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186 out of 211 people found the following comment useful :-
Review from 2005 TIFF, 13 September 2005

Author: Richard from Toronto

I saw this movie at the 2005 Toronto International Film Festival.

Based on the novel by Jonathan Safran Foer, Everything Is Illuminated is the directorial debut of actor Liev Schreiber. Schreiber also wrote the screenplay. In the movie, Jonathan (Elijah Wood) obsessively collects items from his family, from toothbrushes to retainers to scraps of paper which he then seals in ziploc bags and pins to a wall in his house to record his family history. But the space for his grandfather is conspicuously bare. All Jonathan really has of him is a piece of jewelry and an old photo of him with a woman who hid him from the Nazis during the Second World War. Jonathan decides to undertake a quest to Ukraine to find the woman, thank her, and learn more about his grandfather.

His quest is aided there by a couple of characters who run a tourist company for Jewish people, including a young man obsessed with western culture (Eugene Hutz), his grandfather (Boris Leskin), who thinks he is blind and who may have memories and demons of his own from the war, and his grandfather's temperamental seeing eye dog.

The screenplay effectively combines both humour and drama as the three characters travel through the countryside looking for Jonathan's grandfather's town, driving deeper and deeper into the memories of the past. The best performance probably comes from Eugene Hutz, playing Alex Jr., who starts the movie as a tracksuit-wearing, break dancing slacker just out to have fun but evolves into something more as not only Jonathan, but all the characters gain their own illumination.

Liev Schreiber, Elijah Wood, and Eugene Hutz attended the screening and did a very humorous Q&A after the film:

- Schreiber was very close to his grandfather, who was a Ukranian immigrant, and who died in 1993. This caused him to start to write to get his memories down on paper. Meanwhile, he was asked to do a reading of Foer's short story, The Very Rigid Search, which was an excerpt from the still unpublished novel. Schreiber was blown away by the quality of the writing, saying that Foer had done in 15 pages what Schreiber tried to do in 107. Schreiber approached Foer and they talked about their grandfathers, culture, movies, and the nature of short-term memory in America; in the end, Foer agreed to let Schreiber adapt the book.

- Schreiber's own project was intended to be a road movie, but the book has parallel narrative that is an imagined chronological history of the town of Trochenbrod that spans 500 years; given his budget and limitations as a filmmaker, he said he'd leave that to Milos Forman and take the road trip instead. This imagined chronology was what moved him to make the movie in the first place, the idea that "a past lovingly imagined was as valuable as a past accurately recalled".

- Schreiber said the movie was a series of happy accidents. After searching unsuccessfully in Ukraine for an actor, he was walking through the Lower East Side in New York, when he saw a poster of a woman centaur, topless from the waist up, with an insane cossack sitting astride her. Under the poster said the name Gogol Bordello Ukranian Punk Gypsy Band.

Eugene Hutz then took over the story. He had never pursued acting as music was his first passion. One day, a friend gave him the book, and he thought it was written in a manner similar to how he writes music; screw sentences/syntax, language is my own.

Later, they got a call from a production company, looking for eastern European music that was medieval but modern. Hutz met with Schreiber, and he soon found the movie was based on the book he just happened to be reading. Not long after that came up, Schreiber asked Hutz what he thought about Alex and whether he could do the character by any chance.

- Foer and Schreiber talked about the film in the fall of 2001, shortly after the events of September 11. Both were in Europe at the time and they talked about the derogatory comments they were hearing about Americans, which led Schreiber to want to try to find an articulate American who would defy the stereotype that Europeans have of Americans. Someone who was awkward, vulnerable, flawed, innocent, and looking for history beyond the borders of his own country. Schreiber started thinking about who that was, and Elijah came up.

One of Schreiber's inspirations as a filmmaker is Emir Kusturica (I think that's who he said, who also directed a segment in another festival movie, All the Invisible Children) who said "you don't look for the actors, you look for the people." Schreiber said there is something about who Elijah is that he has a generosity of spirit and a sincere goodness as a human being, that came across on film. Schreiber said that the eyes are important when trying to articulate a character who is an observer, and that if "eyes are the doors to the soul, Elijah's are garage doors."

