payne) | |
| Joe Pepe | .... | makeup effects crew: Stan Winston Studio | |
| James Sarzotti | .... | key makeup artist | |
| Khanh Trance | .... | hair effects: Stan Winston Studio | |
| Khanh Trance | .... | makeup effects crew: Stan Winston Studio | |
| Kerry Warn | .... | hair designer: Ms. Kidman | |
| Amanda Ross | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Adam Brightman | .... | unit production manager | |
| Gerry Robert Byrne | .... | post-production supervisor | |
| Meryl Emmerton | .... | production supervisor | |
| Philip Farha | .... | post-production supervisor | |
| Paul Leonardo Jr. | .... | post-production supervisor (as Paul Leonardo) | |
| Karen Lawler | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Matthew Amenta | .... | shop production assistant (as Matthew C. Armenta) | |
| James Bono | .... | set dresser | |
| Russell Bullock | .... | camera scenic artist | |
| Peter Bundrick | .... | construction foreman (as Pete Bundrick) | |
| Fredrik Carlström | .... | photo project manager (as Frederick Carlstrom) | |
| Gary Cergol | .... | art department coordinator | |
| Len Clayton | .... | production designer: reshoots | |
| Dominick Cocuzzo | .... | construction grip | |
| Pat Cocuzzo | .... | construction grip | |
| Ben Conable | .... | graphic artist (as Benjamin Conable) | |
| Maus Drechsler | .... | assistant property master (as Ana Katharina Drechsler) | |
| William Egan | .... | construction grip | |
| Joan Finley | .... | set dresser (as Joan Finlay) | |
| Todd Fjelsted | .... | art director: second unit | |
| Peter Gelfman | .... | property master | |
| Charles Gonzales | .... | scenic | |
| Alex Gorodetsky | .... | charge scenic artist | |
| W. Steven Graham | .... | assistant art director (as Steve Graham) | |
| Tim Grimes | .... | assistant property master | |
| Christopher Hébel | .... | scenic artist (as Christopher Hebel) | |
| Richard Hebrank | .... | construction coordinator | |
| Jay Hendrickx | .... | scenic artist | |
| John House | .... | construction grip | |
| Jeffrey Jirgal | .... | construction grip (as Jeff Jirgal) | |
| Thomas Jirgal | .... | second construction grip (as Thomas 'Casey' Jirgal) | |
| Mark Klien | .... | construction grip | |
| Austin Lovell | .... | construction coordinator: second unit | |
| Brick Mason | .... | storyboard artist | |
| Robin McAllister | .... | assistant property master (as Robin Voth) | |
| Nicolay Mikushkin | .... | scenic artist | |
| Michael Miller | .... | key construction grip | |
| Victor Morales | .... | scenic artist | |
| Brendan O'Rourke | .... | shop production assistant | |
| Joel Ossenfort | .... | scenic artist | |
| Tricia Peck | .... | p.a. | |
| Edward Pisoni | .... | assistant art director | |
| J.B. Popplewell | .... | art department coordinator: second unit | |
| Kristen Rajterowski | .... | art director: third unit | |
| John Ralbovsky | .... | scenic artist (as John A. Ralbovsky) | |
| Daniel Rosenfeld | .... | scenic shopman | |
| Rich Rose | .... | construction grip | |
| Adam Scher | .... | assistant art director | |
| Ari David Schwartz | .... | on-set dresser (as Ari Schwartz) | |
| Lee Shevett | .... | construction grip | |
| Bruce Swanson | .... | set dresser | |
| Dick Tice | .... | lead man | |
| Tom Warren | .... | assistant art director | |
| Bradley Weinrieb | .... | art department production assistant | |
| Christopher Weiser | .... | scenic artist | |
| Kevin Williams | .... | construction grip | |
| Tomas Zeman | .... | art department production assistant | |
| Jessica Panuccio | .... | set dresser (uncredited) | |
Sound Department | |||
| Julie Altus | .... | adr recordist | |
| Coll Anderson | .... | sound re-recording mixer | |
| Carlie Bergman | .... | adr recordist | |
| David Boulton | .... | adr mixer | |
