| Photos (see all 129 | slideshow) | Videos (see all 4 videos) |
| Terrence Howard | ... | Djay | |
| Anthony Anderson | ... | Key | |
| Taryn Manning | ... | Nola | |
| Taraji P. Henson | ... | Shug | |
| DJ Qualls | ... | Shelby (as D.J. Qualls) | |
| Ludacris | ... | Skinny Black | |
| Paula Jai Parker | ... | Lexus | |
| Elise Neal | ... | Yevette | |
| Isaac Hayes | ... | Arnel | |
| Jordan Houston | ... | Tigga (as Juicy J) | |
| William Engram | ... | Slobs (as William 'Poon' Engram) | |
| Bobby Sandimanie | ... | Yellow Jacket (as Bobby 'I-20' Sandimanie) | |
| Haystak | ... | Mickey | |
| Claude Phillips | ... | Harold | |
| Josey Scott | ... | Elroy | |
| John Still | ... | Shop Owner | |
| Jay Munn | ... | Prison Guard | |
| Michael Hooks | ... | Block Manager (as Michael Hooks Jr.) | |
| Jerome Toles | ... | Police Officer | |
| Paul Beauregard | ... | R.L. (as DJ Paul) | |
| Al Kapone | ... | Kateezy | |
| Jennifer Bynum Green | ... | Choir Lead Singer | |
| Kelvin Birrus | ... | Choir Singer #1 | |
| Tiran D. Boyland | ... | Choir Singer #2 | |
| H. Renee Cogar | ... | Choir Singer #3 | |
| Brandon Seiferth | ... | Choir Singer #4 | |
| Deborah Manning Thomas | ... | Choir Singer #5 | |
| Terrence Brown | ... | Piano Player | |
| T.C. Sharpe | ... | Arnel's Drunk | |
| Lindsey Roberts | ... | Harper | |
| Free Sol | ... | Bathroom Kid | |
| Clarence Mabon | ... | Police Officer #2 | |
| Mark Goodfellow | ... | Pawn Shop Owner | |
| Latasha Texas | ... | Stripper #1 | |
| Tracy Davis | ... | Stripper #2 | |
| Erica Miller | ... | God Bless America Girl | |
| Helen Bowman | ... | Defendant | |
| rest of cast listed alphabetically: | |||
| Jeff Pope | ... | Trick #1 | |
| Dennis Phillippi | ... | Himself (voice) (uncredited) | |
Directed by | |||
| Craig Brewer | |||
Writing credits(WGA) | ||
| Craig Brewer | (written by) | |
Produced by | |||
| Stephanie Allain | .... | producer | |
| Preston L. Holmes | .... | associate producer (as Preston Holmes) | |
| John Singleton | .... | producer | |
| Dwight Williams | .... | executive producer | |
Original Music by | |||
| Scott Bomar | |||
Cinematography by | |||
| Amy Vincent | |||
Film Editing by | |||
| Billy Fox | |||
Casting by | |||
| Chris Gray | |||
| Kim Hardin | (as Kimberly R. Hardin) | ||
Production Design by | |||
| Keith Brian Burns | |||
Art Direction by | |||
| Alexa Marino | |||
Set Decoration by | |||
| Joni Wheeler | |||
Costume Design by | |||
| Paul Simmons | |||
Makeup Department | |||
| Bert Reo Anderson | .... | assistant hair stylist | |
| Camille Chambers | .... | makeup artist | |
| Ted Long | .... | key hair stylist (as Theodore Long) | |
| Kellie Robinson | .... | assistant makeup artist | |
| Linda Thompson | .... | assistant hair stylist | |
| Denise Tunnell | .... | key makeup artist (as Denise Tunnel) | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor | |
Art Department | |||
| Darian Corley | .... | property master | |
| Frank Gray III | .... | assistant property master | |
| Spencer Pharr | .... | set dresser | |
Special Effects by | |||
| Jim Eikner | .... | special effects assistant (as Jim Eichner) | |
| Stephen Hall | .... | special effects assistant | |
| Ben Ishmael | .... | special effects assistant | |
| Jesse Moorefield | .... | special effects assistant | |
| Jason Thomas | .... | special effects foreman | |
| Steve Wolf | .... | special effects supervisor | |
Visual Effects by | |||
| David Booth | .... | scanning & recording | |
| John Daro | .... | digital intermediate editor | |
| Rick Lopez | .... | digital film technician: Fotokem Film & Video | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
Stunts | |||
| Max Maxwell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Budd | .... | grip | |
| Alisa M. Colley | .... | second assistant camera | |
| David A. Cook | .... | gaffer: Los Angeles | |
| Dan Cornwall | .... | gaffer | |
| Tracy Facelli | .... | film loader | |
| Chris Friebus | .... | second assistant camera | |
| Richard C. Kerekes | .... | dolly grip (as Rick Kerekes) | |
| Tommy Maddox-Upshaw | .... | electrician: Los Angeles (as Tommy Upshaw) | |
