| Photos (see all 55 | slideshow) | Videos (see all 6) |
Directed by | |||
| Joe Wright | |||
Writing credits | ||
| Jane Austen | (novel) | |
| Deborah Moggach | (screenplay) | |
| Emma Thompson | additional dialogue (uncredited) | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Liza Chasin | .... | executive producer | |
| Eric Fellner | .... | producer | |
| Jane Frazer | .... | co-producer | |
| Debra Hayward | .... | executive producer | |
| Paul Webster | .... | producer | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Roman Osin | (director of photography) | ||
Film Editing by | |||
| Paul Tothill | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| Sarah Greenwood | |||
Art Direction by | |||
| Ian Bailie | (supervising art director) | ||
| Nick Gottschalk | |||
| Mark Swain | |||
Set Decoration by | |||
| Katie Spencer | |||
Costume Design by | |||
| Jacqueline Durran | |||
Makeup Department | |||
| Fae Hammond | .... | hair designer | |
| Fae Hammond | .... | makeup designer | |
| Tracey Lee | .... | hair stylist | |
| Tracey Lee | .... | makeup artist | |
| Sarah Love | .... | hair stylist: Keira Knightley | |
| Sharon Martin | .... | hair stylist | |
| Sharon Martin | .... | makeup artist | |
| Sarah Owen | .... | makeup trainee | |
| Gemma Richards | .... | hair stylist | |
| Gemma Richards | .... | makeup artist | |
| Vivien Riley | .... | extras hair stylist (as Vivien J. Riley) | |
| Vivien Riley | .... | extras makeup artist (as Vivien J. Riley) | |
| Sue Westwood | .... | hair stylist (as Su Westwood) | |
| Sue Westwood | .... | makeup artist (as Su Westwood) | |
Production Management | |||
| Simon Fraser | .... | production manager | |
| Deborah Harding | .... | post-production supervisor | |
| Claire Tovey | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | second assistant director | |
| Heidi Gower | .... | additional third assistant director | |
| Guy Heeley | .... | first assistant director | |
| Vicky Marks | .... | third assistant director | |
| Candy Marlowe | .... | crowd second assistant director | |
| Thomas Q. Napper | .... | second unit director (as Thomas Napper) | |
| Emily Perowne | .... | trainee assistant director | |
| Christian Rigg | .... | crowd third assistant director | |
| Rupert Young | .... | additional third assistant director | |
Art Department | |||
| Liz Ainley | .... | production buyer | |
| Fatiha Aitbadi | .... | greensman (as Fatiha Aitbadi Holden) | |
| Pat Bailey | .... | painter | |
| Paul Ball | .... | painter | |
| Joshua Barraud | .... | stand-by props (as Josh Barraud) | |
| Ronald Bede | .... | stagehand (as Ron Bede) | |
| Ray Bell-Chambers | .... | carpenter | |
| Mark Bewley | .... | chargehand plasterer | |
| Mark Billingham | .... | dressing propman | |
| Gary Bird | .... | carpenter | |
| Warwick Boole | .... | propmaker | |
| Anna Bregman | .... | junior draughtsperson | |
| David Calitz | .... | carpenter (as Dave Calitz) | |
| Antonio Calvo-Dominguez | .... | draughtsperson | |
| Alex Cameron | .... | draughtsperson | |
| Marie Campbell | .... | stand-by greensperson | |
| Alison Cardy | .... | assistant buyer | |
| Netty Chapman | .... | stand-by art director (as Jeanette Chapman) | |
| Jamie Churchouse | .... | chargehand plasterer | |
| Raymond Churchouse | .... | head of department plasterer (as Ray Churchouse) | |
| Paul Emerson | .... | dressing propman | |
| Dave Engelman | .... | carpenter | |
| Dave Evans | .... | painter | |
| Glyn Evans | .... | chargehand painter | |
| James Fennessy | .... | painter (as Jim Fenessy) | |
| Laurent Ferrie | .... | drapes assistant | |
| Neil Ferris | .... | prop runner | |
| Joanna Foley | .... | assistant art director | |
| John Folly | .... | chargehand stagehand | |
| Colin Fox | .... | drapesman | |
| Lee Goddard | .... | painter | |
| Jorn Goller | .... | greensman | |
| Cliff Haynes | .... | plasterer | |
