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IMDb > Zebraman (2004)

Overview

User Rating:
6.8/10   1,629 votes
MOVIEmeter: ?
Up 38% in popularity this week. See why on IMDbPro.
Director:
Writer:
Kankurô Kudô (screenplay)
Contact:
View company contact information for Zebraman on IMDbPro.
Release Date:
15 August 2007 (USA) more
Genre:
Plot:
Being a failure as a teacher and a familyman, Shinichi tries to escape everyday live by dressing up as "Zebraman"... more | add synopsis
Plot Keywords:
Awards:
2 wins & 1 nomination more
User Reviews:
Benevolently Reflects Vivid Childhood Memories Controlled By Superheroes more (24 total)

Cast

  (in credits order)
Shô Aikawa ... Shin'ichi Ichikawa / Zeburâman
Kyoka Suzuki ... Kana Asano
Atsuro Watabe ... Oikawa at the Defence Agency
Yui Ichikawa ... Midori, Shin'ichi's daughter
Koen Kondo ... Segawa
Naoki Yasukôchi
Makiko Watanabe
Keisuke Mishima
Yu Tokui
Yôji Tanaka
Arata Furuta ... Owner of Candy Shop
Kumiko Asô ... Newscaster
Akira Emoto ... Kani-Otoko
Yoshihiko Hakamada
Ryo Iwamatsu ... Kanda
Ren Ôsugi ... Kuroda, vice principle
Teruyoshi Uchimura ... Ippongi
rest of cast listed alphabetically:
Miyako Kawahara
Yûta Sone (as Hideki Sone)
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Directed by
Takashi Miike 
 
Writing credits
Kankurô Kudô (screenplay)

Produced by
Shigeyuki Endô .... planner
Kumi Fukuchi .... planner
Akio Hattori .... producer
Takashi Hirano .... executive producer: TBS
Mitsuru Kurosawa .... executive producer: Toei/Tôei
Makoto Okada .... producer
 
Original Music by
Kôji Endô 
 
Cinematography by
Kazunari Tanaka 
 
Film Editing by
Yasushi Shimamura 
 
Production Design by
Akira Sakamoto 
 
Sound Department
Yoshiya Obara .... sound
 
Visual Effects by
Misako Saka .... CGI producer
 
Stunts
Lance Masa .... stunts
 
Camera and Electrical Department
Seiichirô Mieno .... lighting director
 
Other crew
David Beinlich .... video encoding
Christian Alexander Moran .... post-production project manager
 

Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
115 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Company:

Fun Stuff

Goofs:
Anachronisms: At the end of the movie, the Colonel (the military officer in charge of the task force that is investigating the alien invasion through out the movie) refers to President Bush in his phone call when the movie takes place in 2010 (two years after Bush's last term in office). more
Quotes:
Shin'ichi Ichikawa: Striping evil! more
Movie Connections:
Spoofs Kairo (2001) more

FAQ

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2 out of 2 people found the following review useful.
Benevolently Reflects Vivid Childhood Memories Controlled By Superheroes, 18 February 2009
7/10
Author: jzappa from United States

Being a pushover as a teacher and family man, the true humble, mild-mannered identity of our hero tries to escape everyday life by dressing up as Zebraman, a superhero from a TV series that was canceled after only a few episodes. But escaping into his fantasy world in a self-made zebra-suit is the only thing keeping him going. But when he discovers that the Zebraman show was a prophecy of a true alien invasion, disguised as the show's hero he is the only person who can stop it.

Miike always chooses material not only with an unusual premise but with over-the-top details that are slowly, gradually revealed to us. Aside from the way in which its plot unfolds, the film's real charm is in what decides to show us about superheroes, why we identify with them on such a whimsical level and how the ridiculous mentality of a superhero could be formed in a man's solitude. The movie is not serious though. It has Miike's sometime stoic feel, but what we are shown is often hilarious, like the non-sequitary title shot of a fat woman in a beauty parlor who is passed by a sauntering zebra, or Radioactive Ranger, a perfect rendition of a TV show not unlike Power Rangers and its various, progressively obscuring incarnations, or countless others.

Even if Miike's more studious sense of pace is a hindrance to the potential impact of the film, leaving it without a tone and thus making the memory of the movie pretty fuzzy over time, it reflects very benevolently vivid childhood memories controlled by our superheroes. Where the film's spirit hits the nail on the head is in its blurring of zeal and absurdity. The film knows escapism because it's acuity in what it evokes really allows you to escape back into that unadorned young spirit. And what's the point of escapism if you're not truly escaping?

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