Les temps qui changent (2004)

User Rating:

6.3/10   

Director:

André Téchiné

Writers:

André Téchiné (scenario) &
Laurent Guyot (scenario) ...

Release Date:

15 December 2004 (Belgium)

Genre:

Drama | Romance

Plot:

Traveling from France to Tangiers, a man looks to reunite with his former love, though their romance ended some 30 years earlier.

Awards:

5 nominations

Cast

Catherine Deneuve	...	Cécile
Gérard Depardieu	...	Antoine Lavau
Gilbert Melki	...	Natan
Malik Zidi	...	Sami
Lubna Azabal	...	Nadia / Aïcha
Tanya Lopert	...	Rachel Meyer
Nabila Baraka	...	Nabila
Idir Elomri	...	Saïd
Nadem Rachati	...	Bilal
Jabir Elomri	...	Saïd
rest of cast listed alphabetically:
Christophe Freudiger	...	Joueur du casino
Hicham Ibrahimi	...	Réceptionniste
Bouchaïd Kidi	...	Le bijoutier
Stéphane Rouabah	...	Chauffeur d'Antoine

Also Known As:

Changing Times (USA)
L'emprise (France) (working title)

Runtime:

France:90 min | Hong Kong:98 min | USA:100 min (IFC library print)

Country:

France

Language:

French

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby

Certification:

Hungary:14 | Argentina:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | France:U | Hong Kong:IIA

Filming Locations:

Ibn Batouta International Airport, Tangiers, Morocco

Company:

France 2 Cinéma

Trivia:

visa d'exploitation en France : #109926

Soundtrack:

Okan bale

The Impact of Love and the Ravages of Time

Writer/director André Téchiné (Wild Reeds, My Favorite Season, Child of the Night, etc) is able to take what appear to be simple emotional responses from complicated people and create an artwork that makes us think, become introspective, and be challenged and entertained all at the same time. His ability to draw intensely personal performances from his actors makes him a director with a full heart and startling technique.

Essentially a love story, 'Les Temps qui changent' ('Changing Times') examines the lives of two people who fell in love in Paris 30 years ago, but parted. Antoine Lavau (Gérard Depardieu) has never married, so in love with his original flame Cécile (Catherine Deneuve) that he is obsessed with winning her back. Cécile has married a younger man, Natan (Gilbert Melki) who is a philandering physician, and lives in Tangiers where she hosts a dowdy talk show on the radio to help support the family. The couple has a bisexual son Sami (Malik Zidi), who has returned to Tangiers with his drug-addled girlfriend Nadia (Lubna Azabal) and her son Saïd (Idir Elomri) much to his parent's concern, and takes up with his Moroccan lover Bilal (Nadem Rachati). The family problems are further complicated by the fact that the Morroccan Nadia has a twin sister Aïcha (also played by Lubna Azabal) in Tangiers who is trying desperately to separate her life from her twin.

Antoine, an architect of means, manages to land a job in Tangiers in hopes of rekindling his romance with Cécile, but Cécile has become a feminist and a bitter woman who resents her younger husband's infidelity and wants nothing to do with love, especially with the threat of depth of feeling that Antoine's new presence in her world presents. Antoine is persistent, meets Cécile's husband for medical reasons, and tries to woo Cécile in a close to stalking manner. Cécile's best friend Rachel (Tanya Lopert) convinces her that the only way to end the ardor of Antoine is to sleep with him, which she finally does with unexpected results. While the dance between Cécile and Antoine progresses, Natan meets Aïcha, Sami and Bilal arouse old emotions, and Nadia requires rehab for her out of control drug habits. How all of these coincidental occurrences coincide in an unexpected accident for Antoine is André Téchiné's magical way of sharing the power of love in the most adverse of circumstances. The ending is surprising and thought-provoking and eminently satisfying.

Depardieu and Deneuve are luminous in their roles, adding yet other crowns to their careers of creating unforgettable, subtle characterizations on film. The remainder of the cast is also superb and the cinematography and music and editing and direction make this a feast for the eyes and the brain. Highly Recommended. Grady Harp