| David Haynes | .... | head of department painter | |
| John Hext | .... | painter | |
| Roger Holden | .... | key greensman | |
| Will Holden | .... | greensman | |
| Nigel Hughes | .... | scenic artist | |
| Guy Hunt | .... | carpenter | |
| Simon Hutchings | .... | stand-by painter | |
| Roger Hutt | .... | chargehand plasterer | |
| Lyndon Johnston | .... | stand-by props | |
| Roger Kiff | .... | chargehand carpenter | |
| Daniel King | .... | stand-by greensperson | |
| Marketa Korinková | .... | art department detailist (as Markéta Korínková) | |
| Amanda Leggatt | .... | art department assistant | |
| Pete Lennox | .... | stand-by carpenter | |
| Nick Linden | .... | carpenter | |
| Steve Marquiss | .... | painter | |
| Gary Martin | .... | dressing propman | |
| Peter McCarroll | .... | plasterer | |
| John Mister | .... | plasterer | |
| Esta Morris | .... | property store person | |
| Adrian Platt | .... | dressing propman | |
| Gert Rademeyer | .... | carpenter | |
| Nigel Ross | .... | stand-by stagehand | |
| Steve Sibley | .... | painter | |
| Keith Smith | .... | stagehand | |
| Lance Smith | .... | painter | |
| David Stapleton | .... | painter (as Dave Stapleton) | |
| Pete Taylor | .... | carpenter | |
| Leigh Thurbon | .... | chargehand carpenter | |
| Sophie Tyler | .... | assistant set decorator | |
| Rachele Verrecchia | .... | fabric buyer | |
| Steve Watts | .... | plasterer | |
| Len Wheeler | .... | propmaker | |
| Chris White | .... | chargehand carpenter | |
| Steven Wilson | .... | head of department carpenter | |
| Dennis Wiseman | .... | property master | |
| Lee Wiseman | .... | dressing propman | |
| Lotta Wolgers | .... | draughtsperson | |
| Justin Chappell | .... | carpenter (uncredited) | |
| Nick Cosens | .... | dressing props (uncredited) | |
| Martin Kane | .... | props (uncredited) | |
Sound Department | |||
| Christopher Atkinson | .... | cableman | |
| Chris Atkinson | .... | cable person | |
| Steve Browell | .... | dialogue editor | |
| Peter Burgis | .... | foley artist | |
| Ed Colyer | .... | foley mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Olga FitzRoy | .... | assistant sound engineer | |
| Jamie Gambell | .... | playback operator | |
| Peter Gleaves | .... | adr mixer | |
| Marc Haefner | .... | foley editor | |
| Marc Haefner | .... | foley mixer | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Danny Hambrook | .... | production sound mixer | |
| Stuart Hilliker | .... | temp re-recording mixer | |
| Catherine Hodgson | .... | sound supervisor | |
| Jake Jackson | .... | assistant sound engineer | |
| Martin Jensen | .... | re-recording mixing assistant | |
| Adam Laschinger | .... | sound maintenance | |
| Michael Miller | .... | adr mixer | |
| Becki Ponting | .... | dialogue editor | |
| Andre Schmidt | .... | dialogue editor | |
| Richard Stockdale | .... | stereo sound consultant: Dolby | |
| Nick Taylor | .... | assistant sound engineer | |
| Gary Thomas | .... | pre-record engineer | |
| Alexander Beddow | .... | adr recordist (uncredited) | |
| Courtney Bishop | .... | adr recordist (uncredited) | |
| Colin Cooper | .... | adr mixer (uncredited) | |
| David Tyler | .... | sound (uncredited) | |
Special Effects by | |||
| Hugh Goodbody | .... | special effects supervisor | |
| Mark Holt | .... | special effects | |
| Russell Pritchett | .... | special effects | |
| Mickey Edwards | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Oliver Atherton | .... | compositor: Double Negative | |
| Adrian Banton | .... | lead effects designer: Double Negative | |
| Murray Barber | .... | compositor: Double Negative | |
| Tim Baxter | .... | film recording: Capital FX | |
| Jon Bowen | .... | compositor: Double Negative | |
| Matthew Bristowe | .... | producer: MPC | |
| Peter Chiang | .... | visual effects consultant: Double Negative | |
| Sean Danischevsky | .... | compositor: Double Negative | |
