| Photos (see all 7 | slideshow) |
| Rangi Ngamoki | ... | Romeo | |
| Hutini Waikato | ... | Polly | |
| Te Ahiwaru Ngamoki-Richards | ... | Ed | |
| Riwai Waka | ... | Koro | |
| Dion Waikato | ... | Tangata |
Directed by | |||
| Taika Cohen | (as Taika Waititi) | ||
Writing credits(in alphabetical order) | ||
| Taika Cohen | writer (as Taika Waititi) | |
Produced by | |||
| Vanessa Alexander | .... | executive producer | |
| Catherine Fitzgerald | .... | producer | |
| Ainsley Gardiner | .... | producer | |
Original Music by | |||
| Craig Sengelow | |||
Cinematography by | |||
| Adam Clark | (director of photography) | ||
Film Editing by | |||
| Owen Ferrier-Kerr | (as Owen Ferrier Kerr) | ||
Art Direction by | |||
| Simon Harper | |||
Makeup Department | |||
| Loren Horsley | .... | makeup artist | |
Sound Department | |||
| Taipua Adams | .... | boom operator | |
| Glen Bullen | .... | assistant sound editor | |
| Chris Burt | .... | sound mixer: Dolby Digital | |
| Wi Kuki Kaa | .... | adr artist | |
| Nic McGowan | .... | sound editor (as Nick McGowan) | |
| Nic McGowan | .... | sound recordist (as Nick McGowan) | |
Visual Effects by | |||
| Nick Booth | .... | digital imaging: Weta Digital | |
| Tim Capper | .... | visual effects supervisor | |
| Roman Gadner | .... | digital imaging: Weta Digital | |
| Brian Scadden | .... | opticals: The Film Unit | |
| Pete Williams | .... | digital imaging: Weta Digital | |
| Phil Greig | .... | digital intermediate finisher (uncredited) | |
| Phil Greig | .... | lab technician (uncredited) | |
Camera and Electrical Department | |||
| Taipua Adams | .... | lighting assistant | |
| Charles Edwards | .... | camera operator | |
| Ori Kenobi | .... | lighting assistant | |
| Murray Love | .... | key grip | |
| Grant McKinnon | .... | gaffer | |
| Duncan Patterson | .... | clapper loader (as Duncan Paterson) | |
| Mike Toki-Pangani | .... | assistant grip (as Mioke Toki-Pangari) | |
| Angus Ward | .... | focus puller | |
Costume and Wardrobe Department | |||
| Loren Horsley | .... | wardrobe | |
Editorial Department | |||
| Jay Berryman | .... | negative matcher: Upper Deck Film Services | |
| Russell Lewis | .... | negative matcher | |
| Kirsty McDowell | .... | assistant editor | |
| Rex Pointier | .... | editing facility manager: Gibson Group | |
| Lynne Reed | .... | film grader | |
Music Department | |||
| Julian Arahanga | .... | musician: singer | |
| Tammy Davis | .... | musician: singer | |
| Ainsley Gardiner | .... | musician: singer | |
| Lissa Meridian | .... | musician: singer | |
| Kinder Te Moana | .... | musician: singer | |
Transportation Department | |||
| Jimmy Greaves | .... | supplier: prop vehicle | |
| Brooke Tere | .... | supplier: prop vehicle | |
| Burra Waititi | .... | supplier: prop vehicle | |
Other crew | |||
| Julian Arahanga | .... | caterer | |
| Wynter Blathwayt | .... | title designer | |
| Nancy Brunning | .... | acting coach | |
| Nancy Brunning | .... | chaperone | |
| Rutaia Campbell | .... | location liaison | |
| Catherine Fitzgerald | .... | caterer | |
| Dave Gaskill | .... | location liaison | |
| Rebecca Hampton | .... | unit production staff | |
| Anna Horsley | .... | unit production staff | |
| Abi King-Jones | .... | continuity | |
| Sharon Leamy | .... | liaison: film post-production, The Film Unit | |
| Bruce McArthur | .... | liaison: Atlab | |
| Ally McMahon | .... | location liaison | |
| Trisha Rogers | .... | location liaison | |
| Tim Rose | .... | supplier: coffee, Havana Coffee | |
| Corrine Verstraten | .... | location liaison | |
| Recent Posts (updated daily) | User |
|---|---|
| This film is good! Can I see this? | rodrigozanatta |
| One of my favourite short films | k-manning-2 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb New Zealand section | Add this title to MyMovies |
Three children wait for their parent(s) in two separate cars in a parking lot outside a New Zealand saloon in the 1960's. The thrilling economy of direction, wonderful (although occasionally infuriatingly thick native accents make it tough to catch all of the asides) screenplay and some of the most natural and believable child actors make this a touching little miracle of a short film that rates with the best ever made. If an added touch of racism, or conflict between the parents were added, it would make the film perhaps even more effective. But this is simply about kids awkwardly dealing with the opposite sex with a touching naivete that will be remembered long after viewing. Really special.....an instant classic.