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Underworld: Evolution (2006)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
20 January 2006 (USA)
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Plot:
Underworld: Evolution continues the saga of war between the vampires and the Lycans. The film goes back...
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| full synopsis
Awards:
1 nomination
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NewsDesk:
(67 articles)
Local teen mistakes ‘New Moon’ for ‘Underworld 4′
(From Reel Loop. 21 November 2009, 6:51 AM, PST)
‘Underworld 4′ scores a writer, still no word on Kate Beckinsale
(From Reel Loop. 20 November 2009, 11:03 AM, PST)
(From Reel Loop. 21 November 2009, 6:51 AM, PST)
‘Underworld 4′ scores a writer, still no word on Kate Beckinsale
(From Reel Loop. 20 November 2009, 11:03 AM, PST)
User Comments:
Underworld Evolution reviewed
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Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Len Wiseman | |||
Writing credits(WGA) | ||
| Danny McBride | (screenplay) | |
| Len Wiseman | (story) & | |
| Danny McBride | (story) | |
| Kevin Grevioux | (characters) and | |
| Len Wiseman | (characters) & | |
| Danny McBride | (characters) | |
Produced by | |||
| David Coatsworth | .... | producer | |
| Kevin Grevioux | .... | co-producer | |
| Gary Lucchesi | .... | producer | |
| Danny McBride | .... | executive producer | |
| Terry McKay | .... | executive producer (as Terry A. McKay) | |
| James McQuaide | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| Skip Williamson | .... | executive producer | |
| Henry Winterstern | .... | executive producer | |
| Len Wiseman | .... | executive producer | |
| Richard S. Wright | .... | producer (as Richard Wright) | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Simon Duggan | (director of photography) | ||
Film Editing by | |||
| Nicolas De Toth | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Mary Tricia Wood | (as Tricia Wood) | ||
Production Design by | |||
| Patrick Tatopoulos | |||
Art Direction by | |||
| Chris August | |||
Set Decoration by | |||
| Lin MacDonald | |||
Costume Design by | |||
| Wendy Partridge | |||
Makeup Department | |||
| Merribelle Anderson | .... | hair stylist: Ms. Beckinsale | |
| Susan Boyd | .... | hair stylist | |
| Rosalina Da Silva | .... | key makeup artist (as Rosalina DaSilva) | |
| Joel Echallier | .... | corpse creation | |
| Mike Fields | .... | special makeup effects artist | |
| Thomas Floutz | .... | makeup effects: Patrick Tatopoulos Designs (as Thom Floutz) | |
| Bruce Spaulding Fuller | .... | makeup effects: Patrick Tatopoulos Designs | |
| Céline Godeau | .... | special makeup effects artist | |
| Brian Hillard | .... | special makeup effects artist: Evolution Effects Studio | |
| Thom MacIntyre | .... | key hair stylist (as Thom McIntyre) | |
| Teresa A. Meyer | .... | makeup artist (as Theresa Meyer) | |
| Holland Miller | .... | special makeup effects artist | |
| Cristina Patterson Ceret | .... | contact lens coordinator/painter (as Cristina Patterson) | |
| Amy Peckham | .... | assistant makeup effects designer: insert unit, Evolution Effects Studio (as Amy Peckham Kasunic) | |
| Marcine Peter | .... | contact lens technician | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Geoff Redknap | .... | special makeup effects artist | |
| Gina Sherritt | .... | hair stylist | |
| Adina Shore | .... | key hair stylist: second unit | |
| Vasilios Tanis | .... | makeup artist: Ms. Beckinsale | |
| Monique Venier | .... | special makeup effects artist | |
| Juliana Vit | .... | special makeup effects artist | |
| Stevi Williams | .... | contact lens technician | |
Second Unit Director or Assistant Director | |||
| David R. Baron | .... | second assistant director: second unit (as David Baron) | |
| Misha Bukowski | .... | third assistant director | |
| Michael Collins | .... | third assistant director | |
| Sam Harris | .... | first assistant director | |
| Libby Hodgson | .... | first assistant director: second unit | |
| Shelley Kreutz | .... | third assistant director: second unit | |
| Kevin Leeson | .... | third assistant director: second unit | |
| Brad Martin | .... | second unit director | |
| Shannon Pratt | .... | dgc trainee | |
| Andrew M. Robinson | .... | second assistant director (as Andrew Robinson) | |
| Greg Zenon | .... | first assistant director: second unit | |
Art Department | |||
| Dale Allen | .... | carpenter | |
