| Photos (see all 33 | slideshow) | Videos (see all 8 NEW) |
| Ryan Reynolds | ... | George Lutz | |
| Melissa George | ... | Kathy Lutz | |
| Jesse James | ... | Billy Lutz | |
| Jimmy Bennett | ... | Michael Lutz | |
| Chloe Moretz | ... | Chelsea Lutz (as Chloë Grace Moretz) | |
| Rachel Nichols | ... | Lisa | |
| Philip Baker Hall | ... | Father Callaway | |
| Isabel Conner | ... | Jodie Defeo | |
| Brendan Donaldson | ... | Ronald Defeo | |
| Annabel Armour | ... | Realtor | |
| Rich Komenich | ... | Chief of Police | |
| David Gee | ... | ER Doctor | |
| Danny McCarthy | ... | Officer Greguski | |
| Nancy Lollar | ... | Librarian | |
| José Taitano | ... | Stitch | |
| rest of cast listed alphabetically: | |||
| Dorian Kingi | ... | Scary Leashed Indian (uncredited) | |
| Marie Lynn | ... | Store patron (uncredited) | |
| Jenny Strubin | ... | Grocery Cashier (uncredited) | |
| Lenore Thomas | ... | Nurse Fuller (uncredited) | |
Directed by | |||
| Andrew Douglas | |||
Writing credits(WGA) | ||
| Scott Kosar | (screenplay) | |
| Jay Anson | (novel) | |
| Sandor Stern | (earlier screenplay) | |
| George Lutz | (material) and | |
| Kathy Lutz | (material) (as Kathleen Lutz) | |
Produced by | |||
| Michael Bay | .... | producer | |
| Matthew Cohan | .... | associate producer | |
| David Crockett | .... | executive producer | |
| Randall Emmett | .... | co-executive producer | |
| Ted Field | .... | executive producer | |
| Andrew Form | .... | producer | |
| Bradley Fuller | .... | producer (as Brad Fuller) | |
| George Furla | .... | co-executive producer | |
| Paul Mason | .... | co-executive producer | |
| Stefan Sonnenfeld | .... | associate producer | |
| Steve Whitney | .... | co-executive producer (as Steven Whitney) | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Peter Lyons Collister | |||
Film Editing by | |||
| Roger Barton | |||
| Christian Wagner | |||
Casting by | |||
| Lisa Fields | |||
Production Design by | |||
| Jennifer Williams | |||
Art Direction by | |||
| Marco Rubeo | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup effects designer and creator | |
| Jake Garber | .... | special makeup effects on-set supervisor | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group | |
| Dominic Mango | .... | key hair stylist | |
| Helen Marchfield | .... | makeup artist | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Gregory Nicotero | .... | special makeup effects designer and creator (as Greg Nicotero) | |
| Douglas Noe | .... | prosthetics makeup artist | |
| Suzi Ostos | .... | key makeup artist | |
| Andy Schoneberg | .... | special makeup effects artist: additional photography | |
Production Management | |||
| David Crockett | .... | production manager | |
| Wileen Dragovan | .... | assistant production manager | |
| Tim Pedegana | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Thomas Coe | .... | assistant director | |
| Vince Duque | .... | dayplayer second second assistant director | |
| Mark Palansky | .... | second unit director | |
| Craig A. Pinckes | .... | first assistant director | |
Sound Department | |||
| Robert Althoff | .... | sound recordist | |
| Steve Bartkowicz | .... | re-recording engineer | |
| Michael J. Broomberg | .... | foley artist | |
| Kerry Ann Carmean | .... | sound effects editor | |
| Daniel S. Irwin | .... | dialogue & adr editor | |
| Kenneth L. Johnson | .... | sound editor | |
| Michael Kamper | .... | sound effects editor | |
| Bob Myers | .... | sound technician | |
| Robert Bruce Myers | .... | utility sound | |
| Kelly Oxford | .... | supervising sound editor | |
| Alan Rankin | .... | supervising sound editor | |
| Blair Scheller | .... | boom operator | |
| Pieter A. Schlosser | .... | assistant: Steve Jablonsky | |
