| William H. Macy | ... | Arthur Raven | |
| Tom Selleck | ... | Larry Starczek | |
| Monica Potter | ... | Muriel Wynn | |
| Felicity Huffman | ... | Gillian Sullivan | |
| James Rebhorn | ... | Erno Erdai | |
| Shemar Moore | ... | Collins Farwell | |
| Glenn Plummer | ... | Romeo 'Squirrel' Gandolf | |
| Yanna McIntosh | ... | Genevieve Carriere | |
| Nigel Bennett | ... | Talmadge Loman | |
| David Fox | ... | Judge Harlow | |
| Christina Collins | ... | Louisa Remardi | |
| Gerry Mendicino | ... | Gus Leonidas | |
| Brian Heighton | ... | Paul Judson | |
| Allan Royal | ... | O'Grady | |
| Robert Verlaque | ... | Dickerman | |
| John Dunsworth | ... | Ike | |
| Rhonda McLean | ... | Marta Stern | |
| Nancy Regan | ... | Prison Reporter | |
| Doug Barron | ... | Funeral Reporter | |
| Stephen Coats | ... | Gala Host | |
| Gary Levert | ... | Evidence Room Officer | |
| Mauralea Austin | ... | Tina - Bistro Woman | |
| Michael Pellerin | ... | Jail Deputy | |
| rest of cast listed alphabetically: | |||
| Deborah Allen | ... | Waitress | |
| Robert Bockstael | ... | Detective | |
| Ray Brimicombe | ... | Judge Harlow's Bailiff | |
| Ron Canada | ... | Jackson Aires | |
| Eugene Clark | ... | Chief Harold Greer | |
| Roger Dunn | ... | Leo Carnahan | |
| John Evans | ... | Tom Woznicki | |
| Martha Irving | ... | Woznicki's Woman | |
| Eric Lemoine | ... | Forensic Officer | |
| Frank Nakashima | ... | Daniel 'Painless' Kumagi | |
| Juanita Peters | ... | Female Guard | |
| Shawn Tanaka | ... | Prisoner | |
| Ian Tench | ... | Judge Sullivan's Bailiff | |
Directed by | |||
| Mike Robe | |||
Writing credits(WGA) | ||
| Scott Turow | (novel) | |
| Alan Sharp | (teleplay) | |
Produced by | |||
| Ted Babcock | .... | co-producer | |
| Mike Robe | .... | producer | |
| Peter Sadowski | .... | producer | |
| Robert M. Sertner | .... | executive producer | |
| Randy Sutter | .... | producer | |
| Frank von Zerneck | .... | executive producer | |
Original Music by | |||
| Laura Karpman | |||
Cinematography by | |||
| Derick V. Underschultz | (director of photography) (as Derick Underschultz) | ||
Film Editing by | |||
| Tod Feuerman | |||
Production Design by | |||
| Ian D. Thomas | (as Ian Thomas) | ||
Art Direction by | |||
| Mark Laing | |||
Set Decoration by | |||
| Alan MacLeod | |||
Costume Design by | |||
| Vicki Graef | |||
Makeup Department | |||
| Norma Richard | .... | key hair stylist | |
| Kim Ross | .... | key makeup artist | |
| Jim Macdonald | .... | assistant hair stylist (uncredited) | |
| Chantal Robichaud | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Gilles Bélanger | .... | production manager | |
| Matt Fitzsimons | .... | production supervisor | |
| Karla Morash | .... | assistant production manager | |
| Greg Krutilek | .... | production supervisor (uncredited) | |
Art Department | |||
| M. Danica Ban | .... | set dresser | |
| Lance Barney | .... | lead dresser | |
| Art Baxter | .... | construction coordinator | |
| Chris Brown | .... | props buyer | |
| Marsha Cameron | .... | head scenic artist | |
| Jason Clarke | .... | assistant art director | |
| Keith Currie | .... | property master | |
| Katherine Evans | .... | buyer | |
| Randy Hardy | .... | key scenic artist | |
| Andy Miller | .... | assistant props | |
| Chris Moreau | .... | on-set dresser | |
| Terry Quennell | .... | set designer | |
| Irene Strang | .... | set dresser | |
Sound Department | |||
| Beau Biggart | .... | adr mixer | |
| Bob Costanza | .... | sound effects editor | |
| Tommy Goodwin | .... | foley mixer | |
| G. Michael Graham | .... | supervising sound editor | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Curry) | |
| Allen Hurd | .... | sound re-recordist | |
| Frank Kavanagh | .... | boom operator | |
| Dean Okrand | .... | sound re-recording mixer | |
| Timothy Pearson | .... | foley artist | |
| Jim Rillie | .... | sound recordist | |
Special Effects by | |||
| Gary Coates | .... | special effects coordinator | |
Stunts | |||
| Randy Boliver | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Keith Dimmer | .... | generator operator | |
| Ben Mark Holzberg | .... | gallery photographer | |
| Ruth Leggett | .... | electrician | |
| Raphael MacKenzie | .... | second assistant camera: "b" camera | |
| Keith Murphy | .... | Steadicam operator | |
| Keith Murphy | .... | camera operator: "a" camera | |
| Mario Paulin | .... | gaffer | |
| David Reilly IV | .... | electrician | |
| Gary Sandover | .... | key grip | |
| Jordan Schella | .... | best boy gaffer | |
| Michael P. Mason | .... | daily grip (uncredited) | |
Costume and Wardrobe Department | |||
| Lin Chapman | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Marc Brunswick | .... | post-production coordinator | |
| Damien Simon | .... | assistant editor | |
Music Department | |||
| Terri Fricon | .... | music supervisor | |
| Shannon Halwes | .... | music editor | |
| Bart Samolis | .... | musician | |
Other crew | |||
| Margaret Harrison | .... | assistant location manager | |
| Phil Hatcher | .... | assistant location manager | |
| Heather Macdonald | .... | accounting clerk | |
| Eva MacGregor | .... | payroll accountant | |
| Nancy MacInnis | .... | production coordinator | |
| Ian Macmillan | .... | location production assistant | |
| Lucy McColl | .... | production assistant | |
| Heidi Schiller | .... | script supervisor | |
| Mike Snider | .... | production assistant | |
| Gary Swim | .... | location manager | |
| Shawn Tanaka | .... | assistant: William H. Macy and Felicity Huffman | |
| Sheila Woodley | .... | production accountant | |
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| Call Northside 777 | ...And Justice for All. | Government Agents vs Phantom Legion | Presumed Innocent | The Black Widow |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Wm. H. Macy and Felicity Huffman make it worth watching.
Turow's complex novel has been dumbed down to fit the mini-series format, but that's a trifle. Watch it for the magic that Macy and Huffman bring to small screen.
These are two stars who would not get big screen attention as romantic leads, but their performances sing here, given a chance to play center stage.
Watch how Huffman, as a disbarred and disgraced judge, plays her scene at the dept. store cosmetic counter. In a matter of seconds, she expresses purposeful employment, unguarded hope, crumbling shame, and icy self-contempt.
Macy's opening scene on Labor Day weekend, packing up his office, brings his character to life with uncommon line readings. This script is hardly Mamet, but Macy's skill raises the level of the writing. He clips off one line, talking about his sister's death: "Better this way, instead of her living like a ..." He never says the word vegetable, as if he recognizes the inadequacy of the cliché. No he's not commenting on the script, but letting the character halt himself before dishonoring his dead sibling with dead metaphors.
Let's hope this husband and wife team both get Emmy Awards for such remarkable work. And let's hope we see more of them on the big screen too.