| Jonathan Bell | .... | tool maintenance | |
| Brent Bennett | .... | set buyer | |
| Wayne Berarducci | .... | laborer | |
| Michael A. Billings | .... | assistant set decorator (as Michael Billings) | |
| John T. Boe | .... | set dresser | |
| Brenda Borrowman | .... | scenic painter | |
| John Burke | .... | set designer (as John G. Burke) | |
| Keith Burk | .... | lead dresser | |
| Charlie Campbell | .... | carpenter | |
| Maureen Carey | .... | construction buyer | |
| Lubor Cencak | .... | scenic painter | |
| Andy Chung | .... | conceptual artist | |
| Vance Conway | .... | lead carpenter | |
| Trevor Curley | .... | laborer | |
| Denis DeChamplain | .... | laborer | |
| Heather Douglas | .... | art department runner | |
| Paul Duffy | .... | scenic paint foreman | |
| Jason Edwards | .... | set dresser | |
| John Fedorek | .... | carpenter | |
| Allan Galajda | .... | set designer | |
| Antonio Germinario | .... | assistant property master (as Tony Germinario) | |
| Kenny Gibbs | .... | property master: second unit (as Kenneth Gibbs) | |
| Dinesh Gill | .... | property buyer | |
| Neall C. Halingten | .... | carpenter (as Neall C. Hallingten) | |
| Jason Hawkins | .... | on-set dresser: second unit | |
| Jason Hawkins | .... | set dresser | |
| Vance Irvine | .... | set dresser | |
| Douglas Jang | .... | construction foreperson (as Doug Jang) | |
| Philip Jean | .... | carpenter | |
| Franziska Keller | .... | art department coordinator | |
| James Kilcher | .... | on-set dresser | |
| James Kilcher | .... | on-set dresser: second unit | |
| Barry Kootchin | .... | charge scenic painter | |
| Ray Lai | .... | graphic artist | |
| Jason B. Landels | .... | property master: second unit (as Jason Landells) | |
| Edward Lee | .... | conceptual artist | |
| Janis Lee | .... | scenic painter | |
| Franklin Leibel | .... | scenic painter | |
| Jaydene Maryk | .... | art department assistant | |
| Max Matsuoka | .... | assistant property master | |
| James Robert McGill | .... | set dresser (as James R. McGill) | |
| Sam McMaster | .... | construction foreperson | |
| Bob Miloglav | .... | laborer | |
| Mark Moretti | .... | storyboard artist | |
| Denyse Nelson | .... | set dresser | |
| Matt O'Donnell | .... | paint laborer | |
| Larry Osland | .... | scenic painter | |
| Reno Pellegrin | .... | set dresser | |
| Peter Prince | .... | carpenter | |
| Tom Robertson | .... | camera scenic artist | |
| Guy Roland | .... | set dresser | |
| Ken Sawatzky | .... | set dresser | |
| Daniel Scarcello | .... | sculptor | |
| Brian Shell | .... | construction coordinator | |
| Valerie Shmakin | .... | scenic painter (as Valeri Shmakin) | |
| Dan Sissons | .... | property master | |
| Valery Sokolovski | .... | sculptor | |
| Wyatt Soutzo | .... | paint laborer | |
| Peter Sysoev | .... | scenic painter | |
| Michael Toby | .... | illustrator | |
| Michael Toby | .... | model maker (as Mike Toby) | |
| Sergei Traschenko | .... | sculptor | |
| Adrien Van Viersen | .... | storyboard artist (as Adrian Van Viersen) | |
| Paolo G. Venturi | .... | assistant art director (as Paolo Venturi) | |
| Ross Wahl | .... | on-set dresser | |
| Gene Warren III | .... | property master: insert unit | |
| Ken Watson | .... | tool maintenance | |
| Robert White | .... | scenic metal fabricator | |
| Chris Wills | .... | set carpenter | |
| Sean Will | .... | scenic painter | |
| Martin Wing | .... | property assistant | |
| Maurice Woodworth | .... | on-set dresser: second unit | |
| Gary Young | .... | sculptor | |
| Dragan Zaric | .... | scenic painter | |
| Milena Zdravkovic | .... | illustrator | |
Special Effects by | |||
| David Beneke | .... | lab technician: Patrick Tatopoulos Designs | |
| David Beneke | .... | moldmaker: Patrick Tatopoulos Designs | |
| Chris Bignell | .... | special effects technician | |
| Julia Bogdan-Rollo | .... | production accountant: Patrick Tatopoulos Designs | |
| Claude Bouchard | .... | special effects rigger | |
| Marilee Canaga | .... | costumer: Patrick Tatopoulos Designs (as Mariless Canaga) | |
| Marilee Canaga | .... | fabricator: Patrick Tatopoulos Designs (as Mariless Canaga) | |
| A. Robert Capwell | .... | mechanic: Patrick Tatopoulos Designs (as Robert Capwell) | |
| Phillip Carrott | .... | hair technician: Patrick Tatopoulos Designs | |
| Dan Cervin | .... | special effects assistant | |
| Bonnie Chesney | .... | special effects coordinator: insert unit | |
