| Photos (see all 2 | slideshow) |
| Géraldine Pailhas | ... | Rachel | |
| Jonathan Zaccaï | ... | Mathieu | |
| Frédéric Pierrot | ... | Gardet | |
| Victor Garrivier | ... | Le maire | |
| Catherine Samie | ... | Martha | |
| Djemel Barek | ... | Isham | |
| Marie Matheron | ... | Véronique | |
| Saady Delas | ... | Sylvain | |
| Guy Herbert | ... | Le revenant au blouson gris | |
| Catherine Salvini | ... | La psychologue | |
| Alain Guillo | ... | Le directeur de Mathieu | |
| Dan Herzberg | ... | Le soldat | |
| Hélène Alexandridis | ... | La fille du maire | |
| Gérard Watkins | ... | Le fils du maire | |
| Serge Biavan | ... | Le représentant médecin DDASS | |
| François Clavier | ... | Le représentant du préfet | |
| Jean-Luc Mimault | ... | Le gardien de nuit | |
| Philippe Paimblanc | ... | Clément | |
| Marisa Commandeur | ... | Marion | |
| Philippe Suner | ... | Le Représentant | |
| Christiane Mériel | ... | Mme Liautey | |
| Chantal Trichet | ... | La Scientifique | |
| Laurent De Saint-Rap | ... | Germain | |
| Gérard Jeauffroy | ... | Rinaldi | |
| Marie-Anne Mestre | ... | La secrétaire de la maire | |
| Félix Cantet | ... | Le petit fils du maire | |
| Marie Cantet | ... | La petie fille du maire | |
| Marie-Dominique Dessez | ... | La collaboratrice de Gardet | |
| Brigitte Barbe | ... | L'aide Psy. | |
| Sandra Chartraire | ... | La militaire | |
| Yvan Halouin | ... | Journalist radio | |
| Valérie Houart | ... | Journaliste radio | |
| Philippe Hérisson | ... | L'instituteur | |
| Claudine Barjol | ... | Nadine |
Directed by | |||
| Robin Campillo | |||
Writing credits(in alphabetical order) | ||
| Robin Campillo | writer | |
| Brigitte Tijou | writer | |
Produced by | |||
| Simon Arnal | .... | associate producer (as Simon Arnal-Szlovak) | |
| Caroline Benjo | .... | producer | |
| Carole Scotta | .... | producer | |
Original Music by | |||
| Jocelyn Pook | |||
| Martin Wheeler | |||
Cinematography by | |||
| Jeanne Lapoirie | |||
Film Editing by | |||
| Robin Campillo | |||
| Stephanie Leger | |||
Casting by | |||
| Constance Demontoy | |||
| Brigitte Moidon | |||
Production Design by | |||
| Laurent Baude | |||
| Mathieu Menut | |||
Costume Design by | |||
| Agnès Falque | |||
Makeup Department | |||
| Rachel Aboulkheir | .... | hair stylist | |
| Melissa Pugliese | .... | makeup artist | |
| Nathalie Tabareau | .... | makeup artist | |
| Laure Talazac | .... | makeup artist | |
| Michel Vautier | .... | makeup artist | |
Production Management | |||
| Céline André | .... | assistant production manager | |
| Aymeric Boutard | .... | unit manager | |
| Christina Crassaris | .... | post-production supervisor | |
| Alexandre Florent | .... | unit manager | |
| Christophe Fustini | .... | assistant unit manager | |
| Samuel Galhaut | .... | unit manager | |
| Fanny Gauchery | .... | unit manager | |
| Fabien Guigou | .... | assistant post-production supervisor | |
| Gaëtane Josse | .... | unit production manager | |
| Stephanie Micco | .... | unit manager runner | |
| Christian Paumier | .... | production manager | |
| Guinal Riou | .... | assistant unit manager | |
| Romuald Rousseau | .... | unit manager | |
Art Department | |||
| Pascal Aubin | .... | construction crew | |
| Jérôme Bertin | .... | construction crew | |
| Frédéric Dor | .... | construction crew (as Fred Dor) | |
| Nicolas Doyon | .... | construction crew | |
| Marine Fronty | .... | set dresser | |
| Richard Horn | .... | construction crew | |
| Virginie Le Forestier | .... | painter | |
| Christophe Offret | .... | property master | |
