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1904 comments in total

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607 out of 976 people found the following comment useful :-
The standard 'not as good as the book' applies here., 17 May 2006

Author: George Floyd (GF9) from London, England

I can't say I was blown away by The Da Vinci Code - as is often the case, the book was far superior. I generally like Tom Hanks in almost all his roles, however I found that I had such a pre-conception of what Robert Langdon should be, that it took me about half an hour to get used to Hanks occupying this character. Once I settled into it though - it was a thoroughly enjoyable, occasionally slow moving thriller. Having read the book, I did have a knowledge of the various groups and factions involved - I'm not sure how someone who hasn't read the book will fair though. The casting of the movie is surely one of it's stronger points - Paul Bettany is almost unrecognisable and plays the menacing single minded Silas to utter perfection. Sir Ian McKellan too, it totally fantastic, and really steals most scene's he appears in. He delivers some great one liners too - a real character actor playing a real character. Audrey Tautou is as we have come to expect, just lovely, and who else could have played Bezu Fache - Jean Reno was made for the role. As you'd expect from a Ron Howard Production, there is a good amount of cheese, especially towards the end. Langdon's "Godspeed" caused me to awake in the night sweating! I am a fairly harsh marker on the IMDb, so don't be put off by a 6 out of 10 - I did enjoy the movie, but my anticipation was so great with this film, that it could never live up to my expectation.

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1197 out of 2165 people found the following comment useful :-
Great Movie... For Intelligent, Unbiased People, 17 May 2006

Author: Melody from United States

First off, I'd just like to say that this movie is based on a fictional story. FICTION. Why people need to express hatred over this because of their religious beliefs is so mind-boggling. No one is saying that Christianity is wrong, and that this story is right. The book is classified as FICTION, not THEOLOGY! I should also note that my extremely religious Christian friends don't find this movie at all "disturbing" or "wrong". The fact is that if you believe in something, nothing -- including a movie, or story -- should be able to deter you from that belief. If you feel threatened by this movie or any other story like this, you have serious problems regarding the foundations in which you believe.

Now, to the review... I'm not here to give you any spoilers or story info, since that's all been done in the other reviews.

I have never read the book. I went to see the movie with my boyfriend, who read the book recently, and some friends (one of whom has read the book at least twice, and is so into the story that he has researched the symbols and meanings thoroughly and participates in Da Vinci Code games, forums, etc). So we actually had at least 3 differing perspectives here.

I really loved the film. Having no story to compare it to, I didn't feel like I had to have read the book to understand the story. Nothing felt missing or incomplete. I came out of the theater ready to add this list to my favorites, and wanting to read the book to compare it to the movie.

My boyfriend also thought the film was great. He said they did a great job adapting the book to film, and although not everything was there, they did the best that they could with the time they had, and he was impressed.

My friend was so excited throughout the movie, he kept wanting to talk to us about it. He pointed out some things from the book that weren't there as well, but he understood it couldn't all be there. He also said that watching the film put a new perspective for him on the movie, since he imagined things looking and feeling different in his head. Seeing the movie allowed him to look at it differently, which made it exciting all over again.

So, in summary, this seems to be a great movie no matter how deep you are into the Da Vinci Code. I normally wait for movies to go on DVD to rent, but this is one that I'd recommend you see in the theater... the atmosphere makes it more fun and also you can talk about this with others after seeing it, instead of catching up to everyone later and possibly getting spoilers before you watch. Again, I highly recommend this movie! A+

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670 out of 1124 people found the following comment useful :-
Mediocre at best, 18 May 2006

Author: Simon Cobb from Christchurch, New Zealand

*** This comment may contain spoilers ***

While he may not be the world's greatest writer, Dan Brown is an excellent storyteller, as judged by the millions of people who have read and enjoyed "The Da Vinci Code" - me included. So I was keenly anticipating the release of this movie, partly because I enjoyed the book and also because a number of scenes were shot in Lincoln Cathedral, which is my birthplace.

First the good points. Ron Howard has chosen some great locations, and produced a sumptuously photographed film, with a thought-provoking, well-paced storyline which sticks pretty faithfully to the book. For me, Silas (Paul Bettany) is the strongest character in the film, graphically portrayed as a faithful servant of Opus Dei. His role is certainly one heck of a contrast with his recent leading role in Wimbledon!

