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Philip K. Dick (novel)
Richard Linklater (screenplay)
28 July 2006 (USA) more
What Does A Scanner See? more
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result. full summary | full synopsis
2 wins & 6 nominations more
AFF09: Debbie's Conference Wrap-up
(From Slackerwood. 27 October 2009, 12:00 PM, PDT)
Poster: Me and Orson Welles
(From HeyUGuys. 15 October 2009, 4:04 AM, PDT)
Great movie...Someone finally "gets" it... more (276 total)
| Rory Cochrane | ... | Charles Freck | |
| Robert Downey Jr. | ... | James Barris | |
| Mitch Baker | ... | Brown Bear Lodge Host | |
| Keanu Reeves | ... | Bob Arctor | |
| Sean Allen | ... | Additional Fred Scramble Suit Voice (voice) | |
| Cliff Haby | ... | Voice from Headquarters (voice) | |
| Steven Chester Prince | ... | Cop | |
| Winona Ryder | ... | Donna Hawthorne | |
| Natasha Valdez | ... | Waitress | |
| Mark Turner | ... | Additional Hank Scramble Suit Voice (voice) | |
| Woody Harrelson | ... | Ernie Luckman | |
| Chamblee Ferguson | ... | Medical Deputy #2 | |
| Angela Rawna | ... | Medical Deputy #1 | |
| Eliza Stevens | ... | Arctor's Daughter #1 | |
| Sarah Menchaca | ... | Arctor's Daughter #2 | |
| Melody Chase | ... | Arctor's Wife | |
| Leif Anders | ... | Freck Suicide Narrator (voice) | |
| Turk Pipkin | ... | Creature | |
| Alex Jones | ... | Street Prophet | |
| Lisa Marie Newmyer | ... | Connie | |
| Wilbur Penn | ... | Medical Officer #1 | |
| Ken Webster | ... | Medical Officer #2 | |
| Hugo Perez | ... | New Path Staff Member #1 | |
| Rommel Sulit | ... | New Path Staff Member #2 | |
| Dameon Clarke | ... | Mike | |
| Christopher Ryan | ... | New Path Resident #1 | |
| Leila Plummer | ... | New Path Resident #2 | |
| Jason Douglas | ... | New Path Farm Manager | |
| Marco Perella | ... | Donald | |
| rest of cast listed alphabetically: | |||
| Jack Cruz | ... | Police Officer (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Philip K. Dick | (novel "A Scanner Darkly") | |
| Richard Linklater | (screenplay) | |
Produced by | |||
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Erin Ferguson | .... | co-producer | |
| Jennifer Fox | .... | executive producer | |
| Sara Johnson | .... | associate producer (as Sara Greene) | |
| Tommy Pallotta | .... | producer | |
| John Sloss | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| Erwin Stoff | .... | producer | |
| Anne Walker-McBay | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Graham Reynolds | |||
Cinematography by | |||
| Shane F. Kelly | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Bruce Curtis | |||
Set Decoration by | |||
| Joaquin A. Morin | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| Katina Gilkey | .... | hair stylist | |
| Darylin Nagy | .... | hair department head | |
| Darylin Nagy | .... | makeup department head | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rodney Becker | .... | lead | |
| Brad Blei | .... | set dresser (as Bradley Blei) | |
| Raymond Consing | .... | storyboard artist | |
| Fred Daniel | .... | art department coordinator | |
| Melanie Ferguson | .... | on-set dresser | |
| Erick Garibay | .... | assistant property master | |
| Ian Sebastian Kasnoff | .... | construction coordinator | |
| Kara Sutherlin | .... | lead scenic | |
| Pierre Vial | .... | set dresser | |
| Stefan Wilcox | .... | property master | |
| Bart Bryant | .... | carpenter (uncredited) | |
| Jarrette Moats | .... | property assistant (uncredited) | |
Sound Department | |||
| Ethan Andrus | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | additional sound effects editor | |
| Paul Berolzheimer | .... | additional sound effects editor | |
| Ajae Clearway | .... | adr editor | |
| Ajae Clearway | .... | dialogue editor | |
| Tom Hammond | .... | sound designer | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | sound designer | |
| Justin Hennard | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer (as Tom O'Connell) | |
| Jeremy Peirson | .... | sound re-recording mixer (as Jeremy Pierson) | |
| Jason Piatt | .... | foley mixer | |
| Tom Sturgis | .... | boom operator (as Tom 'Sturge' Sturgis) | |
| Michael Swanner | .... | utility sound | |
