| Photos (see all 156 | slideshow) | Videos (see all 16) |
| Josh Lucas | ... | Dylan Johns | |
| Kurt Russell | ... | Robert Ramsey | |
| Jacinda Barrett | ... | Maggie James | |
| Richard Dreyfuss | ... | Richard Nelson | |
| Emmy Rossum | ... | Jennifer Ramsey | |
| Mía Maestro | ... | Elena Morales | |
| Mike Vogel | ... | Christian | |
| Kevin Dillon | ... | Lucky Larry | |
| Freddy Rodríguez | ... | Marco Valentin | |
| Jimmy Bennett | ... | Conor James | |
| Stacy Ferguson | ... | Gloria | |
| Andre Braugher | ... | Captain Bradford | |
| Kirk B.R. Woller | ... | Chief Officer Reynolds | |
| Kelly McNair | ... | Emily | |
| Gabriel Jarret | ... | 1st Officer Chapman | |
| David Reivers | ... | John | |
| Gordon Thomson | ... | Jay | |
| Jan Munroe | ... | Nick | |
| Caroline Lagerfelt | ... | Mary | |
| Jesse Henecke | ... | Security Officer | |
| Kimberly Patterson | ... | Poker Dealer | |
| D. Anthony Boone | ... | Deejay | |
| David Dittmer | ... | Nightclub Hotty | |
| Andy Deal | ... | Wine Steward | |
| Valerie Azlynn | ... | Passenger #1 | |
| Carrie Frymer | ... | Passenger #2 | |
| Beverly Overstreet | ... | Passenger #3 | |
| Vincent De Paul | ... | Passenger #4 (as Vincent DePaul) | |
| Rachel Vander Woude | ... | Woman on Cell | |
| rest of cast listed alphabetically: | |||
| Jenae Altschwager | ... | Crying girl (uncredited) | |
| Ed Aristone | ... | Bridge Officer (uncredited) | |
| Erik Aude | ... | Bouncer (uncredited) | |
| Aliane Baquerot | ... | Ballroom Dancer (uncredited) | |
| Brannon Bates | ... | Bridge Officer (uncredited) | |
| Andreas Beckett | ... | Andre (uncredited) | |
| Joseph Bell | ... | Young Waitor (uncredited) | |
| Christian Eric Billings | ... | Hero Passenger (uncredited) | |
| Felix J. Boyle | ... | Passanger (uncredited) | |
| Bylle Breaux | ... | Captain's Table Guest (uncredited) | |
| Jordi Caballero | ... | Ballroom Dancer (uncredited) | |
| Will Carter | ... | Headwound Harry (uncredited) | |
| Abra Chouinard | ... | Waitress (uncredited) | |
| Kate Clarke | ... | Doctor Anderson (uncredited) | |
| Ryan Cross | ... | New Year's Eve Band Bass Player (uncredited) | |
| Anna De Castro | ... | Club Dancer (uncredited) | |
| Frederick Dechow | ... | Wine Steward (uncredited) | |
| Natasha Delahunt | ... | Passenger #2077 (uncredited) | |
| Christopher Dempsey | ... | Doctor (uncredited) | |
| Menina Fortunato | ... | Ballroom Dancer (uncredited) | |
| Jerald Garner | ... | New Year Eve Party Passenger (uncredited) | |
| Spencer Hawken | ... | Drunk (uncredited) | |
| Adam Jones | ... | Bearded Businessman (uncredited) | |
| Kyra Kiener | ... | Dying woman (uncredited) | |
| Kevin Leung | ... | Chef (uncredited) | |
| Kristopher Maslardzievski | ... | Young Waiter (uncredited) | |
| David McDivitt | ... | Bridge Officer (uncredited) | |
| Austin Priester | ... | Des (uncredited) | |
| Jennifer Sciole | ... | Passenger #5 (uncredited) | |
| Gem Silver | ... | Screaming Girl (uncredited) | |
| Abbey Skinner | ... | Ballroom Dancer (uncredited) | |
| Christos Sourmelis | ... | Healthy Bandmember (uncredited) | |
| Juliette Tinelle | ... | Waitress (uncredited) | |
| Vincent Tumeo | ... | Dancer (uncredited) | |
| Rich Warren | ... | Nightclub Goer (uncredited) | |
Directed by | |||
| Wolfgang Petersen | |||
Writing credits(WGA) | ||
| Mark Protosevich | (screenplay) | |
| Paul Gallico | (novel "The Poseidon Adventure") | |
Produced by | |||
| Sheila Allen | .... | executive producer | |
| Todd Arnow | .... | co-producer | |
| Chris Briggs | .... | co-producer | |
| Kevin Burns | .... | executive producer | |
| Mike Fleiss | .... | producer | |
| Akiva Goldsman | .... | producer | |
| Duncan Henderson | .... | producer | |
| Barbara Huber | .... | associate producer | |
| Jon Jashni | .... | executive producer | |
| Kimberly Miller | .... | co-producer | |
| Lorne Orleans | .... | producer (IMAX version) | |
| Wolfgang Petersen | .... | producer | |
| Ben Waisbren | .... | executive producer (as Benjamin Waisbren) | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Peter Honess | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Michelle Lewitt | (as Michelle Lewitt Ward) | ||
Production Design by | |||
| William Sandell | |||
Art Direction by | |||
| Kevin Ishioka | (co-art director) | ||
| Mark W. Mansbridge | (supervising art director) | ||
| Mike Mansbridge | |||
| Brad Ricker | |||
Set Decoration by | |||
| Robert Gould | |||
Costume Design by | |||
| Erica Edell Phillips | |||
Makeup Department | |||
| Chad Atkinson | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Robin Beauchesne | .... | makeup artist: second unit | |