Unfortunately, for me those good points are outweighed by a wooden dialogue which poor old Tom Hanks and Audrey Tautou have virtually no hope of making anything meaningful from. There is simply no chemistry between the 2 leading characters and some of their lines made me cringe because they were so embarrassingly weak. At no point did I feel involved in what should be a powerful and emotional story; it simply failed to engross me in any way. Bored is a strong word, but I was verging on it by the end.

In summary, disappointing.

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447 out of 784 people found the following comment useful :-
A Nutshell Review: The Da Vinci Code, 18 May 2006

Author: DICK STEEL from Singapore

This movie is becoming as controversial as the book. Since the day it was announced that it's gonna be made, there were protests against it being done, and it has escalated to calls for boycotting, or banning the movie altogether. I'll not waste time and go into its controversies, nor discuss what's real and what's not. Neither will I explain in detail the plot, as I believe most of you readers would already have some vague idea of what it's about, or have read the book, since it's on the bestsellers list for months.

Rather, I'll evaluate the movie as it is, on how well it entertains. Those who wish to preach in my comment box, prepare to have those comments deleted, at my discretion. This is the stand I shall take, that this movie is entirely fictional, based on events which are used loosely, for the sole purpose of weaving a storyline that tries to be believable. I think some have already mentioned it's too successful in doing that, and may mislead people into thinking its theories presented, are real. However, don't take it too seriously, and if you wish to, use another proper platform to debunk the myths, not my movie review blog.

The structure of the movie, is exactly the same as the book. There is no change to the ending, despite some rumours that it will be different. Naturally, some of the detailed explanation that's given in the book, especially many three-way dialogue between Sophie- Robert-Leigh, have to be summarized in order to pace this movie into 2 1/2 hours. Herein lies the challenges. For those who've read the book, the movie offers nothing new, other than the gratification of watching events and characters play out on the big screen. For those who haven't read the book, the movie version should be decent enough to make you want to pick up the novel and read more into the controversial theories explained.

However, having being familiar with the plot and how the story unfolds, red herrings, character motivations, twists and all, it may leave those who've read the novel, a page-turner in every sense of the word, a bit wanting, that the pace could've been improved. Undoubtedly the pacing sags when it's time for some dialogue heavy moments, but I suppose that is unavoidable when you're revisiting material.

However, its presentation of these controversial dialogue moments coupled with special effects, that will make you go wow. Truly, the technique is nothing original, and some of the visuals used looked like Return of the King and Kingdom of Heaven rejects, but as a whole, combined with the narrative, it helps to present the controversies in a more palatable manner.

Casting, I felt, was spot on. Tom Hanks makes Robert Langdon pretty accessible, given Hanks' everyman demeanor, and Audrey Tautou makes a believable Sophie Neveu. Ian McKellen, probably THE actor with 2 summer blockbusters back to back (the other being X- Men 3), is convincing as the rich grail hunter Sir Leigh Teabing. Paul Bettany is chilling as the albino killer Silas, and Jean Reno and Alfred Molina round up the star studded cast as the detective Captain Fache and Bishop Aringarosa.

Much is said about the haunting soundtrack, but as far as I'm aware, there's nothing scary about it. Silas, in his scene of self-cleansing, is horrid enough though, as are some scenes of unexpected on screen violence that hit like a sack of potatoes falling from the sky.

In the end, in spite of all the controversies, perhaps Robert Langdon's line is poignant - if given a chance, would you rather destroy faith, or renew it? The book and the movie have provided an opportunity for the faith to renew itself, to debunk the myths and theories (which were developed loosely to make the story flow of course), and to generally point the curious to the direction and light the faith wants to show.

Otherwise, this Ron Howard movie makes a good summer popcorn flick, with the usual thrills and spills you'd come to expect with its superb production values.

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122 out of 213 people found the following comment useful :-
The best movie critic is YOU, 23 May 2006

Author: Flagrant-Baronessa from the kingdom of far, far away (Sweden)

So I suggest not writing this off as a Hollywood hack film, simply because it's the bandwagon thing to do. Before you go and see The Da Vinci Code, let all the negative and positive hype surrounding this production cancel each other out, clear your mind, and judge this film fairly. Do NOT judge it on its usually weak director, do NOT judge it entirely on the source material and do NOT judge it on your religious beliefs. All this will be rewarding.

I have not read the book so I will not attempt any kind of comparison.