- Elijah Wood had fun with a question about the similarities between his character Kevin in Sin City and Jonathan in this movie as both are sort of a blank slate on which emotions are projected. Wood replied that Jonathan may seem still and seemingly emotionless, but it is all about his observations, about his experiences with other characters and the environment he was in.

- On the differences between directing and writing: Schreiber said he likes writing a lot more and jokingly described directing as "hell". After his grandfather died, Schreiber started to think about how to preserve some sense of history and himself; is he content driven or not, or just good at interpreting other people's work? He said he loved the exercise of figuring out what is emotional to you, important to you.

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157 out of 175 people found the following comment useful :-
A lovely Film, 30 September 2005

Author: Elan Lubliner from Lafayette, California

I walked into the movie theater, with no expectations for the film I was about to witness, "Everything is Illuminated". I walked out with a joy I have barely come to feel with American films. The directorial debut of actor, Leiv Schreiber, the film follows a man on his journey through the past, accompanied by an eccentric group including a brake-dancing barely English-speaking punk from the Eukraine, his grandfather who believes he is blind, and their crazy dog. The first half of the film is funny and smart with an extremely European flavor in the usage of small but wonderful characters, while the second half of the film descends into a somber story of discovery and the holocaust. This little movie brings out so many emotions, and so many colors, with such a wonderful conclusion and is more than just a story of illumination, but also of relationships and connections. The acting is incredibly powerful, the story mysterious and interesting, and the artistic appeal of the cinematography, to die for. With some brilliant and absolutely touching scenes "Everything is Illuminated" managed to capture my heart.

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119 out of 152 people found the following comment useful :-
A stranger in a strange land so to speak., 6 September 2005

Author: Movieguy_blogs_com from United States

In Everything Is Illuminated, Elijah Wood plays Jonathan Foer, a Jewish American who is looking for the woman who saved his grandfather during WWII. In a sense, the woman that saved his entire family.

This is a heart-felt tale about someone who is on a seemingly hopeless journey. A stranger in a strange land so to speak. Jonathan is not entirely prepared for this adventure, he sticks out like a sore thumb in the Ukraine (he would probably stick out like a sore thumb anywhere). But what he discovers is more, much more than he anticipated. This movie will make you laugh and will make you cry. Elijah Wood is really good in this film, based on the novel by Jonathan Safran Foer.

From someone I talked to, this movie is somewhat different from the book. A book I gather is really good. Nevertheless, this is a good movie, it has something for everyone and I really enjoyed it. Can someone say Oscar?

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107 out of 130 people found the following comment useful :-
A young man follows his roots to Ukraine, 3 September 2005

Author: Dennis-67 from Portland, Oregon, USA

I just saw "Everything is Illuminated" at the Telluride Film Festival. This is a truly remarkable film. Very emotional, funny at times and heart-warming. Bring your handkerchiefs! For those of you who enjoy a movie that brings tears to your eyes, I'm reminded of the endings of "Babette's Feast" and "The Notebook." The stories were completely different but had that same emotional power to bring tears to my eyes, just as this film did.

No spoilers here. The summary is, as IMDb describes, a young man's journey to the Ukraine to follow his roots and find the village where his father grew up.

The dialog is in English and Ukrainian (and Russian too, I believe). This allows for some wonderfully linguistically-based moments as one character interprets, more or less faithfully, for the English speaker in the group, depending on the circumstances.

The scenery is wonderful and the musical score is a treat with wonderful Eastern European influences. Be sure you stay through the credits for the final tune.

This is Lieve Schreiber's directorial debut and is well done. I give this film a 9, one of the best films I've seen in a long time. I recommend it highly.

