| Photos (see all 10 | slideshow) |
| Mon. July 6 | 10:10 AM | TMC | |||
| Sat. July 11 | 8:15 AM | TMC | |||
| Sat. July 11 | 5:30 PM | TMC | more |
| Steve Buscemi | ... | Les Galantine | |
| Michael Pitt | ... | Toby Grace | |
| Alison Lohman | ... | K'Harma Leeds | |
| Gina Gershon | ... | Dana | |
| Elvis Costello | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Tom Aldredge | ... | Les's father | |
| Peter Appel | ... | Feldman | |
| Doris Belack | ... | Les's mother | |
| Phillip Bloch | ... | Himself | |
| Lynn Cohen | ... | Muffy Morrison | |
| Marcus Collins | ... | Marcus | |
| Kevin Corrigan | ... | Ricco | |
| Greg D'Agostino | ... | Security | |
| Joe D'Onofrio | ... | Vince | |
| Minnie Driver | |||
| Teddy Eck | ... | Dougie | |
| Marshall Factora | ... | Club Patron | |
| Mel Gorham | ... | Tish | |
| Billy Griffith | ... | Hoagie | |
| Amit Gupta | ... | Hotel Guest | |
| Jack Gwaltney | ... | Chuck Sirloin | |
| Amy Hargreaves | ... | Nikki Blake | |
| Corey Hibbert | ... | Orderly | |
| Kristina Klebe | ... | Nurse Kris | |
| Antoinette LaVecchia | ... | Gretchen | |
| Cinqué Lee | ... | Corey | |
| Rodrigo Lopresti | ... | Demo | |
| Carylee McPherson | ... | Publicist | |
| Elizabeth Newman | ... | Red Carpet Celebrity | |
| Sarah Nichols | ... | Robbyn's Make-up Artist | |
| Melissa Rauch | ... | Megan | |
| Kristen Schaal | ... | Joelle | |
| Richard Short | ... | Jace Hipley | |
| Tom Stratford | ... | Photographer | |
| Callie Thorne | ... | Gabi | |
| Tobias Truvillion | ... | Silky | |
| Nicole Vicius | ... | Robbyn | |
| David Wain | ... | Byron | |
| Becca Anderson | ... | Fan at premiere (uncredited) | |
| Ronald Guttman | ... | Restaurant Manager (uncredited) | |
| Naama Kates | ... | Party Guest (uncredited) | |
| Edward M. Kelahan | ... | Crazed Fan (uncredited) | |
| Kevin Momenee | ... | Celebrity (uncredited) | |
| Jennifer Pedersen | ... | Red Carpet Celebrity (uncredited) | |
| Stewart Summers | ... | Celebrity (uncredited) | |
Directed by | |||
| Tom DiCillo | |||
Writing credits(WGA) | ||
| Tom DiCillo | (written by) | |
Original Music by | |||
| Anton Sanko | |||
Cinematography by | |||
| Frank G. DeMarco | |||
Film Editing by | |||
| Paul Zucker | |||
Casting by | |||
| Beth Bowling | |||
| Kim Miscia | |||
Production Design by | |||
| Teresa Mastropierro | |||
Art Direction by | |||
| Mylene Santos | |||
Set Decoration by | |||
| Susan Ogu | |||
Costume Design by | |||
| Victoria Farrell | |||
Makeup Department | |||
| Mary McNamara | .... | additional makeup artist | |
| Stacey Panepinto | .... | key makeup artist | |
| Linda Williams | .... | additional hair stylist | |
Production Management | |||
| Miles Ferguson | .... | post-production supervisor | |
| Bergen Swanson | .... | production supervisor | |
Art Department | |||
| Benji Craig | .... | camera scenic artist | |
| Thomas A. Delillo | .... | lead set dresser | |
| Bradley Klipp | .... | set dresser | |
| John I. Marsala | .... | set dresser | |
| Hudson Meredith | .... | prop intern | |
| Tom Miller | .... | assistant property master | |
| Alex Stapleton | .... | art department coordinator | |
| Alexis Weiss | .... | assistant property master | |
| Brianne Zulauf | .... | product placement/clearance coordinator | |
Sound Department | |||
| Chad Birmingham | .... | dialogue editor | |
| Ryan Collison | .... | foley engineer | |
| Patrick Donahue | .... | sound re-recording mixer (as Pat Donahue) | |
| Patrick Donahue | .... | supervising sound editor | |
| Christopher Fondulas | .... | boom operator | |
| Bryant Musgrove | .... | boom operator | |
| Jay Peck | .... | foley artist | |
| Jeff Rowe | .... | sound effects editor | |
Visual Effects by | |||
| Michael Ventresco | .... | title designer: Redscare Inc. (uncredited) | |
Stunts | |||
| Kevin Brown | .... | stunt performer | |
Camera and Electrical Department | |||
| Luis Colon | .... | grip | |
| Jess Fogel | .... | additional electrician | |
| Doug Foote | .... | first assistant camera | |
| Jack Foster | .... | electrician | |
| Max Frankston | .... | video assist operator | |
| Melissa Guimaraes | .... | key grip | |
| Peter Hawkins | .... | camera operator | |