| Jon Dawe | .... | animatronics: Patrick Tatopoulos Designs | |
| Jon Dawe | .... | mechanics: Patrick Tatopoulos Designs | |
| Mike Dobbin | .... | special effects rigger | |
| Bruce Allan Donnellan | .... | special effects technician: insert unit (as Bruce Donnellan) | |
| Robert Falck | .... | special effects fabricator | |
| Bill Fesh | .... | foam department: Patrick Tatopoulos Designs, Inc. (as William Fesh) | |
| Adrian Fisher | .... | special effects assistant | |
| Thomas Floutz | .... | sculptor/painter: Patrick Tatopoulos Designs (as Thom Floutz) | |
| Bruce Spaulding Fuller | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Ryan Garcia | .... | production assistant | |
| Dave Grasso | .... | sculptor/painter: Patrick Tatopoulos Designs (as David Grasso) | |
| Robinson Green | .... | office assistant/runner: Patrick Tatopoulos Designs | |
| Cleve Gunderman | .... | foam department: Patrick Tatopoulos Designs, Inc. | |
| John Halfmann | .... | lab technician: Patrick Tatopoulos Designs | |
| John Halfmann | .... | moldmaker: Patrick Tatopoulos Designs | |
| Garnet Harry | .... | special effects assistant | |
| Moto Hata | .... | sculptor/painter: Patrick Tatopoulos Designs (as Motoyoshi Hata) | |
| Ursula Hawks | .... | hair department: Patrick Tatopoulos Designs | |
| Dar Hicks | .... | special effects assistant | |
| Guy Himber | .... | shop supervisor: Patrick Tatopoulos Designs | |
| Darnell Isom | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Josef Joebstel | .... | miniature helicopter pilot | |
| Carol Jones | .... | costumer: Patrick Tatopoulos Designs | |
| Carol Jones | .... | fabricator: Patrick Tatopoulos Designs | |
| Karen Keener | .... | hair department: Patrick Tatopoulos Designs (as Karen Manzel) | |
| Alistair King | .... | special effects rigger (as Allistair King) | |
| Allison Klein | .... | executive assistant: Patrick Tatopoulos Designs | |
| Audrey Klein | .... | hair department: Patrick Tatopoulos Designs | |
| Junko Komori | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Charles Kuzela | .... | seaming and patching department: Patrick Tatopoulos Designs (as Charles Steven Kuzela) | |
| David Lane | .... | special effects rigger | |
| Don Lanning | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Mike Larivee | .... | special effects assistant (as Mike L'Arrivee) | |
| Don Leask | .... | special effects assistant (as Don B. Leask) | |
| Mi Kyung Lee | .... | costumer: Patrick Tatopoulos Designs (as Mi Kyung 'Vanessa' Lee) | |
| Mi Kyung Lee | .... | fabricator: Patrick Tatopoulos Designs (as Mi Kyung 'Vanessa' Lee) | |
| Eric Lemay | .... | special effects assistant (as Eric LeMay) | |
| Russell Lukich | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Amber Meno | .... | office assistant: Patrick Tatopoulos Designs | |
| Mike Menzel | .... | hair department: Patrick Tatopoulos Designs (as Michael Manzel) | |
| Scott Millenbaugh | .... | mechanical assistant: Patrick Tatopoulos Designs | |
| Bryan Moore | .... | lab technician: Patrick Tatopoulos Designs | |
| Bryan Moore | .... | moldmaker: Patrick Tatopoulos Designs | |
| Sylvia Nava | .... | hair department: Patrick Tatopoulos Designs | |
| Stephane Nicoli | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Ken Niederbaumer | .... | creature effects: foam technician, Patrick Tatopoulos Designs | |
| Phil Notaro | .... | special effects supervisor: insert unit (as Phil Natarro) | |
| Tim Phoenix | .... | foam department: Patrick Tatopoulos Designs, Inc. | |
| Anshuman Prasad | .... | purchasing agent: Patrick Tatopoulos Designs | |
| Brian Rae | .... | lab technician: Patrick Tatopoulos Designs | |
| Brian Rae | .... | moldmaker: Patrick Tatopoulos Designs | |
| Forrest Sandefer | .... | special effects production assistant | |
| Randy Shymkiw | .... | special effects fabricator | |
| David Smith | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Patrick Tatopoulos | .... | creatures designer and supervisor | |
| Adam Tayler | .... | special effects technician | |
| Laurel Taylor | .... | costumer: Patrick Tatopoulos Designs | |
| Laurel Taylor | .... | fabricator: Patrick Tatopoulos Designs | |
| Corie Tornack | .... | special effects assistant | |
| Patricia Urias | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Attila Vaski | .... | special effects technician | |
| A.J. Venuto | .... | lab technician: Patrick Tatopoulos Designs (as Anthony J. Venuto) | |
| A.J. Venuto | .... | moldmaker: Patrick Tatopoulos Designs, Inc. (as Anthony J. Venuto) | |