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72 out of 78 people found the following comment useful :-
Austin Movie Show review..., 16 October 2005

Author: leilapostgrad from Austin, TX

This is precious. Everything Is Illuminated is sweetly and sublimely funny from the first delicious line of dialogue. Oh, how I've been waiting for this to arrive in Austin. While Elijah Wood is charming as ever as Jonathan Safran Foer (the real-life author of the novel Everything Is Illuminated), it's Eugene Hutz (playing Jonathan's Ukrainian tour-guide and translator, Alex) who truly steals this film. Alex is a hip-hop-lovin' Ukrainian break-dancer who, along with his grandfather, helps Jonathan find the woman who saved Jonathan's grandfather's life during World War II. The Ukrainian countryside has never looked so breath taking. I'm thinking of packing it all up and moving to the former Soviet state.

The tone of the film, however, shifts when Jonathan and Alex do finally meet the woman they're looking for, and suddenly, this adorable comedy turns into a heart-breaking historical drama about a Jewish village that was annihilated during the Nazi occupation. Everything Is Illuminated is about history, heritage, and the wisdom that can be gained from uncovering the past. It's perfect.

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72 out of 93 people found the following comment useful :-
The collector, 6 October 2005

Author: jotix100 from New York

If anyone has any doubts about the talent of Liev Schrieber, just a look at his new film, "Everything is Illuminated", which clearly shows a man that is not only one of America's finest actors, but a new director whose first effort is indeed an inspiration and a harbinger of what is to follow. Mr. Schreiber has adapted the novel by Jonathan Safran Foer into a film that will live forever because of the way the director has adapted the material. The film clearly surpassed our expectations since we had no preconceived ideas.

For those who haven't watched the film, perhaps you should stop reading here.

Jonathan is a collector. His love for his grandparents is boundless. He watches as his grandfather dies and as his grandmother is on what appears to be her death bed. On a clear moment, this dying woman gives Jonathan a picture and an amber ornament for his collection. Watching the photograph, taken a long time ago, a young couple are seen together. Watching makes Jonathan think it shows the grandfather and his girlfriend, taken on happier times. Watching the snapshot seems to be the motivation for this intense young man to go looking for his ancestors' past in the Ukraine.

Jonathan has made arrangements with a travel agency, Heritage Tours, of Odessa for his trip to Trochenbrod, the mythical place where his grandfather came from. The agency is handled by an older man, who claims to be blind, and his grandson, Alex, a man who loves the pop American culture that has captured his imagination, as well as his contemporaries in the country. Alex speaks a kind of English no one speaks and his conversation and translation, for Jonathan's benefit are hilarious to our ear for the use of sometimes unheard English terms. The old man insists in taking his dog, Sammy Davis Jr., against the wishes of Jonathan, who doesn't want to sit next to the snarling and barking animal during the trip.

As they embark in search of Trochenbrod, it's clearly that his companions, especially the old man has no clue where he is going. At this point, the film becomes a road movie, as the three characters riding the back roads of the country become more acquainted with one another. As the trio arrive at the sunflower field with the house at the end, it indicates they have indeed come to the right place. Some places are a clear reminder of the conflicts of the past.

The older woman, living in the isolated place, is the missing link of the story. She is able to put things into the right perspective. But here is where the story changes its emphasis from Jonathan, who clearly has come to the land of his ancestors, to the old man. We watch as this older man starts remembering things about himself. This, in turn, changes the dynamic of the film as we discover how connected Jonathan and his guides have been all the time.

Some criticism in these pages have expressed opinions about the accuracy of the story, which after all, it's a work of fiction and liberties have been taken. It would have been impossible to make another film including so much that is contained in the book. The great way the film is divided into different chapters is a clever way to let the viewer know what's about to be seen.

Elijah Wood, a magnificent film actor, does an excellent work by underplaying Jonathan. Mr. Wood makes one of his best appearances in any film with his interpretation of the main character. The felicitous casting of Eugene Hutz as Alex, the Ukranian tour assistant and translator, seems to be an idea made in heaven. Mr. Hutz is about the best thing in the film. His arcane usage of English gives the film a funny angle that delights the viewer. Boris Leskin as Alex's grandfather and driver of the tour car makes a valuable contribution to the film, as well as Laryssa Lauret, who is seen in the last part of the movie.