| Peter Germansen | .... | sound engineer: ICON (uncredited) | |
| Bob Kellough | .... | additional sound effects recordist (uncredited) | |
Special Effects by | |||
| Steve Krieger | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Richard Gordoa | .... | visual effects supervisor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jerry Poynton | .... | digital post-production manager (as Jerome Poynton) | |
| Ruedi Schick | .... | digital film recording supervisor | |
| Randy Cole | .... | 3D modeler and compositor (uncredited) | |
| Bob Sabiston | .... | animation software (uncredited) | |
Camera and Electrical Department | |||
| Tod Campbell | .... | loader | |
| Matt Cowan | .... | best boy grip | |
| Matt Lankes | .... | still photographer | |
| Mikey Reyes | .... | grip | |
| Robert B. Reynolds | .... | chief lighting technician | |
| Peter Simonite | .... | first assistant camera | |
| Josh Taylor | .... | assistant chief lighting technician | |
| Atom Vyvial | .... | key grip (as Aaron Atom Vyvial) | |
| Ralph Watson | .... | camera operator | |
| Patrick B. Coate | .... | camera production assistant (uncredited) | |
| Wes Dixon | .... | electrical intern (uncredited) | |
| Donald R. Howe Jr. | .... | additional second assistant camera (uncredited) | |
| Peter Simonite | .... | camera operator (uncredited) | |
| Ezra Venetos | .... | grip (uncredited) | |
Casting Department | |||
| Scout Masterson | .... | casting associate: Los Angeles | |
| Beth Sepko | .... | local casting | |
| Sheila Steele | .... | casting associate: Austin | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | costume supervisor | |
Editorial Department | |||
| Christopher Roldan | .... | first assistant editor | |
| David Gil Jr. | .... | post-production assistant (uncredited) | |
| Ryan Gronquist | .... | post-production assistant (uncredited) | |
| Charles Harrison | .... | editorial intern (uncredited) | |
| Allegra Kolber | .... | apprentice editor (uncredited) | |
| Kate Ridgway | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | post-production assistant (uncredited) | |
| Jessica Tong | .... | editorial intern (uncredited) | |
Music Department | |||
| Bruce Colson | .... | musician: violin | |
| Jonathan Dexter | .... | musician: cello | |
| Jason Elinoff | .... | musician: viola | |
| The Golden Arm Trio | .... | featured performer: score | |
| Erik Grostic | .... | musician: upright bass | |
| Buzz Moran | .... | score mixer | |
| Buzz Moran | .... | score recordist | |
| Nic Ratner | .... | music supervisor | |
| Graham Reynolds | .... | musician: various instruments | |
| Graham Reynolds | .... | score mixer | |
| Graham Reynolds | .... | score recordist | |
Transportation Department | |||
| Ronnie D. Chambers | .... | transportation coordinator (as Ronald D. Chambers) | |
| Russell E. Scott | .... | picture cars | |
| Jesus F. Tellez | .... | transportation captain | |
Other crew | |||
| Molly Ainsley | .... | additional staff assistant | |
| Peter Atherton | .... | location manager | |
| Janey Bergam | .... | assistant: Keanu Reeves | |
| Shannon Blackburn | .... | production secretary | |
| Dominic Cancilla | .... | production coordinator | |
| Eric Cepeda | .... | additional staff assistant | |
| Casey Chapman | .... | additional staff assistant (as Lauren Casey Chapman) | |
| Erik Davis | .... | consultant | |
| Gil Dean | .... | animal wrangler | |
| Lisa Del Dotto | .... | assistant craft service | |
| Wes Dixon | .... | additional staff assistant | |
| Colin Edlund | .... | craft service | |
| Sonia Farrell | .... | assistant: Woody Harrelson | |
| Michael P. Garza | .... | title designer: end titles | |
| David Gil Jr. | .... | additional staff assistant (as David Gil) | |
| Leigh Green | .... | additional staff assistant | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Heather Hanna | .... | additional staff assistant | |
| Charles Harrison | .... | additional staff assistant | |
| Marshall Hopkins | .... | additional staff assistant | |
| Katherine Isham | .... | additional staff assistant | |
| Marike Jainchill | .... | staff assistant (as Marike Z. Jainchill) | |
| Tatiana Jitkoff | .... | additional staff assistant | |
| Jesse Johnston | .... | executive: Thousand Words | |
