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Directed by | |||
| Julian Jarrold | |||
Writing credits | ||
| Andrew Davies | (written by) and | |
| Jeremy Brock | (written by) | |
| Evelyn Waugh | (novel) | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Jess Hall | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Thomas Brown | |||
| Lynne Huitson | (supervising art director) | ||
| Ben Munro | |||
Set Decoration by | |||
| Caroline Smith | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Production Management | |||
| Zakaria Alaoui | .... | production supervisor: Marrakesh | |
| Enrico Ballarin | .... | production supervisor: Venice | |
| Laura Cappato | .... | production manager: Venice | |
| Daniel Gulliver | .... | unit manager (as Danny Gulliver) | |
| Alistair Hopkins | .... | post-production supervisor | |
| Stefano Dalla Lana | .... | unit set manager: Venice | |
| Finlay Pile | .... | unit manager | |
| John Watson | .... | production manager | |
| Hamid Zoughi | .... | production manager: Marrakesh | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jamal Belmejdoub | .... | first assistant director: Marrakesh (as Jamal Belmajdoub) | |
| Jonny Benson | .... | second assistant director | |
| Juri Biasiato | .... | third assistant director: Venice | |
| Consuelo Bidorini | .... | second assistant director: Venice | |
| Dan Channing-Williams | .... | third assistant director | |
| Lucy Egerton | .... | second assistant director: crowd | |
| Chris Gill | .... | second unit director | |
| Karim Kahkhani | .... | second assistant director: Marrakesh | |
| Sandrine Loisy | .... | third assistant director: crowd | |
| Barrie McCulloch | .... | first assistant director | |
| Alistair Ramsden | .... | third assistant director: second unit (as Alastair Ramsden) | |
| Kenneth Thompson Marchesi | .... | third assistant director: crowd | |
| John Watson | .... | first assistant director: second unit | |
| Dan Channing-Williams | .... | first assistant director: additional photography (uncredited) | |
| Dominic Threlfall | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Daniel Bacciu | .... | stand-by props: Venice | |
| Ian Bee | .... | supervising carpenter | |
| Flavio Bertini | .... | set dresser: Venice | |
| Adam Betts | .... | prop hand | |
| Michael Betts | .... | prop hand | |
| Abdellatif Bilouch | .... | painter: Marrakesh | |
| Abdallah Bougtifa | .... | additional set dresser: Marrakesh (as Abdellah Bougtifa) | |
| Ahmed Bougtifa | .... | prop hand: Marrakesh | |
| Anthony Brady | .... | stand-by carpenter | |
| Rob Brown | .... | construction manager | |
| Alfie Burgess | .... | stand-by props | |
| Craig Carpenter | .... | painter | |
| Nicholas Clayton | .... | carpenter | |
| Susanna Codognato | .... | art director: Venice | |
| Sean Cunningham | .... | scenic painter | |
| Billy Edwards | .... | stand-by props | |
| Glyn Evans | .... | painter | |
| Richard Ford | .... | painter | |
| Holly Franklyn | .... | art department trainee | |
| James Gemmill | .... | scenic painter (as James Geminill) | |
| Annie Gilhooly | .... | production buyer | |
| Darren Hayward | .... | carpenter (as Daren Heyward) | |
| David Horsman | .... | carpenter | |
| Michelle Horton | .... | painter | |
| Thomas Ibbotson | .... | painter | |
| Tara Ilsley | .... | art department assistant | |
| Gisella Ingrassia | .... | stand-by painter: Venice | |
| Marino Ingrassia | .... | set dresser: Venice | |
| Ermanno Kerstich | .... | stand-by props assistant: Venice | |
| Steven Leadbitter | .... | carpenter | |
| Michael Leonard | .... | painter | |
| John Malham | .... | painter | |
| Aziz Mhand | .... | prop hand: Marrakesh | |
| Patrick Mosley | .... | prop hand | |
| Omar Mouharib | .... | plasterer: Marrakesh | |
| Russel Oxley | .... | scenic painter (as Russell Oxley) | |
| Massimo Pauletto | .... | assistant art director: Venice | |
| Dominic Pike | .... | construction manager | |
| Amin Rharda | .... | prop buyer: Marrakesh (as Armine Rharda) | |
| Amin Rharda | .... | set dresser: Marrakesh | |
| Matthew Robinson | .... | draughtsman (as Matt Robinson) | |
| Mary Pat Sheahan | .... | stand-by painter (as Mary-Pat Sheahan) | |
| Keith Slote | .... | draughtsman | |
| Fabrice Spelta | .... | assistant art director | |
| Terry Stinson | .... | prop hand | |
| Pete Taylor | .... | carpenter | |
