A Prairie Home Companion (2006)

User Rating:

7.0/10   

Director:

Robert Altman

Writers:

Garrison Keillor (screenplay)
Garrison Keillor (story) ...

Release Date:

9 June 2006 (USA)

Genre:

Comedy | Drama | Musical

Tagline:

Radio like you've never seen it before.

Plot:

A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

Plot Keywords:

Cowboy | Singing | Theater | Backstage | Radio

Awards:

3 wins & 10 nominations

Cast

Marylouise Burke	...	Lunch Lady
Woody Harrelson	...	Dusty
L.Q. Jones	...	Chuck Akers
Tommy Lee Jones	...	The Axeman
Garrison Keillor	...	GK
Kevin Kline	...	Guy Noir
Lindsay Lohan	...	Lola Johnson
Virginia Madsen	...	Dangerous Woman
John C. Reilly	...	Lefty
Maya Rudolph	...	Molly
Tim Russell	...	Stage Manager
Sue Scott	...	Makeup Lady
Meryl Streep	...	Yolanda Johnson
Lily Tomlin	...	Rhonda Johnson
Tom Keith	...	Himself - Sound Effects Man

MPAA:

Rated PG-13 for risque humor.

Runtime:

105 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:PG-13 (certificate #42472) | Hong Kong:IIA | Finland:K-3 | Sweden:Btl | Portugal:M/12 | UK:PG | Canada:PG (British Columbia) (Canadian Home Video rating) | Ireland:PG | Netherlands:AL | Australia:PG | Iceland:L | Argentina:Atp | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | Singapore:PG | South Korea:12

Filming Locations:

Fitzgerald Theater - 10 Exchange Street E., St. Paul, Minnesota, USA

Company:

Picturehouse Entertainment

Trivia:

Shot in high-definition video and then transferred to 35mm film.

Goofs:

Continuity: While Guy Noir sits at his desk, there is an "On Air" sign common to radio and TV stations. It is switched on, that is to say, the light bulb in the "On Air" sign is switched on. In a later scene the radio show is still on the air, but the sign is switched off. Technically, it should still be on, whenever a microphone is open in the studio.

Quotes:

Molly: [to Garrison] The show's running 6 minutes short, Lola is going to sing a song, and your barn doors are open.

Movie Connections:

Referenced in "The Henry Rollins Show: Paul Thomas Anderson/Aimee Mann (#1.7)" (2006)

Soundtrack:

Beboparebop Rhubarb Pie

A song of love . . . .

"It's not true that I had nothing on. I had the radio on." Marilyn Monroe about posing nude on her famous calendar.

If there is anyone more laid back or brighter than Garrison Keillor in show business, let me know, because Robert Altman's A Prairie Home Companion, based on Keillor's long-running Minnesota Public Radio saga, shows Keillor as an audience sees him each week—like a god gently guiding an eccentric ensemble through excellent performances made to look as easy as his demeanor. This film stands near Altman's Nashville as a testimony to the director's gift for sustaining strong characters in layers of dialogue approximating overlapping conversations at an interesting party.

Meryl Streep and Lily Tomlin as the singing country Johnson sisters bring back memories of Reese Witherspoon's amazing turn as June Carter and Streep's own previous country singer in Postcards. Ditto Woody Harrelson and John C. Reilly as the singing and joking Dusty and Lefty. But best of all is Kevin Kline as Keillor's real radio creation, Guy Noir, the '40's dapper, inquisitive, naughty narrator and security head for the production. Klein embodies the melancholic mood always at least hidden underneath any show's last show, despite Keillor's nonchalant assertion that every show is your "last show." Around this realistic, charming premise of talented performers at their last performance, writer Keillor interjects a ghostly beauty in a white leather trench coat, Virginia Madsen playing Dangerous Woman, the spirit of death, gently accompanying those about to die and the moribund show itself. The character is a lyrical embodiment of the theme that nothing lasts but the love shared in any experience. Keillor remains in character after someone dies by stating he doesn't "do eulogies." Nor does he do one for the show, which in real life still lasts in St. Paul from 1974.

So enjoyable are Altman, his ubiquitous HD camera, and his busy dialogue that you feel a part of the proceedings, catching the sweet smell of success for everyone attached to this thoroughly realized song of love to theater, music, and creativity.