| Howard Berger | .... | makeup effects supervisor: K.N.B. Effects Group | |
| Bridget Bergman | .... | additional makeup artist | |
| Hayley Cecile | .... | additional makeup | |
| Michael Deak | .... | makeup effects on-set supervisor: K.N.B. Effects Group | |
| Alex Diaz | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Greg Funk | .... | key makeup artist (as Gregory C. Funk) | |
| Lumas D. Hamilton | .... | hair stylist | |
| Ruth Haney | .... | special makeup effects artist | |
| Edouard F. Henriques | .... | makeup department head (as Edouard F. Henriques III) | |
| Rich Knight | .... | makeup lab technician: W.M. Creations | |
| Aaron Koons | .... | makeup effects lab technician | |
| Margaux L. Lancaster | .... | makeup artist | |
| Norma Lee | .... | hair department head: second unit | |
| Dennis Liddiard | .... | makeup artist: Mr. Russell | |
| Brad Look | .... | makeup artist | |
| Harrison Lorenzana | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Sarah Mays | .... | makeup artist: Josh Lucas | |
| Mike McCarty | .... | body technician: K.N.B effects group | |
| Mike McCarty | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Lori McCoy-Bell | .... | hair stylist | |
| Ryan McDowell | .... | special makeup effects lab technician | |
| Scott McGowan | .... | special makeup effects artist | |
| Matthew W. Mungle | .... | prosthetics & bodies (as Matthew Mungle) | |
| Greg Nelson | .... | makeup artist | |
| Gregory Nicotero | .... | makeup effects supervisor: K.N.B. Effects Group | |
| Jason Pinsker | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Glenn Pulliam | .... | on-set project leader: second unit, W.M. Creations | |
| Glenn Pulliam | .... | special makeup effects lab technician | |
| Ben Rittenhouse | .... | makeup effects on-set technician: K.N.B. Effects Group | |
| Sandra Rowden | .... | makeup artist (as Sandi Lynn Rowden) | |
| Kim Santantonio | .... | key hair stylist | |
| Linda Leiter Sharp | .... | hair stylist: second unit (as Linda Sharp) | |
| Mike Smithson | .... | makeup department head: second unit | |
| Yolanda Toussieng | .... | hair department head | |
| Rebecca Wachtel | .... | makeup artist: second unit | |
| Roxy D'Alonzo | .... | makeup artist (uncredited) | |
| Clinton Wayne | .... | prosthetic lab technician (uncredited) | |
Production Management | |||
| Todd Arnow | .... | unit production manager | |
| David E. Hall | .... | post-production supervisor | |
| R.J. Mino | .... | unit production manager: second unit | |
| Mark Scoon | .... | executive in charge of production | |
| David Fox | .... | pre-viz production manager: Frantic Films (uncredited) | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | second second assistant director: stunt unit/dayplayer | |
| Jeff Bilger | .... | second second assistant director | |
| Doug Coleman | .... | second unit director | |
| Basil Grillo | .... | second assistant director (as Basil Bryant Grillo) | |
| Dan Lazarovits | .... | second second assistant director (as Dan 'Laz' Lazarovits) | |
| Lucille Ouyang | .... | key second assistant director: second unit | |
| Timothy R. Price | .... | second second assistant director: second unit | |
| Brendalyn Richard | .... | additional second assistant director | |
| Rebecca Strickland | .... | first assistant director: second unit | |
| Mark Trapenberg | .... | second second assistant director | |
| Kea Watson | .... | dga trainee: second unit | |
| John R. Woodward | .... | first assistant director (as John Woodward) | |
| Dan Lazarovits | .... | dga trainee (uncredited) | |
Visual Effects by | |||
| Darrell Abney | .... | digital artist | |
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Ismail Acar | .... | digital artist: ILM | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Casey Allen | .... | Inferno artist: Lola Visual Effects | |
| Alp Altiner | .... | matte painter | |
| Alexandra Altrocchi | .... | visual effects producer: Giant Killer Robots (as Alex Altrocchi Wolbach) | |
| Maura Alvarez | .... | paint and rotoscope artist: CIS Hollywood | |
| Purves Amarali | .... | CG modeller: MPC | |
| Dori Arazi | .... | animation supervisor: Giant Killer Robots | |
| Dori Arazi | .... | technical director: Giant Killer Robots | |
| Chris Armsden | .... | rendering technical director: MPC | |
| Joakim Arnesson | .... | CG supervisor: ILM | |
| Oliver Arnold | .... | lighter: CIS Hollywood | |
| Deb Asch | .... | visual effects: Giant Killer Robots | |
| Joel Ashman | .... | digital compositor: Hydraulx | |
| Matt Ashton | .... | senior systems: CIS Hollywood | |
| Jonathan Attenborough | .... | lead lighting technical director: MPC (as Jon Attenborough) | |
