| Videos (see all 6 NEW) |
| Brendan Mackey | ... | Joe Simpson | |
| Nicholas Aaron | ... | Simon Yates | |
| Richard Hawking | ... | Himself | |
| Joe Simpson | ... | Himself | |
| Simon Yates | ... | Himself | |
| Ollie Ryall | ... | Richard Hawking |
Directed by | |||
| Kevin Macdonald | |||
Writing credits(in alphabetical order) | ||
| Joe Simpson | book | |
Produced by | |||
| Charles Furneaux | .... | executive producer | |
| Robin Gutch | .... | executive producer | |
| Gina Marsh | .... | line producer | |
| John Smithson | .... | producer | |
| Paul Sowerbutts | .... | associate producer | |
| Sue Summers | .... | co-producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Webster | .... | chief executive procuder: FilmFour | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Mike Eley | |||
| Keith Partridge | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Patrick Bill | |||
Art Direction by | |||
| Patrick Bill | |||
Costume Design by | |||
| Patrick Bill | |||
Makeup Department | |||
| Sarita Allison | .... | makeup designer | |
Production Management | |||
| Emma Clarke | .... | executive in charge of production: film council | |
| Peter McAleese | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Nick Laws | .... | first assistant director | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| Robert Brazier | .... | foley editor | |
| Felicity Cottrell | .... | foley artist | |
| Richard Davey | .... | assistant sound re-recording mixer | |
| Mick Duffield | .... | sound recordist | |
| Anthony Faust | .... | adr foley mixer | |
| Anthony Faust | .... | foley supervisor | |
| Joakim Sundström | .... | supervising sound editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
Special Effects by | |||
| Martin Neill | .... | special effects | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
| Simon Burley | .... | software and technical | |
| Ben Haworth | .... | digital effects artist | |
Stunts | |||
| David Cuthbertson | .... | climbing stunt double | |
| Rory Gregory | .... | climbing stunt double | |
Camera and Electrical Department | |||
| Oliver Driscoll | .... | second assistant camera | |
| Olly Driscoll | .... | clapper loader | |
| Christian Klehr | .... | grip | |
| Ralph Kulike | .... | gaffer | |
| Dan Shoring | .... | additional photographer | |
| Dan Shoring | .... | first assistant camera | |
| Jeremy Sutton-Hibbert | .... | unit photographer: Alps | |
| Chris Thornton | .... | film recorder operator | |
| Simon Wagen | .... | additional climbing photographer (as Simon Hagen) | |
Casting Department | |||
| Indira Ashton | .... | casting assistant | |
Editorial Department | |||
| Stephen Barker | .... | post-production consultant | |
| Simon Brook | .... | on-line editor | |
| Ben Lester | .... | assistant editor | |
| Vincent Narduzzo | .... | colorist | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Jon Thompson | .... | post-production consultant | |
Music Department | |||
| Abi Leland | .... | music supervisor | |
| Andy Richards | .... | score mixer | |
| Bevan Smith | .... | composer: electronic music | |
Other crew | |||
| Olly Allen | .... | climbing support: Alps | |
| Kim Ballard | .... | production financing | |
| Christine Barnes | .... | climbing support: Alps | |
| Christine Baxter-Jones | .... | production team | |
| Hattie Bowering | .... | final delivery and release supervisor | |
| Lesley Brown | .... | production team | |
| Eduardo Shuán Caldúa | .... | climbing support: Peru | |
| Melorie Chilton | .... | legal services for darlow smithson productions | |
| Hugo Milla Chinchay | .... | climbing support: Peru | |
| David Cuthbertson | .... | key mountain guide | |
| David Cuthbertson | .... | safety team | |
| Lucy Daniels | .... | production team | |
| Regine Dura | .... | production team | |
| John Falkiner | .... | key mountain guide | |
| John Falkiner | .... | safety team | |
| Michael Fleisher | .... | business affairs: Channel 4 International | |
| Néstor Morales Flores | .... | trekking leader: Peru | |
| Laura Franses | .... | physical production coordinator: FilmFour | |
| Paul Gardner | .... | archive researcher | |
| Rory Gregory | .... | key mountain guide | |
| Rory Gregory | .... | safety team | |
| Paul Grindey | .... | business affairs: FilmFour | |
| Brian Hall | .... | head mountain guide | |