| Alberto Tommasini | .... | stand-by carpenter: Venice | |
| Barry Tracey | .... | painter | |
| Kevin Waite | .... | carpenter | |
| Stuart Watson | .... | construction manager | |
| Terry Woods | .... | property master (as Terry Wood) | |
| Matteo Bertelli | .... | art department: Italy (uncredited) | |
| Lucy Eyre | .... | assistant set decorator (uncredited) | |
| Colin Fox | .... | drapes master (uncredited) | |
| Sophie Phillips | .... | assistant set decorator (uncredited) | |
| Amin Rharda | .... | assistant art director (uncredited) | |
| Christopher Wyatt | .... | draughtsman (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Martin Beresford | .... | sound playback operator | |
| Andrew Caller | .... | sound mix technician (as Andy Caller) | |
| Dan Dewsnap | .... | second boom operator | |
| Gillian Dodders | .... | dialogue editor (as Gillian Doders) | |
| Danny Freemantle | .... | assistant sound editor | |
| Glenn Freemantle | .... | sound supervisor | |
| Danny Hambrook | .... | sound recordist | |
| Alex Hudd | .... | sound consultant: dolby | |
| Simon Jones | .... | sound re-recording mixer | |
| Adam Laschinger | .... | sound maintenance | |
| Diego Piotto | .... | sound assistant: Venice | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Tom Sayers | .... | sound designer | |
| Tom Sharp | .... | sound trainee | |
| Andrew Wilkinson | .... | sound effects editor | |
| Nourdine Zaoui | .... | boom operator: Marrakesh | |
| Howard Bevan | .... | sound assistant: dailies (uncredited) | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Jonathan Rimas | .... | adr mixer (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects supervisor | |
| Ian Rowley | .... | special effects supervisor | |
| Rob Rowley | .... | special effects technician | |
| James Davis III | .... | special effects senior technician (uncredited) | |
| Hugh Goodbody | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Danielle Brooks | .... | CG artist | |
| Adam Gascoyne | .... | visual effects supervisor (as Adam Gascoigne) | |
| Sally Goldberg | .... | cg artist | |
| Simon Hughes | .... | lead compositor | |
| Sean Lewkiw | .... | technical head of cg | |
| Hugh Macdonald | .... | senior digital compositor: Rainmaker | |
| Collette Nunes | .... | visual effects editor | |
| Roma O'Connor | .... | visual effects executive producer | |
| Jonathan Opgenhaffen | .... | CG artist | |
| Becky Roberts | .... | visual effects line producer | |
| David Wahlberg | .... | digital compositor: Rainmaker UK | |
Stunts | |||
| Stuart St. Paul | .... | stunt coordinator | |
Casting Department | |||
| Mourad Barouch | .... | casting assistant: Marrakesh | |
| Sarah Finn | .... | casting director: US (as Sarah Halley Finn) | |
| Orla Maxwell | .... | casting associate (uncredited) | |
| Kevin Riddle | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Annette Allen | .... | stand-by costumer | |
| Abderrahim Benkhayi | .... | costume dresser: Marrakesh | |
| Cristiana Bertini | .... | costume assistant: Venice | |
| Karina Andrea Bomrad Saez | .... | seamstress: Venice | |
| Morgan Clough | .... | costume trainee | |
| Zineb El Idrissi | .... | costume dresser: Marrakesh | |
| Silvana Galota | .... | costume assistant: Venice | |
| Latifa Joumane | .... | costume dresser: Marrakesh | |
| Anna Lombardi | .... | costume supervisor: Venice | |
| Debbie Millington | .... | assistant costume designer | |
| Jessica O'Leary | .... | costume supervisor | |
| Ombra Renzini | .... | costume assistant: Venice | |
| Katia Scarpa | .... | costume assistant: Venice | |
| Faical Tamiri | .... | costume dresser: Marrakesh | |
| Paul Yeowell | .... | stand-by costumer | |
| Mimouni Youssef | .... | costume dresser: Marrakesh (as Youseff Mimouni) | |
| Fiona Greaves | .... | costume daily (uncredited) | |
Editorial Department | |||
| Greg Barrett | .... | digital intermediate producer | |
| Ben Bradley | .... | online editor | |
| Rebecca Budds | .... | digital intermediate coordinator | |
| John Claude | .... | digital intermediate colorist | |
| Emanuele Giraldo | .... | first assistant editor | |
| Tina Richardson | .... | second assistant editor | |
| Paul Shore | .... | on-line editor | |
Music Department | |||
| Chris Barrett | .... | assistant score recording engineer | |
| The B.B.C. Philharmonic | .... | musicians: score performers (as The BBC Philharmonic) | |