| Sergio Ayrosa | .... | digital compositor: MPC | |
| Andrew Baggarley | .... | data wrangler | |
| Lucy Bailey | .... | research and development artist | |
| Richard Baker | .... | senior compositor: MPC | |
| Jared Barber | .... | animation previsualization | |
| Mark Barber | .... | digital compositor: MPC | |
| Reuben Barkataki | .... | roto/prep supervisor | |
| Kevin Barnhill | .... | digital artist: ILM | |
| Tim Barter | .... | roto/prep artist | |
| David Basalla | .... | lighting artist: MPC | |
| Scott E. Baxter | .... | digital effects artist: Hydraulx | |
| Oliver Shyal Beardsley | .... | research & development | |
| Kevin Bell | .... | compositor: GKR | |
| Tim Belsher | .... | technical director: ILM | |
| Jeffrey Benedict | .... | digital artist: ILM | |
| Matthew Benns | .... | system support | |
| Colin Benoit | .... | lead matchmover: ILM | |
| Patrick Bergeron | .... | digital artist: ILM | |
| Les Bernstien | .... | visual effects | |
| Nic Birmingham | .... | lighting technical director: MPC | |
| Duncan Blackman | .... | location matchmover: ILM | |
| Aron Bonar | .... | digital artist: ILM | |
| Scott Bonnenfant | .... | texture artist: ILM | |
| Christina Boon | .... | digital artist | |
| Jayni Borgaro | .... | compositor: CIS Hollywood | |
| Kristen Borges | .... | look & lighting: Giant Killer Robots | |
| Cris Borgnine | .... | light technician | |
| Matt Bouchard | .... | digital artist: ILM | |
| Brigitte Bourque | .... | compositor: CIS Hollywood | |
| Charlie Bradbury | .... | visual effects producer: MPC | |
| Steve Braggs | .... | digital artist: ILM | |
| Paul Brannan | .... | CG artist: MPC | |
| Paul Brannan | .... | CG modeller: MPC | |
| Sam Breach | .... | digital artist: ILM | |
| Brent Breedveld | .... | pre-visualization artist | |
| Patrick Brennan | .... | compositing supervisor: ILM | |
| Marty Brenneis | .... | camera engineer | |
| Matt Brumit | .... | digital artist: ILM | |
| Wendell Bruno | .... | assistant DMR editor (IMAX version) | |
| David C. Bryant | .... | senior cgi artist | |
| Stuart Bullen | .... | roto artist | |
| Andrew Bunday | .... | rendering technical director: MPC | |
| Nick Cannon | .... | head of technology: MPC | |
| Jon Capleton | .... | lead matchmover | |
| Tom Carrick | .... | crowd simulation technical director: MPC | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| John Cassella | .... | lead effects artist: CIS Hollywood | |
| Lanny Cermak | .... | matchmover: ILM | |
| Marco Checa Garcia | .... | digital compositor: MPC | |
| Dave Child | .... | lighting artist: MPC | |
| Pamela J. Choy | .... | computer graphics modeler: ILM | |
| Evangelos Christopoulos | .... | digital effects artist: MPC | |
| Evangelos Christopoulos | .... | effects technical director: MPC | |
| Rhys Claringbull | .... | CG modeller: MPC | |
| Richard Clot | .... | model stagehand: ILM | |
| Isabel Cody | .... | CG modeller: MPC | |
| Tim Coleman | .... | character technical director | |
| Zachary Cole | .... | digital artist: ILM | |
| Brian Connor | .... | digital compositor: ILM | |
| Pat Conran | .... | digital effects supervisor: ILM (as Patrick Conran) | |
| Keith Cooper | .... | digital artist | |
| Dan Cox | .... | compositor: Giant Killer Robots | |
| Catherine Craig | .... | digital model painter | |
| Catherine Craig | .... | texture artist: ILM | |
| Doug Creel | .... | digital effects artist: MPC | |
| Nick Crew | .... | visual effects | |
| Brandon Criswell | .... | compositor: CIS Hollywood | |
| Neil Culley | .... | digital compositor: MPC | |
| Haslina Dasley | .... | lighting artist: MPC | |
| Craig Davies | .... | software programmer: MPC | |
| Rupert Davies | .... | roto/prep artist: MPC | |
| Luan Davis | .... | roto/prep artist: MPC | |
| Chris Dawson | .... | miniatures motion control camera operator | |
| Tom Daws | .... | Inferno artist: CIS Hollywood | |
| Jacques Dell | .... | compositor: IMAX Corporation | |
| Bernie Demolski | .... | model stagehand: ILM | |
| Wes Denton | .... | model shop production assistant: model department | |
| Lindy DeQuattro | .... | CG supervisor: ILM (as Lindy De Quattro) | |
| Amit Desai | .... | render wrangler | |
| Ciaran Devine | .... | CG supervisor: MPC | |
| Adrian De Wet | .... | compositing supervisor: MPC | |
| Andrew Dickinson | .... | digital artist: ILM | |
| Sylvan Dieckmann | .... | research & development: MPC | |
| Sylvan Dieckmann | .... | shading supervisor: MPC | |
| Gavin Digby | .... | digital compositor: MPC | |
| Mark Dinicola | .... | digital intermediate color assistant | |
| Gus Dizon | .... | texture artist: ILM | |