| Brad Sherman | .... | sound re-recording mixer | |
| Unsun Song | .... | sound re-recordist | |
| Greg Steele | .... | adr mixer | |
| Jim Stuebe | .... | production sound mixer | |
| Lucy Sustar | .... | foley mixer | |
| Jon Taylor | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist | |
| Karen Vassar | .... | sound effects editor | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Michael Ahasay | .... | special effects foreman | |
| Jay Appleberry | .... | special effects foreman | |
| David J. Barker | .... | special effects | |
| David J. Chamerski | .... | special effects technician | |
| Ryan Evans | .... | special effects | |
| Steve Koch | .... | designer: KNB EFX Group | |
| John D. Milinac | .... | special effects director | |
| Steven Munson | .... | mold/technical department: K.N.B. EFX Group | |
| Dirk Rogers | .... | special effects technician: K.N.B. Effects Group | |
| Patricia Urias | .... | special effects: foam department | |
| Lindsay Vivian | .... | special effects runner | |
| Jenny Wallace | .... | special effects buyer | |
| Chip Williams | .... | special effects technician: casting/fabrication | |
Visual Effects by | |||
| Andy Barrios | .... | Inferno artist: Asylum | |
| Judith Bell | .... | rotoscoper | |
| Elissa Bello | .... | lead rotoscoper | |
| Kevin Bouchez | .... | compositor | |
| Timothy Clark | .... | matte painter | |
| Brandon Criswell | .... | rotoscoper | |
| Kevin Culhane | .... | 3D tracking | |
| Brian Cuscino | .... | I/O | |
| Amit Dhawal | .... | rotoscoper | |
| Sean Andrew Faden | .... | visual effects supervisor | |
| Adam Frazier | .... | I/O | |
| Roger Guyett | .... | visual effects supervisor: ILM | |
| Matthew Hackett | .... | animator | |
| Steven Hawkins | .... | I/O | |
| Jen Hutchinson | .... | controller | |
| Joni Jacobson | .... | compositor | |
| Kim Jorgensen | .... | visual effects producer | |
| Zach Justman | .... | assistant visual effects editor | |
| Joe Ken | .... | Inferno artist: Asylum | |
| Bill Laverty | .... | chief engineer | |
| James Do Young Lee | .... | rotoscoper | |
| Janet Lewin | .... | visual effects producer | |
| Michael Lori | .... | 3D tracking | |
| Cornelia Magas | .... | rotoscoper | |
| Emma McGuinness | .... | visual effects executive producer | |
| Nathan McGuinness | .... | senior visual effects supervisor | |
| Tony Meister | .... | digital artist | |
| Ryan Meredith | .... | visual effects coordinator | |
| Derek Milner | .... | assistant color timer | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Steve Muangman | .... | compositor | |
| Perri Pecora | .... | compositor | |
| Gerald Ragland | .... | digital intermediate assistant | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| John Scheer | .... | digital effects artist | |
| Hilary Sperling | .... | compositor | |
| Marty Taylor | .... | compositor | |
| Jessica Teach | .... | visual effects coordinator | |
| Zachary Tucker | .... | animator | |
| Aaron Vest | .... | modeler | |
| Steve Vojkovic | .... | digital opticals | |
| Jeff Werner | .... | CG producer | |
| Yuichiro Yamashita | .... | animator | |
| Tonia Young | .... | rotoscoper | |
| Beth D'Amato | .... | digital paint and roto artist (uncredited) | |
| Claas Henke | .... | compositor: Asylum (uncredited) | |
Stunts | |||
| Tommy Bacini | .... | stunts | |
| Kenny Bates | .... | action coordinator | |
| Kurt Bryant | .... | stunt coordinator | |
| Stacey Carino | .... | stunts | |
| Brian Christensen | .... | stunts | |
| Laura Dash | .... | stunts | |
| Tobiasz Daszkiewicz | .... | stunts (as Tobias Daszkiewicz) | |
| Shauna Douglas | .... | stunts | |
| Shauna Duggins | .... | stunt double | |
| Richard Epper | .... | stunt rigger | |
| Richard Epper | .... | stunts | |
