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Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (characters) | |
| Rob Zombie | (written by) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Michael Burns | .... | executive producer | |
| Mike Elliott | .... | producer | |
| Ali Forman | .... | associate producer | |
| Andy Gould | .... | producer | |
| Marco Mehlitz | .... | producer | |
| Brent Morris | .... | co-producer | |
| Michael Ohoven | .... | producer | |
| Guy Oseary | .... | executive producer | |
| Michael Paseornek | .... | executive producer | |
| Julie Yorn | .... | executive producer | |
| Rob Zombie | .... | producer | |
Original Music by | |||
| Tyler Bates | |||
| Terry Reid | |||
| Rob Zombie | |||
Cinematography by | |||
| Phil Parmet | |||
Film Editing by | |||
| Glenn Garland | |||
Casting by | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| T.K. Kirkpatrick | |||
Set Decoration by | |||
| Lisa Tong | |||
| Ron Karkoska | (uncredited) | ||
Costume Design by | |||
| Yasmine Abraham | |||
Makeup Department | |||
| Michelle Garbin | .... | makeup artist | |
| Luis García | .... | second makeup artist | |
| Cathrine A. Marcotte | .... | second hair stylist (as Catherine Marcotte) | |
| Douglas Noe | .... | makeup artist | |
| Maria Sandoval | .... | hair stylist | |
| Wayne Toth | .... | special makeup effects artist | |
Art Department | |||
| Robert W. Anderson | .... | property master | |
| Treven Bedwell | .... | lead man | |
| David P. Bonanno | .... | storyboard artist | |
| Gary Clark | .... | painter | |
| Craig Diantonio | .... | painter | |
| John David Diersing | .... | propmaker | |
| Kevin Diersing | .... | propmaker | |
| Michael Diersing | .... | construction coordinator | |
| Kevin Foos | .... | propmaker | |
| Ursula Glaviano | .... | art department assistant | |
| Rob Henning | .... | set dresser | |
| David Keir | .... | propmaker | |
| Eric LaBonte | .... | set dresser | |
| Linda Larmon | .... | construction medic | |
| Eddie Lozano | .... | painter | |
| Heather Mages | .... | set dresser | |
| Jon Reynolds | .... | graphic artist | |
| Mark Richardson | .... | props | |
| Abigail Sheiner | .... | art department coordinator | |
| Jeff Shewbert | .... | propmaker foreperson | |
| Lindsey Sjoberg | .... | art department assistant | |
| Robin Spoon | .... | painter | |
| Robin Spoon | .... | stand-by painter | |
| Mark Villalobos | .... | set dresser | |
| Michael Wohlers | .... | plasterer | |
| Chris Larsen | .... | set dresser (uncredited) | |
Sound Department | |||
| Mike Anderson | .... | cable person | |
| Mike Anderson | .... | utility sound | |
| Barney Cabral | .... | supervising sound editor | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Paul Drenning | .... | adr mixer | |
| Richard Dwan Jr. | .... | sound editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Cynthia Merrill | .... | foley artist | |
| Stacey Michaels | .... | adr mixer | |
| Joe Michalski | .... | boom operator | |
| Nick Neutra | .... | foley supervisor | |
| Perry Robertson | .... | supervising sound editor | |
| Buck Robinson | .... | sound mixer | |
| John Rotondi | .... | sound engineer | |
| Scott Sanders | .... | sound designer | |
| Christopher Sidor | .... | sound recordist | |
| Geordy Sincavage | .... | foley mixer | |
| Kevin Zimmerman | .... | assistant sound editor | |
Special Effects by | |||
| Jamie Grove | .... | special effects assistant | |
| Anthony Julio | .... | special effects assistant | |
| Mark Maitre | .... | special effects assistant | |
| Brian Rae | .... | special effects assistant | |
| Ron Rosegard | .... | special effects foreman | |
| Wayne Toth | .... | special effects makeup | |
| Chris Zega | .... | special effects assistant | |
Visual Effects by | |||
| Ulysses Argetta | .... | digital compositor | |
| Neil Blevins | .... | visual effects | |
| David Booth | .... | scanning & recording | |
| Stephan Vladimir Bugaj | .... | visual effects | |
| John Daro | .... | digital intermediate editor | |
| Lyndal Heathwood | .... | digital artist | |
| Jason Johnston | .... | visual effects | |
| Anne Kurtzman | .... | project coordinator | |
| Robert Kurtzman | .... | visual effects supervisor | |
| Dave Matherly | .... | digital effects artist | |
| Stephen J. Parker | .... | technical director | |
| Franklin Purtiman | .... | digital effects artist | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
| Andrew Sagar | .... | digital effects artist | |
| Vincent Toscano | .... | digital effects artist | |
