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| Al Pacino | ... | Shylock | |
| Jeremy Irons | ... | Antonio | |
| Joseph Fiennes | ... | Bassanio | |
| Lynn Collins | ... | Portia | |
| Zuleikha Robinson | ... | Jessica | |
| Kris Marshall | ... | Gratiano | |
| Charlie Cox | ... | Lorenzo | |
| Heather Goldenhersh | ... | Nerissa | |
| Mackenzie Crook | ... | Launcelot Gobbo | |
| John Sessions | ... | Salerio | |
| Gregor Fisher | ... | Solanio | |
| Ron Cook | ... | Old Gobbo | |
| Allan Corduner | ... | Tubal | |
| Anton Rodgers | ... | The Duke | |
| David Harewood | ... | Prince of Morocco | |
| Antonio Gil | ... | Aragon (as Antonio Gil-Martinez) | |
| Al Weaver | ... | Stephano | |
| Norbert Konne | ... | Doctor Bellario | |
| Marc Maes | ... | Cush (as Marc Maas) | |
| Jean-François Wolff | ... | German Count | |
| Pieter Riemens | ... | English Baron | |
| Stéphan Koziak | ... | Soldier | |
| Tom Leick | ... | French Nobleman | |
| Jules Werner | ... | Franciscan Friar | |
| Tony Schiena | ... | Leonardo | |
| Julian Nest | ... | Clerk | |
| rest of cast listed alphabetically: | |||
| Stéphane Fragili | ... | Venetian Nobleman (uncredited) | |
| Paul Rockenbrod | ... | Venetian Nobleman (uncredited) | |
| Ben Whishaw | ... | Servant to Portia (uncredited) | |
Directed by | |||
| Michael Radford | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Michael Radford | (screenplay) | |
Produced by | |||
| Andreas Bajohra | .... | post-production producer | |
| Cary Brokaw | .... | producer | |
| Michael Cowan | .... | producer (as Michael Lionello Cowan) | |
| Jimmy de Brabant | .... | co-producer | |
| Edwige Fenech | .... | co-producer | |
| Nigel Goldsack | .... | co-producer | |
| Gary Hamilton | .... | co-executive producer | |
| Michael Hammer | .... | executive producer | |
| Peter James | .... | executive producer | |
| Robert Jones | .... | executive producer | |
| Pete Maggi | .... | co-executive producer | |
| Alex Marshall | .... | executive producer | |
| Luciano Martino | .... | co-producer | |
| Barry Navidi | .... | producer | |
| Jason Piette | .... | producer | |
| Bob Portal | .... | post-production producer | |
| Jean-Claude Schlim | .... | line producer: Luxembourg | |
| James Simpson | .... | executive producer | |
| Julia Verdin | .... | co-executive producer | |
| Clive Waldron | .... | associate producer | |
| Clive Waldron | .... | line producer | |
| Manfred Wilde | .... | executive producer | |
| Roberto Almagià | .... | assistant producer (uncredited) | |
| Federico Demontis | .... | assistant executive producer (uncredited) | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Benoît Delhomme | |||
Film Editing by | |||
| Lucia Zucchetti | |||
Casting by | |||
| Sharon Howard-Field | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Jon Bunker | |||
| Tamara Marini | |||
Set Decoration by | |||
| Gillie Delap | |||
Costume Design by | |||
| Sammy Sheldon | |||
Makeup Department | |||
| Anna Brangaitis | .... | hair stylist: Luxembourg | |
| Anna Brangaitis | .... | makeup artist: Luxembourg | |
| Ann Buchanan | .... | hair designer | |
| Ann Buchanan | .... | makeup designer | |
| Nuala Conway | .... | hair stylist: Italy | |
| Nuala Conway | .... | makeup artist: Itlay | |
| Aurélie Elich | .... | makeup artist | |
| Lorraine Hill | .... | hair stylist | |
| Lorraine Hill | .... | makeup artist | |
| Josy Howard | .... | hair stylist | |
| Josy Howard | .... | makeup artist | |
| Claudine Moureaud | .... | hair stylist: Luxembourg | |
| Claudine Moureaud | .... | makeup artist: Luxembourg | |
| Helen Speyer | .... | hair stylist | |
| Helen Speyer | .... | makeup artist | |
| Xanthia White | .... | hair stylist | |
| Xanthia White | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Emilie Cherpitel | .... | second assistant director | |
| John Dodds | .... | first assistant director | |