| Roy L. Downey | .... | pyrotechnician | |
| Giovanni Dulay | .... | model maker | |
| Robert Durnin | .... | lighting artist: MPC | |
| Janet L. Earl | .... | visual effects coordinator (as Janet Earl) | |
| Jonathan East | .... | render wrangler: MPC | |
| Sam Edwards | .... | Inferno artist: ILM | |
| Yasmine El-Ghamrawy | .... | digital compositor: MPC (as Yasmine Elghamrawy) | |
| Janeen Elliott | .... | digital compositor: ILM | |
| Michael Elson | .... | visual effects production supervisor: MPC | |
| Eddie Englander | .... | digital artist: Imax DMR (Imax version) | |
| Raul Essig | .... | digital artist: ILM | |
| James D. Etherington | .... | digital compositor: MPC (as James Etherington) | |
| Katharine Evans | .... | paint/rotoscope artist: Giant Killer Robots (as Katharine 'Kat' Evans) | |
| Nancy Evans | .... | paint and roto artist: CIS Hollywood | |
| Katherine Farrar | .... | visual effects coordinator: ILM | |
| Ronald Fedkiw | .... | fluid simulation engineer | |
| Andy Feery | .... | lighting artist: MPC | |
| Jason Fleming | .... | digital compositor: Giant Killer Robots | |
| Niall Flinn | .... | digital effects artist: MPC | |
| Donald Fly | .... | general manager: CIS Hollywood | |
| Chris Foreman | .... | research & development: ILM | |
| Tim Fortenberry | .... | digital artist: ILM | |
| Matt Foster | .... | roto/prep artist | |
| Janet Freedland | .... | paint and rotoscope artist: CIS Hollywood | |
| Mathias Frodin | .... | compositor: CIS Hollywood | |
| Joe Fulmer | .... | model stagehand: ILM | |
| Ryan Galloway | .... | digital artist: ILM | |
| Thomas Ganshorn | .... | research & development: Scanline | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Rene Garcia | .... | computer graphics modeler: ILM | |
| Julia Gaudette | .... | visual effects production manager: CIS Hollywood | |
| Larry Gaynor | .... | senior paint and roto artist: CIS Hollywood | |
| Willi Geiger | .... | CG supervisor: ILM | |
| Tau Gerber | .... | compositor: Giant Killer Robots | |
| Greg Gladstone | .... | visual effects supervisor: Giant Killer Robots | |
| Michael Gleason | .... | visual effects editor | |
| Henry Goecke | .... | modeler: CIS Hollywood | |
| Julien Goldsbrough | .... | digital compositor: MPC (as Julian Goldborough) | |
| Richard Gomes | .... | visual effects artist: MPC | |
| Lisa Gonzalez | .... | CG modeler: MPC (as Lisa Gonzales) | |
| Dylan Gottlieb | .... | lead modeler: Giant Killer Robots | |
| Justin Graham | .... | rotoscope artist: ILM | |
| Jeff Grebe | .... | digital artist: ILM | |
| Elysia Greening | .... | roto/prep artist: MPC | |
| Branko Grujcic | .... | digital artist: ILM | |
| Lewis Guarniere | .... | data wrangler: MPC | |
| Rhonda C. Gunner | .... | visual effects producer | |
| Mark Halsall | .... | pre-viz visual effects producer: Frantic Films | |
| Faraz Hameed | .... | animator: MPC | |
| Faraz Hameed | .... | lead rigger: MPC | |
| Qian Han | .... | roto/prep artist: MPC | |
| John Hansen | .... | digital artist: ILM | |
| Dee Harrup | .... | motion capture technician: MPC (as Dee Harrop) | |
| Phil Hartman | .... | model maker | |
| Jeff Hatchel | .... | digital artist: ILM | |
| Eric Hayden | .... | model maker | |
| Jack Haye | .... | computer graphics modeler: ILM | |
| Lionel Heath | .... | roto/prep: MPC | |
| Lyndal Heathwood | .... | paint and roto artist: CIS Hollywood | |
| Niles Heckman | .... | visual effects set supervisor: Giant Killer Robots (as Jon Niles Heckman) | |
| Gisela Hermeling | .... | visual effects: Giant Killer Robots | |
| Geoff Heron | .... | model stagehand: ILM | |
| Jeff Heusser | .... | digital compositor | |
| Jeremy Hey | .... | roto/prep artist: MPC | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Sherry Hitch | .... | digital compositor: ILM | |
| Martin Hobbs | .... | visual effects production supervisor: MPC | |
| Kay Hoddy | .... | roto/prep artist | |
| Meredith Hook | .... | paint and roto artist: CIS Hollywood | |
| Mark Hopkins | .... | compositing supervisor: ILM | |
| Jamee Houk | .... | visual effects: Giant Killer Robots | |
| Lorea Hoye | .... | visual effects producer: MPC | |
| Roberto Hradec | .... | lighting artist: MPC (as Robert Hradec) | |
| Roberto Hradec | .... | shader writer/render TD: MPC | |
| Benjamin Huber | .... | digital matte painter: ILM (as Ben Huber) | |
| Peg Hunter | .... | digital artist: ILM | |
| Bob Hurrie | .... | producer: model unit | |
| Ryan Hutchings | .... | roto/prep artist: MPC | |
| Tom L. Hutchinson | .... | visual effects: Giant Killer Robots (as Thomas L. Hutchinson) | |
| Cynthia Hyland | .... | paint and roto artist: CIS Hollywood | |
