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The Fountain (2006)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
22 November 2006 (USA)
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Tagline:
What If You Could Live Forever? more
Plot:
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world. full summary | full synopsis
Plot Keywords:
Tree
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Love
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Queen
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Tree Of Life
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Conquistador
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Awards:
Nominated for Golden Globe.
Another 6 wins
&
14 nominations
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NewsDesk:
(184 articles)
Top of the flops: what does Forbes's list tell us about film-making?
(From The Guardian - Film News. 3 February 2010, 11:28 AM, PST)
Top 100 Most Anticipated Films of 2010: Darren Aronofsky's Black Swan
(From ioncinema. 2 February 2010, 9:18 PM, PST)
(From The Guardian - Film News. 3 February 2010, 11:28 AM, PST)
Top 100 Most Anticipated Films of 2010: Darren Aronofsky's Black Swan
(From ioncinema. 2 February 2010, 9:18 PM, PST)
User Reviews:
The Path to Life
more (769 total)
Cast
(Cast overview, first billed only) more
Additional Details
Also Known As:
The Last Man (USA) (original script title)
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MPAA:
Rated PG-13 for some intense sequences of violent action, some sensuality and language. (edited for re-rating; originally R)
Parents Guide:
Runtime:
96 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
UK:15 (original rating) |
Ireland:15A |
Australia:M |
Switzerland:14 (canton of Vaud) |
Switzerland:14 (canton of Geneva) |
UK:12A (edited for re-rating) |
USA:R (original rating) |
Singapore:PG |
France:U |
Germany:12 |
Hong Kong:IIA |
Argentina:13 |
Netherlands:16 |
Sweden:11 |
Finland:K-13 |
Portugal:M/12 |
South Korea:15 |
Peru:14 |
USA:PG-13 (edited for re-rating) (certificate #41776) |
Brazil:14 |
New Zealand:M
Filming Locations:
Company:
Fun Stuff
Trivia:
Instead of using CGI, Aronofsky chose to do the special effects for the film by using micro-photography of chemical reactions on tiny petri dishes. He has said that CGI would take away from the timelessness of the film and that he wants the film to stand the test of time.
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Goofs:
Errors in geography: The map used by the conquistadors to find the Tree of Life is erroneous. The priest says the three points which form an equilateral triangle on the map are Chichen Itza, Yaxchilan, and Tikal. However in reality, the three Mayan sites form an obtuse triangle, with Chichen Itza been the northern-most and the eastern-most point.
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Quotes:
Isabel:
Will you deliver Spain from bondage?
Tomas Verde: Upon my honor and my life.
Isabel: Then you shall take this ring to remind you of your promise.
[hands him the ring]
Isabel: You shall wear it when you find Eden, and when you return, I shall be your Eve.
[he looks at her]
Isabel: Together we will live forever.
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Tomas Verde: Upon my honor and my life.
Isabel: Then you shall take this ring to remind you of your promise.
[hands him the ring]
Isabel: You shall wear it when you find Eden, and when you return, I shall be your Eve.
[he looks at her]
Isabel: Together we will live forever.
more
FAQ
What is Xibalba?What's the main concept behind the film? Are their other themes?
What happens in the end?
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I had the immense pleasure of viewing this film for its second screening ever, when it was showcased at Chicago's International Film Festival. Fans of Aronofsky who enjoyed the intensity of 'PI' and 'REQUIEM FOR A DREAM' will find that Darren's primary thematic focus has shifted yet again from the mind and gut ('PI' and 'REQUIEM', respectively) to the heart. However, don't take this to mean that 'THE FOUNTAIN' isn't intellectually engaging or visceral in its impact.
In a word, this film is warm. Aronofsky's palette for his third feature is a swirling miasma of golden yellows, and it sets the tone for the work. 'THE FOUNTAIN' is a life-affirming treatise on the eternity of love. Cynical hacks might decry this as a mawkish, facile rumination of saccharine proportions, but despite the sentimental themes, the film is never cloying, opting instead for a (sur)realistic portrayal of the nuances of one of life's most powerful emotions.
The casting was superb: Rachel Weisz and Hugh Jackman are outstanding in their roles, with both offering utterly believable performances. Weisz reveals the same depths she did in 'THE CONSTANT GARDENER', portraying myriad subtleties in a role that could've easily been misplayed, starring as Jackman's love throughout time. For those who've only seen Jackman in action-oriented mutant movies, his command of his character's strengths AND frailties is a welcome surprise. The supporting cast was excellent as well, with Ellen Burstyn standing out in particular.
Special effects were phenomenal, even without taking the film's halved budget into consideration. I won't spoil the surprise, but when you find out how Aronofsky and Co. achieved some of the extraordinary images, you're sure to be impressed (and reminded of a film classic from over 25 years ago). This is not a film to rely on FX, though. In fact, the segment (not scene; the story is split across three time periods) using the bulk of the effects is probably the shortest.
Aronofsky ambitiously tackles heavy themes and concepts and he does it in a little over 90 minutes. I didn't realize how short the film was until it was over. However, 'THE FOUNTAIN's brevity could also be perceived as an extension of one of its themes: learning to appreciate the world and its beauty in whatever time we are allotted.