| Photos (see all 24 | slideshow) | Videos (see all 12 NEW) |
| Thur. Nov. 12 | 3:10 PM | MAX | |||
| Sun. Nov. 22 | 4:10 AM | MAX |
| Jordana Brewster | ... | Chrissie | |
| Taylor Handley | ... | Dean | |
| Diora Baird | ... | Bailey | |
| Matthew Bomer | ... | Eric (as Matt Bomer) | |
| R. Lee Ermey | ... | Sheriff Hoyt | |
| Andrew Bryniarski | ... | Thomas Hewitt / Leatherface | |
| Lee Tergesen | ... | Holden | |
| Terrence Evans | ... | Monty | |
| Kathy Lamkin | ... | Tea Lady | |
| Marietta Marich | ... | Luda Mae | |
| L.A. Calkins | ... | Sloane (as Leslie Calkins) | |
| Tim De Zarn | ... | Supervisor (as Tim deZarn) | |
| Allison Marich | ... | Young Luda Mae | |
| Marcus H. Nelson | ... | Lackey (as Marcus Nelson) | |
| Lew Temple | ... | Sheriff Winston | |
| Cyia Batten | ... | Alex | |
| rest of cast listed alphabetically: | |||
| Emily Kaye | ... | Biker Chick (uncredited) | |
| John Larroquette | ... | Narrator (voice) (uncredited) | |
Directed by | |||
| Jonathan Liebesman | |||
Writing credits(WGA) | ||
| Sheldon Turner | (screenplay) | |
| Sheldon Turner | (story) and | |
| David J. Schow | (story) | |
Produced by | |||
| Jeffrey Allard | .... | executive producer | |
| Michael Bay | .... | producer | |
| Toby Emmerich | .... | executive producer | |
| Mike Fleiss | .... | producer | |
| Andrew Form | .... | producer | |
| Bradley Fuller | .... | producer (as Brad Fuller) | |
| Kim Henkel | .... | producer | |
| K.C. Hodenfield | .... | co-producer | |
| Tobe Hooper | .... | producer | |
| Robert Kuhn | .... | executive producer (as Robert J. Kuhn) | |
| Alma Kuttruff | .... | co-producer | |
| Mark Ordesky | .... | executive producer | |
| Guy Stodel | .... | executive producer | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Lukas Ettlin | (director of photography) | ||
Film Editing by | |||
| Jonathan Chibnall | |||
| Jim May | |||
| Joel Negron | (co-editor) | ||
Casting by | |||
| Lisa Fields | |||
Production Design by | |||
| Marco Rubeo | |||
Art Direction by | |||
| John Frick | |||
Set Decoration by | |||
| Randy Huke | |||
Costume Design by | |||
| Marian Ceo | |||
Makeup Department | |||
| Troy Breeding | .... | key makeup artist | |
| Jake Garber | .... | key special makeup effects artist | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group | |
| Paul Molnar | .... | pre-production artist | |
| Kelly Nelson | .... | department head hair | |
| Gregory Nicotero | .... | special makeup supervisor (as Greg Nicotero) | |
| Carla Palmer | .... | makeup department head (as Carla E. Palmer) | |
| Frank Parrish | .... | key hair stylist (as Frank D. Parrish) | |
| Kevin Wasner | .... | special effects makeup technician | |
| Aimee Macabeo | .... | special effects hair: K.N.B. FX (uncredited) | |
Production Management | |||
| Alma Kuttruff | .... | production manager | |
| Tim Pedegana | .... | post-production supervisor | |
| Lowell Rottenberg | .... | post-production manager | |
Sound Department | |||
| Robert Althoff | .... | sound recordist | |
| Christopher Assells | .... | sound effects editor | |
| Gregg Barbanell | .... | foley artist | |
| Ron Bedrosian | .... | adr mixer | |
| Stacy Brownrigg | .... | production sound mixer | |
| Eddie Bydalek | .... | sound mix technician | |
| Kerry Ann Carmean | .... | sound effects editor | |
| Julio Carmona | .... | adr recordist | |
| Thadd Day | .... | boom operator | |
| Victor Ray Ennis | .... | foley editor | |
| Marc Fishman | .... | sound re-recording mixer | |
| Shawn Harper | .... | cable person | |
| Chris Hogan | .... | dialogue editor | |
| Daniel S. Irwin | .... | dialogue editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Michael Kamper | .... | sound effects editor | |
| Ben Lazard | .... | boom operator: second unit | |
| Diane Marshall | .... | foley artist | |
| Kelly Oxford | .... | supervising sound editor | |
| Alan Rankin | .... | supervising sound editor | |
| Pieter A. Schlosser | .... | assistant: Steve Jablonsky | |
| David Stanke | .... | first assistant sound editor | |
| Lucy Sustar | .... | foley mixer | |