| Andrew Verhoeven | .... | special effects fabricator (as Andy Verhooven) | |
| Michael S. Vincent | .... | special effects rigger (as Mike Vincent) | |
| Mark Viniello | .... | foam department: Patrick Tatopoulos Designs | |
| Hill Vinot | .... | mold maker: KNB | |
| Al Waldron | .... | special effects assistant (as Alan Waldron) | |
| Steve Wang | .... | art director: Patrick Tatopoulos Designs | |
| Lynne Watson | .... | hair department: Patrick Tatopoulos Designs (as Lynn Watson) | |
| Joel Whist | .... | special effects coordinator | |
| George Willis | .... | lab technician: Patrick Tatopoulos Designs | |
| George Willis | .... | moldmaker: Patrick Tatopoulos Designs | |
| Diana Yun Soo Yoo | .... | hair department: Patrick Tatopoulos Designs | |
| David Beneke | .... | prosthetic dentures: Patrick Tatopoulos Designs (uncredited) | |
| Dimitri Timohovich | .... | special effects (uncredited) | |
| Rebecca Timohovich | .... | special effects (uncredited) | |
| A.J. Venuto | .... | seamer: Patrick Tatopoulos Designs (uncredited) | |
Visual Effects by | |||
| Erika Abrams | .... | production accountant: Furious FX | |
| Dan Akers | .... | digital compositor: Luma Pictures | |
| Brad Alexander | .... | lighting artist: Luma Pictures (as Bradly Alexander) | |
| Bridget Allen | .... | production assistant: miniature effects, Fantasy II Film Effects | |
| Bridget Allen | .... | visual effects production supervisor | |
| Ted Andre | .... | senior compositor: Furious VFX | |
| Van Andrews | .... | production assistant: nTropic | |
| Chih-Jen Chang Andy | .... | digital compositor: Luma Pictures (as Andy, Chih-Jen Chang) | |
| Chih-Jen Chang Andy | .... | lighting artist: Luma Pictures | |
| Jeff Barnes | .... | production executive: CafeFX | |
| Lloyd Lee Barnett | .... | visual effects supervisor: Krypton | |
| Gary E. Beach | .... | lead compositor: Sub/Par Pix | |
| Gary E. Beach | .... | visual effects supervisor | |
| Karel Benes | .... | matchmover | |
| Artaya Boonsoong | .... | senior technical supervisor: Luma Pictures | |
| Kamolrat Boonsoong | .... | finance manager: Luma Pictures | |
| Alex Brownell | .... | visual effects producer: nTropic (as Alexandra Brownell) | |
| Lindsay Burnett | .... | visual effects producer: Luma Pictures | |
| Donald Campbell | .... | visual effects artist: nTropic (as Don Campbell IV) | |
| Alexandre Cancado | .... | digital compositor: Luma Pictures | |
| George Carlston | .... | digital compositor: Krypton (as George L. Carlston) | |
| Merlin Carroll | .... | rotoscope and paint artist: Krypton | |
| Joseph M. Chiechi | .... | digital artist: Sub/Par Pix | |
| Vincent Cirelli | .... | CG supervisor: Luma Pictures | |
| Daniel Clark | .... | compositor: Krypton (as Dan Clark) | |
| Kevin Curtin | .... | production assistant: Luma Pictures (as Kevin Curtain) | |
| Ken Dackermann | .... | compositor: Furious FX | |
| Justin Daneman | .... | digital artist: Sub/Par Pix | |
| Francisco DeLaTorre | .... | visual effects artist: Ntropic (as Francisco 'Drspam' DeLaTorre) | |
| Steve Dellerson | .... | visual effects producer: Cafe FX | |
| Ralph Denson | .... | general manager: Furious FX | |
| Chad Dombrova | .... | lead technical director: lighting and pipeline, Luma Pictures | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Robert Duncan | .... | visual effects supervisor: Framestore CFC (as Rob Duncan) | |
| David Ebner | .... | visual effects supervisor: CafeFX | |
| Ron Frankel | .... | lead previsualization designer: Proof | |
| Vicki Galloway-Weimer | .... | executive producer: CafeFX (as Vicki Galloway Weimer) | |
| Christopher Grandel | .... | compositor: Krypton (as Christopher Grandell) | |
| Monty Granito | .... | previsualization designer: Proof Inc. | |
| Cameron Gray | .... | animation supervisor: Luma Pictures | |
| Keith Hamakawa | .... | visual effects production supervisor: green screen unit | |
| H Haden Hammond | .... | compositor: Luma Pictures (as H 'Bomb' Hammond) | |
| H Haden Hammond | .... | lead character animator: Luma Pictures (as H 'Bomb' Hammond) | |
| Pam Hammond | .... | production assistant: Furious FX | |
| Trevor Harder | .... | digital artist: CafeFX, Inc. | |
| Niles Harrison | .... | visual effects coordinator: Luma Pictures | |
| James David Hattin | .... | digital compositor: Luma Pictures (as James Hattin) | |
| John R. Hazzard | .... | character animator: Luma Pictures (as John Hazzard) | |
| David Heinz | .... | visual effects editor | |
