| Photos (see all 45 | slideshow) | Videos (see all 12) |
| Leigh Whannell | ... | Adam Faulkner-Stanheight | |
| Cary Elwes | ... | Dr. Lawrence Gordon | |
| Danny Glover | ... | Detective David Tapp | |
| Ken Leung | ... | Detective Steven Sing | |
| Dina Meyer | ... | Kerry | |
| Mike Butters | ... | Paul | |
| Paul Gutrecht | ... | Mark | |
| Michael Emerson | ... | Zep Hindle | |
| Benito Martinez | ... | Brett | |
| Shawnee Smith | ... | Amanda | |
| Makenzie Vega | ... | Diana Gordon | |
| Monica Potter | ... | Alison Gordon | |
| Ned Bellamy | ... | Jeff | |
| Alexandra Bokyun Chun | ... | Carla (as Alexandra Chun) | |
| Avner Garbi | ... | Father | |
| Tobin Bell | ... | Jigsaw | |
| rest of cast listed alphabetically: | |||
| Oren Koules | ... | Dead cellmate (uncredited) | |
| Hans Raith | ... | Detective (uncredited) | |
Directed by | |||
| James Wan | |||
Writing credits | ||
| Leigh Whannell | (written by) | |
| James Wan | (story) and | |
| Leigh Whannell | (story) | |
Produced by | |||
| Lark Bernini | .... | associate producer | |
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Daniel J. Heffner | .... | co-producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Richard H. Prince | .... | co-producer | |
| Stacey Testro | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Amy Lippens | |||
Production Design by | |||
| Julie Berghoff | |||
Art Direction by | |||
| Nanet Harty | |||
Costume Design by | |||
| Jennifer L. Soulages | (as Jennifer Soulages) | ||
Makeup Department | |||
| Kashka Banjoko | .... | hair stylist: Mr. Glover | |
| Scott H. Eddo | .... | makeup artist: Mr. Glover (as Scott Eddo) | |
| Michelle Rene Elam | .... | key hair stylist (as Michelle Elam Torres) | |
| Rocky Faulkner | .... | prosthetics makeup | |
| Richard Redlefsen | .... | assistant prosthetics makeup artist | |
| Eleanor Sabaduquia | .... | makeup department head | |
Production Management | |||
| Richard H. Prince | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel J. Heffner | .... | first assistant director (as Daniel Jason Heffner) | |
| Alexa Sheehan | .... | second assistant director (as Alexa 'Squirrel' Motley) | |
Art Department | |||
| Luis A. Arevalos | .... | swing gang (as Luis Arevalos) | |
| Jacob Blecha | .... | swing gang | |
| Jill Bream | .... | daily art department assistant | |
| Bill Davis | .... | property master | |
| Timothy Feimster | .... | carpenter | |
| Glenn Fields | .... | lead construction (as Glenn 'Fuzzy' Fields) | |
| Amy Frederick | .... | prop buyer | |
| Christopher Haley | .... | scenic painter | |
| Jonah Markowitz | .... | graphics designer | |
| Erin McKenna | .... | lead scenic artist | |
| Kelly Morrison | .... | art production assistant (as Kelly Kilgo) | |
| Chuck Radtke | .... | art production intern | |
| Summer Ramsey | .... | scenic artist | |
| Jeffrey Reyes | .... | props | |
| Adam Saltzberg | .... | art department assistant (as Chris Saltzberg) | |
| Amy Sanders | .... | scenic artist | |
| Brook Shafer | .... | on-set dresser | |
| Christopher Skeels | .... | swing gang | |
| Joshua Towers | .... | swing gang | |
| Scott Wheately | .... | scenic artist | |
| Ronny Wormser | .... | swing gang (as Ron Wormser) | |
Sound Department | |||
| Randy Babajtis | .... | sound effects editor | |
| Jeremy Balko | .... | foley mixer | |
| Mike Brownsher | .... | editorial assistant | |
| Alan Freedman | .... | adr mixer | |
| Jerry Gilbert | .... | sound re-recording mixer | |
| Scott Hinkley | .... | post-production sound recordist | |
| Jonathan Miller | .... | sound designer | |
| Jonathan Miller | .... | supervising sound editor | |
| Andrew Patterson | .... | dialogue editor | |
| Speed Ratliff | .... | boom operator | |
| Shelley Roden | .... | foley artist | |
| Damien Seckinger | .... | assistant foley editor | |
| John Taylor | .... | sound mixer (as John C. Taylor) | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Evan T. Chen | .... | additional ADR cueing (uncredited) | |
| Wendy Czajkowsky | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects assistant | |
