| Photos (see all 56 | slideshow) | Videos (see all 13) |
| Rory Cochrane | ... | Charles Freck | |
| Robert Downey Jr. | ... | James Barris | |
| Mitch Baker | ... | Brown Bear Lodge Host | |
| Keanu Reeves | ... | Bob Arctor | |
| Sean Allen | ... | Additional Fred Scramble Suit Voice (voice) | |
| Cliff Haby | ... | Voice from Headquarters (voice) | |
| Steven Chester Prince | ... | Cop | |
| Winona Ryder | ... | Donna Hawthorne | |
| Natasha Valdez | ... | Waitress | |
| Mark Turner | ... | Additional Hank Scramble Suit Voice (voice) | |
| Woody Harrelson | ... | Ernie Luckman | |
| Chamblee Ferguson | ... | Medical Deputy #2 | |
| Angela Rawna | ... | Medical Deputy #1 | |
| Eliza Stevens | ... | Arctor's Daughter #1 | |
| Sarah Menchaca | ... | Arctor's Daughter #2 | |
| Melody Chase | ... | Arctor's Wife | |
| Leif Anders | ... | Freck Suicide Narrator (voice) | |
| Turk Pipkin | ... | Creature | |
| Alex Jones | ... | Street Prophet | |
| Lisa Marie Newmyer | ... | Connie | |
| Wilbur Penn | ... | Medical Officer #1 | |
| Ken Webster | ... | Medical Officer #2 | |
| Hugo Perez | ... | New Path Staff Member #1 | |
| Rommel Sulit | ... | New Path Staff Member #2 | |
| Dameon Clarke | ... | Mike | |
| Christopher Ryan | ... | New Path Resident #1 | |
| Leila Plummer | ... | New Path Resident #2 | |
| Jason Douglas | ... | New Path Farm Manager | |
| Marco Perella | ... | Donald | |
| rest of cast listed alphabetically: | |||
| Jack Cruz | ... | Police Officer (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Philip K. Dick | (novel "A Scanner Darkly") | |
| Richard Linklater | (screenplay) | |
Produced by | |||
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Erin Ferguson | .... | co-producer | |
| Jennifer Fox | .... | executive producer | |
| Sara Johnson | .... | associate producer (as Sara Greene) | |
| Tommy Pallotta | .... | producer | |
| John Sloss | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| Erwin Stoff | .... | producer | |
| Anne Walker-McBay | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Graham Reynolds | |||
Cinematography by | |||
| Shane F. Kelly | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Bruce Curtis | |||
Set Decoration by | |||
| Joaquin A. Morin | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| Katina Gilkey | .... | hair stylist | |
| Darylin Nagy | .... | hair department head | |
| Darylin Nagy | .... | makeup department head | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rodney Becker | .... | lead | |
| Brad Blei | .... | set dresser (as Bradley Blei) | |
| Raymond Consing | .... | storyboard artist | |
| Fred Daniel | .... | art department coordinator | |
| Melanie Ferguson | .... | on-set dresser | |
| Erick Garibay | .... | assistant property master | |
| Ian Sebastian Kasnoff | .... | construction coordinator | |
| Kara Sutherlin | .... | lead scenic | |
| Pierre Vial | .... | set dresser | |
| Stefan Wilcox | .... | property master | |
| Bart Bryant | .... | carpenter (uncredited) | |
| Jarrette Moats | .... | property assistant (uncredited) | |
Sound Department | |||
| Ethan Andrus | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | additional sound effects editor | |
| Paul Berolzheimer | .... | additional sound effects editor | |
| Ajae Clearway | .... | adr editor | |
| Ajae Clearway | .... | dialogue editor | |
| Tom Hammond | .... | sound designer | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | sound designer | |
| Justin Hennard | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer (as Tom O'Connell) | |
| Jeremy Peirson | .... | sound re-recording mixer (as Jeremy Pierson) | |
| Jason Piatt | .... | foley mixer | |
| Tom Sturgis | .... | boom operator (as Tom 'Sturge' Sturgis) | |
| Michael Swanner | .... | utility sound | |
| Peter Germansen | .... | sound engineer: ICON (uncredited) | |
| Bob Kellough | .... | additional sound effects recordist (uncredited) | |
Special Effects by | |||
| Steve Krieger | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Richard Gordoa | .... | visual effects supervisor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jerry Poynton | .... | digital post-production manager (as Jerome Poynton) | |
| Ruedi Schick | .... | digital film recording supervisor | |
| Randy Cole | .... | 3D modeler and compositor (uncredited) | |
| Bob Sabiston | .... | animation software (uncredited) | |
Camera and Electrical Department | |||
| Tod Campbell | .... | loader | |
| Matt Cowan | .... | best boy grip | |
| Matt Lankes | .... | still photographer | |
| Mikey Reyes | .... | grip | |
| Robert B. Reynolds | .... | chief lighting technician | |