Plot essentially goes like this: In the middle of the night, Professor Robert Langdon (Tom Hanks) is summoned as an expert to a crime scene in Le Louvre where a terrible murder has been committed. The victim's body is self-placed in such a bizarre, symbolic way next to one of the world's most famous paintings that the investigation gradually unlocks age-old mysteries that many do not wish to be unlocked.

The Da Vinci Code is a chilling, thrilling and well-sewn together mystery thriller that often keeps you on the edge of your seat. The cast do not disappoint either. Paul Bettany is genuinely creepy as Silas and thereby reinforces the stereotype that all albinos are evil. While Audrey Tatou is annoyingly frail as Sophie Neveu, she is captivating and lovely and is able to project both charisma and presence on screen in this film. However, Tom Hanks did not at all feel like the protagonist in the story and I am unaware whether that was intentional or not but I'm guessing no, in which case Hanks definitely fails in both attracting and keeping our interest.

So the cast usually perform well (with the exception of Hanks) and the story is also facilitated by some very striking visuals. A big plus for this film which elevates it slightly above generic formula is its beautiful locations often seen through epic aerial shots. Good call, Howard! Another big plus is its distinctly Euro-centric feel in both style and substance. This surprised me since it is Tom Hanks and Ron Howard in the same film, but they do manage to keep the overblown Hollywood clichés to a minimum. This is even apparent in the score by Hans Zimmer; it is not overblown, but subtle and appropriate in the scenes to which it was scored. Similarly, Frenchmen do not speak English with a French accent when they were alone together, but speak in French. That said, the plot does unfold in a somewhat Hollywood fashion -- and the plot happens to be thinner than an Olsen twin.

To counter the good parts, two big minuses in The Da Vinci Code are its wooden and sometimes even placeholder dialogue and its distinct lack of humor. I felt the actors were much too serious for this kind of film, which is first and foremost an adventure story, fast-paced and constantly unlocking new mysteries. The issues in the film were serious enough and needed more comedy to balance them.

As I write this review, more and more bad points about it spring to mind. This is strange, since I remember sitting in the cinema with my friends just a few hours ago and being thoroughly entertained and captivated by the whole thing. So, never mind the occasionally insultingly far-fetched plot and plot-twists by Dan Brown; The Da Vinci Code is a nicely done and very entertaining film in which nothing feels missing or incomplete.

7/10

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75 out of 120 people found the following comment useful :-
Possibly one of the worst scripts ever scripted!, 13 September 2006

Author: PoT8 from Essex, England

*** This comment may contain spoilers ***

Firstly, this is only the second review I've ever posted on IMDb so am unsure as to what constitutes a spoiler to you guys so have checked the box just to cover myself. To be honest though, the whole film is a spoiler so just don't bother.

I can't begin to write here how appalled I was that such a hyped and eagerly anticipated (not by me I must hasten to add) film could be so bad.

I wasn't one of the 'trillions' that read Dan Brown's book, and I think the film makers just assumed that everyone in the audience had read the book, and more to the point, loved the book; "so hey, we don't have to worry too much, whatever we do we're gonna make shed loads, just get it done!". I deteste these films which come out of Hollywood, which seemingly are made purely for profit and let all the important attributes needed to make a true, decent film, fall to the way-side.

It literally took about 15 minutes for me to decide that this film was a complete piece of crap. The dialogue used to move the plot along was ridiculous. In those first 15 minutes Tom Hanks (whom to my mind has only ever made a handful of decent movies at best) is giving a lecture to students. Then he gets taken aside to be told his friend was murdered, can he please come have a look. OK, strange but lets go with it. Then a french policeman tells him he must help immediately and it wouldn't be wise not to. Then a girl appears from nowhere and tells him he must come with her as the policeman is trying to kill him. Oh but wait, we can't go out the front door or anything, we have to go this way. Oh and by the way can you read codes by any chance? Oh you can? Wonderful! Then please de-code this before we go, it'll help greatly........

And so the plot goes on and on and on like this, no explanation, no reasoning just blind commands that he follows again and again from anybody that cares to give him one. At no point in this opening 15 minutes does Tom Hanks question what people are telling him, he just believes them, does what he is told and moves onto the next stage. It was like watching a computer game, with the main character being told do this, do that, don't go here and quick come this way, by supporting characters just to progress onto the next level. It was mind-numbingly boring. Does no-one else agree even slightly with this?

The strange thing is I briefly started to read the opening chapter or two of the book whilst I was away last month with my girlfriend, and my first impressions were that it read like a movie script so something doesn't quite add up........