| Brent Hensarling | .... | senior system administrator: Luma Pictures | |
| Frederic Heymans | .... | camera tracker: Framestore CFC | |
| Elizabeth Hill | .... | production manager: nTropic | |
| Austin Hiser | .... | rotoscope and paint artist: Luma Pictures | |
| Kara Holmstrom | .... | production manager: nTropic | |
| Leslie Huntley | .... | miniature effects producer | |
| Richard Hurrey | .... | character rigger | |
| Richard Hurrey | .... | character technical director: Luma Pictures (as Rich Hurrey) | |
| Robert Hutchins | .... | miniature pyrotechnician | |
| Cajun Hylton | .... | lead modeler: Luma Pictures | |
| Cajun Hylton | .... | lead texture artist: Luma Pictures | |
| Justin Johnson | .... | compositing supervisor: Luma Pictures | |
| Tim Keene | .... | visual effects producer: Framestore CFC | |
| David Kintner | .... | lead digital compositor: Luma Pictures | |
| David Kintner | .... | lead lighting artist: Luma Pictures | |
| Wendy Klein | .... | matte painter: Luma Pictures | |
| Wendy Klein | .... | texture painter: Luma Pictures | |
| Derek Ledbetter | .... | visual effects | |
| David Lingenfelser | .... | visual effects supervisor: Furious FX | |
| Kevin Lingenfelser | .... | creative supervisor: Furious FX | |
| Lawrence Littleton | .... | digital compositor: Luma Pictures | |
| David Lombardi | .... | digital artist: CafeFX, Inc. | |
| Blaine Lougheed | .... | lead matchmover | |
| David Luong | .... | rotoscope and paint artist: Luma Pictures | |
| Lap Van Luu | .... | IT support: CafeFX | |
| Lap Van Luu | .... | data I/O: CafeFX | |
| Tony Magaletta | .... | first assistant cameraman: miniatures, Fantasy II Film Effects | |
| Tim Matney | .... | matte painter: Luma Pictures | |
| Tim Matney | .... | texture artist: Luma Pictures | |
| Artin Matousian | .... | systems administrator: Luma Pictures | |
| James McQuaide | .... | executive producer: Sub/Par Pix | |
| James McQuaide | .... | visual effects supervisor | |
| Stephen Mitchell | .... | rotoscope and paint artist: Luma Pictures | |
| Oliver Moore | .... | visual effects artist: nTropic | |
| Glenn Morris | .... | rotoscope and paint supervisor: Luma Pictures | |
| Cliff Mueller | .... | visual effects artist: Ntropic (as Cookie St.Jon) | |
| Richard Murken | .... | production manager: Fantasy II Film Effects | |
| Richard Murken | .... | production manager: insert unit, Fantasy II Film Effects | |
| Kyle Muscarella | .... | rotoscope and paint artist: Krypton | |
| Ben Neall | .... | lead modeler: Luma Pictures | |
| Ben Neall | .... | lead texture artist: Luma Pictures | |
| Karl Nettmann | .... | miniature assistant pyrotechnician: Fantasy II Film Effects | |
| Ian Noe | .... | visual effects bid producer: Luma Pictures | |
| Tony Noel | .... | compositor: Krypton | |
| Mike Ocoboc | .... | digital compositor: Krypton | |
| Sean O'Connor | .... | digital compositor: Furious FX | |
| Kim O'Donnell | .... | digital compositor: Furious FX (as Kim Pepe) | |
| Hiroyuki Okubo | .... | lighting artist: Luma Pictures | |
| Gary Oldroyd | .... | digital artist: Sub/Par Pix | |
| Miguel Ortega | .... | modeler: Luma Pictures | |
| Miguel Ortega | .... | texture artist: Luma Pictures | |
| Desi Ortiz | .... | visual effects senior editor: CafeFX | |
| Pavel Pranevsky | .... | lead lighting technical director: Luma Pictures | |
| Olivier Pron | .... | matte painter | |
| Kevin Quatman | .... | digital compositor: Luma Pictures | |
| Chris Radcliffe | .... | digital artist: Luma Pictures | |
| Pimentel A. Raphael | .... | lead character animator: Luma Pictures (as Raphael Pimentel) | |
| Andrew Rawling | .... | CG supervisor: Framestore CFC | |
| Burke Roane | .... | lead character animator: Luma Pictures | |
| Trey Roane | .... | character animator: Luma Pictures | |
| Aaron Robinson | .... | production assistant: nTropic | |
| Nathan Robinson | .... | visual effects artist: nTropic | |
| Nathan Robinson | .... | visual effects supervisor: Ntropic | |
| Michael Roderick | .... | digital compositor | |
| Stephanie Rogers | .... | digital compositor: Furious FX | |
| Christopher Sage | .... | matte painting supervisor: Luma Pictures | |
| Christopher Sage | .... | texture supervisor: Luma Pictures | |
| Deb Santosa | .... | visual effects artist: nTropic | |
| Arthur Sarkisian | .... | lighting artist | |
| Jeremy Sawyer | .... | digital paint and roto artist: Framestore CFC | |
| David Schoneveld | .... | lead effects animator: Luma Pictures | |
