| Michael Sheen | ... | Mark Furness | |
| Adrian Bower | ... | Nathan | |
| Claudie Blakley | ... | Kathy | |
| Anastasia Griffith | ... | Stevie | |
| Katie McGuinness | ... | Alison | |
| Anton Lesser | ... | Charles | |
| Ebe Sievwright | ... | Tom | |
| Elliot Cowan | ... | Gareth | |
| Rupert Young | ... | Josh | |
| Shirley Henderson | ... | Charlotte | |
| John O'Mahony | ... | Dr. Dunphy | |
| Daniel Kruyer | ... | Cabbie | |
| Stewart Wright | ... | Rhodri | |
| Bhasker Patel | ... | Hasim | |
| Kika Markham | ... | Geraldine | |
| Mercedes Grower | ... | Gemma | |
| Tim Stern | ... | Kenneth | |
| Malcolm Rogers | ... | Farmer | |
| Mary Sheen | ... | Farmer's Wife | |
| Michael Elwyn | ... | Richard | |
| John Salthouse | ... | Bob | |
| Heather Tobias | ... | Judith | |
| Hilary Sesta | ... | Gran | |
| rest of cast listed alphabetically: | |||
| Steve Oram | ... | Zookeeper (uncredited) | |
| Tracy Redington | ... | Shop Assistant (uncredited) | |
Directed by | |||
| Adrian Shergold | |||
Writing credits(in alphabetical order) | ||
| Jeff Pope | writer | |
| Ian Puleston-Davies | writer | |
Produced by | |||
| Sue Calverley | .... | line producer | |
| Andy Harries | .... | executive producer | |
| Christine Langan | .... | producer | |
| Jeff Pope | .... | executive producer | |
Original Music by | |||
| Martin Phipps | |||
Cinematography by | |||
| David Odd | |||
Film Editing by | |||
| Tania Reddin | |||
Casting by | |||
| Kate Rhodes James | |||
Production Design by | |||
| David Roger | |||
Art Direction by | |||
| Sandy Garfield | |||
Costume Design by | |||
| Mary-Jane Reyner | |||
Makeup Department | |||
| Karen Hartley | .... | hair designer | |
| Karen Hartley | .... | makeup designer | |
| Maureen McGill | .... | makeup artist | |
| Debbi Salmon | .... | makeup artist | |
Production Management | |||
| Said Ezrouki | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director | |
| Joanna Crow | .... | first assistant director | |
| Andrew Mannion | .... | third assistant director (as Andy Mannion) | |
Art Department | |||
| Gari Bacon | .... | stand-by prophand | |
| Vince Ball | .... | stand-by construction | |
| Tony Bandy | .... | dressing prophand | |
| Tim Bonstow | .... | production buyer | |
| Dean Humphrey | .... | dressing prophand | |
| Jo Kornstein | .... | stand-by art director | |
| Ron Sutcliffe | .... | stand-by prophand | |
| Ray Wilson | .... | stand-by rigger | |
| Neil Wood | .... | property master | |
Sound Department | |||
| Philip Barnes | .... | adr editor | |
| Philip Barnes | .... | dialogue editor | |
| Nick Cox | .... | dubbing editor | |
| Graham Day | .... | sound trainee | |
| Nigel Edwards | .... | dubbing mixer | |
| David McMillan | .... | sound maintenance | |
| Reg Mills | .... | sound recordist | |
| Dave Sloss | .... | foley recordist | |
| Mark Verner | .... | foley editor | |
Stunts | |||
| Gareth Milne | .... | stunt coordinator | |
| Peter Pedrero | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steff Marc Angelo | .... | electrician | |
| Tash Gamper | .... | camera trainee (as Natasha Gamper) | |
| Andrew Hamilton | .... | gaffer | |
| Sam Kite | .... | best boy | |
| Andy Munday | .... | electrician (as Andy Mundy) | |
| Barney Piercy | .... | first assistant camera | |
| Chris Samworth | .... | clapper loader | |
| Tony Sankey | .... | grip | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Andy Morgan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Josie Martin | .... | wardrobe assistant | |
| Pat Williamson | .... | wardrobe assistant | |
| Zoe Williamson | .... | costume trainee | |
| Nicole Young | .... | wardrobe supervisor | |
Editorial Department | |||
| Steven Forrester | .... | first assistant editor | |
| Kevin Horsewood | .... | colorist | |
| Andrew Mitchell | .... | on-line editor | |
| Mark Swailes | .... | assistant editor | |
Transportation Department | |||
| Barry Goodwin | .... | unit driver | |
| Rob MacKnight | .... | driver: unit minibus | |
| Llewellyn Thomas | .... | driver: camera car | |
Other crew | |||
| David Blank | .... | assistant accountant | |
| Shane Chapman | .... | picture publicist | |
| Natalie Cheary | .... | unit publicist | |