| Stefan Magnusson | .... | third assistant director | |
| Carlo Paramidani | .... | second second assistant director: Italy | |
| Jim Probyn | .... | third assistant director: Luxembourg | |
| Christopher Rose | .... | first assistant director | |
| Jordan Stone | .... | first assistant director: Italy | |
| Andrei von Kamarowsky | .... | trainee assistant director: Luxembourg | |
Art Department | |||
| Alex Aitkin | .... | head plasterer | |
| Benoît Bechet | .... | draftsman | |
| Matteo Bertelli | .... | painter | |
| Klaus Bienen | .... | carpenter | |
| Tracey Curtis | .... | modeller | |
| Paolo Cusin | .... | buyer | |
| Paolo Cusin | .... | property assistant | |
| Paolo Cusin | .... | props | |
| Manuel Demoulling | .... | assistant set decorator | |
| Ron Downing | .... | property master | |
| Tomislav Findrik | .... | storyboard artist | |
| Nicola Gomiero | .... | property assistant | |
| Toby Hawkes | .... | modeller | |
| Neil Hearfield | .... | painter | |
| Malin Lindholm | .... | stand-by art director | |
| John Maher | .... | construction manager | |
| Tamara Marini | .... | art director: Italy | |
| François Mast | .... | carpenter | |
| David Orlandelli | .... | storyboard artist | |
| Edouard Pallardy | .... | painter decorator | |
| Julie Philpott | .... | draughtsman | |
| Yair Popritkin | .... | props | |
| Manu Poupard | .... | chargehand stand-by props | |
| Barbara Prati | .... | painter | |
| Olivier Printz | .... | assistant property master | |
| Lorenzo Sartor | .... | carpenter | |
| Fabrice Spelta | .... | draughtsperson | |
| Otfried Suppin | .... | art department assistant | |
Sound Department | |||
| Tim Alban | .... | dubbing mixer | |
| Tim Alban | .... | foley supervisor | |
| Antonia Bates | .... | dialogue editor | |
| Richard Davey | .... | dubbing mixer | |
| Richard Davey | .... | second re-recording engineer | |
| Paul Davies | .... | supervising sound editor | |
| Anthony Faust | .... | adr mixer | |
| Jack Gillies | .... | assistant sound editor | |
| Alain Goniva | .... | boom operator | |
| Christian Koefoed | .... | sound effects editor | |
| Richard Kondal | .... | assistant dialogue editor | |
| Haresh Patel | .... | foley editor | |
| Andre Schmidt | .... | supervising dialogue editor | |
| Brian Simmons | .... | sound mixer | |
| Lionel Strutt | .... | adr coordinator | |
Special Effects by | |||
| Tiberio Angeloni | .... | special effects | |
| Alain Couty | .... | special effects coordinator | |
| Franco Galiano | .... | special effects | |
| Clive R. Kay | .... | special effects contact lenses | |
| Lawrence Michael | .... | special effects technician | |
Visual Effects by | |||
| Tim Baxter | .... | film recording | |
| Neil Culley | .... | digital artist | |
| Sean Farrow | .... | visual effects supervisor (as Sean H. Farrow) | |
| David Gibbons | .... | digital artist | |
| Mick Harper | .... | digital artist | |
| Barrie Hemsley | .... | visual effects producer | |
| Sarah Hemsley | .... | production and operations | |
| Richard Higham | .... | digital artist | |
| Robin Huffer | .... | digital artist | |
| Tim Jones | .... | digital artist | |
| Simon Leech | .... | digital artist | |
| Warren J. Mills | .... | digital I/O | |
| Alberto Montañés | .... | digital artist | |
| Nick New | .... | digital artist | |
| Jeff North | .... | digital artist | |
| Anna Panton | .... | visual effects coordinator | |
| Dylan Penhale | .... | digital systems manager | |
| Rupert Smith | .... | production and operations | |
| Paul Tuersley | .... | digital artist | |
Stunts | |||
| Andy Bennett | .... | stunt arranger | |
| Andy Bennett | .... | stunts | |
| Steve Griffin | .... | stunt coordinator | |
| Rob Hunt | .... | stunts | |
Camera and Electrical Department | |||
| Werner Bacciu | .... | key grip: Italy | |
| Etienne Braun | .... | still photographer | |
| Sonny Burdis | .... | best boy | |