| Chris Ingersoll | .... | digital compositor | |
| Erich Ippen | .... | texture artist: ILM | |
| Christian Irles | .... | digital compositor: MPC | |
| Gilbert James | .... | visual effects coordinator: MPC (as Gil James) | |
| Chas Jarrett | .... | visual effects supervisor: MPC | |
| Christopher Johnson | .... | model shop production assistant: model department | |
| Joshua H. Johnson | .... | visual effects: Giant Killer Robots | |
| Owen Jones | .... | matchmove artist | |
| Ryan Jones | .... | digital artist: ILM | |
| Tobin Jones | .... | senior technical director: Giant Killer Robots | |
| John Joyce | .... | coordinator: model unit | |
| Michael Joyce | .... | model supervisor: model unit (as Mike Joyce) | |
| Zack Judson | .... | visual effects | |
| Barry Kane | .... | rendering technical director: pre-production | |
| Carl Kaphan | .... | visual effects: Giant Killer Robots | |
| Matt Kasmir | .... | digital compositor: MPC | |
| Dan Kaufman | .... | visual effects: CIS Hollywood | |
| Patrick Kavanaugh | .... | digital effects supervisor: CIS Hollywood | |
| Stephen Kennedy | .... | digital artist: ILM | |
| Peng Ke | .... | matchmove Artist: MPC | |
| Woonam Kim | .... | layout artist | |
| J. Kitazaki | .... | production assistant: CIS Hollywood (as James Kitazaki) | |
| Ryan Knowles | .... | data operator | |
| Alec Knox | .... | lighting artist: MPC (as Alexander Knox) | |
| Marta Knudsen | .... | matte painter: CIS Hollywood | |
| Hilmar Koch | .... | digital artist: ILM | |
| Vít Komrzy | .... | visual effects producer | |
| Erik Krumrey | .... | digital artist: ILM | |
| Bill Kunin | .... | visual effects: Hydraulx | |
| Donna Lanasa | .... | digital artist: ILM | |
| Hayden Landis | .... | digital artist: ILM | |
| Kevin LaNeave | .... | visual effects assistant editor | |
| Debbie Langford | .... | digital artist: MPC | |
| Krystine Lankenau | .... | paint and roto artist: CIS Hollywood | |
| Jeroen Lapre | .... | digital artist: ILM | |
| Jessica Laszlo | .... | digital compositor: ILM | |
| Kelvin Lau | .... | computer graphics modeler: ILM | |
| Maryjane Layani | .... | production accountant: CIS Hollywood | |
| Don Lee | .... | visual effects supervisor: Pixel Playground | |
| Kim Lee | .... | effects producer: Pixel Playground | |
| Joel LeLièvre | .... | digital effects artist: Frantic Films | |
| Mohen Leo | .... | associate visual effects supervisor: ILM | |
| Toan-Vinh Le | .... | digital artist: ILM | |
| Joshua Levine | .... | digital artist: ILM (as Josh Levine) | |
| Ashley Lewis | .... | purchasing: model shop | |
| Simon Lewis | .... | digital effects artist: MPC | |
| Kim Libreri | .... | visual effects supervisor: ILM | |
| Gregory D. Liegey | .... | compositor: CIS Hollywood (as Gregory Liegey) | |
| Erik Liles | .... | compositor | |
| Melissa Lin | .... | digital artist: ILM | |
| Bryan Litson | .... | lighting artist: MPC | |
| Flip Livingston | .... | assistant visual effects cyan color artist | |
| David Lloyd | .... | render engineer: MPC | |
| Bob Lyss | .... | compositor: CIS Hollywood | |
| Alex MacDonald | .... | cablecam operator | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| Heather MacPhee | .... | visual effects: CIS Hollywood (as Heather Ryan) | |
| Jody Madden | .... | technical support | |
| Cornelia Magas | .... | paint and roto artist: CIS Hollywood | |
| Angela Magrath | .... | digital artist: MPC (as Angela McGrath) | |
| Jonathan Malden | .... | dailies colorist | |
| April Malina | .... | motion capture | |
| Dan Malvin | .... | digital effects coordinator | |
| Dev Mannemela | .... | research & development technical director | |
| Gary Marshall | .... | motion capture lead: MPC | |
| Mikko Martikainen | .... | digital effects artist: MPC | |
| Kent Matheson | .... | visual effects: Giant Killer Robots | |
| Scott May | .... | computer graphics modeler: ILM | |
| Ursula Mazurkiewicz | .... | second assistant DMR editor: IMAX version | |
| Richard McBride | .... | senior technical director: Giant Killer Robots | |
| Alan McCabe | .... | render wrangler: MPC | |
| Nakia McGlynn | .... | digital artist: The Moving Picture Company | |
| Gregory L. McMurry | .... | additional visual effects supervisor (as Gregory McMurry) | |
| Alasdair McNeill | .... | roto/prep supervisor | |
| Paul McWilliams | .... | digital artist | |
| Scott Mease | .... | digital artist: ILM | |
| Naveen Medaram | .... | digital artist | |
| Craig Mepham | .... | texture artist: MPC | |
| Philip Metschan | .... | digital artist: ILM | |
| Diana Miao | .... | color and lighting supervisor: CIS Hollywood | |
| Scott Michelson | .... | visual effects executive producer | |