| Jonathan Stoll | .... | grip | |
| Tom Weston | .... | camera operator | |
| Matt Zschoche | .... | best boy electric: Los Angeles | |
Casting Department | |||
| Cameron Deaver | .... | casting associate | |
| Benjamin Gerry | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Meriwether Nichols | .... | key costumer | |
| Christy Hebert Crouch | .... | seamstress (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Thanadoul Khunngam | .... | post-production intern | |
| John Nicolard | .... | digital intermediate producer | |
| David Rosenblatt | .... | assistant editor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate artist | |
| Walter Volpatto | .... | digital intermediate colorist | |
| Charise E. Angone | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Scott Bomar | .... | music arranger | |
| Marc Franklin | .... | music arranger | |
| Christiaan Gordon | .... | music clearances | |
| Marvin R. Morris | .... | music editor | |
| Shie Rozow | .... | music editor | |
| Julie Sessing | .... | music clearance | |
| Paul Stewart | .... | music supervisor | |
| Mary Unobsky | .... | music consultant | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Cassandra Butcher | .... | publicity consultant | |
| Cassandra Butcher | .... | unit publicist | |
| Betty Chin | .... | production coordinator | |
| Tyrone D. Dixon | .... | assistant: Ms. Allain | |
| Bennett Fidlow | .... | production legal | |
| Aquil Fudge | .... | accountant | |
| Donna T. Giles | .... | location manager | |
| Hailey Giles | .... | assistant location manager | |
| Erin Hagee | .... | assistant: Mr. Brewer | |
| Sueann Han | .... | production secretary | |
| Steven Hines | .... | production assistant | |
| Michelle L. Johnson | .... | assistant to producers | |
| Sims Lawson | .... | production assistant | |
| DeAara L. Lewis | .... | intern | |
| Christopher A. Malone | .... | set production assistant | |
| Khanya Mkhize | .... | adr loop group | |
| Ilene Pickus | .... | script supervisor | |
| Erik Proveaux | .... | caterer | |
| Michael Rapaport | .... | business manager | |
| Maya Robinson | .... | intern | |
| Shaun S. Sanghani | .... | set production assistant | |
| Laura Sevier | .... | rights and clearances | |
| Mark Van Horne | .... | laboratory liaison | |
| Dalton Cole Young | .... | location assistant | |
Thanks | |||
| Jennifer Kuwabara | .... | special thanks | |
| Sam Phillips | .... | dedicatee | |
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I recently had the pleasure of viewing a local Hustle & Flow screening. I referred to this site beforehand to look at the technical details of the movie and to gain a general understanding of the buzz from the message boards. All I seem to recall reading were negative comments about the movie saying that it was such a cliché. Well, maybe I haven't seen as many movies in the hip hop coming of age genre, but the only movie I recall being remotely close to this one was 8 Mile (which I liked btw). Anyways, I saw the movie and I really don't think it was that cliché. The dialog is definitely original, the characters are original, the location is original, and there is a lot of depth within the character of DJay, the pimp trying to become a rapper. I thought the acting in the movie was excellent and I am glad that there is a wide release movie out this summer that isn't a sequel and didn't cost $200 million to make. This movie is bound to do very well, it only cost $3 million to make and it is a pretty good movie. The only problems I had with this movie were with some of the logic and character motivation. I don't think the movie explained very well WHY DJay (the pimp) wanted to become a rapper all of a sudden. They make the entire music making process seem like a piece of cake, but hey it is a movie and there are ultimately time constraints. I thought DJ Qualls was gonna be just a really lame piece of comic relief, but he actually adds depth to the film. I found Hustle & Flow to be very enjoyable and much more memorable than Batman Begins (which I saw last night!). This movie is definitely worth seeing this summer.