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57 out of 86 people found the following comment useful :-
Could have been better... Should have been better., 10 July 2006

Author: brodie_kashmir from United States

If you take the most popular book in recent years, you should have the most popular movie since The Lord of the Rings, right? Wrong. Though the film was hotly debated, its cinematic quality and popularity aren't nearly as high as one would expect. Amid protests, pending lawsuits, and outright denouncements by Catholic officials, Ron Howard released his adaptation of Dan Brown's novel, The Da Vinci Code.

American symbologist Robert Langdon (Tom Hanks) and French cryptologist Sophie Neveu (Audrey Tautou) are on a trans-European quest to solve riddles left by Louvre curator, Langdon's hero and Neveu's grandfather, Jacques Saunier, as he lay dying. The riddles and subsequent quest allegedly lead to the true identity and whereabouts of the famed Holy Grail. Hot in pursuit of the thinking man's Bonnie and Clyde is Javert-ian French police captain Bezu Feche (Jean Reno), intent on pinning the murder of Suanier on Langdon and Neveu, and albino monk, Silas (Paul Bettany) under the command of a mysterious telephone voice known only as The Teacher.

With a pedigree such as the most popular book in the world, two Academy Award winners (Hanks, Howard and writer Akiva Goldsman), French film superstars (Tautou and Reno) and Gandalf (Ian McKellen), you'd wonder how such a film could fail.

Well, how about the miscast of Howard as director. Howard lacks the vision to properly adapt the novel and bring it to life. Some of the blame does go to his Cinderella Man scribe Akiva Goldsman for not writing a fitting script. But Howard's awkwardness is more prominent. If we were going to pick name directors for this film, Steven Spielberg would have been better choice, but I think David Fincher (Se7en and Fight Club) would have been perfect.

The whole production felt rushed. Having just read the book, a lot of plot points were fresh in my mind, and that may have clouded the comprehension of certain things, which I think Howard and Goldsman were counting on. Looking back on it, the first 30-45 minutes were very rushed, and I don't think things were adequately explained. They were still referenced and used in the movie, but not explained well. It suffered from the, what I call, Godfather syndrome: referencing things from the book at the wrong time. They could have taken their time with the film, and it would have told the same story, and been a lot better.

Hanks was out of place as Landon, our hero. He doesn't have or project the same presence about him that Langdon should have. Might I suggest seasoned conspiracy theory veteran David Duchovny? As with Mission:Impossible:III, the supporting cast was impeccably put together, and the one true weakness of the cast is unfortunately the keystone (maybe it's just a bad year for actors named Tom).

Slightly better than your average summer fair, but still doesn't hold up when put against the equally action oriented yet wholly more insightful X-Men franchise.

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68 out of 110 people found the following comment useful :-
Art Teacher says the Art History in the DaVinci Code was atrocious, 4 July 2006

Author: azuzastreet-1 from United States

*** This comment may contain spoilers ***

So much for the "sacred feminine"!

This movie bore more resemblance to Paris Hilton than Paris, France. It was good looking, but extremely shallow.

Ron Howard did a fine job of directing, but Tom Hanks was completely unconvincing. Visuals were excellent, but the music was overbearing. Ian McKellan was fabulous. The actors who played Fache and the bishop were also excellent, but did not have enough camera time. Too bad.

Most of my criticisms are probably aimed at the material Howard had to work with, meaning the book, "The DaVinci Code", which contained multiple gross art history errors. As a veteran Art Teacher with a Master's degree in Art Education, these errors was extremely distracting to me in both reading the book and watching the movie.

Some of these errors are as follows:

The windows at the pyramid at the Louvre contain 673 panes of glass, not 666.

Leonardo (Whose last name is NOT DaVinci..Da Vinci simply refers to the town he lived in) never referred to the "Mona Lisa" as the "Mona Lisa" in his life time. The moniker was given to the painting by the Art biographer Vasari in the 1800's; thus, Leonardo never could have come up with the outlandish anagrams.

The painting "Madonna on the Rocks" is actually entitled "Virgin on the Rock"; again, this was done so that Brown can create a convenient anagram. In the Louvre, it is NOT located in the same room as the Mona Lisa.

