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Jonathan Safran Foer (novel)
Liev Schreiber (screenplay)
16 September 2005 (USA) more
Leave Normal Behind.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of a local who speaks weirdly funny broken English. full summary | add synopsis
7 wins & 4 nominations more
Books: Review:Jonathan Safran Foer: Eating Animals
(From The AV Club. 11 November 2009, 10:00 PM, PST)
Jonathan Safran Foer Reads from Eating Animals
(From Vanity Fair. 5 November 2009, 9:24 AM, PST)
A young man follows his roots to Ukraine more (156 total)
| Eugene Hutz | ... | Alex | |
| Elijah Wood | ... | Jonathan Safran Foer | |
| Jonathan Safran Foer | ... | Leaf Blower | |
| Jana Hrabetova | ... | Jonathan's Grandmother | |
| Stephen Samudovsky | ... | Jonathan's Grandfather Safran | |
| Ljubomir Dezera | ... | Young Jonathan | |
| Oleksandr Choroshko | ... | Alexander Perchov, Father | |
| Gil Kazimirov | ... | Igor | |
| Zuzana Hodkova | ... | Alex's Mother | |
| Mikki | ... | Sammy Davis Jr. Jr. | |
| Mouse | ... | Sammy Davis Jr. Jr. | |
| Boris Leskin | ... | Grandfather | |
| Robert Chytil | ... | Breakdancer | |
| Jaroslava Sochova | ... | Woman on Train | |
| Sergei Ryabtsev | ... | Ukrainian Band Member (as Sergej Rjabcev) | |
| Yuri Lemeshev | ... | Ukrainian Band Member (as Jurij Lemeshev) | |
| Pamela Racine | ... | Ukrainian Band Member | |
| Oleksandr Houtz | ... | Ukrainian Band Member | |
| Ludmila Kartouska | ... | Hotel Waitress | |
| Igor Latta | ... | Old Man at Fair | |
| Eugenin Marandic | ... | Fair Goer | |
| Orest Tkachuk | ... | Fair Goer (as Orest Tkachyk) | |
| Elias Zerael Bauer | ... | Goatherder Boy | |
| Jurij Kokyrc | ... | Well Digger | |
| Sergej Kapitan | ... | Well Digger | |
| Jaroslav Jurichkanc | ... | Well Digger | |
| Igor Savivskij | ... | Well Digger | |
| Jan Pavel Filipensky | ... | Well Digger | |
| Bert Schneider | ... | Nazi Officer | |
| Tereza Veselkova | ... | Augustine | |
| Laryssa Lauret | ... | Lista | |
| Lukas Kral | ... | Young Grandfather, Baruch | |
| Vera Sindelarova | ... | Young Lista |
Directed by | |||
| Liev Schreiber | |||
Writing credits(WGA) | ||
| Jonathan Safran Foer | (novel) | |
| Liev Schreiber | (screenplay) | |
Original Music by | |||
| Paul Cantelon | |||
Cinematography by | |||
| Matthew Libatique | |||
Film Editing by | |||
| Andrew Marcus | |||
| Craig McKay | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Mark Geraghty | |||
Art Direction by | |||
| Martin Vackar | |||
Costume Design by | |||
| Michael Clancy | |||
Makeup Department | |||
| Georgina Abanto | .... | key hair stylist | |
| Georgina Abanto | .... | key makeup artist | |
| Tomás Kuchta | .... | special makeup | |
| Veronika Riehs | .... | makeup assistant | |
| Lucie Vybiralova | .... | hair stylist | |
Production Management | |||
| Kelley Cribben | .... | post-production supervisor | |
| Tom Karnowski | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Jakub Dvorak | .... | second assistant director | |
| Helena Frankova | .... | second second assistant director | |
| Jude Gorjanc | .... | first assistant director: New York | |
| Jan Mensik | .... | first assistant director | |
| Maggie Murphy | .... | first assistant director | |
| Kieron Phipps | .... | first assistant director (as Kieron A. Phipps) | |
| Amanda Taylor | .... | key second assistant director: New York | |
Art Department | |||
| Kasia Adamik | .... | storyboard artist | |
| Elizabeth Colomba | .... | storyboard artist | |
| Jiri Fleischer | .... | property master | |
| Stanislav Suva | .... | scenic artist | |
| Michal Svoboda | .... | set dresser | |
| Petra Trachtmanova | .... | co-set decorator | |
| Kurt Van Der Basch | .... | storyboard artist (as Kurt van der Basch) | |
| David Vondrasek | .... | assistant art director | |
Sound Department | |||
| Dave Bihldorff | .... | sound re-recordist | |
