Melinda and Melinda (2004)

User Rating:

6.5/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

29 October 2004 (Spain)

Genre:

Comedy | Drama

Tagline:

Life can be a comedy or a tragedy, it all depends on how you look at it.

Plot:

Two alternating stories about Melinda's (Mitchell) attempts to straighten out her life.

Plot Keywords:

Actor | Party | Multiple Roles | Extramarital Affair | Alcoholism

Cast

Wallace Shawn	...	Sy
Neil Pepe	...	Al
Stephanie Roth Haberle	...	Louise
Larry Pine	...	Max
Radha Mitchell	...	Melinda
Michael J. Farina	...	Man with Dog
Jonny Lee Miller	...	Lee
Chloë Sevigny	...	Laurel
Matt Servitto	...	Jack Oliver
Arija Bareikis	...	Sally Oliver
Brooke Smith	...	Cassie
Zak Orth	...	Peter
Will Ferrell	...	Hobie
Andy Borowitz	...	Doug
Amanda Peet	...	Susan

Also Known As:

Melinda & Melinda (USA) (alternative spelling)
Untitled Woody Allen Fall Project (USA) (working title)

MPAA:

Rated PG-13 for adult situations involving sexuality, and some substance material.

Runtime:

99 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

Iceland:12 | Hungary:14 | Norway:A | Canada:PG (Ontario) | South Korea:15 | USA:TV-MA (TV rating) | Argentina:13 | Australia:M | Brazil:14 | Canada:14A | Canada:G (Quebec) | Czech Republic:12 | Finland:K-7 | Hong Kong:IIA | Ireland:12A | Netherlands:12 | Portugal:M/12 | Singapore:PG | Spain:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12A | USA:PG-13 (certificate #40800) | Germany:o.Al.

Filming Locations:

Dune Road, The Hamptons, Long Island, New York, USA

Company:

Fox Searchlight Pictures

Trivia:

Robert Downey Jr. was cast, but dropped from the film, because the actor's insurance premium was too costly to meet.

Goofs:

Revealing mistakes: When Melinda, Walt and Hobie are watching the first race at the race track, Walt says, "No! You did not bet on Bedazzler! That's a nine-to-one horse!" There then follows a scene of Melinda and Hobie talking, following by another scene of them watching a horse race with Walt, in which the dialogue track has been removed from underneath the musical score. However, if you look at Walt's lips during this second scene, he is clearly saying, once again, "No! You did not bet on Bedazzler! That's a nine-to-one horse!"

Quotes:

Susan: Isn't he charming, and don't tell me he's not gorgeous!
Hobie: If you like perfect features.

Movie Connections:

References The Broadway Melody (1929)

Soundtrack:

Don't Get Around Much Anymore

I predict you won't be miserable.

Manhattan still drives Woody Allen crazy: Urbanites are prey to ambition and lust, pride and diffidence and even sound like Woody with their halting sentences, paranoid affectations, and occasionally witty lines tossed off like the dregs of their grande lattes. It's a petting zoo of needy moderns who most of all want to find love, which eludes them right up to the last cliffhanging moment.

Alvy Singer and Annie Hall are the best known of Allen's angst-ridden city dwellers, but the new Woodies are every bit as screwed up if not more knowing about the quagmires their marriages and professions have become. The setup is twin parallel stories starting from the same incident reflecting separately the tragic and the comic possibilities.

It all begins with a discussion at a restaurant table among four sophisticates about life being either tragic or comic. Sy (Wallace Shawn), a comedy writer, argues that people need laughter to overcome life's essential pain (difficult to separate Shawn from the memory of his discussion in "My Dinner with Andre"). Max (Larry Pine) says that life is absurd and therefore tragic. So each tells the same story differently about an uninvited guest, one story a romantic comedy, the other a tragic tale of a desperate loner.

Will Farrell as a neurotic husband does the best fax Allen yet in his films. His lines are vintage Woody, tossed-off self-deprecation with a worldly wise guy subtext. One of the best lines comes from Susan (Amanda Peet), a director, who discloses the title of her newest film, "The Castration Sonata," putting "male sexuality in perspective." The Woodman returns in fine form to take on Aristotle and try to fulfill his own hope over a quarter century ago when he said, "If my film makes one more person miserable, I'll feel I've done my job." His tragedy has such ample comedy, I predict you won't be miserable.