Back When We Were Grownups (2004) (TV)

User Rating:

6.3/10   

Director:

Ron Underwood

Writers (WGA):

Anne Tyler (novel)
Susanna Styron (teleplay) ...

Release Date:

21 November 2004 (USA)

Genre:

Drama

Tagline:

Once upon a time, there was a woman who discovered that she had turned into the wrong person.

Plot:

"Once upon a time, there was a woman who discovered that she had turned into the wrong person." Based on Anne Tyler's novel...

Plot Keywords:

Based On Novel

Awards:

Nominated for Golden Globe. Another 4 nominations

Cast

Blythe Danner	...	Rebecca Holmes Davitch
Faye Dunaway	...	Tina
Peter Fonda	...	Dr. Will Allenby
Jack Palance	...	Paul 'Poppy' Davitch
Peter Riegert	...	Zeb
Ione Skye	...	Minerva "Min" Foo
Betsy Brandt	...	Nono
Stacy Edwards	...	Biddy
Blake Lindsley	...	Patch
Julio Oscar Mechoso	...	J.J. Barrow
Nina Foch	...	Mrs. Holmes
Anjul Nigam	...	Hakim
Cameron Watson	...	Barry
Mark Fite	...	Jeep
Oded Gross	...	Troy

Runtime:

USA:120 min (including commercials) | Brazil:94 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Stereo

Filming Locations:

Los Angeles, California, USA

Company:

Hallmark Hall of Fame Productions

Trivia:

Last film of Nina Foch.

Movie Connections:

Featured in The 62nd Annual Golden Globe Awards (2005) (TV)

Typically solid Hallmark presentation

A warm and winning, yet not too syrupy, tale of self-discovery, this easygoing drama rests on the strong talents of its leading lady and a solid supporting cast. Danner plays a harried party planner who's begun to question her worth and contribution to the world. She seems to exist from event to event without actually inhabiting a life of her own. Unappreciated by her four annoying and annoyingly-nicknamed daughters (three from her deceased husband's previous marriage) and having inherited her husband's family business and even his 99 year-old uncle, she wonders if she took the right path in marrying him. She looks up her childhood sweetheart (Fonda) in an attempt to reexamine the choice she made and the two enter into a tentative dating relationship. Meanwhile, she regurgitates the minutiae of her life to her brother-in-law Riegert by telephone nearly every night. There isn't a great deal more story than that, but this is really a character piece more than a plot-driven film. Danner (who has more talent, charm, grace and beauty in her little finger than her more-famous daughter has in her entire body), does a stellar job of presenting this friendly, but insecure, sensitive, but realistic character. In her daffy outfits and with her nuanced acting, she easily captures the attention of the audience. Fonda gives a rather strange performance, but one that is appropriate to the character. His and Danner's quirks are subtly inserted into the film and they create an intriguing chemistry (interestingly, these actors shared the big screen nearly 30 years prior in the sci-fi action film "Futureworld"!) Palance has a field day as the dessert-loving uncle who seems to exist only to reach his 100th birthday. Delightful cameos are turned in by Foch as Danner's prim mother and Dunaway as the (what else?) over-the-top first wife of Danner's husband. She breezes in early to chew up half of the scenery and then, sadly, is never seen again. Danner's own niece plays her character attractively in flashbacks. The script stacks the deck so that Danner can't help but gain sympathy for having to deal with a truly repellent (for the most part) family of whining, self-indulgent brats, but, unfortunately, the traits portrayed by them are not exactly uncommon today. In the end, the film offers a touching glimpse into the life of someone who's been taken for granted yet finds a sense of purpose and discovers that she isn't quite the doormat she thinks she is. That said, the ending isn't as pat and clean as one might expect. It's the kind of film that would once warrant theatrical release (see "One is a Lonely Number"), but is now relegated to TV. The car chase and grenade crowd will be asleep by the first commercial break, but for the viewer who enjoys character studies, this is a treat.