| Cole Schreiber | .... | visual effects artist: nTropic | |
| Chris Serenil | .... | computer services manager: Furious FX | |
| Ahmed Shehata | .... | character technical director: Luma Pictures | |
| Terry Shigemitsu | .... | CG artist: Furious FX | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Andrew Shuford | .... | stage manager: UPC Fantasy II Film Effects | |
| Joey Sila | .... | rotoscope and paint artist: Luma Pictures | |
| Andrew Sinagra | .... | visual effects artist: nTropic | |
| Andrew Sinagra | .... | visual effects supervisor: Ntropic | |
| Thanapoom Siripopungul | .... | pipeline supervisor: Luma Pictures | |
| Anthony Smith | .... | digital compositor: Framestore CFC | |
| Tiffany Smith | .... | visual effects producer: Furious FX (as Tiffany A. Smith) | |
| Damon Snyder | .... | visual effects | |
| William-Christopher Stephens | .... | production assistant: Furious FX (as William Stephens) | |
| Glen Suhy | .... | 3D artist: Krypton | |
| Daniel Sunwoo | .... | digital compositor: Luma Pictures | |
| Steven Swanson | .... | visual effects supervising producer: Luma Pictures | |
| Bryan Taylor | .... | rotoscope and paint artist: Luma Pictures | |
| Jason Thielen | .... | character animator: Luma Pictures | |
| Ryan Thompson | .... | visual effects producer: Giantsteps | |
| Dana Townsend | .... | executive producer: nTropic | |
| Matthew Tremaglio | .... | visual effects artist: nTropic | |
| Laura Vaccaro | .... | rotoscope and paint artist: Krypton | |
| Michael Vaglienty | .... | Flame artist | |
| Alexander Vegh | .... | previsualization supervisor (as Alex Vegh) | |
| Alexander Vegh | .... | previsualization supervisor | |
| John Velazquez | .... | character animator: Luma Pictures | |
| Nathan Walker | .... | visual effects artist: nTropic | |
| Christopher Warren | .... | miniature director of photography (as Christopher L. Warren) | |
| Gene Warren III | .... | model/set supervisor | |
| Gene Warren Jr. | .... | miniature effects supervisor (as Gene Warren II) | |
| Neil Weatherley | .... | digital effects artist | |
| Neil Weatherley | .... | technical director: Framestore CFC (as Neil Weatherly) | |
| Susan M. Weeks | .... | digital compositor: Luma Pictures (as Susan Weeks) | |
| Shannon Wegner | .... | digital artist: CafeFX, Inc. | |
| O.D. Welch | .... | production executive: CafeFX | |
| Matt Westrup | .... | digital artist: CafeFX, Inc. | |
| Scott Williston | .... | lead miniature painter | |
| Johnny Wilson | .... | visual effects | |
| Amy W. Wong | .... | digital compositor: Luma Pictures | |
| Chris Wood | .... | compositor | |
| Jason Yanofsky | .... | digital compositor: Luma Pictures | |
| Jason Yanofsky | .... | lighting artist: Luma Pictures | |
| Joshua Zacharias | .... | digital artist: CafeFX, Inc. | |
| Joseph Zaki | .... | digital compositor: Luma Pictures | |
| Christian Zeh | .... | compositor: Framestore CFC (as Chris Zeh) | |
| Daniel E. Zobrist | .... | lead matchmover: Luma Pictures | |
| Daniel E. Zobrist | .... | lighting artist: Luma Pictures | |
| Peter Zoppi | .... | modeler: Luma Pictures | |
| Peter Zoppi | .... | texture artist: Luma Pictures | |
| Brian Openshaw | .... | render manager (uncredited) | |
| Danny Torres | .... | systems administrator (uncredited) | |
Casting Department | |||
| Stephanie Boeke | .... | extras casting | |
| Susan Taylor Brouse | .... | casting: Canada (as Sue Brouse) | |
| Lynne Carrow | .... | casting: Canada | |
| Larkin MacKenzie-Ast | .... | casting assistant: Canada | |
| Jennifer Ricchiazzi | .... | casting assistant | |
| Jennifer L. Smith | .... | casting associate (as Jennifer Smith) | |
Costume and Wardrobe Department | |||
| Petra Bergholz | .... | seamstress | |
| Debbie Humphreys | .... | wardrobe supervisor (as Debbie Humphrey) | |
| Patty Hunter | .... | costume set supervisor: second unit | |
| Jana MacDonald | .... | assistant costume designer | |
| Elizabeth Needham | .... | wardrobe supervisor | |
| Kia Porter | .... | dresser: Ms. Beckinsale | |
| Michael Shire | .... | armour costumer: Valentine Armouries | |
| Robert Valentine | .... | armour costumer: Valentine Armouries | |
Editorial Department | |||
| James Andrykowski | .... | first assistant editor | |
| Des Carey | .... | digital intermediate producer | |
| Salvatore Catanzaro | .... | assistant on-line editor | |
| Mike Chiado | .... | digital intermediate technologist | |
| Casey Dexter-Heske | .... | post-production assistant (as Casey Dexter) | |