| Brian Bowles | .... | sound mix assistant | |
| Kam Chan | .... | supervising foley editor | |
| Laura Civiello | .... | dialogue editor | |
| Marko A. Costanzo | .... | foley artist | |
| Chris Fielder | .... | transfer assistant | |
| Eugene Gearty | .... | sound designer | |
| Frank Graziadei | .... | boom operator | |
| Ruth Hernandez | .... | adr editor | |
| Harry Higgins | .... | sound re-recordist | |
| Paul Hsu | .... | sound effects editor | |
| Bobby Johanson | .... | adr mixer | |
| Frank Kern | .... | foley editor | |
| Marissa Littlefield | .... | supervising adr editor | |
| Tommy Louie | .... | cable person | |
| Tommy Louie | .... | second boom operator | |
| Douglas Murray | .... | adr mixer | |
| Tom Nelson | .... | sound mixer | |
| Alex Raspa | .... | adr mixer: New York | |
| Fred Rosenberg | .... | dialogue editor | |
| Jac Rubenstein | .... | foley editor | |
| Chris Stangroom | .... | assistant adr recordist | |
| Serge Stanley | .... | apprentice sound editor | |
| Greg Steele | .... | adr mixer | |
| Reilly Steele | .... | sound re-recording mixer | |
| Sara Stern | .... | apprentice sound editor | |
| Dean St. John | .... | adr mixer: Los Angeles | |
| Philip Stockton | .... | dialogue editor (as Phil Stockton) | |
| Larry Wineland | .... | first assistant sound editor | |
| Lila Yomtoob | .... | assistant adr editor | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Jeff Brink | .... | special effects: tub & pool | |
| J.C. Brotherhood | .... | special effects coordinator (as JC Brotherhood) | |
| Damian Fisher | .... | mold maker | |
| Kathy Kane-Macgowan | .... | key hair effects | |
| Lindsay MacGowan | .... | effects coordinator: Stan Winston Studio | |
Visual Effects by | |||
| Sonya Akopyan | .... | art director: Look Effects Inc. | |
| Adam Avitabile | .... | Flame artist: Look Effects Inc. | |
| Randall Balsmeyer | .... | visual effects supervisor: Big Film Design Inc. | |
| Myla Bareng | .... | data technician | |
| Ella Boliver | .... | roto artist | |
| Karen M. Boyle-Anastasio | .... | digital conformation (as Karen Boyle-Anastasio) | |
| J. John Corbett | .... | digital compositor: Big Film Design Inc. | |
| J. John Corbett | .... | visual effects designer: Big Film Design Inc. | |
| Haven Cousins | .... | color correction and effects: Heavylight Inc. | |
| Bruce Ferris | .... | imaging supervisor | |
| Henrik Fett | .... | visual effects supervisor: Look Effects Inc. (as Henrik R. Fett) | |
| Trey Freeman | .... | digital compositor: Technicolor Creative Services LA | |
| Buddy Gheen | .... | visual effects | |
| Doug Gibbs | .... | imaging supervisor | |
| Scott Gregory | .... | digital film colorist | |
| Chris Halstead | .... | digital compositor: Big Film Design | |
| Joshua Jordan | .... | digital compositor: Technicolor Creative Services LA | |
| John Kelly | .... | digital restoration | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Justin M. Lane | .... | visual effects producer: MassMarket (as Justin Lane) | |
| Robert Luttrell | .... | film projection producer: Heavylight Inc. | |
| Joseph C. Pepe | .... | conceptual artist: Stan Winston Studio | |
| Josh Pines | .... | visual effects color imaging research and development (as Joshua Pines) | |
| Rebecca Ramsey | .... | visual effects producer: Look Effects Inc. | |
| Fabio Sanchez | .... | dailies colorist | |
| Jonathan Sims | .... | visual effects production assistant: Look Effects Inc. | |
| Chris Staves | .... | Flame artist: MassMarket | |
| Caoilfhionn Sweeney | .... | visual effects producer: Technicolor Creative Services LA | |
| Joe Vitale | .... | junior Flame artist: MassMarket | |
Stunts | |||
| Norman Douglass | .... | stunt double: Lionel | |
| Cort Hessler | .... | stunt coordinator | |
| Todd Robbins | .... | stunts: swords | |
