| Photos (see all 22 | slideshow) | Videos (see all 11 NEW) |
| Daniel Auteuil | ... | Georges Laurent | |
| Juliette Binoche | ... | Anne Laurent | |
| Maurice Bénichou | ... | Majid | |
| Annie Girardot | ... | Georges's Mom | |
| Bernard Le Coq | ... | Georges's Editor-In-Chief | |
| Walid Afkir | ... | Majid's Son | |
| Lester Makedonsky | ... | Pierrot Laurent | |
| Daniel Duval | ... | Pierre | |
| Nathalie Richard | ... | Mathilde | |
| Denis Podalydès | ... | Yvon | |
| Aïssa Maïga | ... | Chantal | |
| Caroline Baehr | ... | Nurse | |
| Christian Benedetti | ... | Georges's Father | |
| Philippe Besson | ... | TV Guest | |
| Loic Brabant | ... | Police Officer No. 2 (as Loïc Brabant) | |
| Jean-Jacques Brochier | ... | TV Guest | |
| Paule Daré | ... | The Orphanage Attendant | |
| Louis-Do de Lencquesaing | ... | Bookstore Owner | |
| Annette Faure | ... | Georges's Mother, Young | |
| Hugo Flamigni | ... | Georges as a Child | |
| Peter Stephan Jungk | ... | Writer | |
| Dioucounda Koma | ... | Cyclist (as Diouc Koma) | |
| Marie Kremer | ... | Jeannette | |
| Nicky Marbot | ... | The Orphanage Driver | |
| Malik Nait Djoudi | ... | Majid as a Child | |
| Marie-Christine Orry | ... | Housekeeper | |
| Mazarine Pingeot | ... | TV Guest | |
| Julie Recoing | ... | Georges's Assistant | |
| Karla Suarez | ... | Novelist | |
| Laurent Suire | ... | Police Officer No. 1 | |
| Jean Teulé | ... | TV Guest | |
| rest of cast listed alphabetically: | |||
| Carlo Azeglio Ciampi | ... | Himself (archive footage) | |
| Barbara Contini | ... | Herself (archive footage) | |
| François Négret | ... | Man in elevator (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | screenplay | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Michael Hudecek | |||
| Nadine Muse | |||
Casting by | |||
| Kris Portier de Bellair | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
| Christoph Kanter | |||
Costume Design by | |||
| Lisy Christl | |||
Makeup Department | |||
| Laurent Bozzi | .... | hair stylist | |
Production Management | |||
| Gregory Bruneau | .... | assistant unit manager | |
| Sébastien Delepine | .... | unit manager trainee | |
| Brigitte Faure | .... | production manager | |
| Emmanuelle Jacobson-Roques | .... | unit manager trainee | |
| Grégory Valais | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alain Olivieri | .... | first assistant director | |
Art Department | |||
| Carine Demongueres | .... | assistant art director | |
| Peter Ecker | .... | property master: Austria | |
| Yannick Heuveline | .... | assistant decorator | |
| Katrin Huber | .... | props: Austria | |
| Christoph Kanter | .... | production designer: Austria | |
| Thomas Pitre | .... | property master | |
| Teresa Prothmann | .... | art department assistant | |
| Arnaud Roth | .... | first assistant decorator | |
| Hans Wagner | .... | set decorator: Austria | |
| Wouter Zoon | .... | property master | |
Sound Department | |||
| Frank Ceven | .... | assistant foley artist (as Franck Ceven) | |
| Pascal Chauvin | .... | foley artist | |
| Jean-Pierre Laforce | .... | sound editor | |
| Mathias Maydl | .... | sound re-recordist | |
| Antoine Mercier | .... | daily boom operator | |
| Jean-Paul Mugel | .... | production sound mixer | |
| Jean-Paul Mugel | .... | sound | |
| Yves-Marie Omnes | .... | boom operator | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Emmanuel Aubry | .... | lighting grip | |
| Gabriele Buti | .... | assistant camera: HDTV camera | |
| Xavier Embry | .... | best boy grip | |
| Gerald Helf | .... | first assistant camera | |
| Natascha Neulinger | .... | lighting technician | |
| Marion Stalens | .... | still photographer | |
Costume and Wardrobe Department | |||
| Tess Hammami | .... | assistant costume designer | |
Editorial Department | |||
| Alarich Lenz | .... | assistant editor | |
| Soazic Veillon | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Other crew | |||
| Richard Lormand | .... | publicist: international | |
| Lina Martins | .... | assistant: Juliette Binoche | |
| Tosé Riesser | .... | production assistant | |
| Kristy Ryan | .... | promotions manager: Australia | |
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| 8½ | La hija del caníbal | Novecento | Mysterious Skin | Babel |
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We are, yes, we're the ones who look without really seeing and Michael Heneke, the veteran young director knows it. Paranoia and responsibility in a film that is as irritating as it is brilliant. Even the opening credits, small writing while a camera, still, very still, stares at an upper, middle class abode. An intellectual Hitchcockian exercise by a genial director who seems, at times, is playing with himself. He probably is doing it knowing that we're looking and tests our endurance without caring, really, whether we're with him or against him. What he, I believe, wouldn't tolerate is our indifference but, there is no danger of that. Love and hate. Admiration and ridicule. He will inspire all of that, at the same time by some of us, all of us, one way or another. The performances are all wonderful and there is a marvelous moment with the great Annie Girardot.