The excellent cinematography of Matthew Libatique brings the splendor of the Czech Republic's countryside in all its magnificence. The musical score by Paul Cantelon is heard in the background adorning the film in ways that it adds a richness to the movie.

Above all, this is a triumph for Liev Schreiber, the first time director that will surely go far in whatever he decides to do next.

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57 out of 66 people found the following comment useful :-
Past Illuminates Present in EVERYTHING IS ILLUMINATED, 12 October 2005

Author: seaview1

Actor turned director Liev Schreiber (The Sum of All Fears) does an above average screen version of the novel, Everything Is Illuminated, by author Jonathan Safran Foer. This tale of journey and self discovery is highlighted by strong ensemble performances and sharp direction with a storyline that enriches and enlightens the soul.

Jonathan Foer (Elijah Wood) is a young man who has seen his grandfather, Safran, pass away. Jonathan has a peculiar habit of taking small objects and life's little memorabilia and sealing them in plastic ziplock bags to display them on his wall. Safran gives Jonathan an old picture showing a young Safran standing next to a beautiful girl who saved his life many years ago. Thus Jonathan commences on a long journey to locate this mystery woman in the Ukraine not knowing if she is still alive. He enlists the help of a brash, young tour guide named Alex (Eugene Hutz) and his grandfather (Boris Leskin) to drive him to his goal. At first the trip hits dead ends and false leads, but as the group nears its target, the men find themselves amid the ruins of a dark chapter in history with the memories of war and the past ghosts of a nonexistent town. There, they find their own respective destinies and will be forever changed by what they learn.

This film feels like it was directed by someone who knew how to get the most from his actors. At times, the film is spoken in Russian and seems like a foreign film. The title itself is a play on self discovery. This is a thoughtful trek of one man into his past, and his past ironically involves his companions; Jonathan's obsessive journey becomes an emotional journey for Alex and his grandfather as well. It's a tale of bonding over the long haul and the guilt one must carry for a lifetime. By the end of the film, these characters have all experienced life altering events that will permanently intertwine their lives. It proves that memories can be powerful in traumatizing and also cleansing the soul. It's also about one's legacy and how others view an event or a person in the past. Alex eventually sees his grandfather in a completely different light. Even our perception of these individuals will have changed by film's end which is a tribute to a story that is well told.

The story is deceptively simple. It functions as a road trip movie (like The Straight Story) combined with an interesting mystery story. It really involves a great many layers of emotions and subplots that range from the past to the present. The ending is a bit surreal with its déjà vu feeling.

Elijah Wood (Sin City, The Eternal Sunshine of the Spotless Mind)) has chosen a wide range of roles ever since his splash in The Lord of the Rings trilogy. Here, he does a fine job with what is essentially a minimalist role with not much to show. Eugene Hutz and Boris Leskin fare better as Alex and his grandfather respectively. Even the grandfather's dog named Sammy Davis Jr. Jr. (that's right) is funny as a fiercely loyal companion.

The spare music score by Paul Cantelon is a moody compliment to the thoughtful nature of the film. The editing is effective as imagery from past and present are linked and transitioned effortlessly. The cinematography by Matthew Libatique (Gothika, Requiem for a Dream) is appropriately stark and lifeless with some impressive images of war and its aftermath.

The coincidences that emerge during the last half of the film make for good drama but are a little too coincidental. We never fully understand the whole background story of Alex's grandfather and what his motivations are. Likewise, Jonathan's blank stares and lack of apparent substance and depth do not give us much more than a sketch of a quirky man. At times, the film feels a little downbeat and depressing as more horrific revelations are exposed. But these are minor criticisms of what is a good, introspective story with good performances and interesting themes of remembrance and closure. That Schreiber not only directed but adapted the screenplay to this worthwhile slice of history is a tribute to his talents and promising potential in the future.

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50 out of 61 people found the following comment useful :-
A Sentimental Road Trip ThroughThe Impact of Eastern European History, 6 October 2005

Author: noralee from Queens, NY

"Everything is Illuminated" is a simplified interpretation of something more than half of the Jonathan Safran Foer novel. This version is more about changes in Eastern Europe from World War II through post-Cold War and how the younger generation relates to that history as a family memory.

