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Yeojaneun namjaui miraeda (2004)
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Overview
User Rating:
Release Date:
14 May 2004 (South Korea) moreAwards:
1 nomination moreUser Comments:
Artistic Exploration of Sexuality moreCast
(Credited cast) | Ji-tae Yu | ... | Lee Mun-ho |
| Tae-woo Kim | ... | Kim Hyeon-gon |
| Hyeon-a Seong | ... | Park Seon-hwa |
| Ho-jung Kim | ... | Park Bo-yeong (Mun-ho's wife) (voice) |
| rest of cast listed alphabetically: | |||
| Su-Jeong Eom | ||
| Seung-chae Lee | (as Ji-seon Lee) | |
| Dal-su Oh | ||
Additional Details
Also Known As:
La femme est l'avenir de l'homme (France)Woman Is the Future of Man (International: English title)
Woman Is the Future of Woman
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Parents Guide:
Add content advisory for parentsRuntime:
88 minLanguage:
KoreanColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalFAQ
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Discuss this movie with other users on IMDb message board for Yeojaneun namjaui miraeda (2004)| Recent Posts (updated daily) | User |
|---|---|
| Interesting as well as confusing | bama1111 |
| nice idea, but.... | dreamon-10 |
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| IMDb Drama section | IMDb South Korea section | Add this title to MyMovies |
Sang-soo Hong has done it again: he has made another controversial film that deals with the in-depth investigation of human sexuality, this time focusing solely on it from the perspective of two old friends meeting up again, one a successful college professor and the other a struggling film-maker.
From beginning to end, Hong lures you into the film by showing provocative sexual scenes and events, and really laying before us just how chaotic and disturbing sex can be, as well as how fulfilling it is. In between comical exchanges between the main characters, there lies a great deal of tragedy. Like many Korean films, it bended genres.
The acting was always as realistic as Hong aimed for in previous films like Power of Kangwon Province, and the story just as equally real -- focusing on very real dialog and very real occurrences. One can feel a close relationship to every character in the movie from start to finish. The mood is very real, and the soundtrack that accompanies it was very appropriate.
A uniquely artistic film that encourages the viewer to connect the dots, and a very real 'slice-of-life' film, I would recommend this to anybody who enjoys artistic film in general, or who has an interest in tackling some major issues about sexuality. It was another well-done piece by Hong, and I look forward to seeing more work by him in the future.