| Peter Simonite | .... | first assistant camera | |
| Josh Taylor | .... | assistant chief lighting technician | |
| Atom Vyvial | .... | key grip (as Aaron Atom Vyvial) | |
| Ralph Watson | .... | camera operator | |
| Patrick B. Coate | .... | camera production assistant (uncredited) | |
| Wes Dixon | .... | electrical intern (uncredited) | |
| Donald R. Howe Jr. | .... | additional second assistant camera (uncredited) | |
| Peter Simonite | .... | camera operator (uncredited) | |
| Ezra Venetos | .... | grip (uncredited) | |
Casting Department | |||
| Scout Masterson | .... | casting associate: Los Angeles | |
| Beth Sepko | .... | local casting | |
| Sheila Steele | .... | casting associate: Austin | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | costume supervisor | |
Editorial Department | |||
| Christopher Roldan | .... | first assistant editor | |
| David Gil Jr. | .... | post-production assistant (uncredited) | |
| Ryan Gronquist | .... | post-production assistant (uncredited) | |
| Charles Harrison | .... | editorial intern (uncredited) | |
| Allegra Kolber | .... | apprentice editor (uncredited) | |
| Kate Ridgway | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | post-production assistant (uncredited) | |
| Jessica Tong | .... | editorial intern (uncredited) | |
Music Department | |||
| Bruce Colson | .... | musician: violin | |
| Jonathan Dexter | .... | musician: cello | |
| Jason Elinoff | .... | musician: viola | |
| The Golden Arm Trio | .... | featured performer: score | |
| Erik Grostic | .... | musician: upright bass | |
| Buzz Moran | .... | score mixer | |
| Buzz Moran | .... | score recordist | |
| Nic Ratner | .... | music supervisor | |
| Graham Reynolds | .... | musician: various instruments | |
| Graham Reynolds | .... | score mixer | |
| Graham Reynolds | .... | score recordist | |
Transportation Department | |||
| Ronnie D. Chambers | .... | transportation coordinator (as Ronald D. Chambers) | |
| Russell E. Scott | .... | picture cars | |
| Jesus F. Tellez | .... | transportation captain | |
Other crew | |||
| Molly Ainsley | .... | additional staff assistant | |
| Peter Atherton | .... | location manager | |
| Janey Bergam | .... | assistant: Keanu Reeves | |
| Shannon Blackburn | .... | production secretary | |
| Dominic Cancilla | .... | production coordinator | |
| Eric Cepeda | .... | additional staff assistant | |
| Casey Chapman | .... | additional staff assistant (as Lauren Casey Chapman) | |
| Erik Davis | .... | consultant | |
| Gil Dean | .... | animal wrangler | |
| Lisa Del Dotto | .... | assistant craft service | |
| Wes Dixon | .... | additional staff assistant | |
| Colin Edlund | .... | craft service | |
| Sonia Farrell | .... | assistant: Woody Harrelson | |
| Michael P. Garza | .... | title designer: end titles | |
| David Gil Jr. | .... | additional staff assistant (as David Gil) | |
| Leigh Green | .... | additional staff assistant | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Heather Hanna | .... | additional staff assistant | |
| Charles Harrison | .... | additional staff assistant | |
| Marshall Hopkins | .... | additional staff assistant | |
| Katherine Isham | .... | additional staff assistant | |
| Marike Jainchill | .... | staff assistant (as Marike Z. Jainchill) | |
| Tatiana Jitkoff | .... | additional staff assistant | |
| Jesse Johnston | .... | executive: Thousand Words | |
| Allegra Kolber | .... | staff assistant (as Allegra McCoy) | |
| Sarah Lankenau | .... | staff assistant | |
| Jonathan Lethem | .... | consultant | |
| Stephanie Lewis | .... | executive: Thousand Words | |
| Stephen Light | .... | assistant production office coordinator | |
| Melody Lloyd | .... | set medic | |
| Taylor Lovell | .... | additional staff assistant | |
| Kirsten McMurray | .... | staff assistant | |
| Morgan Miles | .... | production accountant | |
| Jarrette Moats | .... | additional staff assistant | |
| Kimberly Murphy | .... | staff assistant (as Kim Murphy) | |
| Jubal Palmer | .... | assistant: Winona Ryder | |
| Jennifer Ramirez | .... | additional staff assistant | |
| Mike Reyes | .... | additional staff assistant | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Kate Ridgway | .... | additional staff assistant | |
| Brandon Roberts | .... | additional staff assistant | |
| Ryan Ross | .... | additional staff assistant | |
| Brooke Satrazemis | .... | script supervisor | |
| Steven Schaefer | .... | additional staff assistant | |
| Scott Snyder | .... | additional staff assistant | |
| Yusef Svacina | .... | additional staff assistant | |
| Jessica Tong | .... | additional staff assistant | |
