| Videos (see all 10) |
| Chiwetel Ejiofor | ... | Ellis Moonsong | |
| Will Ferrell | ... | Hobie | |
| Jonny Lee Miller | ... | Lee | |
| Radha Mitchell | ... | Melinda Robicheaux | |
| Amanda Peet | ... | Susan | |
| Chloë Sevigny | ... | Laurel | |
| Wallace Shawn | ... | Sy | |
| David Aaron Baker | ... | Steve Walsh | |
| Arija Bareikis | ... | Sally Oliver | |
| Josh Brolin | ... | Greg Earlinger | |
| Steve Carell | ... | Walt | |
| Stephanie Roth Haberle | ... | Louise | |
| Shalom Harlow | ... | Joan | |
| Geoffrey Nauffts | ... | Bud Silverglide | |
| Zak Orth | ... | Peter | |
| Larry Pine | ... | Max | |
| Vinessa Shaw | ... | Stacey | |
| Brooke Smith | ... | Cassie | |
| Daniel Sunjata | ... | Billy | |
| Neil Pepe | ... | Al | |
| Michael J. Farina | ... | Man with Dog | |
| Matt Servitto | ... | Jack Oliver | |
| Andy Borowitz | ... | Doug | |
| Christina Kirk | ... | Jennifer | |
| Alyssa Pridham | ... | Acting Student | |
| Katie Kreisler | ... | Director | |
| Quincy Rose | ... | 2nd A.D. | |
| Richard Holmes | ... | Party Guest (as Rick Vincent Holmes) | |
| Michelle Durning | ... | Party Guest (as Michele Durning) | |
| Yi-wen Jiang | ... | Shanghai Quartet (as Yi-Wen Jiang) | |
| Honggang Li | ... | Shanghai Quartet | |
| Weigang Li | ... | Shanghai Quartet | |
| Nick Tzavaras | ... | Shanghai Quartet (as Nicholas Tzavaras) | |
| Rob Buntzen | ... | Antique Shop Owner | |
| rest of cast listed alphabetically: | |||
| Lauren Adler | ... | Waitress (uncredited) | |
| Michalina Almindo | ... | Susan's Neighbor (uncredited) | |
| James Ecklund | ... | Kissing Guy (uncredited) | |
| Kenneth Edelson | ... | Disco Guest (uncredited) | |
| Alex Harder | ... | Waiter (uncredited) | |
| Sabrina Lloyd | ... | (uncredited) | |
| Jacqueline Lovell | ... | Halloween Partygoer (unconfirmed) (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Art Direction by | |||
| Tom Warren | |||
Set Decoration by | |||
| Regina Graves | |||
Costume Design by | |||
| Judy L. Ruskin | (as Judy Ruskin Howell) | ||
Makeup Department | |||
| Robert Fama | .... | hair stylist | |
| Wayne Herndon | .... | key hair stylist | |
| Lori Hicks | .... | key makeup artist | |
| Nuria Sitja | .... | makeup artist | |
| Lorraine Godfrey | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Helen Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dean Garvin | .... | second assistant director | |
| Richard Patrick | .... | first assistant director | |
| Kevin Shaw | .... | dga trainee | |
| Kathleen E. Kearney | .... | second assistant director (uncredited) | |
| Danielle Rigby | .... | first assistant director: reshoots (uncredited) | |
Art Department | |||
| Julia Barraclough | .... | scenic artist | |
| Michael J. Cerullo | .... | chief construction grip (as Michael Cerullo) | |
| Ed Ferraro | .... | stand-by carpenter | |
| Danielle Giovanniello | .... | assistant property master | |
| Rafael Gonell | .... | art department/shop assistant | |
| Daniel K. Grosso | .... | leadman | |
| John Kouromihelakis | .... | art department/shop assistant | |
| Glenn Lloyd | .... | art department coordinator | |
| Wayne Moss | .... | construction coordinator | |
| Ron Petagna | .... | head carpenter (as Ronald Petagna) | |
| Chinyere Ryan | .... | scenic artist | |
| Cliff Schorr | .... | stand-by scenic artist | |
| R. Vincent Smith | .... | assistant property master | |
| James Sorice | .... | master scenic artist | |
| Paul Weathered | .... | property master | |
| Frank Weysos | .... | art department/shop assistant (as Frank Leal) | |
| Sarah Maine | .... | set dresser (uncredited) | |
Sound Department | |||
| Gary Alper | .... | production sound mixer | |
| Coll Anderson | .... | foley editor | |
| Michael Barry | .... | re-recording mixer | |
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley recording engineer | |
| Frank Graziadei | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Thomas Kodros | .... | consultant: Dolby Sound | |
| Michelle Mader | .... | cable person | |
| Sylvia Menno | .... | dialogue editor | |
| Dave Paterson | .... | sound effects editor | |
| Glenfield Payne | .... | sound effects editor | |
| Marilyn Teorey | .... | apprentice sound editor | |
| David Wahnon | .... | first assistant sound editor | |
| Akil Wilson | .... | assistant sound editor | |
Special Effects by | |||
| John Ottesen | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Matt Balzarini | .... | second assistant camera | |
| David E. Baron | .... | first assistant camera | |
| Michael Green | .... | camera operator | |
| Scott Gregoire | .... | best boy electric | |
| Brian Hamill | .... | still photographer | |
| Elizabeth Hedges | .... | camera loader | |
| Petr Hlinomaz | .... | gaffer | |
| Gary Martone | .... | key grip | |
| Jessica Miglio | .... | still photographer assistant | |
| Tally Morse | .... | dolly grip | |
| Charles Quinlivan | .... | best boy grip | |
