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| Romain Duris | ... | Thomas Seyr | |
| Niels Arestrup | ... | Robert Seyr | |
| Jonathan Zaccaï | ... | Fabrice | |
| Gilles Cohen | ... | Sami | |
| Linh Dan Pham | ... | Miao Lin | |
| Aure Atika | ... | Aline | |
| Emmanuelle Devos | ... | Chris | |
| Anton Yakovlev | ... | Minskov | |
| Mélanie Laurent | ... | Minskov's Girlfriend | |
| Agnès Aubé | ... | Woman | |
| Etienne Dirand | ... | Old Man | |
| Denis Falgoux | ... | Metreur | |
| Serge Boutleroff | ... | Man (as Serge Onteniente) | |
| Sandy Whitelaw | ... | Mr. Fox | |
| Emmanuel Finkiel | ... | Conservatory Professor | |
| Jian-Zhang | ... | Jean-Pierre | |
| Omar Habib | ... | Assad | |
| Jamal Djabou | ... | Mounir | |
| Vladislav Galard | ... | Clerk | |
| Walter Shnorkell | ... | Verodin | |
| Marianne Puech | ... | Notaire | |
| Alphonse Cemin | ... | Pianist | |
| rest of cast listed alphabetically: | |||
| David Birgé-Cotte | ... | Tom enfant | |
| Estelle Brattesani | ... | Passante | |
| Justine Le Pottier | |||
| Aleksandra Kacprzak | ... | Auditrice au concert de piano (uncredited) | |
Directed by | |||
| Jacques Audiard | |||
Writing credits(in alphabetical order) | ||
| Jacques Audiard | writer | |
| Tonino Benacquista | writer | |
| James Toback | earlier screenplay | |
Produced by | |||
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Stéphane Fontaine | |||
Film Editing by | |||
| Juliette Welfling | |||
Casting by | |||
| Richard Rousseau | |||
| Marion Touitou | |||
Production Design by | |||
| François Emmanuelli | |||
Set Decoration by | |||
| Marie Cheminal | |||
| Sandrine Mauvezin | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Frédérique Ney | .... | key makeup artist | |
Production Management | |||
| Martine Cassinelli | .... | production manager | |
| Laurencina Lam | .... | post-production manager | |
| Thibault Spiral | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Serge Boutleroff | .... | first assistant director | |
| Denis Kralj | .... | assistant director: location | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Nicolas Cantin | .... | boom operator | |
| Nicolas d'Halluin | .... | sound recordist | |
| Michel Filippi | .... | adr supervisor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Nikolas Javelle | .... | sound editor | |
| Johann Nallet | .... | sound recordist | |
| Sandy Notarianni | .... | dialogue editor | |
| Julien Sicart | .... | additional boom operator | |
| Brigitte Taillandier | .... | sound | |
| Pascal Villard | .... | supervising sound editor | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Philippe Hubin | .... | special effects | |
Visual Effects by | |||
| Bertrand Levallois | .... | visual effects producer | |
Stunts | |||
| Michel Carliez | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Olivia Lahougue | .... | wardrobe | |
| Isabelle Pannetier | .... | costume supervisor | |
| Paulette Ribot | .... | costumer | |
Editorial Department | |||
| Marie-Pierre Frappier | .... | assistant editor | |
| Isabelle Julien | .... | color timer | |
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Carlos Pinto | .... | second assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Frédéric Fortuny | .... | music consultant | |
Other crew | |||
| Nathalie Vierny | .... | script supervisor | |
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| Boy A | Before the Devil Knows You're Dead | Edvard Munch | Plata quemada | L'accompagnatrice |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb France section | Add this title to MyMovies |
THE BEAT THAT MY HEART SKIPPED (Jacques Audiard - France 2005).
It's usually the other way round, but this time the French took a shot at remaking an American film, James Toback's FINGERS (1978), which starred Harvey Keitel. And the result is excellent. This riveting human drama by Jacques Audiard features an impressive performance by Romain Duris as Tom, a 28 year-old hoodlum who seems destined to follow in his father's footsteps as a property shark working in a sleazy, barely legal twilight zone of the dodgy Parisian real-estate world. But a chance encounter with a former music teacher leads him to believe that he can become, like his mother, a concert pianist. With the help of a young virtuoso pianist, who just arrived from China, he starts preparing for a crucial audition, but soon the pressures from his former pals mount and he gets trapped between two opposite worlds. But Tom is not just a sensible artistic young man desperately trying to escape the world he lives in. He's not entirely sure he wants to leave his old life behind him. He's got a mean streak and when necessary, he takes care of some unresolved matters using whatever means he deems appropriate to take care of unwilling partners, squatters or whoever gets in the way of his (or his father's business interests), really putting the squeeze on people unwilling to cooperate.
Romain Duris injects his role with an enormous amount of vibrancy and energy. I've never seen Duris in another role before, but his character is complex, perennially nervous, strained, angry, but incredibly charming. One moment he's in leather jacket, wiping the blood of his face after a little bashing with some squatters. The next, he's in suit and tie and negotiates with real-estate moguls. The film's atmosphere is dark, moody and downbeat, but Tom's vibrant energy and aggression firmly keeps the viewer's attention. Jacques Audiard's direction is remarkable assured. He seems to know exactly what he wants to present on the screen, never showy and a keen camera eye to give the already top-notch performances maximum impact. What's so refreshing, is that the film doesn't make a big point out of the human relationships. It never becomes overly sentimental, but at the same time all these characters are real and completely believable, just incredibly vivid characterizations. Sharply written, stylish, expertly paced, directed and performed, this is definitely one to catch.
Camera Obscura --- 9/10