| Mark Harper | .... | stunt coordinator | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Tom Lowell | .... | stunts | |
| James R. Mammoser | .... | stunts (as James Mammoser) | |
| Larry Nicholas | .... | stunts | |
| Carl Paoli | .... | stunt double: Ryan Reynolds | |
| Linda Perlin | .... | stunts | |
| Jodi Starnes | .... | stunts | |
| Tom Vicini | .... | stunt double: Billy | |
| Tom Vicini | .... | stunts (as Gaetano Vicini) | |
Casting Department | |||
| Danielle Aufiero | .... | casting assistant | |
| Meagan Lewis | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Matt Miller | .... | casting associate | |
| Mickie Paskal | .... | casting: Chicago | |
| Marisa Ross | .... | casting associate | |
| Danny Roth | .... | casting: New York | |
| Jennifer Rudnicke | .... | casting: Chicago | |
Costume and Wardrobe Department | |||
| Patrick Caulfield | .... | set costumer | |
| Miriam Hoffman-Durand | .... | seamstress (as Miriam Hoffman) | |
| Jonathan Kinnas | .... | wardrobe assistant | |
| Gina Panno | .... | costume supervisor | |
| Heather Pollock | .... | additional set costumer | |
| Ellen Ryba | .... | assistant costume designer | |
Editorial Department | |||
| Rob Doolittle | .... | digital on-line editor | |
| Leigh Folsom | .... | first assistant editor | |
| Nicholas Hasson | .... | digital intermediate editor | |
| Mo Henry | .... | negative cutter | |
| Jackie Lee | .... | digital intermediate producer | |
| Missy Papageorge | .... | digital intermediate producer | |
| Chris Regan | .... | color timer | |
| Erik Rogers | .... | digital intermediate producer | |
| John Scheer | .... | digital intermediate on-line editor | |
| Craig W. Smith | .... | apprentice editor | |
| Stefan Sonnenfeld | .... | colorist | |
| Fulvio Valsangiacomo | .... | assistant editor | |
| Salvatore Catanzaro | .... | digital intermediate assist (uncredited) | |
| Mike Chiado | .... | digital intermediate technologist (uncredited) | |
| Mark T. Osborne | .... | additional colorist (uncredited) | |
Music Department | |||
| Robb Boyd | .... | music editor: temp | |
| James Dooley | .... | additional music programmer (as James Michael Dooley) | |
| James Dooley | .... | composer: additional music (as James Michael Dooley) | |
| Clay Duncan | .... | additional music programmer | |
| Clay Duncan | .... | composer: additional music | |
| Jonathan Flood | .... | additional music programmer | |
| Jonathan Flood | .... | composer: additional music | |
| Bruce Fowler | .... | score orchestrator | |
| Alan Meyerson | .... | music scoring mixer | |
| Pieter A. Schlosser | .... | technical score advisor | |
| Tom Trafalski | .... | music editor | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Joey Freitas | .... | transportation | |
| Brian McQuery | .... | transportation production assistant | |
Other crew | |||
| Olivier Agostini | .... | production assistant | |
| Robert Amico | .... | stand-in: Phillip Baker Hall, re-shoots | |
| Jeremy Beiermann | .... | assistant production office coordinator | |
| Allison Bergstrand | .... | assistant: Mr. Field | |
| Melissa Bickerton | .... | adr loop group | |
| Senica Billingsley | .... | production assistant | |
| Adam Boor | .... | office production assistant | |
| Kevin Boyd | .... | video coordinator | |
| Brady Breen | .... | location manager | |
| Dru Anne Carlson | .... | script supervisor | |
| Jeffrey Caruso | .... | assistant production coordinator | |
| Beth Casey | .... | animal trainer | |
| Bill Casey | .... | animal trainer | |
| Rosie Charbonneau | .... | assistant: Randall Emmett and George Furla | |
| Jason Cosgrove | .... | business and legal affairs | |
| Patrick Cunningham | .... | key on-set production assistant | |
| Joli Eberhart | .... | assistant: Michael Bay | |
