The Kite Runner (2007)

Director:

Marc Forster

Writers (WGA):

David Benioff (screenplay)
Khaled Hosseini (novel)

Release Date:

26 December 2007 (UK)

Genre:

Drama | Romance

Tagline:

There is a way to be good again.

Plot:

After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.

Plot Keywords:

Afghanistan | Friend | Death | Pakistan | California

Awards:

Nominated for Oscar. Another 3 wins & 13 nominations

US TV Schedule:

Fri. Dec. 4	9:45 AM	SHOW
Sat. Dec. 5	1:30 AM	SHOW
Sat. Dec. 12	4:35 PM	SHOW

Cast

Khalid Abdalla	...	Amir
Atossa Leoni	...	Soraya
Shaun Toub	...	Rahim Khan
Sayed Jafar Masihullah Gharibzada	...	Omar
Zekeria Ebrahimi	...	Young Amir
Ahmad Khan Mahmoodzada	...	Young Hassan
Mir Mahmood Shah Hashimi	...	Business Man in Baba's Study
Homayoun Ershadi	...	Baba
Nabi Tanha	...	Ali
Elham Ehsas	...	Young Assef
Bahram Ehsas	...	Wali
Tamim Nawabi	...	Kamal
Mohamad Nabi Attai	...	Uncle Saifo the Kite Seller
Mohamad Nadir Sarwari	...	Spice Merchant
Mustafa Haidari	...	Party Worker

MPAA:

Rated PG-13 for strong thematic material including the rape of a child, violence and brief strong language.

Runtime:

128 min

Country:

USA

Language:

English | Dari | Pashtu | Urdu | Russian

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:PG-13 | Canada:18A (British Columbia) | UK:12A | Australia:M | Canada:13+ (Quebec) | Canada:14A | Netherlands:12 | Ireland:15A | Singapore:PG | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Hong Kong:IIA | Brazil:12 | South Korea:12 | Argentina:13 | Philippines:PG-13 (MTRCB) | Sweden:11 | Taiwan:PG-12 | Germany:12 | Finland:K-13 | Malaysia:U | New Zealand:M | Iceland:12 | France:U (with warning)

Filming Locations:

Beijing, China

Company:

DreamWorks SKG

Trivia:

The scenes ostensibly taking place in Afghanistan were mainly shot in the cities of Kashgar and Tashkurgan in the Xinjiang region of China (officially the Xinjiang Uygur Autonomous Region). The DVD commentary mentions that scenes shot in Kashgar include the kite tournament (at 24:15), the mosque where Amir prays (110:40), and Rahim Khan's apartment in Peshawar, Pakistan (76:11). Scenes shot in Tashkurgan include the opening scenes of a kite duel and the boys running the kite (06:00), the Pomegranate tree (19:04), and the Taliban compound where Amir meets Sohrab (101:00). Scenes shot in or outside of Beijing include the wedding (72:41) and the soccer match (96:53). The San Francisco bar scene (55:07) was also shot in China.

Goofs:

Continuity: Rahim looks at the picture of Soraya, Amir's wife, and puts it down on the table (at 77:20), but we don't actually see where he puts it. In the next shot, the picture is not seen anymore.

Quotes:

Young Hassan: For you, a thousand times over

Movie Connections:

References El Cid (1961)

Soundtrack:

Tauta Wyum Yow Awhang

I hope Afghanistan shares a similar fate.

After seeing the prosthetic legs dropping from the sky by parachute in Kandahar (2001), one of the most memorable images in all of cinema, I wondered why there weren't more stories coming out of such a tumultuous country, tied to Americans forever by 9/11. And now I think I know why.

Such a beautifully-wrought adaptation of the wildly-popular novel of the same name, The Kite Runner is a model of fine film-making in almost all respects except one: It's too pat. So maybe Charlie Wilson's War will show me that films about Afghanistan will not revolve around formulae and clichés.

The redemption of the protagonist, Amir (Khalid Abdalla), has been told forever in literature and film, just not in Afghanistan. So no matter how tear-jerking the film may be, it is still a story told many times of a man who commits an egregious sin as a child but redeems himself in the end with an act of courage. Meanwhile, director Marc Forster and screenwriter David Beniof lace the film with the major motif, kite running, to such an ingenious extent that it not only ties in the hero's youth with his maturity, it also provides a figurative way of showing the desolation and hope of the country mixed of course with contradictory elements such as cutting string and blessed artificial legs.

Thus the film as metaphor is a success in showing the dismal past of a struggling country and its hopeful future. The cinematic images also emphasize this duality: The vistas with snow capped mountains and endless plains deflect the vision of a barren land where trees that manage to grow have been cut down by invaders, in this case 1979 Russia. The titular activity flourishes in large part because the arid, stony land offers few other possibilities. When the land is revisited in 2000, the limited country seems almost completely bereft of color and resources, a gray prison that parades adulterers to be stoned in the soccer stadium and little boys abused by an out-of-control Taliban.

But true to the formula, Amir has a second chance. I hope Afghanistan shares a similar fate.