| Hélène Coker | .... | video assist operator | |
| Guillaume De Esteban | .... | film loader | |
| Gilbert Degrand | .... | electrician | |
| Kevin Dresse | .... | electrician | |
| Ingo Gardner | .... | balloon light technician | |
| Cristiano Giavedoni | .... | co-gaffer | |
| Max Jacoby | .... | clapper loader: "b" camera | |
| Max Jacoby | .... | clapper loader: second unit | |
| Graham Johnston | .... | first assistant camera: "b" camera | |
| Graham Johnston | .... | first assistant camera: second unit | |
| Oliver Krupke | .... | electrician | |
| Martin Neuse | .... | electrician | |
| Elvis Pasqual | .... | electrician | |
| Thierry Ramanana | .... | grip | |
| Jako Raybaut | .... | camera operator: "b" camera | |
| Jako Raybaut | .... | cinematographer: second unit | |
| Jean-François Roqueplo | .... | head key grip | |
| David Smith | .... | gaffer | |
| Théodore Theodorides | .... | clapper loader: "a" camera | |
| Stéphane Thiry | .... | grip | |
| Dean Thompson | .... | first assistant camera: "a" camera | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Tiziana Kinkela | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Frieda Basso Boccabella | .... | wardrobe trainee | |
| Catherine Buyse Dian | .... | wardrobe supervisor | |
| Charlotte-Rose Kay | .... | assistant costume designer | |
| Anna Kovacevic | .... | key costumer | |
| David Otzen | .... | costume assistant | |
| Katia Scarpa | .... | wardrobe assistant | |
Editorial Department | |||
| Pani Ahmadi-Moore | .... | first assistant editor | |
| Perry Gibbs | .... | colorist: mastering | |
| Alec Gibson | .... | color timer | |
| Eddy Kolkiewicz | .... | negative cutter | |
| Alexandra Kosevic | .... | post-production coordinator | |
| Andrew Robinson | .... | negative cutter | |
Music Department | |||
| Harvey Brough | .... | additional score arranger | |
| Harvey Brough | .... | associate music producer | |
| Jake Jackson | .... | assistant score mixing engineer | |
| Jake Jackson | .... | score recordist | |
| Haresh Patel | .... | music editor | |
| Jocelyn Pook | .... | music producer | |
| Robert Prizeman | .... | choir director | |
| John Sachs | .... | music supervisor | |
| Hilary Skewes | .... | musician contractor | |
| Nick Wollage | .... | score mixing engineer | |
| Nick Wollage | .... | score recordist | |
Transportation Department | |||
| Luca Fortunato Asquini | .... | transportation manager: Italy | |
| Alessandra Asta | .... | transportation assistant | |
| Svet Hrouchoff | .... | additional driver | |
| Simon Jones | .... | driver: Al Pacino, UK | |
| Gaby Meyers | .... | facility/truck driver | |
| Francois Muller | .... | truck driver | |
| Gary Sharp | .... | driver: cast | |
| Kevan Willis | .... | transportation coordinator | |
Other crew | |||
| Denver Beattie | .... | assistant: Al Pacino, Italy | |
| Bob Bellion | .... | financial manager | |
| Nicky Bell | .... | assistant: Mr. Radford | |
| Shirine Best | .... | development assistant | |
| Corrina Bonicelli | .... | technical advisor | |
| Alexandre Brown | .... | production assistant | |
| Fabrizio Cerato | .... | location manager | |
| Deborah Cesana | .... | set runner | |
| Erasmo Colucci | .... | co-accountant | |
| Veronica Coppola | .... | assistant production coordinator | |
| Lou Crisa | .... | special assistant and security: Mr. Pacino | |
| Warren Demer | .... | assistant accountant | |
| Bernardo Galli | .... | assistant accountant: Italy | |
| Judy Geletko | .... | administrator: Avenue Pictures | |
| Geoffrey Goodman | .... | assistant: Mr. Brokaw | |
| Matteo Gottardis | .... | unit manager assistant: Italy | |
| Nicole Gregory | .... | unit publicist | |
| Monica Hayford | .... | assistant to producer: UK | |
| Mel Hider | .... | assistant: Mr. Cowan and Mr. Piette | |
| Patrick Hoffmann | .... | production assistant | |
| Polly Hope | .... | assistant production coordinator | |