| Nick Dutton | .... | modeler | |
| Michael Bruce Ellis | .... | lead effects designer: Double Negative (as Michael Ellis) | |
| Richard Etchells | .... | online film editor: MPC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Alex Hope | .... | executive producer: Double Negative | |
| Max Horton | .... | colourist: MPC | |
| Steve Hunter | .... | modeler | |
| Sarah Lockwood | .... | compositor: Double Negative | |
| Begoña Lopez | .... | producer: MPC | |
| Helena Masand | .... | 3D artist: Double Negative | |
| Steve McGee | .... | compositor: Double Negative (as Steve Mcgee) | |
| Ivan Mena | .... | compositor: Double Negative (as Ivan Mena Tinoco) | |
| Neil Miller | .... | matte painter: Double Negative | |
| Alice Mitchell | .... | compositor: Double Negative | |
| John Moffatt | .... | visual effects supervisor: Double Negative | |
| Tristan Myles | .... | compositor: Double Negative | |
| Gruff Owen | .... | compositor: Double Negative | |
| Cristina Puente | .... | compositor: Double Negative (as Cristina Puente Raba) | |
| Foad Shah | .... | compositor: Double Negative | |
| Matthew Shaw | .... | compositor: Double Negative | |
| William Skellorn | .... | visual effects editorial: Double Negative | |
| Jim Steel | .... | compositor: Double Negative | |
| Andy Taylor | .... | visual effects producer: Double Negative | |
| Matthew Tinsley | .... | compositor: Double Negative (as Matt Tinsley) | |
| Thomas Urbye | .... | online film editor: MPC | |
| Niki Wakefield | .... | compositor: Double Negative (as Nikki Wakefield) | |
| Pat Wintersgill | .... | online film editor: MPC | |
| Lisa Woodland | .... | compositor: Double Negative | |
| Trevor Young | .... | compositor: Double Negative | |
| George Zwier | .... | compositor: Double Negative | |
| Denise Ballantyne | .... | visual effects consultant (uncredited) | |
| Theo Diamantis | .... | digital compositor: Double Negative (uncredited) | |
| Andy Hague | .... | visual effects editorial (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Evonne Merlicek | .... | digital effects artist (uncredited) | |
| Ben Morgan | .... | digital compositor (uncredited) | |
| Alban Orlhiac | .... | lead texture artist: Double Negative (uncredited) | |
| Xavier Roig | .... | technical director (uncredited) | |
| Christopher Sweet | .... | studio assistant: Double Negative (uncredited) | |
| Tara Walker | .... | digital artist (uncredited) | |
| Sharon Warmington | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Simon Baker | .... | Steadicam operator | |
| Simon Baker | .... | camera operator | |
| Jacob Barrie | .... | additional first assistant camera | |
| Jon Beacham | .... | additional first assistant camera | |
| Jessica Cole | .... | camera trainee | |
| Jon Corbett | .... | rigging electrician | |
| Camilla Drennan | .... | camera trainee | |
| Shay Gallagher | .... | rigger | |
| Andy Gardner | .... | second assistant camera | |
| Darren Grosch | .... | rigging electrician | |
| Klaus Harnisch | .... | rigging gaffer | |
| Gary Hedges | .... | electrician (as Garry Hedges) | |
| Garry Hedges Sr. | .... | rigging electrician (as Garry Hedges Snr.) | |
| Steve Hideg | .... | crane technician | |
| Nick Kenealy | .... | video operator | |
| Doug Lavender | .... | first assistant camera | |
| Rupert Lloyd-Parry | .... | grip (as Rupert Lloyd Parry) | |
| Adrian Mackay | .... | electrician | |
| Tom McFarling | .... | additional second assistant camera (as Tom Mcfarling) | |
| Liam McGill | .... | gaffer (as Liam Mcgill) | |
| Brian Mcgivern | .... | generator operator | |
| Ivan Meagher | .... | first assistant camera: "b" camera | |
| Gary Nolan | .... | electrician | |
| Ian Pape | .... | rigger | |
| Greg Press | .... | stand-by rigger | |
| Ron Shane | .... | rigging best boy | |
| Thomas Townend | .... | camera operator (as Tom Townend) | |
| Dave Wells | .... | trainee grip (as David Wells) | |
