| Natalie Press | ... | Zoë | |
| Danny Dyer | ... | Dave | |
| Jodie Mitchell | ... | Kelly | |
| Molly Griffiths | ... | Sinead | |
| Kaitlyn Raynor | ... | Leanne | |
| Danny Daley | ... | Kai | |
| Lizzie Colbert | ... | Bullet-head | |
| Ashley Routledge | ... | Brown-haired girl | |
| Tabitha Crewe | ... | Barmaid |
Directed by | |||
| Andrea Arnold | |||
Writing credits(in alphabetical order) | ||
| Andrea Arnold | writer | |
Produced by | |||
| Caroline Cooper | .... | executive producer (as Caroline Cooper Charles) | |
| Eve Harrison | .... | video producer | |
| Andrew Litvin | .... | line producer | |
| Natasha Marsh | .... | producer | |
| Nic Muirson | .... | executive producer (as Nic Murison) | |
Cinematography by | |||
| Robbie Ryan | (director of photography) | ||
Film Editing by | |||
| Nicolas Chaudeurge | |||
Casting by | |||
| Kate Brasier | |||
| Des Hamilton | |||
| Amanda Tabak | |||
Production Design by | |||
| Helen Scott | |||
Costume Design by | |||
| Merryn Conaway | |||
Makeup Department | |||
| Wendy Bombrick | .... | hair assistant | |
| Wendy Bombrick | .... | makeup assistant | |
| Merryn Conaway | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Kate Brasier | .... | third assistant director | |
| Josh Hyams | .... | second assistant director | |
| Paul Monaghan | .... | first assistant director | |
Art Department | |||
| Nathan Lines | .... | props assistant | |
| Tina Lines | .... | props assistant | |
| Ocean Tunley | .... | props assistant | |
Sound Department | |||
| Steph Baldini | .... | sound recordist | |
| Karima Benchemakh | .... | boom operator | |
| Chris Burdon | .... | dubbing mixer | |
| Neil Herd | .... | sound recordist | |
| Rupert Ivey | .... | sound recordist | |
| Kate Norrington | .... | tracklayer | |
| Ben Norrington | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Adam Gascoyne | .... | compositor | |
| Olly Nash | .... | animator | |
Camera and Electrical Department | |||
| Holly Horner | .... | unit photographer | |
| Simon Vickery | .... | additional camera operator | |
Casting Department | |||
| Holly McAlister | .... | casting assistant | |
Other crew | |||
| Horace Baker | .... | wasp wrangler | |
| Taryn Gruber | .... | production assistant | |
| Kate Jewell | .... | floor runner | |
| Alex Knights | .... | titles | |
| Jamie McInerney | .... | floor runner | |
| Sheleena Naidoo | .... | production assistant | |
| Jo Sheehan | .... | location manager | |
Thanks | |||
| Kelvin Arnold | .... | thanks | |
| Robert Bray | .... | thanks | |
| Lisa Bryer | .... | thanks | |
| Livia Burton | .... | thanks | |
| Netty Crabbe | .... | thanks | |
| Jane Davis | .... | thanks | |
| Jeremy Gawade | .... | thanks (as Jeremy Gawde) | |
| Louise Gow | .... | thanks | |
| Des Hamilton | .... | thanks | |
| Tracey Josephs | .... | thanks | |
| Max Longton-Lockton | .... | thanks (as Max Langton Lockton) | |
| Teresa Moneo | .... | thanks | |
| Gerardine O'Flynn | .... | thanks | |
| Phil Salter | .... | thanks | |
| Charles Steel | .... | thanks | |
| Carly Stone | .... | thanks | |
| Tony Wall | .... | thanks | |
| John Whitehead | .... | thanks | |
| Ira Zloczower | .... | thanks | |
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The winner for best short film at the 2005 Oscars,this well-made,gritty and honest film seems to me to have a very ambivalent attitude towards it's main character Zoe(convincingly played by Nathalie Press).
A single mother living on a grim council estate,she's prepared to scrap with a woman who attacked her kids by going to her house dressed merely in a nightie,then uses the most foul,gutter language in front of them(all pre-teen).Capable of behaving like an sweet angel one minute,and a gross harridan the next,she attempts to have some fun with a sympathetic suitor(Danny Dyer),but with no partner or babysitter in sight this is doomed to failure,with dire consequences for her children,left outside a pub.
The film charts the difficulties that such women face(or perhaps bring on themselves),and the subject of social services is frequently brought up.But is there a happy ending in store with the would-be suitor? The film will probably have different interpretations by Social Libreals and Right-Wing Fundamental Moralists because of this ambivalence.Despite it's undoubted quality,Laurel & Hardy's THE MUSIC BOX(1932),is still the best short ever awarded the Oscar for me!