| Robert Minsk | .... | programming: CIS Hollywood | |
| Robert Minsk | .... | software engineer: CIS Hollywood | |
| Chris Mitchell | .... | animator: ILM | |
| Steve Moncur | .... | CG supervisor: MPC | |
| Chris F. Moore | .... | visual effects (as Chris Moore) | |
| Rafael Morant | .... | lead lighting artist: MPC | |
| Saybian Morgan | .... | senior lighting technical director: MPC | |
| Richard Morris | .... | lighting artist: MPC | |
| Ryan Mullany | .... | roto/prep artist | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Alessandro Nardini | .... | digital effects artist: MPC | |
| Cameron Neilson | .... | digital compositor: Giant Killer Robots | |
| Mark Nettleton | .... | digital compositor: ILM | |
| Martin Newcombe | .... | matchmove artist | |
| Elliot Newman | .... | CG modeler: MPC | |
| Roxanne Newsham | .... | digital artist: MPC | |
| Vinh Nguyen | .... | digital compositor | |
| Peter Nicolai | .... | visual effects production supervisor: ILM | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Brett Northcutt | .... | digital matte artist: ILM | |
| Brian Nugent | .... | Flame artist | |
| David E. Nunez | .... | digital effects artist: MPC (as Dave Nunez) | |
| Gregory Oehler | .... | visual effects: CIS Hollywood (as Greg Oehler) | |
| Jeff Olson | .... | visual effects producer: ILM | |
| Mike O'Neill | .... | lighting artist: MPC | |
| Khatsho John Orfali | .... | digital effects artist: ILM (as Khatsho Orfali) | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Toshiyasu Otsuka | .... | visual effects: Giant Killer Robots | |
| Angie Ottati | .... | model maker | |
| James Ousley | .... | digital artist | |
| James Ousley | .... | senior technical imaging artist: IMAX DMR version | |
| Isaac Partouche | .... | motion capture supervisor: MPC | |
| Stuart Partridge | .... | senior compositor: MPC | |
| Eric Pascarelli | .... | additional visual effects supervisor | |
| Russell Paul | .... | computer graphics modeler: ILM | |
| Simon Payne | .... | digital effects artist: MPC | |
| Simon Payne | .... | technical director | |
| Russell Pearsall | .... | digital artist | |
| Daniel Pearson | .... | lead digital artist: ILM | |
| Claire Pegorier | .... | digital artist: MPC | |
| Eric Pender | .... | CG artist: CIS Hollywood | |
| Frank Losasso Petterson | .... | fluid dynamics engineer | |
| Tom Phillips | .... | lighting artist: MPC | |
| Oliver Pilarski | .... | research & development: Scanline | |
| Adrian Pinder | .... | digital effects artist: MPC | |
| Adrian Pinder | .... | shot technical director: MPC | |
| Danielle Plantec | .... | visual effects: Scanline | |
| Jason Pomerantz | .... | DMR artist: IMAX (IMAX version) | |
| Jason Porath | .... | CG artist: CIS Hollywood | |
| Jason Porath | .... | technical director: CIS Hollywood | |
| Jason Porter | .... | compositing supervisor | |
| Henry Preston | .... | CG supervisor: ILM | |
| Thomas Proctor | .... | digital artist: ILM (as Tom Proctor) | |
| James Prosser | .... | visual effects producer: MPC | |
| Farhan Qureshi | .... | digital effects artist: MPC | |
| Chris Radcliffe | .... | visual effects | |
| Vikas Rajput | .... | roto artist/compositor: Giant Killer Robots | |
| Ricardo Ramos | .... | digital artist: ILM | |
| Nick Rasmussen | .... | fluid simulation engineer | |
| Sagar Rathod | .... | digital artist: MPC | |
| Philippe Rebours | .... | CG supervisor: ILM | |
| Matt Redhead | .... | lighting technical director: MPC | |
| Ryan Reeb | .... | digital artist: CIS Hollywood | |
| Sam Remfry | .... | lighting artist: MPC | |
| Megan Rible | .... | technical assistant | |
| Tim Riley | .... | crowd animator: MPC | |
| Anthony Rispoli | .... | digital artist: ILM | |
| Mark Robben | .... | digital compositor | |
| Becky Roberts | .... | roto/prep coordinator | |
| Aled Robinson | .... | visual effects editor: MPC | |
| Javier Romero Rodriguez | .... | digital effects artist: MPC (as Javier Romero) | |
| Martin Rosenberg | .... | model unit director of photography: ILM | |
| Jim Rothrock | .... | technical support | |
| Rajat Roy | .... | digital compositor: MPC | |
| Scott Rushforth | .... | junior systems: CIS Hollywood | |
| James Russell | .... | digital compositor: MPC | |
| Ian Sachs | .... | visual effects: Giant Killer Robots | |
| Joe Sambora | .... | production assistant: Giant Killer Robots | |
| Steve J. Sanchez | .... | digital compositor: MPC (as Steve Sanchez) | |
| Mike Sanders | .... | visual effects | |
| Carlo Scaduto | .... | digital compositor: MPC | |
| Mike Schaeffer | .... | model maker | |
| Frederique Schafer | .... | modeler: CIS Hollywood | |
