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| Laura Linney | ... | Louise Harrington | |
| Gabriel Byrne | ... | Peter Harrington | |
| Lois Smith | ... | Ellie Silverstein | |
| Paul Rudd | ... | Sammy Silverstein | |
| Topher Grace | ... | F. Scott Feinstadt | |
| Jennifer Carta | ... | Work-Study | |
| Becki Newton | ... | Rebecca | |
| Chris Meyer | ... | Ricky | |
| Daniel C. Levine | ... | Desk Clerk | |
| Marcia Gay Harden | ... | Missy Goldberg | |
| rest of cast listed alphabetically: | |||
| Ross A. McIntyre | ... | Jimmy (uncredited) | |
| Susan Porro | ... | Waitress (uncredited) | |
| Stacy Lynn Spierer | ... | Stacey (uncredited) | |
Directed by | |||
| Dylan Kidd | |||
Writing credits | ||
| Helen Schulman | (novel) | |
| Helen Schulman | (screenplay) and | |
| Dylan Kidd | (screenplay) | |
Produced by | |||
| Allen Bain | .... | co-producer | |
| Wouter Barendrecht | .... | executive producer | |
| Anne Chaisson | .... | producer | |
| John Hart | .... | producer (as John N. Hart) | |
| Michael Hogan | .... | executive producer | |
| Julian Iragorri | .... | executive producer | |
| Robert Kessel | .... | producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
| Michael J. Werner | .... | executive producer (as Michael Werner) | |
| Nina Wolarsky | .... | associate producer | |
Original Music by | |||
| Craig Wedren | |||
Cinematography by | |||
| Joaquín Baca-Asay | (director of photography) | ||
Film Editing by | |||
| Kate Sanford | |||
Casting by | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
| Wendy Weidman | |||
Production Design by | |||
| Stephen Beatrice | |||
Art Direction by | |||
| Dina Varano | |||
Set Decoration by | |||
| Lisa Scoppa | |||
| Peter John Zumba | |||
Costume Design by | |||
| Amy Westcott | |||
Makeup Department | |||
| Jason Hayes | .... | key hair stylist | |
| Susan Reilly LeHane | .... | key makeup artist | |
| Tania Ribalow | .... | makeup artist | |
| Amanda Ross-McDonald | .... | additional makeup artist | |
Production Management | |||
| Paul Leonardo Jr. | .... | post-production supervisor | |
| Aaron Waiton | .... | unit production manager | |
Art Department | |||
| Charles Ard | .... | additional scenic artist | |
| Philip Berger | .... | art production assistant | |
| Joel Thomas 'JT' Camp | .... | property master (as J.T. Camp) | |
| Scott Canfield | .... | lead man | |
| Neil Driscoll Jr. | .... | on-set dresser | |
| Midge Duffy | .... | prop assistant (as Mary 'Midge' Duffy) | |
| Bryan Hodge | .... | set dresser | |
| Julie Ho | .... | art production assistant | |
| Sam Horine | .... | carpenter | |
| Greg Izzo | .... | set dresser | |
| Joe James | .... | set dresser | |
| Suzanne Kent | .... | scenic artist | |
| Cathryn Mazer | .... | additional on-set dresser | |
| Leslie Seigel | .... | art production assistant | |
| Brandon Smith | .... | art department assistant | |
| Robert Castillo | .... | illustrator (uncredited) | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist (as Marko Constanzo) | |
| Mark Filip | .... | sound effects editor | |
| Albert Gasser | .... | dialogue editor | |
| Elisabeth Giglio | .... | sound studio manager | |
| Philip Gleason | .... | second boom operator | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| George A. Lara | .... | foley supervisor (as George Lara) | |
| Brian Miksis | .... | sound mixer | |
| Cate Montana | .... | adr editor | |
| Aaron J. Rudelson | .... | boom operator (as Aaron Rudelson) | |
| Paul Sacco | .... | sound consultant: Dolby | |
| David Warzynski | .... | foley recordist | |
| Dan Wesson | .... | boom operator | |
Visual Effects by | |||
| Luke DiTommaso | .... | visual effects | |
| Mitch Paulson | .... | digital preview colorist | |
| Jennifer Russomanno | .... | title designer | |
| Keith Yurevitz | .... | visual effects | |
Casting Department | |||
| Jason McCallum | .... | extras casting assistant | |
| Kristen Paladino | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Avila | .... | wardrobe production assistant | |
| Karen Malecki | .... | costume assistant (as Karen Waiton) | |
| Lisa Marzolf | .... | wardrobe supervisor | |
Editorial Department | |||
| Don Ciana | .... | color timer | |
| Sam Daley | .... | colorist: video mastering | |
| Joe Violante | .... | color coordinator | |
| Laura Weinberg | .... | assistant editor | |
Music Department | |||
| Lee Mars | .... | music scoring mixer | |
| Jonathan McHugh | .... | music supervisor | |