| Liam Ford | .... | data manager: CO3 | |
| Ira Gerber | .... | production assistant | |
| Carrie Goodman | .... | location scout | |
| P.J. Haines | .... | chef | |
| Virgil E. Hammond III | .... | executive specialist: Cinecoach Production Systems | |
| Sheryl L. Hammond | .... | executive specialist: Cinecoach Production Systems | |
| Clayton Hauck | .... | additional production assistant | |
| Rosa Yang Kato | .... | assistant location manager (as Rosa Yang Kato) | |
| Bradley Kettlety | .... | assistant: Mr. Douglas | |
| Perry M. Kimura | .... | digital film scanning and recording | |
| Sara Nudelman | .... | office production assistant | |
| Disha Patel | .... | production assistant | |
| Diane Perry | .... | on-set masseuse | |
| John M. Pisani | .... | publicist | |
| Martha Provenzano | .... | assistant: Mr. Form and Mr. Fuller | |
| Katie Pruitt | .... | production assistant | |
| James Reem | .... | first aid | |
| Robert Rizzolo | .... | set production assistant: re-shoots | |
| Marco A. Rodriguez | .... | remote head technician | |
| Sandy Sfeir | .... | first assistant accountant | |
| Jenny Siff | .... | production staff: additional photography | |
| Michele Soefer | .... | assistant: Mr. Form and Mr. Fuller | |
| Stefan Sonnenfeld | .... | executive producer: Company 3 | |
| Andy Spellman | .... | additional production assistant | |
| Helen Stergiou | .... | payroll accountant | |
| Laura Torrance | .... | studio teacher | |
| Jeff Valeri | .... | production coordinator | |
| Kenneth Yoder | .... | production assistant | |
| Edward Albolote | .... | assistant: Michael Bay (uncredited) | |
| Graham Geraghty | .... | assistant: Michael Bay (uncredited) | |
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| The Amityville Horror | Halloween | The Omen | The Last House on the Left | The Night of the Hunter |
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If you completely ignore anything and everything that has to do with the Amityville stories, then this is a pretty decent horror flick. Ryan Reynolds turns in a very effective performance, reminiscent of Jack Nicholson in "The Shining." By the end of the flick, i was scared of the dude. The rest of the cast was solid, as well. Lots of scares throughout the film, but a little too much of the "MTV style" editing, especially in the last fifteen minutes or so. But all in all, a decent effort, just like i said.
HOWEVER.
If you're going into this expecting any resemblance WHATSOEVER to the book, the original film, or any of the stories told over the years, you're going to be severely disappointed. The filmmakers have pretty much left out the events that transpired in the novel and the previous film, and instead they take an extreme amount of liberty with the story and turn it into a series of stylized Hollywood scare tactics. Don't get me wrong, this is still effective, but if you're going to release a movie and promote it as "Based on the True Story" then you might wanna make sure that the movie at least RESEMBLES the original story.
In fact, George Lutz is currently in litigation with MGM films over the content of the movie, claiming that it shows his family in a potentially damaging light. When you see the flick, you'll understand why he's upset. I can't fault the guy.
If they had left the Amityville name off of this one and just released it as some generic haunted house movie, then i wouldn't have so many issues with it. But to even associate it with anything Amityville-related just seems wrong to me, because they have completely screwed it up. I would still recommend the film, and just caution potential viewers to forget everything you've ever seen or heard about Amityville. Otherwise you'll walk out of that theater just as annoyed as i was.