The Black Dahlia (2006)

User Rating:

5.5/10   

Director:

Brian De Palma

Writers (WGA):

Josh Friedman (screenplay)
James Ellroy (novel)

Release Date:

15 September 2006 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

Inspired by the most notorious unsolved murder in California history.

Plot:

Two policemen see their personal and professional lives fall apart in the wake of the "Black Dahlia" murder investigation.

Plot Keywords:

Black Dahlia | Murder | Death | Actress | 1940s

Awards:

Nominated for Oscar. Another 1 win & 6 nominations

Cast

Josh Hartnett	...	Dwight 'Bucky' Bleichert
Scarlett Johansson	...	Kay Lake
Aaron Eckhart	...	Lee Blanchard
Hilary Swank	...	Madeleine Linscott
Mia Kirshner	...	Elizabeth Short
Mike Starr	...	Det. Russ Millard
Fiona Shaw	...	Ramona Linscott
Patrick Fischler	...	Deputy DA Ellis Loew
James Otis	...	Dolph Bleichert
John Kavanagh	...	Emmett Linscott
Troy Evans	...	Chief Ted Green
Anthony Russell	...	Morrie Friedman
Pepe Serna	...	Tomas Dos Santos
Angus MacInnes	...	Capt. John Tierney (as Angus MacInnis)
Rachel Miner	...	Martha Linscott

Also Known As:

Black Dahlia (Germany)
Die schwarze Dahlie (Germany) (TV title)

MPAA:

Rated R for strong violence, some grisly images, sexual content and language.

Runtime:

121 min

Country:

Germany | USA

Language:

English | German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Australia:MA | Ireland:16 (theatrical rating) | UK:15 | Canada:14A (British Columbia/Ontario) | Canada:18A (Manitoba) | Malaysia:18PL | Indonesia:Dewasa | Singapore:M18 | Philippines:R-18 | Taiwan:R-18 | Netherlands:16 | Portugal:M/16 | Italy:VM14 | Japan:R-15 | Germany:16 | Finland:K-15 | Greece:K-13 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Hong Kong:IIB | USA:R (certificate #41496) | Norway:15 | Sweden:15 | Canada:13+ (Quebec) | South Korea:18 | Argentina:16 | Brazil:16 | Spain:18 | Ireland:18 (DVD rating) | Denmark:15

Filming Locations:

Alto-Nido Apartments -1851 N. Ivar Street, Hollywood, Los Angeles, California, USA

Company:

Universal Pictures

Trivia:

Rose McGowan's character Sheryl Saddon appears to be inspired by a real person, one Sherryl Maylond, who had shared a room with Elizabeth Short and six other girls.

Goofs:

Anachronisms: During the pigeon-shooting sequence outside hotel near beginning of film, the Dr. Pepper logo stenciled on wooden crate is a latter day Seventies typeface not introduced until years after the 1940's, when the scene is set.

Quotes:

[first lines]
Ofcr. Dwight "Bucky" Bleichert: [voiceover] Mr. Fire versus Mr. Ice. For everything people were making it out to be, you'd think it was our first fight. It wasn't. And it wouldn't be our last.

Movie Connections:

Features The Man Who Laughs (1928)

Soundtrack:

In the Mood

Disjointed murder in the first degree

"For murder, though it have no tongue, will speak/With most miraculous organ." Shakespeare's Hamlet

Murders are messy on the screen and in real life; screenplays about them can be chaotic and disjointed also. Such is the case with Black Dahlia, a film noir from Brian De Palma, a past master of the macabre and the complicated (Blow Out, Body Double). It has all the trappings of a first-rate detective novel (James Ellroy) made into a 1940's thriller with appropriately moody music of the soulful trumpet (Mark Isham), lush production design (Dante Ferretti), and equally impressive costuming (Jenny Beavan), all set in a timelessly seedy Los Angeles.

There's also the conflicted, sometimes dark hero detective (Josh Hartnett) and the sexy, dangerous femme fatale (Hilary Swank), accompanied by the questionably good voluptuary sex bomb (Scarlett Johansson). As if these noir troublemakers were not enough, writer Josh Friedman seemingly adapts Ellroy's every subplot, every story thread, as if each had to be accounted for in the best CSI tradition.

The original novel was based on aspiring actress Elizabeth Short's unsolved grizzly murder in 1947. After a considerably convoluted exposition, with plot lines rarely intersecting in a unified way, the film has the nerve to offer one of the most extensive denouements in film history, could be a half hour, with lengthy explanation of how all those ends tied together. Needless to say, anti climaxes abound in this last segment, leaving not only more confusion about the plot but also a desire to get back to The Big Sleep without sleeping, a state Black Dahlia threatened several times.

Hartnett's detective says, "Nothing stays buried forever. Nothing." I say this weak noir wannabe should stay buried until a bright 22nd century scholar sees its cultural and aesthetic significance. Until then, it's a jumble of plot points resolved in the end by tedious narration. Even Scarlett Johansson's pulchritude couldn't win me, and that's murder in the first degree.