| Christophe Rochard | .... | construction crew | |
| Bruno Ruwet | .... | construction crew | |
| Isabelle Vellard | .... | painter | |
Sound Department | |||
| Fabrice Conesa | .... | sound mixer (as Fabrice Conesa-Alcolea) | |
| Valérie Deloof | .... | sound editor | |
| Valérie Deloof | .... | sound mixer | |
| Toni Di Rocco | .... | sound recordist | |
| Vincent Maloumian | .... | foley artist | |
| Olivier Mauvezin | .... | sound | |
| Fred Mays | .... | post-synchronization | |
| Gadou Naudin | .... | foley artist | |
| Agnes Ravez | .... | sound editor (as Agnès Raves) | |
| Olivier Roche | .... | sound recordist | |
| Paulin Sagna | .... | sound | |
| Dominique Schmit | .... | stereo sound consultant: Dolby | |
| Joffrey Vanzwaelmen | .... | sound | |
Special Effects by | |||
| Philippe Alleton | .... | special effects | |
| Hervé Dajon | .... | special effects | |
| Jean-Marc Mouligne | .... | special effects | |
| Pierre Turmeau | .... | special effects | |
Visual Effects by | |||
| Loïc Caer | .... | digital compositor | |
| Christophe Courgeau | .... | matte painter | |
| Sophie Denize | .... | visual effects coordinator | |
| Cédric Fayolle | .... | digital compositor | |
| Benoit Holl | .... | animator | |
| Pascal Laurent | .... | visual effects supervisor | |
| Vincent Venchiarutti | .... | rotoscope | |
Stunts | |||
| Daniel Vérité | .... | stunts | |
Casting Department | |||
| Babette Hauss | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jeanne Carvin | .... | costumer | |
| Juliette Le Carpentier | .... | costumer | |
| Sophie Mollier | .... | costumer | |
| Claire Tong | .... | costumer | |
Editorial Department | |||
| Marsan-Bachere | .... | color timer (as Mathieu Marsan-Bachere) | |
Other crew | |||
| Tony Arnoux | .... | press attache | |
| Isabelle Coursin | .... | location manager | |
| Barbara Letellier | .... | production executive | |
| Roger Lorentz | .... | groupman | |
| Kamel Lyoubi | .... | groupman | |
| Olivier Pasquier | .... | production accountant | |
| André-Paul Ricci | .... | press attache | |
| Brigitte Tijou | .... | script supervisor | |
| Pascal Tréguy | .... | dog trainer | |
| Sandrine Vitali | .... | production administrator | |
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| What Dreams May Come | The Incredibles | Temps qui reste, Le | L.A. Without a Map | Trzy kolory: Bialy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
After I realized this movie is not a horror or a trash one, just because it has zombies in its plot I thought it has a great creative mind behind the story; however, when the movie ended I felt there was something missing in the story. The movie does not care much about explaining its core issue that is about the coming of the dead people themselves. Why did they return to live if all they want is to go to the tunnels? It does not say where the tunnels will lead them. To heaven or to hell? to the Elygian fields? to Mars? or to some new dimension? I would not bother if the movie was longer just to explain this part carefully. If so,the movie would be brilliant. Unfortunately it is not a brilliant movie. It is only good to make us think about the crazy hypothesis that the movie is talking about, which is, at least, interesting. My note is to say that according to my own interpretations, the movie never tries to sound funny as some other critics say, but tragic and hypothetical. People are never prepared to welcome their dead relatives with eager if they knock at their door after some years of "absence", even if you love them so much.