| Anne Joyce | .... | still photographer | |
| Mark Koenig | .... | company grip | |
| Marcus Lehmann | .... | electrician | |
| Paul McCarthy | .... | gaffer | |
| Jessica Miglio | .... | additional still photographer | |
| Joseph Paolini | .... | best boy grip | |
| Ray Richards | .... | fourth electric | |
| Yoshi Sonoda | .... | additional electrician | |
| Dana Turken | .... | film loader | |
| Lee Vickery | .... | first assistant camera: "b" camera | |
| Zenfeek | .... | additional grip | |
Casting Department | |||
| Lee Genick | .... | extras casting | |
| Julie Schubert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jessica Chaney | .... | wardrobe supervisor | |
| Virginia Cook | .... | assistant costume designer | |
| Rebecca Edmonston | .... | on-set costumer | |
| Jackie S. Freeman | .... | key costumer | |
| Marina Pulido | .... | wardrobe intern | |
Editorial Department | |||
| John Crowley | .... | digital intermediate colorist | |
| Kimberly K. Ferraro | .... | post-production coordinator | |
| Anand Modi | .... | assistant editor | |
| Ryan Murphy | .... | assistant editor | |
Music Department | |||
| Matt Havron | .... | music coordinator | |
| Tracy McKnight | .... | music supervisor | |
| Joel Thompson | .... | assistant to composer | |
Transportation Department | |||
| Robert Foster Jr. | .... | driver | |
Thanks | |||
| Noah Lang | .... | special thanks | |
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| Little Murders | The Aviator | Sideways | The Devil Wears Prada | Living in Oblivion |
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| Full cast and crew | Company credits | External reviews |
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Tom DiCillo is a cool New York-based independent filmmaker, and he's made some good stuff in the past (most notably as DP for Jim Jarmusch, and as the director of sleepers like the great Living in Oblivion), and I wish him the best of luck on anything he does. But on Delirious, he only gets it right some of the time. He's out to, at first it seems, make a satire on media hype and celebrity and the inanities of shallow attention given to people who don't do much to deserve it (if you need proof of that, watch the Soup on E!). But then it goes a little in a different direction, which I respected and wanted to go along with, as a fable/fairy-tale where Toby (Michael Pitt) is just about the nicest, most generous and fish-out-of-dumpster homeless kid who somehow becomes an 'assistant' to fledgling photographer Les (Steve Buscemi), who shows him the ropes and introduces him to a casting director (Gina Gershon), and eventually- accidentally of course- falls into the company of a pop star (Alison Lohman) as the two all but fall in love on first sight.
Good premise, and scenes between Buscemi and Pitt most often work the best, and funniest, as one sees subtle layers peeled by Les's pathetic paparazzi who just doesn't admit he's not ambitious enough to not be marginalized as a photographer. There's even some good comedy thrown around, the kind that is that strange, absurdity that we also saw in 'Oblivion'. But, somehow, it just didn't all click for me after a while. There's a very bitter pill being sent out in, often, very corny and ill-shot scenes (the latter of which I could accept, but for one brief instant, as Toby walks back to Les's place the morning after he's had that whirlwind night with Lohman, I was shocked at how cheesy a scene it turned into). The problem, also, is that it's difficult to mix such a delicate romantic/fable angle while also working in some mockery at the entertainment business. It's all in good amusement to see the "reality serial-killer" show being directed for "realism", but it all doesn't lead up to anything significant to say past some shallow messages.
Maybe I didn't see what others have been; it's become a minor little hit with most, and I'm sure if you have any desire to see actors like Buscemi and Pitt and Lohman (who is also very good) and Gershon (and hey, there's even a really hip and hilarious cameo from Elvis Costello) you'll seek it out anyway. However, it's not the best, or least obvious, game in town despite its solid indie cred.