| Sophie Cornet | .... | music editor | |
| Robert Coulson | .... | score recordist | |
| Terry Davies | .... | composer: additional music | |
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| Peter Dixon | .... | musician: cello soloist | |
| John Etheridge | .... | musician: guitar | |
| David Firman | .... | orchestrator | |
| Chris Garrick | .... | musician: violin | |
| Isobel Griffiths | .... | musicians contractor | |
| Mike Horner | .... | assistant score recording engineer | |
| Mike Hornett | .... | music preparation: score & parts | |
| Jake Jackson | .... | assistant score recording engineer | |
| Adrian Johnston | .... | orchestrator | |
| Catherine Manners | .... | music score coordinator | |
| Colin Rae | .... | music preparation: score & parts | |
| Jonathan Scott | .... | musician: piano soloist | |
| Yuri Torchinsky | .... | orchestra leader | |
| Roger Turner | .... | music preparation: score & parts | |
| Nick Wollage | .... | score mixer: songs & music | |
Transportation Department | |||
| Matteo Gottardis | .... | transportation coordinator: Venice | |
| Steve Heath | .... | unit driver | |
| Kaz Khan | .... | unit driver | |
| Ian Kitchin | .... | driver: camera truck | |
| Jean Lafont | .... | driver: minibus | |
| Ian Malcolm | .... | unit driver | |
| Mick McKenna | .... | driver: minibus | |
| Sid Medlam | .... | driver: minibus | |
| Trish O'Connell | .... | driver: minibus | |
| Pete Post | .... | driver: minibus | |
| Steve Rogers | .... | unit driver | |
| John Scott | .... | driver: minibus | |
| Laurence Turner | .... | unit driver (as Laurence 'Loz' Turner) | |
| Lewis Wakefield | .... | driver: minibus | |
| Bill Walker | .... | unit driver | |
| Vic Wynne | .... | driver: make-up truck | |
| Marco Zanon | .... | transportation coordinator: Venice (as Marco 'Bobo' Zanon) | |
| Alan Emanuel | .... | driver: cast (uncredited) | |
Other crew | |||
| Abdou Ait Abdellah | .... | production accountant: Marrakesh | |
| Adil Abdelwahab | .... | location manager: Marrakesh | |
| Russell Agro | .... | runner | |
| Russell Agro | .... | stand-in | |
| Ellen Archer | .... | runner | |
| Ellen Archer | .... | stand-in | |
| David Atkinson | .... | chef assistant | |
| Geraldine Atlee | .... | legal & business affairs: BBC Films | |
| Matthew Baker | .... | development executive: HanWay Films | |
| Alessandro Barbato | .... | floor runner: Venice | |
| Hamid Belmejdoub | .... | assistant accountant: Marrakesh (as Hamid Belmajdoub) | |
| Bouchra Bentayeb | .... | production secretary: Marrakesh | |
| Flavio Bettin | .... | facility manager: Venice | |
| David Blank | .... | first assistant accountant | |
| Jonathan Blyth | .... | head of independents: 2 Entertain | |
| Andy Booth | .... | unit medic | |
| Nabil Boushib | .... | assistant location manager: Marrakesh | |
| Mark Bunce | .... | chef | |
| Romano Cannavacciuolo | .... | payroll: Venice (as Romano Cannavacciolo) | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Fabrizio Cerato | .... | location manager: Venice | |
| Deborah Cesana | .... | location assistant: Venice | |
| Rebecca Chambers | .... | assistant location manager | |
| Jago Cherubini | .... | set production assistant: Venice | |
| Joseph Churchill | .... | runner (as Joseph F. Churchill) | |
| Joseph Churchill | .... | stand-in (as Joseph F. Churchill) | |
| Adam Cocker | .... | production runner | |
| Chris Cullum | .... | health & safety officer | |
| Matt Curtis | .... | title designer | |
| Maxine Davis | .... | production accountant | |
| Emilio De Filippo | .... | facility laborer: Venice | |
| Matt Delargy | .... | development executive: Ecosse Films | |
| Simonetta Di Fresco | .... | assistant coordinator: Venice | |
| Linda Duncan | .... | legal services: 2 Entertain | |
| Jeanine East | .... | financial controller: Ecosse Films | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Father Vladimir Feltzman | .... | catholic adviser | |
| Jess Firth | .... | rushes runner | |
| Daniela Foà | .... | extras coordinator: Venice (as Daniela Foa) | |
| Mauro Fornea | .... | location assistant: Venice (as Maura Fornea) | |
| Fiona Garland | .... | travel and accommodation coordinator | |
| Cora Gianolla | .... | extras coordinator: Venice | |
| Jane Gibson | .... | choreographer | |
| Anna Green-Armytage | .... | assistant: Robert Bernstein & Douglas Rae | |