| Iwan Williams | .... | best boy | |
| Rene Adefarasin | .... | assistant camera: pick-up shots (uncredited) | |
| Jason Coop | .... | daily second assistant camera (uncredited) | |
| Niall Crawford | .... | electrician (uncredited) | |
| Dai Evans | .... | grip (uncredited) | |
| Andy Thomson | .... | crane technician (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Robin Hudson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer Alford | .... | costume maker | |
| Andrea Cripps | .... | assistant costume designer | |
| Charlotte Finlay | .... | costume supervisor | |
| Andrew Fletcher | .... | crowd wardrobe coordinator | |
| Tim Guthrie | .... | stand-by costumer | |
| Finn Lee | .... | stand-by costumer (as Lee Croucher) | |
| Tracey Millar | .... | costume assistant | |
| Joanna Weaving | .... | costume breakdown | |
| David Wootton | .... | stand-by costumer | |
| Mark Ferguson | .... | costume assistant (uncredited) | |
| Kirsty Wilkinson | .... | dresser: Judi Dench (uncredited) | |
Editorial Department | |||
| Denton Brown | .... | conforming editor | |
| Amar Ingreji | .... | editor trainee | |
| Dave Rees | .... | color grader | |
| Tina Richardson | .... | apprentice editor | |
| Bridgette Williams | .... | assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Neil Williams | .... | conforming editor | |
| Matthew Streatfield | .... | assistant editor (uncredited) | |
| Jason Wheeler | .... | negative cutter (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| James Bellamy | .... | music editor | |
| Christopher Benstead | .... | additional music editor | |
| Aidan Broadbridge | .... | musician: fiddle and dance music | |
| Caroline Dale | .... | musician: cello soloist | |
| Lucy Evans | .... | assistant score producer | |
| Isobel Griffiths | .... | pre-record musicians booked by | |
| Alexandra Hill | .... | music coordinator: Working Title Films | |
| Charles Lane | .... | music consultant: Right Music Ltd. | |
| Kirsten Lane | .... | music consultant: Right Music Ltd. | |
| William Lyons | .... | historical music advisor | |
| William Lyons | .... | music arranger: historical dance arrangements | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Jake Roberts | .... | musical recording | |
| Maggie Rodford | .... | music coordinator: Air-Edel | |
| Hilary Skewes | .... | music coordinator: Buick Production | |
| Tony Stanton | .... | music copyist | |
| Jean-Yves Thibaudet | .... | musician: piano | |
| Benjamin Wallfisch | .... | conductor | |
| Benjamin Wallfisch | .... | orchestrator | |
| Nick Wollage | .... | music engineer | |
Transportation Department | |||
| John Atkins | .... | unit driver | |
| Mike Beaven | .... | transportation coordinator | |
| Allan Bradshaw | .... | unit driver | |
| Colin Bressington | .... | driver: costume | |
| Alan Burrows | .... | stand-by driver: construction (as Allan Burrows) | |
| John Fisher | .... | driver: construction department | |
| Brian Heath | .... | stand-by driver: props | |
| Peter Mercer | .... | unit driver | |
| Enyo Mortty | .... | unit driver | |
| Gavin Mullins | .... | driver: minibus | |
| Ken Price | .... | camera driver | |
| Eddie Rodmell | .... | driver: dressing props | |
| Karen Russell | .... | driver: minibus | |
| Colin Simmons | .... | driver: director | |
| Barry Stone | .... | driver: makeup | |
Other crew | |||
| Jeff Abberley | .... | liaison: Scion Films | |
| Christina Angeloudes | .... | paralegal: Working Title Films | |
| Isabel Baquero | .... | assistant to choreographer | |
| Julia Blackman | .... | liaison: Scion Films | |
| Nicole Carmen-Davis | .... | liaison: Scion Films (as Nicole Carmen Davis) | |
| Ruth Chan | .... | assistant: Dario Marianelli | |
| Adam Coop | .... | location assistant | |
| Josephine Davies | .... | assistant: Joe Wright | |
| Lara Davis | .... | production assistant | |