Debut director/adapter Liev Schreiber retains some of the humor and language clashes of the novel, mostly through the marvelous Eugene Hutz as the U.S.-beguiled Ukrainian tour guide. He is so eye-catching that the film becomes more his odyssey into his country and his family as he goes from his comfortable milieu in sophisticated Odessa to the heart of a cynical, isolated land that has been ravaged by conquerors through the Communists and now capitalists, with both Jews and non-Jews as detritus. As funny as his opening scenes are when he establishes his cheeky bravura, we later feel his fish-out-of-waterness in his own country when he tries to ask directions of local yokels.

Shreiber uses Elijah Wood, as the American tourist, as an up tight cog in a visual panoply, as his character is less verbal than as one of the narrators in the book. He and Hutz play off each other well until the conclusion that becomes more sentimental in this streamlined plot. Once the grandfather's story takes over in the last quarter of the film, marvelously and unpredictably enacted by Boris Leskin, the younger generation does not seem to undergo any catharsis, as they just tidy up the closure.

Schreiber does a wonderful job visualizing the human urge to document history. One of his consultants in the credits is Professor Yaffa Eliach and her style of remembering pre-Holocaust shtetl life through artifacts clearly inspired the look and it is very powerful and effective.

The Czech Republic stands in for the Ukraine and the production design staff were able to find memorable symbols of change in the cities, towns and countryside, as this is now primarily a road movie, and the long driving scenes do drag a bit. Schreiber retains some of the symbolism from the book, particularly of the moon and river, but having cut out the portions of the book that explain those, they just look pretty or ominous for atmosphere and no longer represent time and fate.

As W.C. Fields would have predicted, the dog steals most of his scenes for easy laughs. In general, Schreiber does go for more poignancy than the book. It is irresistibly touching, especially for those who haven't read the book, but less morally and emotionally messy.

The film is enormously uplifted by its marvelous soundtrack, which ranges from songs and instrumentals from Hutz's gypsy band to traditional tunes to contemporary tracks to Paul Cantelon's klezmer fusion score.

This is not a Holocaust film per se, being a kind of mirror image of "The Train of Life (Train de vie)" as about memory of a time that is freighted with meaning now, but will resonate more with those who have an emotional connection to that history.

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55 out of 88 people found the following comment useful :-
An Illuminated Film....., 14 September 2005

Author: movie_man2006 from Brazil

2005 was one of the best year for movies. We had so many wonderful movies, like Batman Begins, Sin City, Corpse Bride, A History of Violence.....Coming up we also got Brokeback Mountain, King Kong....But if this year the only great movie that came out was Everything Is Illuminated, then we wouldn't miss all this year has brought. The first movie as a director of the talented Liev Schreiber is a delightful, heart-warming, touching drama that also brings one of Elijah Wood's best roles. He is perfect as Jonathan, a curious man that heads for Ukraine to find the woman who saved his Grandfather in World War II. Liev Schreiber, who also writes the movie, conducts a masterpiece, with memorable scenes and (a lot of) funny quotes. This here is a genuine mixture of Comedy with Drama, bringing a movie that will be commented years from now. A serious Oscar contender, Everything is Illuminated is a powerful, original, and, why not say, illuminated movie. But there's one thing you should remember while entering the movie: leave normal behind. This is special.------9/10

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48 out of 76 people found the following comment useful :-
All in all a 10!, 16 October 2005

Author: cando_21 from United States

What an original piece of work. I've always enjoyed Liev Schreiber the "actor", but now one must appreciate the man on a multi-dimensional level . How did he get that field of sunflowers? Was it computerize, it sure looked real. And how do you audition a dog knowing you are going to get that kind of performance? Does the academy have a category for animals? I guess what I'm saying is that I really, really enjoyed this quirky, offbeat, little indie film. From the excellent cast (one would never know Eugene Hutz was not a pro actor) to the cinematographer (some beautiful shots) the music (bought the CD when exiting the theater) and of course the two "D's" (direction and the DOG). All in all a "10".

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