| Richard Green | .... | chief executive: 2 Entertain | |
| Nardia Hall | .... | production runner | |
| Rouzie Hassanova | .... | sales coordinator: HanWay Films | |
| Jane Hawley | .... | production executive: BBC Films | |
| Rob Hill | .... | rushes runner | |
| Anna Holbek | .... | assistant to director | |
| Vinnie Holden | .... | head of production finance: UK Film Council (as Vince Holden) | |
| Bella Howard | .... | runner | |
| Bella Howard | .... | stand-in | |
| Kate Hudson | .... | unit publicist | |
| Steve Joberns | .... | auditor: Shipleys | |
| Medwyn Jones | .... | production lawyer: Harbottle & Lewis | |
| Nazha Kajja | .... | production coordinator: Marrakesh | |
| Bridget Kenningham | .... | assistant location manager | |
| Carlo La Melia | .... | cashier: Venice | |
| Jude Lamott | .... | unit medic | |
| Sergio Dalla Lana | .... | facility laborer: Venice | |
| Jamie Laurenson | .... | development producer: BBC Films | |
| Gabby Le Rasle | .... | production coordinator | |
| Sam Liefer | .... | latin adviser | |
| Jonathan Lynch-Staunton | .... | director of marketing: HanWay Films | |
| Richard Mansell | .... | business and legal affairs: HanWay Films | |
| Izzie Martin | .... | production runner | |
| Charles McDonald | .... | unit publicist | |
| Veronica Mechi | .... | location assistant: Venice | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Hicham Moukhliss | .... | assistant location manager: Marrakesh | |
| Khalid Mousadak | .... | production runner: Marrakesh | |
| Faye Newton | .... | location assistant | |
| Jamie Newton | .... | epk director | |
| Kane Nichol | .... | chef assistant | |
| Clive Noakes | .... | laboratory contact | |
| Ozzy O'Neill | .... | runner | |
| Ozzy O'Neill | .... | stand-in | |
| Stefano Pagin | .... | choreographer: Venice | |
| Lewis Partovi | .... | assistant production coordinator | |
| Andreina Pavon | .... | unit nurse: Venice | |
| Nick Pearson | .... | unit medic | |
| Alistair Ramsden | .... | floor runner (as Alastair Ramsden) | |
| David Roberts | .... | financial services: 2 Entertain | |
| Martin Roberts | .... | location assistant | |
| Abbe Robinson | .... | assistant to director | |
| Sophie Roche | .... | production trainee | |
| Jennifer Schaumburg | .... | office production assistant: Venice | |
| Thorsten Schumacher | .... | director of sales: HanWay Films | |
| Janice Schumm | .... | script supervisor | |
| Viola Sechi | .... | floor runner: Venice | |
| Stuart Snaith | .... | managing director: 2 Entertain | |
| Jane Soans | .... | location manager | |
| Jan Spielhoff | .... | director of business affairs: HanWay Films | |
| Nicola Stean | .... | business affairs assistant: Ecosse Films | |
| Diana Syrat | .... | assistant choreographer | |
| Agostino Taboga | .... | dancer: Venice | |
| Dario Tamiazzo | .... | dancer: Venice | |
| Anita Tomaselli | .... | production coordinator: Venice | |
| Marco Vianello | .... | set production assistant: Venice | |
| Matthew Vizard | .... | production & delivery coordinator: BBC Films | |
| Brigitte Ward-Holmes | .... | assistant accountant | |
| Luke Warner | .... | chef assistant | |
| Katie Williams | .... | epk director | |
| Lisa Williams | .... | assistant to producer | |
| Chris Williamson | .... | chef | |
| Julia Wilson Dickson | .... | voice coach (as Julia Wilson-Dickson) | |
| Mark Woolley | .... | finance and commercial director: Ecosse Films | |
| Charlotte Wright | .... | location assistant | |
| Carla Zacchia | .... | production accountant: Venice (as Carla Zacchia Legall) | |
| Mohamed Benhmamane | .... | location manager (uncredited) | |
| Oliver Butler | .... | crowd runner (uncredited) | |
Thanks | |||
| Paul Ritchie | .... | very special thanks | |
| Lucas Webb | .... | special thanks | |
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| Atonement | Sunshine | Barry Lyndon | The Dreamers | Northanger Abbey |
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Every once in a few decades something like Brideshead comes along. No wonder anyone would want to try to relive that magic! So now there is Brideshead the movie. That means the director had to grasp the original TV show in two hours, so no other choice than a 'The Best Of' compilation remains, it seems.The disadvantage of it is, that what is left out suddenly becomes painfully missing.