| Megan Davis | .... | liaison: Scion Films | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title Films (as Chloé Dorigan) | |
| Paul Dray | .... | laboratory contact | |
| Anna Edwards | .... | floor runner | |
| Trisha Faulkner | .... | unit nurse | |
| Julie Furber | .... | groom | |
| Linda Gamble | .... | unit publicist | |
| Fiona Garland | .... | assistant production coordinator | |
| Shefali Ghosh | .... | chief financial officer: Working Title Films | |
| Jane Gibson | .... | choreographer | |
| Andrew Gilbert | .... | groom | |
| Daniel Gill | .... | floor runner | |
| Flax Glor | .... | publicist | |
| Amelia Granger | .... | development executive: Working Title Films | |
| John Gray | .... | coachman | |
| Tarn Harper | .... | post-production accountant | |
| Sue Hills | .... | script supervisor | |
| Aliza James | .... | assistant: Eric Fellner | |
| Debbie Kaye | .... | horse master | |
| Norman Kaye | .... | coachman | |
| Pat Killeen | .... | supervising rigger (as Patrick Killeen) | |
| Samantha Knox-Johnston | .... | production coordinator | |
| Rowena Latiff | .... | floor runner | |
| Michael Lewis | .... | piano preparation | |
| Sarah Lindfield | .... | production runner | |
| Paul Lubicz | .... | trainer: Matthew Macfadyen | |
| Ann Lynch | .... | co-executive coordinator: Working Title Films | |
| Kenny MacDonald | .... | assistant coordinator: Working Title Films (as Kenny Macdonald) | |
| Jill McCullough | .... | dialect coach (as Jill Mccullough) | |
| Gráinne Mckenna | .... | senior legal and business affairs executive: Working Title Films | |
| Suzanne Mills | .... | assistant: Paul Webster | |
| Kay Mitchell | .... | rushes runner | |
| Angela Morrison | .... | chief operating officer: Working Title Films | |
| Maggie Murray | .... | assistant accountant | |
| Debbie Pursey | .... | advisor: Napoleonic Society | |
| Charlie Reed | .... | floor runner (as Charles Reed) | |
| Adam Richards | .... | location manager | |
| Martyn Richmond | .... | location assistant | |
| Liam French Robinson | .... | accounting assistant (as Liam Robinson) | |
| Sheeraz Shah | .... | head of legal/business affairs: Working Title Films | |
| Sarah Shepherd | .... | assistant location manager | |
| Andy Slater | .... | stand-by health and safety officer | |
| Albert Smith | .... | facilities captain | |
| Charlie Somers | .... | location scout (as Charles Somers) | |
| Rob Sorrenti | .... | behind-the-scenes | |
| Claire Stewart | .... | production secretary | |
| Ben Thomas | .... | liaison: Scion Films | |
| Alistair Thompson | .... | financial controller | |
| Mark Thompson | .... | security officer | |
| Katherine Tidy | .... | home economist (as Katharine Tidy) | |
| Justin Trefgarne | .... | story editor | |
| Jenny Uglow | .... | historical consultant | |
| Lucy Wainwright | .... | business/legal affairs executive: Working Title Films | |
| Marion Walton | .... | animal wrangler | |
| Pam Weaver | .... | animal wrangler | |
| Rachel Welch | .... | accounting assistant | |
| Paul Williams | .... | stand-by health and safety officer | |
| Nicki Willis | .... | groom | |
| Ginnette Wilson | .... | production accountant | |
| Michelle Wright | .... | head of production: Working Title Films | |
| Sarah Jane Wright | .... | production executive: Working Title Films (as Sarah-Jane Robinson) | |
| Lee Clyne | .... | unit medic (uncredited) | |
| Guy Cowan | .... | caterer (uncredited) | |
| Sandra Reis | .... | digital paint and rotoscope artist: Double Negative (uncredited) | |
Thanks | |||
| Chung Chung | .... | thanks: Sands Films | |
| Christine Edzard | .... | thanks | |
| Kate Harwood | .... | thanks | |
| Hua Hua | .... | thanks: Sands Films | |
| Dixie Linder | .... | thanks | |
| Andrew Reis | .... | thanks | |
| Pippa Reis | .... | thanks | |
| Olivier Stockman | .... | thanks | |
| Emma Thompson | .... | special thanks | |