| Alan Tuskes | .... | digital effects artist | |
| Jun Watanabe | .... | digital effects artist | |
| Bill Zahn | .... | visual effects | |
Stunts | |||
| Lesley Aletter | .... | stunt double: Sheri Moon | |
| John Ashker | .... | stunt double | |
| Dana Berry | .... | stunts | |
| Joey Box | .... | stunt double | |
| Chris Carnel | .... | stunt double | |
| Chris Carnel | .... | stunt double: Bill Moseley | |
| Mark Chadwick | .... | stunt double | |
| Tim Connolly | .... | stunts | |
| Christopher Doyle | .... | stunt cop (as Chris Doyle) | |
| Rosine 'Ace' Hatem | .... | stunt double: P.J. Soles (as Ace Hatem) | |
| Kane Hodder | .... | stunt coordinator | |
| Rick McCallum | .... | stunt double: Captain Spaulding | |
| Cole S. McKay | .... | stunt cop | |
| Roger W. Morrissey | .... | stunt double: Matthew McGrory (as Roger Morrissey) | |
| Cheryl Rusa | .... | stunt fire safety | |
| Paul E. Short | .... | stunt double: William Forsythe | |
| Jim Vickers | .... | stunt fire safety | |
| Bobby Waldron | .... | stunt performer | |
| Gary J. Wayton | .... | stunt performer | |
| Cindy Yohnka | .... | stunt double: Leslie Easterbrook | |
| Merritt Yohnka | .... | stunt cop | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Dominika Posserén | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Joe Diaz | .... | costumer (as Joe Diaz Jr.) | |
| Maeve Guesdon | .... | costumer | |
| Marta Villalobos | .... | costumer | |
Editorial Department | |||
| Jenny Cho | .... | post-production assistant | |
| Christi Franck | .... | post-production assistant | |
| Justin C. Green | .... | first assistant editor | |
| Mark McCoy | .... | post-production coordinator | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate artist | |
| Ronald White | .... | assistant editor (uncredited) | |
Music Department | |||
| Joel C. High | .... | music supervisor | |
| Georgiana Ramsland | .... | music editor | |
| Rebecca Rienks | .... | music assistant | |
| Tom Rowland | .... | music supervisor | |
| Tim Williams | .... | orchestrator | |
| Dan Ostermann | .... | musician: trombone (uncredited) | |
Transportation Department | |||
| Richard G. Almo | .... | driver | |
| Mark L. Basler | .... | driver | |
| Mike Belt | .... | driver: mechanic | |
| Cam Correa | .... | driver | |
| Angel Desanti | .... | transportation co-captain | |
| Samuel J. Fernandez Jr. | .... | driver | |
| Chris Gallegos | .... | driver | |
| Daniel Gordon | .... | driver | |
| Thomas A. Gordon | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
| Chris Haynes | .... | driver | |
| Philip Henderson | .... | driver: water truck | |
| Kirk Huston | .... | transportation captain | |
| Alfie Jensen | .... | driver | |
| Hugh Kelly | .... | transportation | |
| Steve Larson | .... | transportation dispatcher | |
| James 'Obee' Oberman | .... | driver | |
| Adam Pinkstaff | .... | driver | |
| John Siedenburg | .... | driver | |
| Chris Walden | .... | driver | |
| Dave Walden Jr. | .... | driver | |
Other crew | |||
| Victor Amesquita | .... | production assistant | |
| Zack Atkinson | .... | set production assistant | |
| Lillian Awa | .... | production assistant | |
| Bree Bailey | .... | assistant: Michael Paseornek | |
| Susan Bannout | .... | set medic | |
| Cassandra Barbour | .... | rights and clearances | |
| Thom Buckley | .... | set production assistant | |
| Michael G. Cruz | .... | assistant to director | |
| Rory Dauson | .... | key assistant location manager | |
| Elizabeth Dixon | .... | business affairs coordinator | |
| Chloe Finch | .... | daily production assistant | |
| Katrina Francis | .... | digital effects intern | |
| Katrina Francis | .... | intern | |
| Lawrence Gaba | .... | first assistant accountant | |
| Lisa Gooding | .... | legal supervisor | |
| Liam Hearne | .... | assistant post-production accountant | |
| Laura Howell | .... | publicist | |
| Tom Keniston | .... | production auditor (as Thomas F Keniston) | |
| Ryan Krayser | .... | production assistant | |
| Nicole Kreuzer | .... | lead stand-in | |
| Barrett Loose | .... | office production assistant | |
| Connie Marie Lynch | .... | set production assistant | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Films | |
| Kyle Mann | .... | production consultant | |
| George McDowell Agnew | .... | location manager | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Curtis A. Miller | .... | director of production: Lions Gate Films | |
| Micha Owens | .... | office production assistant | |
| Emily Rice | .... | post-production accountant | |
| Diane Rosenberg | .... | production coordinator | |