| Shawnna Thibodeau | .... | stunt double: Diane | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting (as Karen Etcoff) | |
| Luis Garcia | .... | casting assistant | |
| Amelia Rasche | .... | casting associate | |
| Emily Reutlinger | .... | casting assistant | |
| Bill Tripician | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Denise Andres | .... | additional costumer: Ms. Kidman | |
| Susan Bakula | .... | costume shop supervisor | |
| Ariel Bowman | .... | costume production assistant | |
| Susan Carrano | .... | assistant costume designer | |
| Danajean Cicerchi | .... | additional costumer | |
| Trenee Clayton | .... | on-set costumer | |
| Barbara Hause | .... | wardrobe supervisor (as Barbara J. Hause) | |
| Mike Kudra | .... | consultant: fur | |
| Fionnuala M. Lynch | .... | costumer: Ms. Kidman (as Fionnuala Lynch) | |
| Diana Pappas | .... | costume production assistant | |
| Jennifer Rogien | .... | costume assistant | |
Editorial Department | |||
| Jim Finn | .... | optical negative supervisor | |
| Richard Haylock | .... | on-line effects editor | |
| William Henry | .... | first assistant editor (as Bill Henry) | |
| Andy Kaplan | .... | digital intermediate producer | |
| Kelly Kendrick | .... | editing intern | |
| Chris Molinaro | .... | post-production coordinator | |
| Nick Olson | .... | post-production assistant | |
| Shelby Siegel | .... | additional assistant editor | |
| Lance Spindler | .... | color timer | |
| Aidan Stanford | .... | color timer | |
| Matt Woo | .... | on-line effects editor | |
| Christian Zak | .... | digital intermediate producer | |
Music Department | |||
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| David Charles | .... | musician: percussion | |
| Michael Farrow | .... | music scoring mixer | |
| Tony Finno | .... | music preparation | |
| Gordon Gottlieb | .... | musician: percussion | |
| Jim Hynes | .... | musician: trumpet | |
| Todd Kasow | .... | music editor | |
| Soo Hyun Kwon | .... | musician: violin | |
| Adriana Marinescu | .... | music copyist | |
| William Mays | .... | musician: piano and celeste (as Bill Mays) | |
| Emily Mitchell | .... | musician: harp | |
| Eileen Moon | .... | musician: cello | |
| Phil Myers | .... | musician: french horn | |
| Richard O'Neill | .... | musician: viola | |
| John Palatucci | .... | musician: bass | |
| Dean Parker | .... | assistant to composer | |
| Sandra Park | .... | music contractor | |
| Sandra Park | .... | musician: violin | |
| Joe Passaro | .... | musician: percussion | |
| Shawn Pelton | .... | musician: drums | |
| Robert Rinehart | .... | musician: viola | |
| Roger Rosenberg | .... | musician: baritone sax | |
| Beth Rosenblatt | .... | music supervisor (as Beth Amy Rosenblatt) | |
| Andrew Snitzer | .... | musician: tenor sax (as Andy Snitzer) | |
| Alan J. Stepansky | .... | musician: cello (as Alan Stepansky) | |
| David Torn | .... | musician: guitar | |
| Martin Wind | .... | musician: bass | |
| Sharon Yamada | .... | musician: violin | |
Transportation Department | |||
| Rudy Arietta | .... | driver: set dressing | |
| Michael Buonocore | .... | driver | |
| Robert Collins | .... | driver: set decoration | |
| William Curtin | .... | driver (as William E. Curtin Jr.) | |
| Robert Featherstone | .... | driver helper: set dressing | |
| Nick Grzan | .... | driver: Robert Downey Jr. | |
| Edward Iacobelli | .... | transportation captain (as Eddie Iacobelli Sr.) | |
| Edward Iacobelli | .... | transportation co-captain | |
| John Lalor | .... | driver: Nicole Kidman | |
| Frank Sanpietro | .... | driver (as Frank M. Sanpietro) | |
Other crew | |||
| Bill Ahern | .... | key production assistant | |
| Julia Alexander | .... | legal counsel: River Road Productions | |
| Cynthia Allen | .... | photograph clearances | |