| Sef Tsauousis | .... | staff assistant | |
| Fernanda Valentina | .... | additional staff assistant | |
| Dustin Weaver | .... | assistant location manager | |
| Tara Weaver | .... | support staff: Woody Harrelson | |
| Jenni Wieland | .... | assistant production accountant | |
| Tracey Zemitis | .... | unit publicist | |
| David Appelbaum | .... | office intern (uncredited) | |
| Loreto Caro-Valdes | .... | intern: production office (uncredited) | |
| Tai-San Choo | .... | office intern (uncredited) | |
| Jeff Guerrero | .... | additional set production assistant (uncredited) | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator (uncredited) | |
| Jamie Preyer | .... | location intern (uncredited) | |
| Vernon Smith | .... | office intern (uncredited) | |
Thanks | |||
| Bobby Bates | .... | thanks | |
| Louis Mackey | .... | dedicatee: in eternal memory | |
|
|
|
|
|
| Go | Paprika | The Salton Sea | The Basketball Diaries | Party Monster |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
| Add this title to MyMovies |
Thanks to Rick Linklater and the Dick family for allowing a Scanner Darkly to re-envision Philip K. Dick's great novel without straying from its central themes and story line. Good film adaptations of literature are very often collaborative efforts between two or more artists - the writer and the director (and sometimes her/his production team). Make no mistake - A Scanner Darkly IS one of these collaborations - it is definitely a Linklater film - from the spare but very effective and hypnotic Graham Reynolds sound track to the disturbing but mesmerizing holosuit scenes and the pseudo-philosophical paranoiac banter between Harrelson and Downey's characters. In fact, I remember the last time I read Dick's novel - around the time I heard Linklater was directing this film - thinking that some of the scenes in the book could be lost in Linklater's wonderful film "Slacker".
Linklater and Dick are a perfect match.
The story is about a deep-cover narcotics officer (Reeves) who is in danger of becoming one of his own targets, since he has become addicted to a very popular and addictive hallucinogen - Substance D (AKA "Death") The cast is all very good, and extremely well suited for their characters. But here again, we are seeing Linklater's interpretation of the novel. He saw the comedic potential for the Barris character and played it up by giving the role to Downey and presenting Harrelson as a combination of loyal side-kick and straight-man to Downey's sometimes overpowering Barris.
What the story is really about is the culture of recreational drug use and addiction. Its portrayal of this is on target, and though the subject is treated with some sympathy, the contradictory messages, denials, and complex rationalizations permeating that culture also come through powerfully. In this manner, the film nails the book spot-on.
Reeves is perfectly cast as Arctur. His subtle and somewhat detached style is exactly what was needed for this complex and sympathetic character. And although some have stated that he was "blown off the screen by Downey and Harrelson" I couldn't agree less. Downey is louder and more domineering, yes, but Arctur is not a loud, ultra-dynamic, paranoid, and could not be played in a way which could compete with Downey's character.
Although I believe Winona Rider to be very talented, I had my doubts about her in the role of Donna - one of my favorite characters in Dick's novel. However, once again, Winona exceeded my expectations. I have never seen a bad performance out of her.
This is great casting, period.
While these are not criticisms, I feel obligated to make a couple of comments comparing the book and the film. First, the film is not really as dark and disturbing as the book. I can not explain why in this review - you will have to see it to understand why I say this. Second, I was very slightly disappointed by the reduced role of Donna in this film. Third - though some have commented that the film was hard to follow and that they felt they could only really get it if they read the book - I can only say that this is probably intentional. Yes, many of Linklater's films are non-linear and can be hard to follow for those who expect to have things explained to them. Linklater is, if nothing else, an artist and doesn't seem very interested in linearity or explanation. And the original work by Dick is no less ambiguous. In fact it is, in my opinion, more ambiguous.
This film does a great job of bringing to the screen one of the most intelligent and emotional works of science fiction ever written. My thanks to all involved.