| Rob Doolittle | .... | senior digital on-line editor | |
| Siggy Ferstl | .... | digital intermediate colorist | |
| Allen Glass II | .... | film preparation | |
| Stephanie Kessler | .... | film preparation | |
| Jackie Lee | .... | digital intermediate producer | |
| Gary Oldroyd | .... | post-production coordinator | |
| Franco Pante | .... | assistant editor: Vancouver | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Marilyn Sommer | .... | film data manager | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 | |
| Thor Roos | .... | color timer: dailies (uncredited) | |
Music Department | |||
| Marco Beltrami | .... | conductor | |
| Marco Beltrami | .... | score producer | |
| Tiffany Biscayne | .... | orchestrations | |
| Tiger Cummings | .... | music preparation | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| John Kurlander | .... | recording engineer | |
| Brian McNelis | .... | music supervisor | |
| Denise Okimoto | .... | music editor | |
| Phil A. Pinot | .... | conductor | |
| Phil A. Pinot | .... | orchestrations | |
| Robert Puff | .... | additional music preparer | |
| Brandon Roberts | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Buck Sanders | .... | score co-producer | |
| Rici J. Sentoures | .... | orchestrations | |
| Dennis Smith | .... | composer: additional music | |
| Dennis Smith | .... | orchestrations | |
| Ceiri Torjussen | .... | composer: additional music | |
| Marcus Trumpp | .... | composer: additional music | |
| Max Windhalm | .... | orchestrations | |
Thanks | |||
| Robert L. Benun | .... | thanks: end titles | |
Production Companies
- Screen Gems (present)
- Lakeshore Entertainment (present)
- Screen Gems (2006) (USA) (theatrical)
- Buena Vista International (2006) (Switzerland) (theatrical)
- Columbia TriStar Films de Argentina (2006) (Argentina) (theatrical)
- Entertainment Film Distributors (2006) (UK) (theatrical)
- Hollywood Classic Entertainment (2006) (Czech Republic) (theatrical)
- Kye Films (2006) (Philippines) (theatrical)
- Pioneer Films (2006) (Philippines) (theatrical)
- Sony Pictures Releasing (2006) (Germany) (theatrical)
- Sony Pictures Releasing (2006) (Singapore) (theatrical)
- Entertainment in Video (2006) (UK) (DVD)
- LK-TEL (2006) (Argentina) (DVD)
- LK-TEL (2006) (Argentina) (VHS)
- LK-TEL (2007) (Argentina) (DVD) (Blu-ray)
- SND (2006) (France) (all media)
- Showcase Television (2009) (Canada) (TV)
- Sony Pictures Home Entertainment (2006) (Germany) (DVD)
- Sony Pictures Home Entertainment (2006) (Netherlands) (DVD)
- Sony Pictures Home Entertainment (2006) (Netherlands) (DVD) (Blu-Ray Disc)
- Sony Pictures Home Entertainment (2007) (Netherlands) (DVD)
- Universal Pictures Finland Oy (2006) (Finland) (DVD)
- Veronica (2009) (Netherlands) (TV) (first national airing)
- Patrick Tatopoulos Design (creatures)
- Luma Pictures (visual effects)
- Ntropic (visual effects)
- Furious FX (visual effects)
- CafeFX (additional visual effects)
- Krypton (additional visual effects)
- Framestore CFC (additional visual effects)
- Sub/Par Pix (additional visual effects)
- Fantasy II Film Effects (miniature effects)
- Proof (pre-visualization services)
- Evolution Effects Studio (special make-up effects: insert unit)
- Pacific Title Imaging (scanning services)
- Satellite Studios (uncredited)
- All Axis Remote Systems remote cranes and heads (as All Axis)
- Cas Iberia swords and weapons provided by (as Cas Iberia)
- Chapman/Leonard Studio Equipment cranes
- Clairmont Camera cameras (as Clairmont)
- Company 3 digital intermediate
- DeLuxe Laboratories prints (as Deluxe)
- Earth Media Studios post-production
- Geo Film Group production equipment
- Image Bank Films by Getty Images footage
- Joan Pearce Research Associates script clearance
- L.A. Mad Dogs voice casting
- Lakeshore Records soundtrack released by
- Orbit Digital Avids
- Paramount Pictures Production Services production equipment
- Pictorvision aerial camera system
- SFX Studio corpse creation
- Scarlet Letters end titles
- Sommerware film data management (as Sommerware Systems)
- Technicolor Creative Services dailies
- Telescopic Camera Crane production equipment
- Tivoli Moving Pictures Caterers catering/craft services (as Tivoli Moving Picture Caterers)
- US Computamatch film preparation for scanning
- Universal Studios Sound Facilities re-recording services provided by (as Universal Studios Sound)
Additional Details
Also Known As:
MPAA:
Rated R for pervasive strong violence and gore, some sexuality/nudity and language.