| Robert Schajer | .... | pre-visualization producer: Frantic Films | |
| Eduardo 'Lalo' Schmidek | .... | character team lead: MPC | |
| Eduardo 'Lalo' Schmidek | .... | digital artist: MPC (as Eduardo Schmidek) | |
| Mike Schmitt | .... | visual effects supervisor | |
| Laurel Schneider | .... | liason: Los Angeles | |
| Laurel Schneider | .... | visual effects coordinator: MPC | |
| Timo Schumacher | .... | research & development: Scanline | |
| Eric Schweikert | .... | visual effects: Giant Killer Robots (as Eric Schweickert) | |
| Liz Scully | .... | lead lighting artist: MPC | |
| Liz Scully | .... | set extension lead: MPC | |
| Ziad Seirafi | .... | compositor: CIS Hollywood | |
| Andrew Selle | .... | fluid dynamics engineer | |
| Nelson Sepulveda | .... | digital artist: ILM | |
| Paul Sharpe | .... | digital artist: ILM | |
| Boyd Shermis | .... | visual effects supervisor | |
| Kirk Shimano | .... | technical support: ILM | |
| Greg Shimp | .... | paint & rotoscoping supervisor: CIS Hollywood | |
| Daphne Simone | .... | digital effects artist | |
| Ken Sjogren | .... | digital compositor: ILM | |
| Daniel Slavin | .... | digital effects artist: ILM | |
| Brian W. Smith | .... | technical support: ILM (as Brian Smith) | |
| Drew Solodzuk | .... | DMR editor (IMAX version) | |
| Tony Sommers | .... | texture artist: ILM | |
| Jamshed Soori | .... | digital effects artist: MPC | |
| Katie Spinelli | .... | visual effects coordinator (as Katie Eyster) | |
| Kevin Sprout | .... | CG supervisor: ILM | |
| Ross Stansfield | .... | CG modeller: MPC | |
| Mark Stasiuk | .... | visual effects: CIS Hollywood (as Mark Staziuk) | |
| Penn Stevens | .... | cloth technical director: MPC | |
| John K. Stirber | .... | pyrotechnician | |
| Rainer Stolle | .... | texture artist: MPC | |
| Colin Strause | .... | visual effects supervisor: Hydraulx | |
| Greg Strause | .... | visual effects supervisor: Hydraulx | |
| Nigel Sumner | .... | digital artist: ILM | |
| Doug Sutton | .... | digital artist: ILM | |
| Pat Sweeney | .... | model unit director of photography: ILM (as Patrick Sweeney) | |
| Ken Swenson | .... | supervising model maker | |
| Chris Swift | .... | texture artist: MPC | |
| David Swift | .... | digital matte & texture artist: MPC | |
| Steven Tagle | .... | visual effects intern | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Andy Tanguay | .... | lead modeler: CIS Hollywood | |
| Wilson Tang | .... | visual effects art director: ILM | |
| Larry Tan | .... | computer graphics modeler: ILM | |
| Eric Texier | .... | digital artist: ILM | |
| Sebastian Thiel | .... | research & development: Scanline | |
| Deborah Thomas | .... | paint & rotoscoping artist: Giant Killer Robots | |
| Clint Thorne | .... | technical director: Giant Killer Robots | |
| Chris Thunig | .... | concept artist: MPC | |
| Chris Thunig | .... | texture artist: MPC | |
| Vincent Toscano | .... | CG set supervisor | |
| Vincent Toscano | .... | lead digital artist: ILM | |
| Stephan Trojansky | .... | water & fire supervisor: Scanline | |
| Yusei Uesugi | .... | matte painter: ILM | |
| Lee Uren | .... | digital artist: ILM | |
| George Vajna | .... | second assistant DMR editor (IMAX version) | |
| Nowell Valeri | .... | lead matchmove artist: Giant Killer Robots | |
| Michael Van Eps | .... | digital paint and roto supervisor | |
| Michael Van Eps | .... | rotoscope artist: ILM | |
| Rainy Venne | .... | DMR artist: Imax (IMAX Version) | |
| Enrique Vila | .... | visual effects: Giant Killer Robots | |
| Jo Walls | .... | animator: MPC | |
| Mary E. Walter | .... | visual effects editor | |
| Jason Wardle | .... | lead CGI artist: CIS Hollywood | |
| Talmage Watson | .... | matchmover: ILM | |
| Harold Weed | .... | computer graphics modeler: ILM (as Howie Weed) | |
| David Weitzberg | .... | digital artist: ILM | |
| Chris Wells | .... | visual effects | |
| Colie Wertz | .... | computer graphics modeler: ILM | |
| Chad Wiebe | .... | pre-visualization supervisor: Frantic Films | |
| Ryan Wiederkehr | .... | visual effects production assistant | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects | |
| Jason Williams | .... | digital effects artist: MPC | |
| Robert A. Willis | .... | visual effects coordinator: MPC | |
| Jonathan Wills | .... | digital effects artist: MPC | |
| Jonathan Wills | .... | effects technical director | |
| Chris Wilson | .... | render wrangler: MPC | |
| Matt Wilson | .... | compositor: CIS Hollywood | |
| Doug Winder | .... | texture artist: MPC | |
| Oliver Winwood | .... | assistant digital resource manager: MPC | |
| Huck Wirtz | .... | animator: ILM | |