| Karen Vassar | .... | sound editor | |
Special Effects by | |||
| Michael Ahasay | .... | special effects foreman | |
| Sebastien Caillabet | .... | fabricator | |
| David J. Chamerski | .... | special effects technician | |
| John Cluff | .... | special effects assistant | |
| Ryan Evans | .... | special effects | |
| Stanford Gilbert | .... | special effects technician | |
| Grady Holder | .... | puppeteer | |
| Vicki V. Johnson | .... | special effects medic | |
| Frank Krenmuller | .... | special effects technician | |
| John Millinac | .... | special effects director | |
| Gregory Nicotero | .... | puppeteer | |
| Andy Schoneberg | .... | special makeup effects artist | |
| Lino Stavole | .... | special effects makeup technician: mold department, K.N.B Effects Group | |
| Patricia Urias | .... | special effects: foam department | |
| Kevin Wasner | .... | puppeteer | |
| Jenny Wallace | .... | special effects assistant coordinator: K.N.B. EFX Group Inc. (uncredited) | |
Visual Effects by | |||
| Des Carey | .... | digital intermediate producer | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Sean Coonce | .... | digital artist: Digital Domain | |
| Shelley Larocca Courte | .... | 3D animation artist: Digital Domain | |
| Lee Croft | .... | digital paint & rotoscope lead: Digital Domain | |
| Michael Early | .... | digital coordinator | |
| Scott Edelstein | .... | 3D animation artist: Digital Domain | |
| Steven Fagerquist | .... | digital compositor | |
| Saeed Faridzadeh | .... | digital artist | |
| Antonio Freire | .... | production accountant | |
| Anne Hall | .... | color & lighting technical director | |
| Lyndal Heathwood | .... | digital artist | |
| Elizabeth Hitt | .... | senior digital effects editor | |
| Holly Gregory Horter | .... | digital paint & rotoscope lead: Digital Domain | |
| Michelle Jacobs | .... | visual effects coordinator | |
| David James | .... | visual effects producer: Digital Domain | |
| James Kuroda | .... | digital compositor: Digital Domain | |
| Bonnie Lemon | .... | visual effects producer: Digital Domain | |
| Michael Liv | .... | dustbuster: Digital Domain | |
| Jo Lockman | .... | scanning and recording operator: Digital Domain | |
| Dave Lockwood | .... | compositor: Digital Domain | |
| Nathan McGuiness | .... | senior visual effects supervisor | |
| Stephan Pilon Lectez | .... | digital compositor: Digital Domain | |
| Kelly Port | .... | visual effects supervisor | |
| Gerald Ragland | .... | digital intermediate support colorist | |
| Olivier Sarda | .... | digital compositor: Digital Domain | |
| Christopher Savides | .... | color grader | |
| Bill Schaeffer | .... | digital roto/paint artist: Digital Domain | |
| Som Shankar | .... | 3D animation artist: Digital Domain | |
| Jarom Sidwell | .... | visual effects production assistant | |
| Kristen Swanson | .... | dustbuster: Digital Domain | |
| Marc Varisco | .... | visual effects supervisor | |
| Scott Vosbury | .... | digital paint & rotoscope artist: Digital Domain | |
| Keith Weilmuenster | .... | digital roto/paint artist: Digital Domain | |
| Debra Wolff | .... | visual effects editor | |
| Niki Yoblonski | .... | digital roto/paint artist: Digital Domain | |
| Amanda Hampton | .... | pipeline engineer (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunt double | |
| Kenny Bates | .... | stunt consultant | |
| Kurt Bryant | .... | stunt coordinator | |
| Joe Bucaro III | .... | stunt driver | |
| Stacey Carino | .... | stunt double: Jordana Brewster | |
| Brian Christensen | .... | stunt performer | |
| Mark Ginther | .... | stunt double | |
| Charles Grisham | .... | stunt biker | |
| Dick Hancock | .... | stunt double | |
| Dick Hancock | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Henry Kingi | .... | stunt biker | |
| Eric Matuschek | .... | stunts | |
| Jeff Schwan | .... | stunts | |
| Myke Schwartz | .... | stunt driver | |
| Eileen Weisinger | .... | stunt double | |
| Ethan Rosenberg | .... | stunts (uncredited) | |
Casting Department | |||
| John Barba | .... | casting associate | |