The Last Supper is NOT a fresco. It is a mural. If Mary Magdeline is to the left of Christ in the painting, then where was John? Why would Leonardo make him be missing? It was customary for painters from the Florentine school (where Leonardo hailed from), to make young men appear more feminine than older men, to infuse a bit of innocence in their appearance. Additionally, the Bible contains NO references to the "holy grail", or "chalice". Leonardo was simply making his painting more natural,in keeping with his naturalistic interpretations of his subjects.That's what Leonardo was famous for!! Leonardo, like most of us, simply believed that Jesus didn't have the, uh, " bling" to own a golden chalice!!

There is a sketch by Leonardo of the "mystery hand" holding the knife in the Royal Windsor Art collection, and that hand definitely belongs to Peter. It is not a "disembodied hand wielding a dagger".

If I hadn't read the book first, I would have been confused with the flash backs, which were very poorly rendered.

The film was very "talky", which is bad enough, but the talk itself wasn't accurate. I'm surprised the main female character's (Sophie) head didn't explode with all the condescending lectures she was given.

"Sacred feminine", indeed...I'm a woman, and "The Davinci Code" insulted my intelligence.

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542 out of 1062 people found the following comment useful :-
Loved the book? It's hard not to love this., 18 May 2006

Author: toddt85 from Australia

Okay, let me start off by saying that I absolutely loved the book - it had me hooked more than Harry Potter - and that's saying something (and no I'm not a 10 year old child)! After hearing about the critics' mainly negative views of the film, I approached it without high expectations, and for that, I was rewarded. What I got was an action-packed film that didn't let up until the dying minutes. This film is incredibly faithful to the book (I'm looking at you, Girl With a Pearl Earring!!) to the point where hardly anything is left out, and only minor things have been changed. The visuals are stunning, the acting of Hanks and Tautou is great - and contrary to certain critics opinions - I felt the emotional connection between them. As always, McKlellan is fun to watch, effortlessly bringing Teabing to life, and Reno suffices as Fache. Bettany is fantastic as Silas. The musical score was as good as the visual look of the film - it paired perfectly with the storytelling. Overall, I left the cinema feeling satisfied, because a great book had been turned into a really good film. Approach this film with little expectation, and you will enjoy the ride. Bravo Ron Howard, for doing such a good job.

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63 out of 111 people found the following comment useful :-
Listless, Pointless, Dull and far Worse than I had Imagined!, 14 June 2006

Author: Michael McGonigle (mmcgonigle@philamuseum.org) from Philadelphia, PA.

*** This comment may contain spoilers ***

By the halfway point, I had this film in my liked column, but then it just went on and on and on, in fact, even though I have left the theater, I still think the film is running. This is a thriller with no thrills, an intellectual mystery with no mystery or intellect. It posits a mystery 2000 years old and feels like it was filmed in real time.

Who is Robert Langdon, the hero played by Tom Hanks? I get no feeling for anything about the guy, his claustrophobia is presented as being important, but it is an uninteresting embellishment and is clearly not important to the story.

The whole story for the film reduces to. . .well, I don't know what it reduces to? I seemed to just be watching pretentious people running around on fool's errands. This is not always a problem in a movie, no one can adequately explain The Big Sleep and I defy anyone to clearly tell me what happens in the recent Russian film Night Watch, but those films have a surfeit of characters that make the twists and turns interesting to follow. Not to mention a wonderful visual strategy that makes them breath. The Da Vinci Code is a suffocating film that does the impossible; it makes the Louvre look boring.

I was puzzled by the casting. With all American Tom Hanks on board and the French Audrey Tautou, the German Jurgen Prochnow and the competent Brits: Alfred Molina, Paul Bettany, and Ian McKellen, we have a Chinese dinner approach to casting "one from column A and one from column B", but this cast doesn't gel.

They each do their little bits, but the whole does not add up to more than the parts. There were too many little things that rankled me or anyone with half a brain. The Louvre is filmed so blandly, that it doesn't really matter that they really used the real place for a location. Also, the Louvre does not have steel gates that come down when a painting is removed from the wall. Also, Tautou introduces herself as a "French Police Cryptologist". French Police Cryptologist? The French have a national police? The Louvre wouldn't be in the Paris police jurisdiction? Does your city have a staff cryptologist on its police force? Too many ludicrous things happen that made me ask questions while it is happening, not after it's all done when you would get the Hitchcock "refrigerator moment". I can take religious hooey, but I can't take scientific hooey. Even the car chases are uninteresting, and badly filmed.

One more thing, if I am ever shot and have to leave a clue to the identity of my killer, I will write that he was an albino monk in a cassock with a cell phone and an automatic. There can't be that many running around, even in Paris.

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