| Matthew Amenta | .... | production assistant | |
| Tara Andrus | .... | first assistant accountant | |
| Adam Auslander | .... | stand-in: Robert Downey Jr. | |
| Sophia Barricelli | .... | adr loop group | |
| Steve Beauchamp | .... | adr loop group | |
| Adam Bernard | .... | set production assistant (as Adam N. Bernard) | |
| Leigh Anne Bowles | .... | assistant: Mr. Bickford | |
| Steve Boyle | .... | post-production accountant | |
| Frank Cattano | .... | location assistant | |
| David Chambers | .... | location assistant | |
| Wendy Cohen | .... | product placement | |
| Kate Danson | .... | adr loop group | |
| Leslee Dart | .... | publicist | |
| Felicity Donarski | .... | accountant: River Road Productions | |
| David Dreishpoon | .... | craft service | |
| Jessica Ecklund | .... | adr loop group | |
| Kelly Evans | .... | caterer | |
| Joseph Fatale | .... | adr loop group | |
| Kerin Ferallo | .... | production office coordinator | |
| Rebecca Fulton | .... | additional script supervisor | |
| Nicholas J. Giangiulio | .... | adr loop group | |
| Andy Gilbert | .... | caterer | |
| Andrew Goodman | .... | office production assistant | |
| Mitch Greenberg | .... | adr loop group | |
| Tracey Grimes | .... | executive: Technicolor Creative Services | |
| Joe Guest | .... | location assistant | |
| Lauren Guilmartin | .... | set production assistant (as Lauren Kells Guilmartin) | |
| Thalia Harithas | .... | additional set production assistant | |
| Steven Hora | .... | assistant: Ed Pressman and Alessandro Camon | |
| Jonathan Hova | .... | adr loop group | |
| Ray Iannicelli | .... | adr loop group | |
| Sondra James | .... | loop group coordinator | |
| Judy Jenson | .... | adr loop group | |
| Hollis McConnell Jones | .... | lead stand-in: Nicole Kidman (as Hollis M. Jones) | |
| Brian Kane | .... | production office intern | |
| Sherman Kaplan | .... | immigration lawyer | |
| Jeff Kay | .... | consultant: vintage photographs, Lens and Repro | |
| Cami Kinahan | .... | legal counsel: River Road Productions | |
| Christina D. King | .... | production secretary (as Christy King) | |
| Francine Lecoultre | .... | mask designer | |
| Angela C. Lee | .... | assistant production office coordinator | |
| James D. Lee | .... | location manager | |
| Thomas K. Lee | .... | set production assistant | |
| Robert A. Levine | .... | unit publicist (as Rovert Levine) | |
| Rosalind Lichter | .... | production legal | |
| Brendan MacDevette | .... | production assistant | |
| Randy Manion | .... | assistant location manager | |
| Kate Maré | .... | dialect coach: Ms. Kidman | |
| Kathryn Markey | .... | adr loop group | |
| Jolynn Martin | .... | assistant: Mr. Pohlad | |
| Paul Mastroianni | .... | set production assistant | |
| Marcus Maurice | .... | adr loop group | |
| David M. McGuire | .... | location assistant (as David McGuire) | |
| Kelsey Miller | .... | production intern | |
| Stephen Monas | .... | legal counsel: River Road Productions | |
| Melissa Mugavero | .... | set production assistant | |
| Patrick Murray | .... | set production assistant | |
| Bobby Nieves | .... | caterer (as Bobby Nievez) | |
| Julia Ryan Novack | .... | adr loop group | |
| Sean Oliver | .... | adr loop group | |
| Nicole Papincak | .... | legal counsel: River Road Productions | |
| Ellen Parks | .... | acting coach: children | |
| Derek Pastures | .... | parking coordinator | |
| Wayne Petrucelli | .... | security: Ms. Kidman | |
| Diego Pina | .... | craft service | |
| Andee Radu | .... | set production assistant | |
| Sarah Ramey | .... | assistant to producer | |
| Max Reimarts | .... | financial officer: River Road Productions | |
| Michael A. Rizzo | .... | office production assistant (as Michael Rizzo) | |
| Christina I. Rodriguez | .... | production assistant | |