| Gary Connelly | .... | production executive | |
| Zoë Edwards | .... | assistant production coordinator | |
| Barry Fletcher | .... | advisor: architecture | |
| Barry Fletcher | .... | architect models | |
| Harold Garner | .... | advisor: architecture | |
| Harold Garner | .... | architect models | |
| Emily Graham | .... | floor runner | |
| Mo Johnstone | .... | script supervisor | |
| Marigo Kehoe | .... | head of production | |
| Jamie Lengyel | .... | location manager | |
| Sarah Lindfield | .... | production runner | |
| Nick Marshall | .... | assistant location manager | |
| Adrian O'Brien | .... | production accountant | |
| Heather Rimmington | .... | unit nurse | |
| Christian Spurrier | .... | advisor: architecture | |
| Christian Spurrier | .... | architect models | |
| Sarah Turner | .... | researcher | |
| Grace Yee | .... | production coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| Stevie | tfrazier |
| fellow sufferer | Nick-Gondolo |
| Elliot Cowan? | linda303 |
| Sex scenes? | wm-idpr |
| Which scene do you relate to? | missmisery1980 |
| what this film meant to me | cricket_loving_girl |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
Beginning with a smart script by Jeff Pope and Ian Puleston-Davies (the latter a fine actor who happens to be afflicted with Obsessive Compulsive Disorder) and under the inordinately delicate direction of Adrian Shergold, DIRTY FILTHY LOVE is one of the more sensitive examinations of two challenges that affect the lives of many people throughout the world: Tourette's Syndrome (complete with tics and uncontrollable inappropriate outbursts of foul language, noises, shouts), and Obsessive Compulsive Disorder (lives complicated by the need for order imposed by the patient's mind as a series of repeated behaviors that protect the person from the terror of living in a chaotic world). Wrongly titled (a title that probably prevents many people from seeing this little miracle of a film) and incorrectly billed as a comedy (which is most certainly not), DIRTY FILTH LOVE is one of those films that slipped by us all without a theatrical release but now is thankfully available on DVD. It deserves full attention.
Mark Furness (played with superlative skill by Michael Sheen) is an architect on leave due to his progressive illnesses (see above) and who is first seen in the throes of beginning a trial separation from his beloved wife Stevie (Anastasia Griffith) who can no longer live under the same roof with Mark's 'inexplicable' behavior patterns. Left alone with the anxiety over his surfacing deterioration from his physical challenges, Mark finds solace with his close friends who also tire of his behavior and insist he seek medical help. In the waiting room of a deaf-eared doctor Mark 'meets' Charlotte (the astonishingly fine character actor Shirley Henderson) and Charlotte, who happens to suffer from both Obsessive Compulsive Disorder as well as trichotillomania (uncontrolled pulling out hair strands to the point of baldness), senses a man who needs help. Charlotte tells Mark of a group therapy session for people with similar problems and Mark, out of desperation, joins the group (a fascinating group of actors imbuing their disease states without the least sign of parody).
It is obvious rather early on that Charlotte is attracted to Mark, but Mark's life is one directed toward making himself acceptable to Stevie. With a powerful confrontation at a very social party Mark realizes he suffers from a disease state he has had since birth and the only one who really cares about his dilemma and understands his turmoil is Charlotte: a strange love affair is finally recognized.
Scripts such as this are all too rare and when brought to the screen with the exceptional acting and direction rendered by this crew they become films that should be required viewing. In every way these are brilliant performances by Michael Sheen and by Shirley Henderson, yet because the film never received a theatrical release in this country (probably due to the factors mentioned above) it will be ignored by the Oscars. But awards are only momentary returns for art pieces of this caliber and this one is destined for a long shelf life. Highly recommended. Grady Harp