| Paul Tory | .... | thanks | |
| John Wright | .... | thanks | |
| Lyndie Wright | .... | thanks | |
| Sarah Wright | .... | thanks | |
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| Sense and Sensibility | Pride and Prejudice | Gone with the Wind | Mansfield Park | Giant |
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before i start, i would like to say this. i can read, have read the book, and i read the title of the movie before watching, as should you all. quite disappointed in all the pompous idiots filled with prejudice about the movie.
I know that another version of the well-mined Jane Austen classic would need to be brilliant indeed. Such diverse and beautifully written characters and such a delightful plot, so deeply rooted in a profound understanding of human nature, are timelessly attractive to directors, actors and audiences alike. So give them a break. you couldn't do any better.
Lets start with Mr Darcy. Darcys embodied by Olivier, Firth and now Matthew McFadyen bring differently significance to enjoy in the proud and socially awkward leading male role. Where Olivier and Firth gave us an aloof, arrogant Darcy encased rigidly in a shell so impenetrable it was almost impossible to believe he had been moved by Lizzie's sardonic criticisms or attracted by her spirited independence, McFadyen shows a more accessible Darcy. He's vulnerable, even fragile behind his stiff manners. His aloofness is more believably from social inadequacy than arrogance, yet he is believably constrained by his social standing to regard decorum, fortune and propriety in a wife's family as significant in his choice of a bride. His capitulation to Lizzie is therefore more believable.
Similarly Garson, Ehle and Keira Knightley illustrate the lively intelligence, sharp-minded wit and wry humour of Elizabeth Bennet in equally shining ways that nevertheless bring out different aspects of the character. Keira Knightly's performance as Elizabeth Bennett is by far her best, as she sparkles in this role.
The two have a chemistry that i had yet to see on the big or small screen - one that mirrors real life romances. the dislike on both accounts is obvious, watching it grow to love was beautiful and stunning. the love story is heart-felt and sweetly, deeply affecting to a level that modern romantic comedies rarely achieve. I found this movie to be a a richly photographed, memorable ensemble production in which the romance is predominant over the drama but does not eclipse it. though my one disappointment - the ending?! of course i wanted to see them kiss, who didn't? but the shots of them arguing in the rain, and as they draw close with the sunlight shining between them was breathtaking.
Giving due significance to the rural environment which plays such an important part in the story, the cinematography captures wide frames of soft, misty fields, copses and winding country roads as an environment which underscores the gentle manners and passionately beating hearts beneath empire gowns and ruffled shirts. The surroundings both detract from the humans and function as appropriately natural settings for the dramas of human nature.
Keira Knightley's swan-like Elizabeth moves with energy and grace, hotly opinionated and profoundly moved by principles and prejudices, and magnetically drawn by the seeming arrogance, reticence and gallant behaviour, finally revealed, of Mr Darcy. For two centuries Elizabeth Bennet has been a heroine much admired for her self-contained independence within a culture more conditioned to female submissiveness. Knightley's portrayal is true to the original.
All in all, i must give this movie 5 stars, 10 out of 10, 100 % brilliance. The story itself, the characters, the actors, everything that was in the movie 'bewitched me body and soul'. i have never been more moved by a movie, especially not one where i found it to be as hilarious as it was moving.