| Photos (see all 22 | slideshow) | Videos (see all 9) |
| Shane Carruth | ... | Aaron | |
| David Sullivan | ... | Abe | |
| Casey Gooden | ... | Robert | |
| Anand Upadhyaya | ... | Phillip | |
| Carrie Crawford | ... | Kara | |
| Jay Butler | ... | Metalshop Worker | |
| John Carruth | ... | Man On Couch #1 | |
| Juan Tapia | ... | Man On Couch #2 | |
| Ashley Warren | ... | Hostess | |
| Samantha Thomson | ... | Rachel Granger | |
| Chip Carruth | ... | Thomas Granger | |
| Delaney Price | ... | Laney | |
| Jack Pyland | ... | Aaron's Co-worker | |
| Keith Bradshaw | ... | Clean Room Technician | |
| Ashok Upadhyaya | ... | Laboratory Technician | |
| Brandon Blagg | ... | Will | |
| Jon Cook | ... | Will's Cousin | |
| David Joyner | ... | Rachel's Date | |
| Eric De Soualhat | ... | Translator | |
| rest of cast listed alphabetically: | |||
| Kevin Lucero Less | ... | Seth (uncredited) | |
Directed by | |||
| Shane Carruth | |||
Writing credits | ||
| Shane Carruth | (writer) | |
Produced by | |||
| Shane Carruth | .... | producer | |
Original Music by | |||
| Shane Carruth | |||
Film Editing by | |||
| Shane Carruth | |||
Casting by | |||
| Shane Carruth | |||
Production Design by | |||
| Shane Carruth | |||
Sound Department | |||
| Shane Carruth | .... | sound designer | |
| Reggie Evans | .... | location sound | |
| David Ho | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Daniel Bueche | .... | camera operator | |
| James Russell | .... | assistant camera | |
| Anand Upadhyaya | .... | camera operator | |
Other crew | |||
| Chip Carruth | .... | caterer | |
| Kathy Carruth | .... | caterer | |
| David Sullivan | .... | production assistant | |
Thanks | |||
| Scott Douglass | .... | thanks | |
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| Twelve Monkeys | The Fugitive | El maquinista | The Limey | La science des rêves |
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A group of young scientists work at a frantic pace to invent they are not quite sure what, but their efforts start demonstrating interesting side effects. From their work in a small cottage industry of error checking devices they are forced to confront the fact that they have discovered something too valuable to market. As they explore the potential of their machine, they are caught in a frantic loop to second guess themselves.
Science fiction in the cinema has largely been dominated by the visual impact, and so this is a welcome (for some) return to the world of ideas. This is not an easy-rise entertainment film but one where you have to concentrate to keep up, working out the logical implications of what's happening. If made on the scale of Men in Black or the Matrix it would descend to the level of spoof as it is we follow the two main characters knowing that their actions are having momentous effects on the world around them and on themselves. Instead of flashy graphics, we are left to keep the ramifications of the story in mind as the characters themselves grapple with what they know is happening but can't even let themselves look at directly.