All of us who have watched the TV series know it is virtually impossible to surpass it, in film or TV production. Nevertheless, I tried to watch it without prejudice. Overall not a bad movie, but no, not the magical resonance the original had.
All I can do is summarize in details the pluses and minuses of the film versus the TV production so here it goes:
The fathers from original were two of the best actors of the century; John Geilgud (Shakespeare) and the (incomparable) Laurence Olivier. Geilgud plays brilliantly the teasing but not totally indifferent father, who seems stop Charles from the insipid surroundings in the summer but finally lets him go. In the TV series the actor is more serious, and the fun is not there. Laurence had probably one of the best performances of all, and clearly echoes his naughtiness as he portrayed in A Little Romance then a few years earlier. His unpredictability which finally makes him decide for his daughter is well done, especially considered his playground was virtually no more than a static death bed! And then the scene where he is offered a ride in a car down the steps, which he refuses since he doesn't want to admit it might be his last.
Matthew Goode does quite a good job as a substitute of Jeremy Irons. I like especially his ambivalent apparition (homosexual, heterosexual, both, or doesn't it matter?). But he lacks the wonderful narrating voice of Irons, which research has shown to be one of the best around. In the film the romance between Charles and Sebastian's sister is elaborated much more. Partially I agree with this choice. In the original not enough scenes were implanted for credibility, except probably the scene where Charles lights her cigarette. They were virtually strangers meeting again on the cruiser years later and nevertheless they seemed to suddenly hit it off. The sister was not what stood Charles' and Sebastian's friendship in the way. The filmmakers choose for more stress on their impending romance. I think the TV original did this better; it was the family that Charles became part of, and Sebastian's indifference to love that became unsurpassable problems. In original the mother was almost invisible, with the exception of some quotes on her son like 'I don't understand it', which summed it all up. We do not need the dialog in the film where she explains herself, and wonders why her kids hate her. Understatement is much more powerful, also in the scene 'I'll say no more' between Charles and Julia, in which it becomes clear religion has driven them apart. One sentence can be enough.
All this was at the cost of stress Sebastian could have had, and got in the TV original. Most of the magic of Brideshead was simply Anthony Andrews' performance. Worse, the movie clearly alludes to a homosexual relationship, which it did not need to be. Sebastian was a love object, and could be loved by anyone, in any way. But then again, it might be hard finding someone that could deliver the line about Sebastian as Irons narrated: 'his beauty, arresting'. Charm was the problem, the danger. That missed in this film. It was charm that nearly got Charles astray, as told by the queer friend years later in his atelier. The film omitted this important scene, where that friend tried to warn Charles for Sebastian. At the time we all thought it was a nasty remark, but later on he seemed to be right. Or was the charm not an illusion after all? The film simply did not have enough time to build up the charm Sebastian surely had in the TV original. In the TV series Charles was shown first with boring friends, and it then became shortly a coming of age story, where he got introduced in a more fun crowd with Sebastian. This phase delivered some of the best scenes of the story, with his queer friend talking loud over the campus, or Sebastian dressing up as a man with mustache. Sebastian showed Charles other worlds, which real or not, were unforgettable. The film had to rush this too much, and therefore the introduction scene with the spring eggs lost its magic.
One of the few pluses was much less stress on Cordelia, the little girl. But the minus was she acted as an indirect narrator of the importance of religion. Now it had to be compensated for in dialog with the mother and Julia, which was in TV better since there meaning came out of things not said.
Many things I missed, but you can not cram all in two hours. But lines like 'I would like to remember Sebastian, how he were that summer, when we walked through the enchanted place' should have been told again.
The end was nicely done, with Charles finally not pinching candlelight, symbolic for the charm of that family that was still alive in him. I liked there the Irons narrative though 'Was it all vanity? Etc.'
I would say, it was a brave attempt, something like making a remake of 2001, or Casablanca or Breakfast at Tiffany's, and the acting was all well done. Also camera work, and story adaptation. But who can surpass Anthony Andrews, or Jeremy Irons, or Gielgud or Olivier?