| Nicole Pouliot | .... | music coordinator | |
| Sally Swisher | .... | music editor | |
Transportation Department | |||
| Peter Reith | .... | transportation captain | |
Other crew | |||
| David Beatrice | .... | assistant: Dylan Kidd | |
| Christy Benanti | .... | office production assistant | |
| Andrew Cesana | .... | additional production assistant | |
| Eileen Choi | .... | assistant: John Hart | |
| Kenneth Chu | .... | production assistant | |
| Dennis Ciccone Jr. | .... | additional production assistant (as Dennis Ciccone) | |
| Amy Dempsey | .... | assistant production office coordinator | |
| Luke DiTommaso | .... | titles | |
| Kat Donahue | .... | assistant location manager | |
| Jesse Fox Chaney | .... | production assistant (as Jesse Chaney) | |
| Lauren Fritz | .... | location scout | |
| Melissa Gelernter | .... | additional production assistant | |
| Laurie Gershon | .... | product placement/clearances | |
| Patrick Huber | .... | production assistant | |
| Joshua W. Ingalls | .... | key production assistant | |
| Markus Janner | .... | titles | |
| Nicholas Owen Langholff | .... | key set production assistant | |
| Matt Maisto | .... | production assistant | |
| Chris Marsh | .... | location manager | |
| Ross A. McIntyre | .... | director of development: Dirty Rice | |
| Natalia Parsons | .... | production assistant | |
| Derek Pastures | .... | parking coordinator | |
| Anthony Pettine | .... | script supervisor | |
| Jennifer Russomanno | .... | titles | |
| Clarence Sharpe | .... | additional key production assistant | |
| Michael Sledd | .... | additional production assistant | |
| Daryl Sledge | .... | production assistant | |
| Roodly St. Eloi | .... | additional production assistant | |
| Gayle Vangrofsky | .... | location scout | |
| Elizabeth Verghese | .... | key production accountant | |
| John Verni | .... | location scout (as J.P. Verni) | |
| Daniel Wagner | .... | production office coordinator | |
| Brett Williams | .... | production executive | |
| Keith Yurevitz | .... | titles | |
Thanks | |||
| Laylee Olfat | .... | special thanks | |
| Campbell Scott | .... | thanks | |
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| City of Shoulders and Noses | Edvard Munch | Notes on a Scandal | How to Deal | Across the Universe |
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Basically the film is about a lonely 39 year old woman named Louise (Laura Linney) whose only friend (self-admitted) is her ex-husband. She lives her safe and humdrum life working at Admissions for Columbia, talking to her best friend (Marcia Gay Harden) who is going through her own adulthood misery, and watching happier, younger couples from her office aloft. So, when an application with the name F. Scott Fienstadt (Topher Grace), the same name as the young love of her life who died, comes along she has no problem going completely out of her comfort zone and daily routine to meet, seduce, and compare the new to the old, or rather her indestructible memory of the old.
It's a dangerous plot premise-- already you've got the Mrs. Robinson comparisons, as well as the tiptoe out of reality with the same name as her dead love, and the adulthood alienation script. However, it seems that every single person in the movie was completely aware of the danger and paid so much care to their work that you don't even recognize it. Laura Linney, in a demanding role, manages to not only evoke sympathy while she tortures the younger man with her cynicism but also gives a complexity and innocence to the female character that most every actress in Hollywood strives for but seldom achieves. Topher Grace, as her paramour, gives a smart performance that mixes the self-confidence of youth with a restrained, intellectual, old soul backbone that really serves to offer himself up as more than a teenage, primetime face. Marcia Gay Harden is wonderful and real as always, she could have hammed up this character, but she played it very nicely -- so much so you could see the girl in the woman, which is exactly what she needed to do. The rest of the supporting cast is solid, and since it is such a small ensemble, heavily appreciated.
Yes, the ending isn't what it could have been but the relationship and the plot could have been a whole lot worse. If anything, I highly recommend it for people who love the small ensemble films that attempt to deal openly and honestly with out of the box relationships and being who you are at the age you are now. 6/10.