| Jennifer Rogien | .... | assistant: Mr. Shainberg | |
| Matt Rosen | .... | legal counsel: River Road Productions | |
| Amy Russell | .... | rights clearances | |
| Kris Schackman | .... | location assistant | |
| Reyna Shaskan | .... | adr loop group | |
| Luke Tomalin Sherman | .... | production intern | |
| Loren Sklar | .... | set production assistant | |
| Jeannine Sloane | .... | production intern | |
| Eric J. Sonntag | .... | production assistant (as Eric Sonntag) | |
| John Spady | .... | location assistant | |
| Missy Stertzbach | .... | tutor | |
| Rose Stockton | .... | adr loop group | |
| Julio Torres | .... | craft service | |
| Mamta Trivedi | .... | assistant: Mr. Fierberg | |
| Priti Trivedi | .... | additional set production assistant | |
| Elizabeth Verghese | .... | production accountant | |
| Steve Vincent | .... | assistant: Ms. Timmermann | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Dan Walton | .... | payroll accountant (as D'Dan Walton) | |
| Lindsay Wasserberger | .... | assistant: Mr. Shainberg | |
| Annie Welles | .... | script supervisor | |
| Aidan Williams | .... | development executive | |
| Lawrence S. Yudess | .... | immigration lawyer | |
| Christian Zak | .... | producer: Technicolor | |
| Tasha Zamsky | .... | animal handler | |
| Jared Cauliffe | .... | set production assistant (uncredited) | |
| Jessica Plautz | .... | production intern (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
Thanks | |||
| Robert McCann | .... | in loving memory: Ms. Kidman's performance is dedicated to | |
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| City of Shoulders and Noses | Across the Universe | The Howling | Synecdoche, New York | Love Is the Devil: Study for a Portrait of Francis Bacon |
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I saw Fur this afternoon. I went to the 1:30 pm matinée and we were only three in the theater. That's OK I felt like it was a private showing. From the very start of the making this film, the whole story got my attention, more than any other. It wasn't simply an opportunity to see Robert work it was my kind of film. I love the unusual, the weird, the unique and all of these elements were in this film. When Lionel tells Diane that he's "been waiting for a real freak" I knew just what he meant. Diane has been forbidding her own self to be true and she suffers from it. Lionel is her liberator, it's a love story of the most spiritual kind since " there are only two sins; the first is to interfere with the growth of another human being, and the second is to interfere with one's own growth." I thought the chemistry between Nicole and Robert was right on, both of them being seekers of truth. If you believe that the eyes are windows to your soul then you will be unable to take your eyes off the screen. Their journey is in their eyes you see in them the curiosity, the fascination, the fear, the pain, the joy, the love and finally the liberation of their souls. When the photograph is finally taken, Robert has your heart in his hands. If any of you have gone through that "soul transformation" experience, you will recognize it. If not, it's still a great fairy tale.
I love the sets, the music and the photography because they served the story so well. And all I have to say about the love scene is Oh. My. God. This is a film I want to see again, and again.
As for the mix reviews, maybe, just maybe, if they had not used Diane Arbus' name, the critics would have been kinder and they would have been willing to have more of an open mind. The writer and director used Arbus' claim to fame to explore the spark, the birth if you will of creativity. In any case, those who got it loved it and those who did not get it, smothered it. I guess I don't have to tell you I loved it.