Brideshead Revisited (2008)

Director:

Julian Jarrold

Writers:

Andrew Davies (written by) and
Jeremy Brock (written by) ...

Release Date:

25 July 2008 (USA)

Genre:

Drama | Romance

Tagline:

Love is not ours to control

Plot:

A poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.

Plot Keywords:

England | Catholic | WWII | Military Officer | Alcoholism

Awards:

10 nominations

Cast

Matthew Goode	...	Charles Ryder
Thomas Morrison	...	Hooper
David Barrass	...	Ship's Barber
Anna Madeley	...	Celia Ryder
Sarah Crowden	...	Lady Guest
Stephen Carlile	...	English Lord
Peter Barnes	...	American Professor
Hayley Atwell	...	Julia Flyte
Patrick Malahide	...	Edward Ryder
Richard Teverson	...	Cousin Jasper
Joseph Beattie	...	Anthony Blanche
Ben Whishaw	...	Sebastian Flyte
Roger Walker	...	Lunt
Mark Field	...	Boy Mulcaster
Mark Edel-Hunt	...	Oxford Student

MPAA:

Rated PG-13 for some sexual content.

Runtime:

USA:133 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

USA:PG-13 | UK:12A | Ireland:12A | Australia:PG | Netherlands:12 | Singapore:M18 | Denmark:A | New Zealand:M | Portugal:M/12 | Hong Kong:IIA | Finland:K-11 | Sweden:7

Filming Locations:

Art Deco Palm Court, Park Lane Hotel, Piccadilly, London, England, UK

Company:

2 Entertain

Trivia:

For the Oxford scenes, real Oxford students were recruited to play their 1920's counterparts. For the scene where Charles and Sebastian first meet, real members of the exclusive Bullingdon Club can be seen behind him wearing their traditional blazers. A few of them can also be seen in the luncheon scene that takes place the next day.

Goofs:

Factual errors: In Lord Marchmain's deathbed scene, Fr. Mackay imparts absolution while Charles Ryder and members of the family are in attendance. Absolution is never imparted in public in this way. The others would have been asked to step out. Moreover, the Latin form of the absolution given, although it is the correct traditional one, is badly mispronounced and contains several errors in the details of the Latin text.

Quotes:

[First Lines]
Charles Ryder: [Internal monologue while walking out of Brideshead Castle] If you'd asked me now who I am? The only answer I could give with any certainty would be my name: Charles Ryder. For the rest: My loves, my hates, down even to my deepest desires;I can no longer say whether these emotions are my own, or stolen from those others we desperately wish to be. On second thought; one emotion remains my own. Alone among the borrowed and the second-hand. As pure as that faith of which I'm still in flight:... Guild.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2008-07-26)" (2008)

Soundtrack:

Rumba

An Unbiased Review of Brideshead

I have never read the book or seen the miniseries, so my experience wasn't clouded by already existing expectations and assumptions of the characters. Instead I was awaiting a first, and therefore unbiased look into the world of Brideshead.

As a film, it is okay bordering on good and solid. The performances are strong enough to keep the audience interested, but they do not keep us enthralled. The leads are savvy and sexy in their own rights, but they lack true appeal as performers. They can come off as rather dull in certain scenes, but in others they pull out a subtle presence that is called for in intimate, or more emotion scenes. This inconsistence was bothersome and hindered the overall telling of the story. The one presence that is felt, but is far too short is that of Emma Thompson. As the matriarchal head of the family, she is brutal and works well with the one dimensional writing she was given. If they had focused more on her, we would have been able to understand the tortured minds of Julia and Sebastian better. Instead they have Julia and Sebastian describe her to the audience, which keeps us from getting close enough to realize what deformed her mind to begin with.

Charles is, at times to weak and unsure to be accepted as someone we want to see happy. We end up being unsure of his character's intention, and not in a mysterious, purposeful way, but in a, "the film-making is too unclear" way. Is Charles just a social climber whose dreams are dashed by his wants and Atheist ways? Or is he a moral soul lost in the pull of Brideshead's condemning Catholic trappings? This is the major flaw to the film, Charles is never exposed.

Small framing problems and out-of-style shots hampered the visual appeal, but with that aside, the visuals are very lush and the score complements some well placed montages to give the viewer a true sense of the desired never-ending summer Charles and Sebastian so desperately dream after.

If you like British tales of class and religion, or period films, this one is not a letdown. It is nothing new, but nothing terrible either. I recommend it if this is your sort of thing, I was not disappointed, but I wasn't blown away.