| Thomas L. Bellissimo | .... | special effects supervisor (as Tom Bellissimo) | |
| Brad Hardin | .... | body fabrication supervisor: Optic Nerve Studios | |
Visual Effects by | |||
| Brian Allan | .... | optical compositor | |
| Mark Allan | .... | visual effects coordinator | |
| Martin Avitia | .... | optical compositor | |
| Robert Beebe | .... | digital artist | |
| Derek Bird | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects line producer: THDX (as Josh Comen) | |
| Catherine Ferrez | .... | digital artist | |
| Brian Fortenberry | .... | optical line-up | |
| David Hayes | .... | digital lineup (as Dave Hayes) | |
| Alex Kravets | .... | optical line-up | |
| David Fred Masselink | .... | lead compositor | |
| Andrew Midgley | .... | visual effects producer | |
| Mike Ocoboc | .... | digital compositor | |
| Marlo Pabon | .... | visual effects supervisor | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Mocean Melvin | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Todd Baldi | .... | second assistant camera | |
| Brandon Cunningham | .... | best boy electric | |
| Oscar Garcia | .... | key grip | |
| Greg Gayne | .... | still photographer | |
| Martin Glover | .... | video assist operator | |
| Chris Gordon | .... | grip | |
| Josh Harrison | .... | first assistant camera | |
| David Katz | .... | video playback operator | |
| Thomas Kuo | .... | electrician (as Tom Kuo) | |
| Yaron Levy | .... | gaffer (as Yron Levy) | |
| John Loveall | .... | best boy grip | |
| Jon Myers | .... | camera operator | |
| Jon Myers | .... | crane operator | |
| Bill Persaud | .... | rigging grip | |
| Jeremy Quinlan | .... | grip | |
| Aaron Schuh | .... | second assistant camera | |
| Ray Skinner | .... | electrician (as L. Ray Skinner) | |
| Michael Steffen | .... | dolly grip | |
| Andy Steinman | .... | director of photography: second unit | |
| Dean Tapia | .... | video assist operator | |
| Lisa Villaire | .... | camera loader | |
| Vinny Walsh | .... | grip | |
| James Pat Whelan | .... | electrician | |
Casting Department | |||
| Lisa S. Beasley | .... | extras casting | |
| Jennifer Levy | .... | casting associate | |
Costume and Wardrobe Department | |||
| Christina DeMasi | .... | costumer | |
| Kathleen Russo | .... | costume supervisor (as Kathy Russo) | |
Editorial Department | |||
| John Coniglio | .... | assistant editor | |
| Ian Elias | .... | post-production assistant | |
| Scott Hammel | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
Music Department | |||
| Cameron Allan | .... | music editor | |
| Charlie Clouser | .... | score performer | |
| Robert Cross | .... | score performer: additional sounds | |
| Peter Freeman | .... | musician: bass scrapes | |
| Eric Gorfaine | .... | music arranger: strings (as Eric Gorfain) | |
| Page Hamilton | .... | musician: guitar | |
| Danny Lohner | .... | musician: guitar | |
| Jonathan Scott Miller | .... | music supervisor | |
| Jonathan Scott Miller | .... | soundtrack producer | |
| Jonathan "Big Jon" Platt | .... | music supervisor (as Jonathan Platt) | |
| Jonathan "Big Jon" Platt | .... | soundtrack producer (as Jonathan Platt) | |
| Chas Smith | .... | musician: exotic instruments | |
| Stew Song | .... | music supervisor | |
| Stew Song | .... | soundtrack producer | |
Thanks | |||
| Austin Lander | .... | very special thanks | |
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There is no way one can condescend to this movie. This is the best horror suspense movie that was ever made !!! Its simply unmatched !! THe acting might not be the best around, but that is not the only that that one looks for in a movie of this calibre. Looking at the story is what needs to be complimented upon. The storyline, the concept used herein, the chain of events, the vision portrayed and the end result...its all fits in perfectly to keep the viewer at his seat all the way.
And that is how a movie show be - keeping the watched interested and let me tell you that as far as I know, everyone i know who have watched this movie have not nothing but impressed !!