| Rick Chefalas | .... | first assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Kenna Doeringer | .... | adr editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Petr Forejt | .... | production sound mixer | |
| Lawrence Herman | .... | sound editorial intern | |
| Bobby Johanson | .... | adr mixer | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Igor Nikolic | .... | assistant sound editor | |
| Sarah Jean Porter | .... | apprentice sound editor (as Sarah Porter) | |
| Roman Rigo | .... | boom operator | |
| Wyatt Sprague | .... | sound effects editor | |
| Paul Urmson | .... | sound designer | |
| Paul Urmson | .... | supervising sound editor | |
| Steven Visscher | .... | supervising foley editor (as Steve Visscher) | |
| Deborah Wallach | .... | adr supervisor | |
Special Effects by | |||
| Jirí Vojtech | .... | special effects crew | |
Visual Effects by | |||
| Roland Friedrich | .... | Inferno artist | |
| Miro Gal | .... | Inferno artist | |
| Maros Kesjar | .... | compositor | |
| Helena Keslova | .... | Flame artist | |
| Vladimir Koller | .... | compositor | |
| Vít Komrzy | .... | visual effects producer | |
| Robert Loudil | .... | compositor | |
| Zdenek Machuta | .... | compositor | |
| Jay Mallet | .... | motion control cameraman | |
| Vladimír Matousek | .... | compositor | |
| Robert Pik | .... | Inferno artist | |
| Robert Pik | .... | compositor | |
| Jim Rider | .... | motion control cameraman | |
| Jirí Sabata | .... | Flame artist | |
| Amit Sethi | .... | digital artist: titles | |
| Rasto Simocko | .... | Flame artist | |
| Jiri Stamfest | .... | matte artist | |
| Mike Trinker | .... | digital intermediate editor | |
| David Vána | .... | visual effects supervisor | |
| Jan Vseticek | .... | visual effects coordinator | |
Camera and Electrical Department | |||
| Václav Cermak | .... | gaffer | |
| Milan Chadima | .... | director of photography: second unit | |
| Lamont Crawford | .... | key grip: New York | |
| Magela Crosignani | .... | camera operator | |
| Neil Davidson | .... | still photographer | |
| Ingo Gardner | .... | balloon light technician | |
| Jiri Gazda | .... | dolly grip | |
| Ivo Gresak | .... | key grip | |
| Jarda Hromadka | .... | best boy | |
| Ladislav Hruby | .... | first assistant camera | |
| Vaclav Kares | .... | camera loader | |
| Viktor Lonek | .... | video assist operator | |
| John J. Moers | .... | director of photography: documentary crew | |
| Frantisek Novák | .... | first assistant camera | |
| Miroslav Pavlik | .... | second assistant camera | |
Animation Department | |||
| J. John Corbett | .... | animator: titles | |
Costume and Wardrobe Department | |||
| Gabriela Horská | .... | assistant costume designer | |
Editorial Department | |||
| Ernest Leif Boyd | .... | assistant editor | |
| John Crowley | .... | digital intermediate colorist | |
| Kate Eales | .... | associate editor | |
| Conor Guy | .... | assistant editor | |
| Attila Kovacs | .... | assistant editor | |
| Beth Moran | .... | assistant editor | |
| Matthew Reedy | .... | digital intermediate producer | |
| Corey Stewart | .... | digital intermediate engineer | |
| Franklin Vargas | .... | digital colorist assist (as Frankie Vargas) | |
Music Department | |||
| Nancy Allen | .... | music editor | |
| John Carbonara | .... | assistant music editor | |
| Gary Chester | .... | music engineer | |
| Gary Chester | .... | score mixer | |
| Brian Deming | .... | additional music mixer | |
| Tony Finno | .... | music preparation | |
| Eric V. Hachikian | .... | assistant orchestrator (as Eric Hachikian) | |
| Susan Jacobs | .... | music supervisor | |
| Richard King | .... | additional music mixer | |
| Wolfram Koessel | .... | music contractor | |
| Sonny Kompanek | .... | orchestrator | |
| Annette Kudrak | .... | additional music editor | |
| Jack Livesey | .... | composer: additional music | |
| Suzana Peric | .... | music editor | |
| Matt Rocker | .... | music programing: score | |
| Seth Rothschild | .... | assistant music supervisor | |
