IMDb > "Agatha Christie: Poirot" Death on the Nile (2004)
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"Agatha Christie: Poirot" Death on the Nile (2004)



Overview

User Rating:
7.2/10   805 votes
Director:
Writers:
Agatha Christie (novel)
Kevin Elyot (screenplay)
Contact:
View company contact information for Death on the Nile on IMDbPro.
Original Air Date:
12 April 2004 (Season 9, Episode 3)
Plot:
A wealthy British heiress honeymooning on a Nile cruise ship is stalked by a former friend, whose boyfriend she had stolen before making him her new husband. full summary | add synopsis
User Comments:
The Boat more (20 total)

Cast

 (Episode Cast) (in credits order) (complete, awaiting verification)
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Episode Crew
Directed by
Andy Wilson 
 
Writing credits
Agatha Christie (novel "Death on the Nile")

Kevin Elyot (screenplay)

Produced by
Michele Buck .... executive producer
Phil Clymer .... executive producer
Delia Fine .... executive producer
Leila Kirkpatrick .... line producer
Fiona McGuire .... executive producer
Margaret Mitchell .... producer
Emilio Nunez .... supervising producer
David Suchet .... associate producer
Damien Timmer .... executive producer
 
Original Music by
Christopher Gunning 
 
Cinematography by
Martin Fuhrer (director of photography)
 
Film Editing by
John Mayes 
 
Casting by
Maureen Duff 
Gail Stevens 
 
Production Design by
Michael Pickwoad 
 
Art Direction by
Malcolm Stone 
 
Makeup Department
Carli Mather .... makeup artist
Sian Turner .... makeup artist
 
Second Unit Director or Assistant Director
Giles Butler .... second assistant director
Robert Fabbri .... first assistant director
Jessica Hurles-Laws .... third assistant director (as Jessica Hurles)
 
Art Department
Dougie Lankston .... dressing prop/storeman
 
Sound Department
Tony Jackson .... sound recordist
Mike Reardon .... boom operator
Charlotte Gray .... sound trainee (uncredited)
 
Visual Effects by
Melissa Butler Adams .... digital compositor
Alan Church .... visual effects supervision
Adam Gascoyne .... effects compositing supervisor
Simon Giles .... visual effects supervision
Simon Hughes .... digital compositor: CLEAR
David J. Zimmerman .... data operator: CLEAR
 
Stunts
Ray Donn .... stunt double: David Suchet
 
Camera and Electrical Department
Michael Green .... focus puller
Phil Penfold .... best boy
 
Casting Department
William Davies .... casting assistant
Claire Saunders .... casting assistant
 
Costume and Wardrobe Department
Jason Gill .... costume assistant (uncredited)
 
Editorial Department
Anya Dillon .... assistant editor
Simon Giblin .... on-line editor
Judd Watts .... post-production facilities coordinator: Pepper (as Oly Watts)
 
Other crew
Emily Chittell .... production assistant
Elton Farla .... unit medic
Maureen O'Farrell .... choreographer
Sami Rafe .... location manager: Egypt
Lawrence Stevens .... floor runner
Derek Wax .... script executive
 

Series Crew
These people are regular crew members. Were they in this episode?
Sound Department
Lionel Strutt .... adr mixer
 
Costume and Wardrobe Department
Leonie Barker .... wardrobe mistress
 
Other crew
Mark Albela .... location manager
Daren Thomas .... location runner
 
Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
Finland:98 min | USA:97 min (DVD)
Country:
Language:
Color:

Fun Stuff

Trivia:
The cruiser Karnak used in this production is the same cruiser used in the 1978 film version, Death on the Nile (1978). more
Quotes:
Hercule Poirot: Do not open your heart to evil, mademoiselle. If you do there will be no turning back. more
Movie Connections:
Version of Death on the Nile (1978) more

FAQ

This FAQ is empty. Add the first question.
5 out of 10 people found the following comment useful.
The Boat, 21 August 2006
Author: tedg (tedg@FilmsFolded.com) from Virginia Beach

This is one of Christie's most popular mysteries because it works with the "impossible murder." Its also an exotic way to manage the remote country house idea, where you know exactly how many suspects there are and can map their movements within the structure.

If you aren't unhappy with the others in the Suchet series, you won't be unhappy with this. Generally, they've settled the stories into a simple BBC model, with the answer revealed at the end instead of displayed as a puzzle.

This one is worse in that regard, because this story is more of a puzzle than the others. And they go much further in telling you who the villains are even before the story itself begins.

But what'll be interesting to students of film is the way the space is used. Despite the flaws of the 1978 version, it understood that the structure of the space is a part of the puzzle. People coming and going, being seen, being heard. This version and that use the very same boat, but the difference in how things are photographed is radically different.

Its partly a matter of cost. The TeeVee budget could pay for location shots, but when they use the boat, they have to work with the physical limits of where they can put the camera. The 78 version made a studio copy of much of the boat. It had a real cinematographer — we're talking "Red Shoes" and African Queen" — and knew something about how space constrains emotional vision.

So quite apart from whatever problems you might have with BBC handle of an entire genre, and Suchet's sensibilities, there's this business about space that just might drive you crazy if you know how well it can be done.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

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