Parents Guide:
Runtime:
106 min | Philippines:102 min (cut)
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:R |
Australia:MA |
Ireland:15A |
UK:18 |
Singapore:M18 |
Philippines:R-13 (MTRCB) |
Malaysia:18SG |
Norway:15 |
Hong Kong:IIB |
France:-12 |
Portugal:M/16 |
Germany:16 (nf) |
Brazil:16 |
Argentina:16 |
Sweden:15 |
Switzerland:16 (canton of Geneva) |
Switzerland:16 (canton of Vaud) |
Hungary:18 |
Finland:K-15 |
Italy:T |
Italy:VM14 |
Iceland:16 |
New Zealand:R16 |
Canada:18A (Ontario) |
South Korea:18 |
Japan:R-15 |
South Africa:16LV |
South Korea:15 (cable rating) |
Canada:16+ (Quebec) |
Canada:18+ (TV rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
Actress Kate Beckinsale wanted to use movies like Aliens (1986) and The Terminator (1984) as the basis for her role as an action heroine, but when they first talked about the movie, director/husband Len Wiseman suggested that she check out Russell Crowe in L.A. Confidential (1997) instead.
more
Goofs:
Factual errors: During several scenes in the fortress, Selene empties her guns. After her pistols are empty the slides lock back but you can still hear click, click, click. That would be impossible as when the slide locks back you can't pull the trigger. The same happens when she empties her rifle and the bolt locks back.
more
Movie Connections:
References Terminator 2: Judgment Day (1991)
more
Soundtrack:
Eternity and a Day
more
FAQ
A Note Regarding SpoilersWho is Alexander Corvinus?
What's with the eyes?
more
more (485 total)
Message Boards
Discuss this movie with other users on IMDb message board for Underworld: Evolution (2006)| Recent Posts (updated daily) | User |
|---|---|
| vampire movies study | nazgulantong |
| Selene surviving sunlight | kokomo_sophomore |
| trying to make sense of this. | cmans09 |
| Why now Marcus? | gunlock |
| Michael is too powerful | kblade64 |
Recommendations
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| Underworld | The Mummy: Tomb of the Dragon Emperor | Doomsday | Rambo | Resident Evil: Extinction |
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Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
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company.
What can someone write about a movie that has been so well discussed already during the past weeks?! Everything has been said in reviews and fan forums about the plot with Romeo & Juliet resemblances framed by the secret war between vampires and werewolves, about the cast and characters, about the movie's style & atmosphere, action, make-up and CGI effects, camera shots, violence, love scenes & nudity. Underworld Evolution's predecessor was above all underestimated in terms of what potential it had to build up a solid fan base in a genre that throughout movie history like no other has not only drawn people into the theatres but also to conventions, fan clubs, signings and other events. If we go back in time movies which threw together famous film monsters like in "House of Frankenstein", "Frankenstein Meets The Wolf Man", later in "Frankenstein's Bloody Terror" or in our days "Freddie Vs. Jason", "Van Helsing" and "Aliens Vs Predator" were most likely designed to squeeze the purse of the audience (which in most cases without no doubt they successfully did) but never have withstood the moviegoer's expectations for a long time. "Underworld" (2003) on the other hand, a sleeper during it's theatrical release as treated with neglect promotion wise in many countries has to be admitted that it rightfully gained it's respect through mouth-to-mouth propaganda resulting in DVD sales which soon exceeded the box-office results. The movie built up a very solid fan base, people that keep talking about it even after three years – creating an under-world (sorry for the pun, I just could not resist) like Star Trek, Star Wars and some other Sci-Fi movies and shows have done before. So it is very possible that for the first time in the horror genre "Underworld" and "Underworld Evolution" really work as 'monster mash' movies.
With only some video clips on his reference list it is obvious that "Underworld" was a child of heart of writer / director Len Wiseman (together with writers Danny McBride and Kevin Grevioux). Only someone very dedicated and so confident can get such a project of the ground without having directed a single feature length movie before - get it produced, assemble a professional cast. And it paid out - with an estimated budget of 22 mill. it achieved an accumulated worldwide gross of more than 90 mill. US dollars. Plus, it activated a great number of fans which were dying to see more. Because of these fans there is a sequel – they made it possible by buying the DVDs, watching Underworld in the cinema and kept talking about it, discussing it from the beginning to the end, throwing up questions, inspiring new story lines, etc. When seeing "Underworld Evolution" I believe that Len Wiseman and Danny McBride accurately meet the expectations of their fans in a very respective way. They stand true to the original in style and action and by not getting too pathetic love story wise. The storyline is not dumb and does not just follow the vampires vs. werewolves plot which it could have done. Of course it has some flaws, but nothing which can be not excused. As there is no perfect crime there is also no perfect plot. All stories have flaws – even the real ones. And if we look behind the almost endless tour-de-action: there is the beautiful Kate Beckinsale who was the lead action heroine in the first movie and now, without loosing any of her screen presence, she leaves enough space for Scott Speedman who now plays a much stronger and more self-confident Michael Corvin. Bill Nighy is always an extreme pleasure to watch and it is amazing how versatile this man is. And of course there is the great Sir Derek Jacobi playing his part so wonderfully understated, yet so present, that it will be a hard task not to bring his character back in a future entry. Conclusion: If you have seen the first "Underworld" movie and liked it, and if you are allowed to "pervasive strong violence and gore, some sexuality/nudity and language" you won't be disappointed. If you don't like horror movies at all – this one is not likely to change your opinion. When you consider this and buy a ticket you will get an action packed horror movie which can be watched for more than one time for several reasons. But see for yourself …