| Kyle Rudolph | .... | steadicam | |
| David J. Thompson | .... | steadicam (as David Thompson) | |
| Tim Davies | .... | grip (uncredited) | |
| Glenn Fishel | .... | grip (uncredited) | |
| Anna Novick | .... | grip (uncredited) | |
| Jon W. Rosenbloom | .... | grip (uncredited) | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting: Kee Casting | |
| Patricia Kerrigan DiCerto | .... | casting associate | |
| Julie Schubert | .... | casting assistant | |
| Bill Tripician | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe supervisor | |
| Stephanie Biear | .... | shop wardrobe supervisor | |
| Mark Cronogue | .... | costume assistant | |
| Winsome G. McKoy | .... | wardrobe supervisor (as Winsome McKoy) | |
| Yleana Nunez | .... | costume assistant (as Yleana Nuñez) | |
| Frankie Ritacco | .... | assistant costume designer (as Frankie Ritacco Sirianni) | |
Editorial Department | |||
| Sara Corrigan | .... | first assistant editor | |
| Elise DuRant | .... | apprentice editor (as Elise Du Rant) | |
| Morgan Neville | .... | assistant editor (as Neville A. Morgan) | |
Music Department | |||
| Jill Meyers | .... | music clearances | |
| Roy B. Yokelson | .... | music recording engineer | |
| Dick Hyman | .... | musician: piano (uncredited) | |
Transportation Department | |||
| Peter Tavis | .... | transportation captain | |
| Timothy J. Wood | .... | transportation co-captain | |
Other crew | |||
| Sarah Allentuch | .... | assistant: Mr. Allen | |
| Abby Bailey | .... | assistant production accountant | |
| Daniela Barbosa | .... | set production assistant | |
| Greg Conroy | .... | location scout | |
| Edgar de la O. | .... | production office assistant (as Edgar de la O) | |
| Leo Driver | .... | parking coordinator | |
| Tracy Ershow | .... | set production assistant | |
| James Feldman | .... | set production assistant | |
| Eduardo Garabal | .... | location assistant | |
| Steve Gilbaud | .... | payroll accountant (as Steve Guilbaud) | |
| Janet Henry | .... | location scout | |
| Pino Insegno | .... | voice dubbing: Will Ferrell | |
| Scott Kordish | .... | production coordinator | |
| Brian Lamia | .... | location assistant | |
| Adam Leon | .... | production office assistant | |
| Pietro Lorino Jr. | .... | production accountant | |
| Daniel Lowe | .... | production assistant (as Daniel Hamilton-Lowe) | |
| Derek J. Manganelli | .... | location assistant (as Derek Manganelli) | |
| Gil McKinney | .... | set production assistant | |
| Christie Mullen | .... | location manager | |
| John Spady | .... | location scout | |
| Irwin Tenenbaum | .... | legal services: Loeb & Loeb (as Irwin J. Tenenbaum) | |
| Amy R. Trachtman | .... | assistant production coordinator | |
| Carl Turnquest Jr. | .... | projectionist | |
| Joe Violante | .... | dailies advisor | |
| Sheila Waldron | .... | script supervisor (as Sheila G. Waldron) | |
| Eric Wrolstad | .... | assistant location manager | |
| Leslee Dart | .... | unit publicist (uncredited) | |
| Ged Dickersin | .... | location scout (uncredited) | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
| Joe James | .... | stand-in (uncredited) | |
| Justin Pandolfino | .... | production assistant (uncredited) | |
| Christine Putnam | .... | production assistant (uncredited) | |
| William Sepulveda | .... | craft service (uncredited) | |
| Eugene Stamos | .... | additional craft service assistant (uncredited) | |
Thanks | |||
| Greg Johnson | .... | the producers gratefully acknowledge and wish to thank | |
| Jessica Rose | .... | thanks | |
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| News articles | IMDb Comedy section | IMDb USA section |
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This film probably marks the crucial point where Woody Allen takes one step back and lets others take over the Woody persona of a typical Allen film. It's happened before, in Celebrity and Anything Else, but now the lead characters can breathe as themselves without having to essentially 'be Woody'. Sure the resemblances are still there but more in the situations than in the characters. Will Ferrell displays proper comic timing and Jonny Lee Miller tries valiantly with what he's given. The script sparkles with more one-liners than most recent efforts and an appropriate return of the 'lust for life' motif seen in earlier films such as Hannah and Her Sisters or Everyone Says I Love You. If you don't appreciate that comic situations are both sad and full of life, and that tragedy has a fair share of unexpected delights as well as heartache, than you're definitely missing the point. Woody displays both of these in equal quantity spread liberally throughout the film in all situations. And so what if the end plays more like a series of sketches than a full-on film? It's the mark of a master than can make us enjoy what we see regardless of narrative form. 8 out of 10.