| Brittany Hymore | .... | assistant: Mr. Pacino, Italy | |
| Tim Judge | .... | executive assistant: Mr. Pacino | |
| Patricia Kretschmer | .... | assistant: Mr. De Brabant, Luxembourg | |
| Antonella Longato | .... | production assistant | |
| Roberto Longobardi | .... | production accountant | |
| Nadia Mattera | .... | assistant: Mr. Navidi | |
| Jack Murphy | .... | movement coach | |
| Pascale Noël | .... | location assistant | |
| Alessandro Palestro | .... | set production assistant | |
| Jessica Reavis | .... | stand-in | |
| Laurence Rexter-Baker | .... | assistant: Mr. Pacino, Luxembourg | |
| David Morais Rocas | .... | location assistant | |
| Debbie Rothstein | .... | legal assistant | |
| Andrea Santuari | .... | production assistant | |
| Adelaide Scardino | .... | assistant: Mr. Brokaw | |
| Shalom Shabazi | .... | poet | |
| Emma Short | .... | assistant production accountant | |
| Lucy Shuttleworth | .... | development executive | |
| Mannes Steve | .... | location trainee | |
| Anita Tomaselli | .... | production coordinator: Italy | |
| Sophie Treacher | .... | production coordinator: Luxembourg | |
| Emma Tweed | .... | assistant: Mr. Radford | |
| Tim Van Rellim | .... | production executive | |
| Stephane Wasila | .... | location manager | |
| Beverly Winston | .... | script supervisor | |
| Federico Demontis | .... | assistant to co-executive producer (uncredited) | |
| Pietro Dioni | .... | assistant to co-executive producer (uncredited) | |
Thanks | |||
| Marlon Brando | .... | special thanks | |
| Danny Huston | .... | special thanks | |
| Radica Jovicic | .... | special thanks | |
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| Ben-Hur | Edmond | The Prodigal | Europa Europa | Hamlet |
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Michael Radford has done an excellent job bringing this difficult play to the screen. He has taken a play with a reputation for anti-semitism, and shown us that Shakespeare knew quite well the humanity of the Jews. Radford said after the screening, and I agree, that Shylock is his first tragic hero, the first of his characters to be undone by a driving, compulsive need for revenge. He also points out, quite rightly, that a man who was anti-semitic could not have written Shylock's speech of "If you prick me, do i not bleed?" Radford is himself of Jewish descent and he has picked out the good and bad of all characters with delicacy and honesty. no character is free from flaws; no character is evil. Radford has placed the play in the 16th century, which gives a lush background of Venetian politics and decadence on which to project Shakespeare's words.
If you get a chance to hear Radford speak about the film, I highly recommend you take it, since he gives details about life in 16th century Venice that illuminate a lot of the choices he made and give considerable extra depth to the viewing. I'm hoping that the DVD will come out with extensive commentary.
Jeremy Irons does a gorgeous portrayal of Antonio, a man who resigns himself to bearing the burden of his past misdeeds. Lynn Collins, a relative unknown, gives us an absolutely flawless, stunning, and detailed job as Portia. Not only is Ms. Collins beautiful - she also gives Portia layers of intelligence and humor prior to the trial scene i've rarely seen in any production of this play. the rest of the cast also does a terrific job, with a notable performance by Kris Marshall as Gratiano, and a beautifully subtle work by Allan Corduner as Tubal, playing the foil to Shylock. Finally, while Al Pacino pulls out his usual strong (and loud) performance, his best moments are when the camera focuses on him and he says no words, but you can see all the emotions and madnesses flowing into and out of him as he perceives his fortunes changing.
If you like period movies, I cannot recommend this movie enough.