Arakimentari (2004)

Director:

Travis Klose

Release Date:

5 August 2005 (UK)

Genre:

Documentary | Biography

Tagline:

A look at the life and work of Japanese photographer Nobuyoshi Araki and his impact on Japanese culture.

Plot:

Plot Keywords:

Young Boy | Young Girl | Interview | Araki | Sex

Awards:

2 wins

Cast

Araki	...	Interviewee
Nobuyoshi Araki	...	Himself
Björk	...	Interviewee
Richard Kern	...	Himself
Takeshi Kitano	...	Interviewee

Directed by
Travis Klose

Produced by
Jason Fried	....	producer
Regis Trigano	....	executive producer
Dylan Verrechia	....	co-executive producer

Original Music by
DJ Krush

Cinematography by
Brian Burgoyne

Film Editing by
Akiko Iwakawa-Grieve		(co-editor)
Masako Tsumura

Editorial Department
Katsumi Funahashi	....	assistant editor

Other crew
Yumi Akiyama	....	translator

Thanks
Dylan Verrechia	....	special thanks

Production Companies

• Troopers Films

Distributors

• Elephant Picture (2005) (Japan) (theatrical)
• TLA Releasing (2005-????) (USA) (DVD)
• Troopers Films (2005) (USA) (theatrical)

Other Companies

• 25th Frame  camera equipment provided by
• Film Sales Company, The  worldwide sales

Runtime:

USA:85 min

Country:

USA

Language:

English | Japanese | English

Color:

Color

Certification:

UK:18

Filming Locations:

Tokyo, Japan

Company:

Troopers Films

One of the Worst Docs I Have Ever Seen!

I must say that when I read the synopsis for this film in the Chicago International Film Fest brochure it seemed interesting. It said that it was a documentary which explores the rich life of a notorious photographer who broke all sorts of new grounds in Japan. I thought that I would go and see the film in order to see how he had been influential and how he caused controversy only to see a film that was horribly disappointing. To me the movie played more as a tribute to a photographer that the filmmakers liked than a true documentary. I walked out of the theater having learned very little. The film is filled with interviews of people who both know and love Araki, people who are all on his side. When there is a controversial subject matter, as Araki's photos undoubtedly were, there are inevitably two sides to the argument. In this film the audience is only exposed to the side of that argument that loves the man and his work. I can't remember one negative thing that was said about Araki throughout the entire feature. In the end I felt as though I had watched a feature length tribute video that someone would show at Araki's birthday party or a family gathering, NOT a film that delved deep into the information and arguments surrounding a potentially rich subject.