| Derek Somaru | .... | apprentice music editor (as Derek P. Somaru) | |
| Ted Sperling | .... | conductor | |
Transportation Department | |||
| Jiri Fleischer | .... | picture cars coordinator | |
| Silvie Janculová | .... | unit transportation coordinator | |
| Pavel Voracek | .... | unit transportation coordinator | |
Other crew | |||
| Judy Aley | .... | researcher: archival photos (as Judith Aley) | |
| David Allsberry | .... | assistant animal trainer | |
| Randall Balsmeyer | .... | title designer (as Randy Balsmeyer) | |
| Lauren Barnhart | .... | assistant to director | |
| George Bunce | .... | 2K conform | |
| Mandy Butler | .... | production accountant | |
| Emma Cooper | .... | unit publicist | |
| J. John Corbett | .... | title designer | |
| William Cusick | .... | intern | |
| Jennifer Zolten Freed | .... | post-production accountant | |
| Lubomir Janci | .... | stand-in: Young Grandfather | |
| Vladimir Kesl | .... | computer technician | |
| Tomas Kreisl | .... | cashier | |
| Yana Collins Lehman | .... | post-production accountant | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator | |
| Boone Narr | .... | animal trainer | |
| Zack Neuman | .... | office intern | |
| Lenka Pavlakova | .... | assistant production coordinator | |
| Nada Pinter | .... | script supervisor | |
| Sara Pollack | .... | assistant to producer | |
| Victor Quinaz | .... | assistant to the director: Liev Schreiber | |
| Justin Ritson | .... | key production assistant: New York unit | |
| Lucie Ryan | .... | assistant to director | |
| Justin Hamilton Salem | .... | key set production assistant | |
| Julie Sevach | .... | title producer | |
| Katerina Silna | .... | production coordinator | |
| Petr Skvor | .... | location manager | |
| Jiri Tichacek | .... | production accountant: Czech Republic | |
| Goran Uljanic | .... | assistant production coordinator | |
| Peter Ziak | .... | assistant accountant | |
The Collector (USA) (pre-release title)
more
Rated PG-13 for disturbing images/violence, sexual content and language.
106 min
1.85 : 1 more
UK:12A | Ireland:12A | Brazil:14 | Mexico:B15 | Argentina:13 | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Germany:12 | Finland:K-11 | Singapore:NC-16 (DVD rating) | Singapore:PG | USA:PG-13 (certificate #41916) | Canada:14+ (Ontario) | Iceland:12 | Portugal:M/12 | South Korea:15
Eugene Hutz's band Gogol Bordello appears as the polka band that greets Elijah Wood at the train station. more
Crew or equipment visible: In one scene when they are driving, you can see the car which is carrying the film/sound crew, over the grandfather's shoulder. more
References Bronenosets Potyomkin (1925) more
Hello, Hello more
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| News articles | IMDb Comedy section | IMDb USA section |
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I just saw "Everything is Illuminated" at the Telluride Film Festival. This is a truly remarkable film. Very emotional, funny at times and heart-warming. Bring your handkerchiefs! For those of you who enjoy a movie that brings tears to your eyes, I'm reminded of the endings of "Babette's Feast" and "The Notebook." The stories were completely different but had that same emotional power to bring tears to my eyes, just as this film did.
No spoilers here. The summary is, as IMDb describes, a young man's journey to the Ukraine to follow his roots and find the village where his father grew up.
The dialog is in English and Ukrainian (and Russian too, I believe). This allows for some wonderfully linguistically-based moments as one character interprets, more or less faithfully, for the English speaker in the group, depending on the circumstances.
The scenery is wonderful and the musical score is a treat with wonderful Eastern European influences. Be sure you stay through the credits for the final tune.
This is Lieve Schreiber's directorial debut and is well done. I give this film a 9, one of the best films I've seen in a long time. I recommend it highly.