| Erin M. Royer | .... | assistant: Mike Elliott (as Erin Royer) | |
| Sandy Schklair | .... | script supervisor | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Kelley Sims | .... | first assistant accountant | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Films | |
| Bernhard Speck | .... | production controller: Cinerenta | |
| Sophia Tapia | .... | payroll accountant | |
| Ryan Tighe | .... | production assistant | |
| Christopher Touchton | .... | set production assistant | |
| Brad Vancata | .... | visual consultant | |
| Jereme Watt | .... | assistant: Michael Ohoven | |
| Jodie Wilson | .... | assistant: Rob Zombie | |
Thanks | |||
| Aine Leicht | .... | special thanks | |
| Matthew McGrory | .... | in loving memory | |
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After his successful fusion of 70's exploitation and pumping rock music for his debut feature 'House of 1000 Corpses', monster rocker turned director Rob Zombie has decided to put on a different tone for the sequel. Gone is the hardcore horror of the first, and in it's place, Zombie has installed a road movie grindhouse style; and once again, he's done modern horror fans proud! It's amazing just how much like a 70's flick this film is, and it's obvious that the director, and the entire cast, had a really great time making this film. In House of 1000 Corpses, it was clear that a first time director was on board, due to the amount of trickery and the way that every scene was populated to the max with fine details. Zombie is much restrained with this picture; and while he still dishes up lots of eye candy, this time round it never feels like he'd doing it for the sake of it. He's also opted not to use his own music in the film. While I liked the songs that Zombie made for House of 1000 Corpses, I much prefer the 70's soundtrack that he's given the movie this time - and with such songs as Joe Walsh's "Rocky Mountain Way" and Lynard Skynard's "Free Bird" on there, how could anyone not?
The plot follows on from the original film with a shoot out on the deranged family's home. This sequence gives you a good idea of what you're in for with the film, as Zombie overwhelms his audience with an uncountable number of gunshots - after seeing this intro, you know that you're not in for an 'easy' viewing! We then follow the two survivors of the massacre, Otis and Baby, who meet up with their father; Captain Spaulding and the three then go on a wayward killing spree across the country. Hot on their tails is vigilante copper Sheriff Wydell, who isn't going to let the death of his brother go without punishment! The Devil's Rejects is really all about it's characters, and the central three - Otis, Baby and Captain Spaulding - could be in any film and it would be interesting. All three characters light up the screen every second they're on it, and it's great to see these guys enjoying themselves. The duo of Sid Haig (Spider Baby) and Bill Moseley (TCM 2, Army of Darkness) return as Spaulding and Otis, while Zombie's wife; the very sexy Sherri Moon, once again steps into the role of 'Baby'. Zombie has also recruited a host of horror movie stars to populate his film with, including Danny Trejo (From Dusk Till Dawn), Ken Foree (Dawn of the Dead) and Michael Berryman (The Hills Have Eyes).
Despite the fact that none of the actors are 'A' list stars, they all do amazingly well in their roles. The acting is wholly realistic, and it feels like you're watching real people as opposed to actors at times. The violence in the movie is relentless and hardcore, which is sure to please everyone that wants to see it. There's far too many dumbed down horror movies of late; but this certainly isn't one of them! This film is also very funny, and even though a lot of the action is nasty and deprived - it's very easy to see humour in it. Zombie fuses this hilarity with extreme violence and, exactly what Zombie's stance on actual violence is, is never really clear. He just presents the atrocities and it's hard not to enjoy it. In that way, Zombie makes voyeurs out of his audience and, the fact that Zombie spends a lot of the movie building up his characters ensures that, despite their evils, we care for them towards the end. Speaking of the ending...what an ending! Lynard Skynard's "Free Bird" works brilliantly with the action that goes with it, and it's definitely one of the best endings I've seen in recent years. On the whole; this film is not for everyone, but if you like your violence thick and fast - you're in for a treat indeed!