| Allegra Kolber | .... | staff assistant (as Allegra McCoy) | |
| Sarah Lankenau | .... | staff assistant | |
| Jonathan Lethem | .... | consultant | |
| Stephanie Lewis | .... | executive: Thousand Words | |
| Stephen Light | .... | assistant production office coordinator | |
| Melody Lloyd | .... | set medic | |
| Taylor Lovell | .... | additional staff assistant | |
| Kirsten McMurray | .... | staff assistant | |
| Morgan Miles | .... | production accountant | |
| Jarrette Moats | .... | additional staff assistant | |
| Kimberly Murphy | .... | staff assistant (as Kim Murphy) | |
| Jubal Palmer | .... | assistant: Winona Ryder | |
| Jennifer Ramirez | .... | additional staff assistant | |
| Mike Reyes | .... | additional staff assistant | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Kate Ridgway | .... | additional staff assistant | |
| Brandon Roberts | .... | additional staff assistant | |
| Ryan Ross | .... | additional staff assistant | |
| Brooke Satrazemis | .... | script supervisor | |
| Steven Schaefer | .... | additional staff assistant | |
| Scott Snyder | .... | additional staff assistant | |
| Yusef Svacina | .... | additional staff assistant | |
| Jessica Tong | .... | additional staff assistant | |
| Sef Tsauousis | .... | staff assistant | |
| Fernanda Valentina | .... | additional staff assistant | |
| Dustin Weaver | .... | assistant location manager | |
| Tara Weaver | .... | support staff: Woody Harrelson | |
| Jenni Wieland | .... | assistant production accountant | |
| Tracey Zemitis | .... | unit publicist | |
| David Appelbaum | .... | office intern (uncredited) | |
| Loreto Caro-Valdes | .... | intern: production office (uncredited) | |
| Tai-San Choo | .... | office intern (uncredited) | |
| Jeff Guerrero | .... | additional set production assistant (uncredited) | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator (uncredited) | |
| Jamie Preyer | .... | location intern (uncredited) | |
| Vernon Smith | .... | office intern (uncredited) | |
Thanks | |||
| Bobby Bates | .... | thanks | |
| Louis Mackey | .... | dedicatee: in eternal memory | |
Rated R for drug and sexual content, language and a brief violent image.
100 min
1.85 : 1 more
Dolby Digital | SDDS | DTS
Ireland:16 | UK:15 | Australia:M | Finland:K-15 | Italy:T | Singapore:M18 (cut) | New Zealand:R13 | Argentina:16 | USA:R (certificate #42344) | South Korea:15 | Malaysia:18PL (DVD) | Brazil:16 | Japan:R-15 | Germany:16 | Canada:14A (Canadian Home Video rating) | Sweden:15 | Norway:15 (TV rating)
The Red Pills known as Substance Death, a drug that alters a user's reality, bear a striking resemblance to the Red Pills given to the character Douglas Quaid in the film Total Recall (1990) that, in this instance, are used to bring Quaid out of the Rekall Memory Implant-induced reality. more
Continuity: While Bob/Fred is giving a speech at the NewPath building, he takes his arms off the Podium and turns his side to the crowd. In the next shot, he's facing forward and his hands are on the podium again. more
[first lines]
Freck:
[on the phone] I looked them up. They're aphids. They're in my hair, on my skin, in my lungs. And the pain, Barris, it's unreasonable. They're all over the place. Oh, they've completely gotten Millie too.
more
Referenced in Be My Oswald (2006) more
Fog more
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Hollywood has tried so many times to capture the feel of Philip K. Dick terms of his style and writing. Films like Total Recall, Paycheck, Minority Report, all were playing to the lowest common denominator and really lost a lot of the feel that Dick conveys in his writing. Blade Runner came close, but it still missed the essential darkness that Dick brings to each and every one of his works.
Enter "A Scanner Darkly", aside from the Interpolative Rotoscoping that the film maker used to put the graphical images of this movie together and give it an amazing visual feel all its own, the vision and imagery conveyed by the film are as true to Dick's original as any movie has come. I left the theater feeling overwhelmed, touched, and changed, much the same way as when I'd finished the book. This is rare, and it is decidedly a beautiful thing.