| Videos (see all 16) |
| Konstantin Khabenskiy | ... | Anton Gorodetsky | |
| Vladimir Menshov | ... | Geser | |
| Valeriy Zolotukhin | ... | Kostya's Father | |
| Mariya Poroshina | ... | Svetlana | |
| Galina Tyunina | ... | Olga, the sorceress | |
| Yuriy Kutsenko | ... | Ignat (as Gosha Kutsenko) | |
| Aleksey Chadov | ... | Kostya (Anton's young vampire neighbor) | |
| Zhanna Friske | ... | Alice Donnikova | |
| Ilya Lagutenko | ... | Andrei | |
| Viktor Verzhbitskiy | ... | Zavulon | |
| Rimma Markova | ... | Darya Schultz, the witch | |
| Mariya Mironova | ... | Irina, Yegor's mother | |
| Aleksey Maklakov | ... | Simeon | |
| Aleksandr Samoylenko | ... | Ilya (Bear), mage-transformer | |
| Dmitriy Martynov | ... | Yegor (as Dmitri Martynov) | |
| Anna Slyusareva | ... | Lena (Tiger Cub), mage-transformer (as Anna Slyu) | |
| Anna Dubrovskaya | ... | Larisa | |
| Sergey Prikhodko | ... | Peter | |
| Igor Savochkin | ... | Maxim Ivanovich | |
| Georgiy Dronov | ... | Tolik (as Yegor Dronov) | |
| Nikolay Olyalin | ... | The Inquistor | |
| Dmitriy Klokov | |||
| Dmitriy Osetrov | |||
| Konstantin Murzenko | ... | Man in Metro | |
| Anatoliy Gorin | |||
| Lyudmila Yaronova | |||
| Aleksandr Shchurok | |||
| Nikolay Kiselev | |||
| Marina Ivanova | |||
| Viktor Ivanov | (as Vitya Ivanov) | ||
| Polina Shchurok | |||
| Tatyana Shchankina | ... | Woman on Plane | |
| Aleksandr Kozlov | |||
| Igor Pismenniy | |||
| Viktoriya Smirnova | |||
| Sergey Kalashnikov | |||
| Ekaterina Malikova | |||
| Vladislav Anufriev | (as Vladik Anufriyev) | ||
| Yuri Yakovlev | ... | Boy (as Yura Yakovlev) | |
| Ivan Popov | (as Vanya Popov) | ||
| Aleksey Kurochkin | (as Lyosha Kurochkin) | ||
| Yaroslav Romashenko | (as Yarik Romashenko) | ||
| rest of cast listed alphabetically: | |||
| Yuri Lowenthal | ... | Kostya (voice: English version) | |
| Darian Weiss | ... | Yegor (voice: English version) | |
| Blestyashchie | ... | Alisa's Girl Group (uncredited) | |
| Nikolay Drozdov | ... | Animal World's host (voice) (archive footage) (uncredited) | |
| Sarah Michelle Gellar | ... | Buffy Summers (archive footage) (uncredited) | |
| Yuliya Kovalchuk | ... | Singer in Alisa's Girl Group (uncredited) | |
| Rudolf Martin | ... | Dracula (archive footage) (uncredited) | |
| Kseniya Novikova | ... | Singer in Alisa's Girl Group (uncredited) | |
| Anna Semenovich | ... | Singer in Alisa's Girl Group (uncredited) | |
| Georgiy Vitsin | ... | Kuzjka (voice) (archive footage) (uncredited) | |
Directed by | |||
| Timur Bekmambetov | |||
Writing credits(WGA) | ||
| Timur Bekmambetov | (screenplay) and | |
| Laeta Kalogridis | (screenplay) | |
| Sergei Lukyanenko | (novel) | |
Produced by | |||
| Varvara Avdyushko | .... | executive producer (as Varvara Avdiushko) | |
| Igor Bondarenko | .... | executive producer | |
| Konstantin Ernst | .... | producer | |
| Arthur Gorson | .... | executive producer: post-production | |
| Aleksei Kublitsky | .... | executive producer | |
| Aleksei Kulibin | .... | supervising producer | |
| Anatoly Maximov | .... | producer | |
Original Music by | |||
| Yuriy Poteenko | |||
Cinematography by | |||
| Sergey Trofimov | |||
Film Editing by | |||
| Dmitriy Kiselev | |||
Casting by | |||
| Tamara Odintsova | |||
Production Design by | |||
| Mukhtar Mirzakeyev | |||
| Valeri Viktorov | |||
Art Direction by | |||
| Valeri Viktorov | (as Valera Viktorov) | ||
Costume Design by | |||
| Varvara Avdyushko | (as Varvara Avdiushko) | ||
Production Management | |||
| Larry Ewing | .... | post-production supervisor | |
Sound Department | |||
| Bob Bowman | .... | assistant sound editor | |
| Andy D'Addario | .... | sound re-recording mixer | |
| Pavel Doreuli | .... | sound effects | |
| Marc Fishman | .... | additional sound re-recording mixer | |
| Tony Lamberti | .... | additional sound re-recording mixer | |
| Aaron Levy | .... | sound recordist | |
| Jon Mete | .... | supervising sound editor | |
| Jon Title | .... | sound editor | |
| Karen Vassar | .... | sound editor | |
Special Effects by | |||
| Ilya Churinov | .... | pyrotechnician | |
| Peter Gorshenin | .... | special effects | |
| Angela Petrosyan | .... | special effects producer | |
Stunts | |||
| Sergei Vorobyov | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Yelena Ivanova | .... | director of photography: second unit | |
| Nikolai Litvinov | .... | Steadicam operator | |
Editorial Department | |||
| Dan Aguilar | .... | digital intermediate editor | |
| Tuija Kotamäki | .... | negative cutter | |
| Jonathan Slater | .... | on-line editor | |
Music Department | |||
| Norik Basegian | .... | musician: duduk | |
| Nadezhda Chibisova | .... | musician: piano solo | |
| Alexei Rudnevsky | .... | chorus director | |
| Jim Schultz | .... | music editor | |
| Aleksandr Vedernikov | .... | conductor | |
Other crew | |||
| Severi Glanville | .... | 2K data recordist (uncredited) | |
| Mika Kongas | .... | 2k data recordist (uncredited) | |
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| Dnevnoy dozor | Stardust | The Lord of the Rings: The Return of the King | Hot Fuzz | Beowulf |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Russia section |
| Add this title to MyMovies |
I enjoyed this movie quite a lot; if you are into Jeunet-type fantasy, I would recommend that you see it. Overall, I would give it a rating of 7 out of 10. The reason for the Jeunet comparison (e.g. Delicatessen, City of Lost Children) is that it has the same dark antiutopian/surrealistic ambiance to it, and is very imaginative. It is also very elaborate in its style, which lends most of the appeal to the movie. This being said, the biggest disappointment of the movie is the plot, which is overly straightforward and simple-minded, but at least it does not devolve into some technical meaningless psycho-babble as many Hollywood fantasy movies do, and maintains its fairy-tale quality.
It is unfortunate that modern Russian cinematography seems to be chasing the success of Hollywood (which is ironic, given the country's negative attitude towards US in general and Hollywood in particular), but this movie benefits from Hollywood-style special effects, and is free of annoying clichés (unlike the atrociously pretentious "Barber of Siberia" - another recent style-heavy Russian blockbuster; sorry Mikhalkov).
To sum up, this movie is quite original, imaginative, stylish and at times visually stunning, which in my book constitutes success, but don't expect any depth of ideas.