| Sally Jackson | .... | casting: Texas | |
| Marisa Ross | .... | casting associate | |
Costume and Wardrobe Department | |||
| Nyima Johnston | .... | costumer | |
| Kathy Kiatta | .... | costume supervisor | |
| Elspeth Lauder Mickel | .... | seamstress (as Elspeth Lauder Michel {surname misspelled}) | |
| Leeann Radeka | .... | key costumer | |
| Stephanie A. Steel | .... | set costumer | |
Editorial Department | |||
| Des Carey | .... | digital intermediate producer | |
| Dylan Carter | .... | on-line editor | |
| Peter Gvozdas | .... | first assistant editor | |
| Missy Papageorge | .... | digital intermediate producer | |
| Ashley Seitz | .... | post-production assistant | |
| Stefan Sonnenfeld | .... | colorist | |
| Rob Doolittle | .... | senior on-line editor (uncredited) | |
| Mark T. Osborne | .... | additional colorist (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
| Jimmy Tom | .... | assistant colorist (uncredited) | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Music Department | |||
| Bob Bowen | .... | music executive | |
| Anthony Cordova | .... | music consultant | |
| Jonathan Flood | .... | composer: additional music | |
| Danail Getz | .... | orchestrator | |
| Benoit Grey | .... | orchestrator | |
| Simon James | .... | music contractor | |
| Penka Kouneva | .... | orchestrator | |
| Kory Kruckenberg | .... | score assistant engineer | |
| Joe Lisanti | .... | music editor: temp music | |
| Tracy McKnight | .... | music consultant | |
| Alan Meyerson | .... | music scoring mixer | |
| Jennifer Nash | .... | music editor | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | music contractor | |
| Brian Valentino | .... | score assistant engineer | |
| Mel Wesson | .... | ambient music designer | |
| John Finklea | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Monica Allen | .... | driver | |
| Kate Bowie | .... | driver | |
| Dwight Cary | .... | driver | |
| Charles Coulter | .... | transportation co-captain | |
| Sam Craytor | .... | driver: honeywagon | |
| Joe Gallien | .... | driver | |
| Gregg Hitch | .... | driver | |
| Mike Hitch | .... | mechanic | |
| Joseph Lockwood | .... | driver | |
| Gwendalane Ramos | .... | transportation secretary | |
| Tara Reimers | .... | driver | |
| Hector G. Rodriguez | .... | driver | |
| Charles D. Russell | .... | driver | |
| Phil Schriber | .... | transportation coordinator | |
| Bobby Sconci | .... | driver | |
| Joe Self | .... | driver | |
| Butch Themer | .... | driver | |
| Marti Wells | .... | transportation captain | |
| Steven Willhoite | .... | driver: production van | |
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| The Texas Chainsaw Massacre | The Hills Have Eyes | Friday the 13th | The Devil's Rejects | Saw III |
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I've been a Texas chainsaw fanatic since i saw the original (when i was about 8) and all the sequels obviously tried hard (except the one with Bridget Jones in which was an utter waste of time) but ultimately failed to be worthy of following up such a classic. the remake was OK, it looked great and had some quality violence but didn't really hit the spot.
but when i had finished watching this one (a prequel to a remake?) I've got to say i was very impressed, of course it had problems. the odd character didn't seem to have much of a purpose other than to die horribly and scared teenage girls still have that tendency to walk towards the screams of pain rather than leg it, but the grimness and violence of it all was pretty much relentless. there was no crap attempts at humour (other than the 'sherrif' but thats laughing at how out of order he is) and once it gets going it doesn't stop until the abrupt ending.
it looks great, the violence is above and beyond what you expect to see at a cinema (i don't know all the cuts made to the us version but the UK version seems to be about 8mins longer) and it felt like i was watching something that deserved to have 'texas chainsaw massacre' in the title.
if you like horror and gore films you should have a great time, go see.