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Ask the Dust (2006)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
13 April 2006 (Thailand)
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Tagline:
Passion and ambition drive two dreamers in 1930s LA. Their love affair is ferocious and hot-blooded as they fight the city and themselves to make their dreams come true.
Plot:
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm. full summary | add synopsis
Awards:
1 nomination
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NewsDesk:
(5 articles)
Farrell: 'I danced naked for Hayek'
(From digitalspy. 17 October 2008, 11:02 PM, PDT)
Farrell's Naked Dance For Hayek
(From WENN. 17 October 2008, 12:11 PM, PDT)
(From digitalspy. 17 October 2008, 11:02 PM, PDT)
Farrell's Naked Dance For Hayek
(From WENN. 17 October 2008, 12:11 PM, PDT)
User Comments:
Frustrating
more (66 total)
Cast
(Cast overview, first billed only)| Colin Farrell | ... | Arturo Bandini | |
| Salma Hayek | ... | Camilla | |
| Donald Sutherland | ... | Hellfrick | |
| Eileen Atkins | ... | Mrs. Hargraves | |
| Idina Menzel | ... | Vera Rivkin | |
| Justin Kirk | ... | Sammy | |
| Jeremy Crutchley | ... | Solomon | |
| Ronald France | ... | Columbia Sweeper | |
| Dion Basco | ... | Filipino Houseboy | |
| Donna Mosley | ... | Red Headed Girl | |
| Paul Rylander | ... | Harold the Bartender | |
| Natasha Staples | ... | Denver Librarian | |
| Wayne Harrison | ... | Heilman | |
| Yasuhiro Yoshimura | ... | Japanese Vegetable Man (as Yoshimura Yasuhiro) | |
| Sid | ... | Willie the Dog |
Additional Details
MPAA:
Rated R or some sexuality, nudity and language.
Parents Guide:
Runtime:
117 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Canada:14A (Ontario) |
UK:15 |
Ireland:15A |
Singapore:R21 |
Argentina:13 |
Hong Kong:IIB |
USA:R (certificate #41719) |
Netherlands:AL |
Germany:12 |
Brazil:16 |
Finland:K-11 |
Australia:M |
South Korea:15 |
Philippines:R-18 |
Iceland:16 |
USA:R
Filming Locations:
Company:
Fun Stuff
Trivia:
Writer/director Robert Towne became interested in the project when he met John Fante, the author of the novel, while doing research for Chinatown (1974).
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Goofs:
Revealing mistakes: In the beach scene, before sunset, the ocean is on the left, and the shadows are stretching towards the camera. This cannot happen in L.A., where the ocean is in the west and sun is in the south. This reveals that these shots were taken on South Africa's west coast, where the sun is north of the zenith.
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Quotes:
Arturo Bandini:
Take a look in the mirror.
Camilla: I don't want to look in the mirror.
Arturo Bandini: I don't blame you.
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Camilla: I don't want to look in the mirror.
Arturo Bandini: I don't blame you.
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Soundtrack:
Gloomy Sunday
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FAQ
This FAQ is empty. Add the first question.more (66 total)
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I had the pleasure of seeing Mr. Towne give a talk in Toronto, in which he mused on his long and (mostly) illustrious career. From Chinatown to Personal Best to The Firm, he spouted off anecdotes and insights into Hollywood and the screen writing process in general.
Then the audience was treated to a special preview screening of "Ask the Dust." It would seem that this has been a labour of love for Mr. Towne; one that has been several decades in the making. So in that sense, perhaps this film doesn't merit harsh criticism. The fact that Towne got it made is to be commended.
It's not a bad film, by any right. It boasts two decent performances from its leads Salma Hayek and Colin Farrell, lush cinematography, meticulous period detail and a sumptuous score. All the elements of a great film are there. However, nothing really gels.
My guess is that the source material is the film's ultimate downfall. It's dated, and contradictory. What begins as a pulpy potboiler in the vein of "The Postman Rings Twice" becomes a politically correct tirade against intolerance. Oh, and there's a healthy dose of "La Boheme" thrown in there for good measure.
The first half of the film is intriguing as the characters' motivations are enigmatic and unpredictable. Hayek comes across as a latina femme fatale, while Farrell plays the flawed noirish anti-hero. L.A. itself is a character - one of a city at odds with its surroundings. The description of the sand (or dust) from the desert filling the air is particularly poignant.
Halfway through, the film takes a perplexing turn. Turns out there is no mystery behind the motives of the leads. They just wanted to be loved/understood. Cue Hollywood clichés, and end scene. You can't help but be disappointed.
Perhaps in the hands of a '70s auteur director like Polanski, Antonioni or Bob Rafelson, the source material could have been tweaked or restructured to yield a more surprising and challenging film. I even wondered what the film would have been like with a 70s screen icon like Jack Nicholson or Al Pacino in the lead role.