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P.S.
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P.S. (2004) -- A romantic story about a late 30's divorced woman who gets to live her fairy tale when she is reunited with a high school sweetheart who had died previously and reincarnated in a mid 20's year old cutie.
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Overview

User Rating:
6.4/10   3,177 votes
MOVIEmeter: ?
Down 3% in popularity this week. See why on IMDbPro.
Director:
Dylan Kidd
Writers:
Helen Schulman (novel)
Helen Schulman (screenplay) ...
more
Contact:
View company contact information for P.S. on IMDbPro.
Release Date:
15 April 2005 (Greece) more
Tagline:
What would you do for a second chance?
Plot:
An unfulfilled divorced woman gets the chance to relive her past when she meets a young man who appears to be her high school sweetheart who died many years before. full summary | add synopsis
Awards:
2 wins & 3 nominations more
NewsDesk:
(5 articles)
Decade in Review: 2000 Top Ten
 (From FilmExperience. 5 November 2009, 1:07 PM, PST)

MovieWeb's 2009 Fall Movie Guide!
 (From MovieWeb. 1 September 2009, 7:54 AM, PDT)

User Comments:
Stellar lead performances lift this above the ordinary more (37 total)

Cast

  (Complete credited cast)
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Additional Details

MPAA:
Rated R for language and sexuality.
Runtime:
97 min | Canada:100 min (Ontario)
Country:
USA
Language:
English
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital

Fun Stuff

Trivia:
The artwork by the character F. Scott is by the artist Bryan LeBoeuf. more
Quotes:
[first lines]
Peter Harrington: I can hear you.
Louise Harrington: Hear what?
Peter Harrington: Counting the calories.
Louise Harrington: Fuck off.
more
Soundtrack:
La Salsa en Mi more

FAQ

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31 out of 33 people found the following comment useful.
Stellar lead performances lift this above the ordinary, 30 October 2004
7/10
Author: anhedonia from Planet Earth

Writer-director Dylan Kidd's "P.S." is funny, sweet and moving and better than most romantic-comedies these days.

Laura Linney's magnificent. Then again, when is she not? Let's face it, she, and not Julia Roberts, should have won the Best Actress Oscar for 2000. Linney makes acting look so easy, a pleasure to watch.

In "P.S.," Linney's Louise Harrington, a Columbia University administrator who maintains a close relationship with her ex-husband, Peter (Gabriel Byrne). One day she's startled when she gets an application to the School of Visual Arts from a young artist named F. Scott Feinstadt. Her shock? Her late childhood sweetheart was an artist named Scott Feinstadt. Naturally, Louise wants to know more about the young applicant and what follows is a wonderful telling of the lengths to which we go sometimes to rekindle old passions.

As captivating as Linney is in this film, Topher Grace, best known for his playing Eric on TV's "That '70s Show," turns in a performance that's surprisingly good, filled with warmth, humor. This chap's got a promising career ahead of him. Grace's F. Scott has attitude to spare and Kidd uses him wisely. Our introduction to F. Scott is not what we'd normally expect - a meet-cute or the initial interview at Columbia. No, the first time we're aware of F. Scott is through a telephone, when Louise calls him up to ask for samples of his work. It's a deft touch by Kidd. It's a breezy, fun turn by Grace who imbues F. Scott with confidence and a cavalier attitude that immediately lets us know what kind of a person he is even before we see him.

Louise's transformation once she meets F. Scott showcases what a fine actress Linney is. There's this charming schoolgirlish giddiness about Louise. We watch as this mature woman feels the excitement of a new love and it's something with which we're all familiar.

The film runs into problems when we're introduced to Louise's best friend, Missy (Marcia Gay Harden), a flirt who played a key role in the Louise-Scott relationship years before. I never quite bought Harden's role and the Louise-Missy conflict isn't nearly as interesting as watching Louise blossom into a sprightly woman with a tremendous crush. Her love affair is more enticing and funnier than a disagreement that seems fabricated to give us some conflict.

Kidd doesn't fixate on whether F. Scott really is Louise's sweetheart reborn. It really doesn't matter. This film is about life's delightful coincidences. Sometimes, facts are stranger than fiction. So it's irrelevant whether Kidd solves that mystery.

Kidd's direction here seems more assured than his debut film, "Rodger Dodger" (2002). But his characters aren't as memorable and "P.S." might not have moments you recall years later - I still remember the park bench and party-crashing scenes from "Rodger Dodger." But "P.S." still is an awfully good film with a fine ensemble cast. It could be tightened; the film feels about five minutes too long. But that's a minor quibble.

This is yet another good film having difficulty getting released. "P.S." isn't one of the great films of the year. But it's infinitely better than most of the movies in wide release right now. It has two outstanding performances, plenty of genuinely good laughs and is an enchanting romantic-comedy that deserves to be seen by more people.

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