| Photos (see all 6 | slideshow) | Videos (see all 3) |
| Isabelle Huppert | ... | Hélène, the Mother | |
| Louis Garrel | ... | Pierre, the Son | |
| Emma de Caunes | ... | Hansi | |
| Joana Preiss | ... | Réa | |
| Jean-Baptiste Montagut | ... | Loulou | |
| Dominique Reymond | ... | Marthe | |
| Olivier Rabourdin | ... | Robert | |
| Philippe Duclos | ... | The Father | |
| Pascal Tokatlian | ... | Klaus | |
| Théo Hakola | ... | Ian | |
| Nuno Lopes | ... | The Doctor | |
| Patrick Fanik | ... | Eric | |
| Susi Egetenmeier | ... | Woman in dunes | |
| Sylvia Johnson | ... | Woman of couple |
Directed by | |||
| Christophe Honoré | |||
Writing credits(in alphabetical order) | ||
| Georges Bataille | novel | |
| Christophe Honoré | writer | |
Cinematography by | |||
| Hélène Louvart | |||
Film Editing by | |||
| Chantal Hymans | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Laurent Allaire | |||
Costume Design by | |||
| Pierre Canitrot | |||
Makeup Department | |||
| Frédéric Balmer | .... | assistant makeup artist | |
| Paul de Fisser | .... | hair stylist | |
| Delphine Jaffart | .... | key makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Joaquim Carvalho | .... | unit production manager | |
| Laetitia Fèvre | .... | production supervisor | |
| Sylvain Monod | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Julie Gouet | .... | assistant director | |
| Sylvie Peyre | .... | first assistant director | |
Art Department | |||
| Yannick Heuveline | .... | assistant decorator | |
| Arnaud Roth | .... | first assistant decorator | |
Sound Department | |||
| Jean-Claude Brisson | .... | sound | |
| Pascal Despres | .... | boom operator | |
| Frédéric Fichefet | .... | sound editor | |
| Bernhard Maisch | .... | sound | |
| Joaquim Pinto | .... | sound | |
Camera and Electrical Department | |||
| Hugues Espinasse | .... | focus puller | |
| Jean-François Hensgens | .... | first assistant camera | |
| José Carlos Loureiro | .... | grip | |
Casting Department | |||
| Margarida Roberto | .... | casting: Portugal | |
Other crew | |||
| Helena Gonçalves | .... | production assistant | |
| Maureen Meyer | .... | script supervisor | |
Thanks | |||
| Diastème | .... | thanks | |
| Gaël Morel | .... | thanks | |
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It is ironic that the protagonist in "Ma Mere" evolves from a "believer" into an "agnostic" after the tutelage in depravity offered him by his mother. Ironic, because certainly if ever there were a film that inspired--demanded--moral judgement upon its characters, it is this one (all the more so, when one views the alternate ending on the DVD). And yet, the message of the film (if there is really any) is that there is no place for judgement--or any hope of redemption. This turns a rather pornographic character study into a third rate tragedy. I remember the grave controversy that erupted over Bertolucci's "Luna" in 1979. How open minded (or, how low we have sunk, depending on your take on the matter) we have become as filmgoers that "Ma Mere" hardly caused a ripple. Indeed it is "Luna" to the tenth power. Although the plot does little more than provide a reason for the cast to engage in fornication, incest, homosexuality, domination, abuse, flaying (sort of), etc., Isabelle Huppert as the mother, and Louis Garrell as her son, are excellent (and beautiful)--as usual. That they have lent their talents to camouflaged exploitation can best be described as "unwise", though some critics have called it "courageous." "The pleasure only begins when the worm is in the fruit", the mother tells her son at one point in the picture. You can be sure this fruit is rotten at the core.