| Gordon T. Wittmann | .... | visual effects coordinator: ILM (as Gordon Wittmann) | |
| Loeng Wong-Savun | .... | visual effects artist | |
| Melody Woodford | .... | match move supervisor & coordinator: MPC | |
| Max Wood | .... | CG modeller: MPC | |
| Nick Woo | .... | technical support | |
| Yoshiya Yamada | .... | visual effects artist | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Anna Yamazoe | .... | render wrangler: MPC | |
| Jan Yarbrough | .... | senior digital film colorist | |
| Phil Young | .... | texture artist: MPC | |
| Scott Younkin | .... | digital compositor: ILM | |
| David Zbriger | .... | I/O supervisor: Giant Killer Robots | |
| John Zdankiewicz | .... | animator: ILM | |
| Fred Chapman | .... | animator: MPC (uncredited) | |
| Emma Clifton | .... | roto/prep artist: MPC (uncredited) | |
| Hayley Collins | .... | roto/prep artist: MPC (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Simon French | .... | modeler (uncredited) | |
| Sukh Gill | .... | roto/prep coordinator: escape pod (uncredited) | |
| Patrick Jarvis | .... | digital painter: ILM (uncredited) | |
| Thomas Kernan | .... | digital modeler: Eyetronics (uncredited) | |
| Carsten Kolve | .... | effects technical director: MPC (uncredited) | |
| Serena Lam | .... | roto/prep artist (uncredited) | |
| Naveen Nathan | .... | jr. systems: CIS Hollywood (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | additional casting | |
| Chris Bustard | .... | extras casting | |
| Mariann H.W. Lee | .... | extras casting | |
| Randee Price | .... | casting assistant | |
| Jeni Thornell | .... | extras casting | |
Costume and Wardrobe Department | |||
| Danielle Baker | .... | costume ager/dyer | |
| Pablo Borges | .... | costumer | |
| Samuel Bowling | .... | costumer | |
| Nicole Chavez | .... | costumer | |
| Cassandra Conners | .... | set costumer | |
| Lisa A. Doyle | .... | key costumer | |
| Jenny Eagan | .... | costumer | |
| Ann Foley | .... | key costumer | |
| Elizabeth Frank | .... | set costumer | |
| Alix Large | .... | costume assistant | |
| Juan Lopez | .... | costumer | |
| Sonny Merritt | .... | costumer | |
| Bob Moore Jr. | .... | set costumer | |
| Bob Morgan | .... | costume supervisor | |
| Shelli Nishino | .... | set costumer: second unit | |
| Jennifer Nunez | .... | costume production assistant | |
| Valerie T. O'Brien | .... | costumer | |
| Nina Padovano | .... | costumer | |
| Steven Porch | .... | costume ager/dyer | |
| Cheri Reed | .... | costumer | |
| Richard Schoen | .... | key costumer | |
| Senna Shanti | .... | costumer | |
| Ivory Stanton | .... | costume ager/dyer | |
| Hayley Stuppel | .... | set costumer | |
| Michael Welch | .... | costumer | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant | |
| Thomas J. Cabela | .... | post-production assistant | |
| Brett Carroll | .... | first assistant editor | |
| Daphne Dentz | .... | digital intermediate producer | |
| James Durante | .... | assistant editor | |
| Gershon Hinkson | .... | first assistant editor | |
| Chris Housepian | .... | post-production assistant | |
| Jonathan Malden | .... | dailies colorist | |
| Christine Vasquez | .... | digital intermediate producer | |
| Jan Yarbrough | .... | digital intermediate colorist | |
Transportation Department | |||
| Darrell Dubovsky | .... | driver: Mr. Dreyfuss | |
| Russell McEntyre | .... | transportation coordinator | |
| Nancy Rosing | .... | transportation office coordinator | |
| Wayne Stone | .... | transportation captain | |
| Randy Tenhaeff | .... | driver | |
Thanks | |||
| Risto R Muzik | .... | thank you | |
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| The Poseidon Adventure | Titanic | Alien: Resurrection | The Lord of the Rings: The Return of the King | Jaws |
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It all starts off so well too. The opening shot of Wolfgang Petersen's Poseidon is beautiful. A single take that begins beneath the surface of the ocean that swings up and out of it as the underside of the ship slices through the waves, before pivoting round the colossal cruise liner and zeroing in on Josh Lucas running on the deck. With the sun setting in the distance and the immense size of the vessel itself contrasted with the deep blue of the water, this is a visually astounding entrance to a movie that is unfortunately very shallow indeed.
A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.
As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.
Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.
It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire generation terrified of getting on a boat with Ernest Borgnine, this is just laughable.