| Photos (see all 13 | slideshow) | Videos |
| Julianne Moore | ... | Barbara Baekeland | |
| Stephen Dillane | ... | Brooks Baekeland | |
| rest of cast listed alphabetically: | |||
| Elena Anaya | ... | Blanca | |
| Simón Andreu | ... | Jean Pierre Souvestre | |
| Jim Arnold | ... | Joost Van Den Heuvels | |
| Xavier Capdet | |||
| Barney Clark | ... | Tony as a child | |
| Hugh Dancy | ... | Sam Green | |
| Abel Folk | ... | Carlos Durán | |
| Mapi Galán | ... | Simone Lippe | |
| Martin Huber | ... | Aschwin Lippe | |
| Lina Lambert | ... | Missy | |
| Minnie Marx | ... | Midge Van Den Heuvels | |
| Peter Vives Newey | ... | Mishka | |
| Brendan Price | |||
| Eddie Redmayne | ... | Tony Baekeland | |
| Anne Reid | ... | Nini Daly | |
| Belén Rueda | ... | Pilar Durán | |
| Unax Ugalde | ... | Black Jake | |
Directed by | |||
| Tom Kalin | |||
Writing credits(WGA) | ||
| Howard A. Rodman | (screenplay) | |
| Natalie Robins | (book) & | |
| Steven M.L. Aronson | (book) | |
Produced by | |||
| Alberto Aranda | .... | co-producer | |
| Christian Baute | .... | co-executive producer | |
| Johnathan Dorfman | .... | executive producer | |
| Temple Fennell | .... | executive producer | |
| Xavier Granada | .... | co-producer | |
| Stephen Hays | .... | executive producer | |
| Pamela Koffler | .... | producer | |
| Iker Monfort | .... | producer | |
| Hengameh Panahi | .... | executive producer | |
| Howard A. Rodman | .... | associate producer | |
| Katie Roumel | .... | producer | |
| Elvira M. Sales | .... | co-executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Juan Miguel Azpiroz | |||
Film Editing by | |||
| John F. Lyons | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Víctor Molero | |||
Art Direction by | |||
| Deborah Chambers | |||
Costume Design by | |||
| Gabriela Salaverri | |||
Makeup Department | |||
| Ana López Puigcerver | .... | makeup department head | |
| Belén López Puigcerver | .... | hair department head | |
| Jerry Popolis | .... | hair stylist: Julianne Moore | |
| Susan Reilly LeHane | .... | makeup artist: Julianne Moore | |
Production Management | |||
| Asen Kanchev | .... | music production manager | |
| Nicolás Tapia | .... | production manager | |
Second Unit Director or Assistant Director | |||
| F. Javier Soto | .... | first assistant director | |
Art Department | |||
| Nuria Muni | .... | property master | |
| Octavio Tapia | .... | on-set propmaster | |
Sound Department | |||
| Juan Borrell | .... | sound | |
| Bela María da Costa | .... | sound editor | |
| Jaime Fernández | .... | sound re-recording mixer | |
Visual Effects by | |||
| Nuncle | .... | title design | |
Stunts | |||
| Antonio Higueruelo | .... | action coordinator | |
Camera and Electrical Department | |||
| Juan Gonzalez Guerrero | .... | electrician | |
| Migueltxo Molina | .... | still photographer | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Ali Farrell | .... | casting associate | |
| Luci Lenox | .... | casting: Spain | |
| Claire Saunders | .... | casting: UK | |
Other crew | |||
| Yee Yeo Chang | .... | assistant to producer | |
| Ramsey Fong | .... | production accountant: New York | |
| Ruben Gomez | .... | production assistant | |
| Pawel Grajnert | .... | chief researcher | |
| Mar Henche | .... | production accountant | |
| Miguel Ángel Muñoz | .... | accountant | |
| Nuncle | .... | title designer | |
| Marc Panadés | .... | production trainee | |
| Alberto Poveda | .... | unit production assistant | |
| Marc 'Markus' Prat Trias | .... | production trainee | |
Thanks | |||
| Manuel Monzón Fueyo | .... | special thanks | |
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| Swimming Pool | Match Point | Basic Instinct | The Phantom of the Opera | Buena vida, La |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
Vastly overrated. Only redeeming quality of this film is the beautiful scenery and some fine cinematography. This movie is not the beautiful story of the importance of accepting others for who they are, regardless of their sexual orientation. Rather, this film depicts absolute dysfunction of individuals. The director misfires in his effort to portray humanity but does so only in terms of insanity. This film is not courageous and only amateurish in the cheap images used to shock rather than an accurate portrayal of the depth of this complex story dealing with complex and important issues. I came away very disappointed.