| Nion Hazell | .... | production coordinator | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Vinnie Holden | .... | head of production finance: film council | |
| Marcelino Milla Huarac | .... | climbing support: Peru | |
| Vicky Jones | .... | business affairs: Channel 4 | |
| Jim Kerr | .... | climbing support: Alps | |
| François Marsigny | .... | climbing support: Alps | |
| Deborah McLaughlan | .... | production team | |
| Jesús Montero | .... | production team | |
| Paul Moores | .... | key mountain guide | |
| Paul Moores | .... | safety team | |
| Pelayo Milla Morales | .... | climbing support: Peru | |
| Fiona Morham | .... | head of physical production: film council | |
| Eloy Salazar Obregón | .... | climbing support: Peru | |
| Rodolfo Reyes Oropeza | .... | climbing support: Peru | |
| Emma Parsons | .... | production team | |
| James Reekie | .... | production accountant | |
| Dr. Martin Rhodes | .... | unit doctor | |
| Tim Rhodes | .... | climbing support: Alps | |
| Faye Richardson | .... | production team | |
| Ollie Ryall | .... | climbing support: Alps | |
| Juan Sánchez | .... | climbing support: Peru | |
| Joe Simpson | .... | additional reconstruction | |
| Joe Simpson | .... | consultant | |
| Sally Steele | .... | film publicist | |
| Gillian Strachan | .... | production team | |
| Ulla Streib | .... | head of production: Darlow Smithson Productions | |
| Gareth Tansey | .... | title designer | |
| Harry Taylor | .... | key mountain guide | |
| Harry Taylor | .... | safety team | |
| Jorge Clemente Vargas | .... | climbing support: Peru | |
| Howard Watkins | .... | title designer | |
| John N. Whittle | .... | key mountain guide (as John Whittle) | |
| John N. Whittle | .... | safety team (as John Whittle) | |
| Marc Wolff | .... | aerial coordinator | |
| Simon Yates | .... | additional reconstruction | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Richard Hawking | .... | thanks | |
| Adrian Warren | .... | thanks | |
| Paul Webster | .... | thanks | |
| Marc Wolff | .... | thanks | |
| Simon Yates | .... | thanks | |
| Marc Ziegler | .... | thanks | |
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Beautiful scenery and excellent cinematography highlight this true-life story of two young adventurers who, in 1985, attempt to be the first climbers to reach the top of imposing Siula Grande, in Peru. The two actual climbers, Joe Simpson and Simon Yates, narrate the story, while two stand-in actors re-enact the climbing.
A big part of the film is Joe's quest merely to survive, once he becomes separated from Simon. Toward this objective, he calls forth inner strength in the form of two mental processes: first, make a decision and then act on it; second, set small goals or targets. During his ordeal a part of him keeps pushing: "You have to do this, this, and this, if you're going to get there; come on, keep moving, keep moving; right, get up, and do it again".
In a docudrama like this, acting ability is not that important. What is important is the cinematography. The mountain scenery is spectacular. The camera also captures visual perspective, by backing away from the two climbers, or Joe alone in the second half, to reveal how small and insignificant they are against the towering mountain face, or lost within the vast expanse of a huge glacier, peppered with a maze of dangerous crevasses.
The story is certainly harrowing. And I admire how Joe kept going, in the face of such adversity. However, I must say that overall I was not impressed with Simpson or Yates, both of whom came across in the film and in the DVD special features as overly ambitious, opportunistic, and egotistical. Joe as much as admits it: "We didn't give a damn about anyone else or anything else, and we just wanted to climb the world ..." This kind of cavalier attitude is not uncommon among participants in extreme sports, many of whom participate less for the adventure than for the opportunity to set records and make money.
"Touching The Void" is a great story of survival set amid the majestic splendor of the mountains of Peru. The only thing that would have made the story even better is if the two actual climbers had not been so arrogant. Overconfidence, born of an inflated sense of self-importance, almost cost them their lives.