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| Fri. Nov. 20 | 9:00 PM | TBS | |||
| Sat. Nov. 21 | 1:25 PM | TBS |
Directed by | |||
| Mark Waters | |||
Writing credits(WGA) | ||
| Rosalind Wiseman | (book "Queen Bees and Wannabes") | |
| Tina Fey | (screenplay) | |
Produced by | |||
| Jennifer Guinier | .... | associate producer | |
| Jill Sobel Messick | .... | executive producer (as Jill Messick) | |
| Lorne Michaels | .... | producer | |
| Louise Rosner | .... | co-producer | |
| Tony Shimkin | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | |||
Film Editing by | |||
| Wendy Greene Bricmont | |||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| Cary White | |||
Art Direction by | |||
| Brandt Gordon | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Mary Jane Fort | |||
Makeup Department | |||
| Mario Cacioppo | .... | makeup artist | |
| Carol Hartwick | .... | hair stylist | |
| Patricia Keighran | .... | makeup artist | |
| Diana Ladyshewsky | .... | hair stylist | |
| Jo-Ann MacNeil | .... | makeup artist | |
| Beatrice Salazar | .... | assistant hair stylist (as Beatriz Salazar) | |
| Linda Steeves | .... | assistant makeup artist | |
Production Management | |||
| Jim Powers | .... | production manager (as James Powers) | |
| Louise Rosner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Campbell | .... | second assistant director | |
| Joel Hay | .... | third assistant director | |
| Jordana Lieberman | .... | trainee assistant director | |
| Stephanie Moore | .... | second assistant director: Chicago | |
| Andrew Shea | .... | first assistant director | |
| José Clemente Hernandez | .... | second assistant director: second unit (uncredited) | |
Art Department | |||
| Collingwood Brown | .... | art department coordinator | |
| Britt Doughty | .... | trainee assistant art director | |
| Danielle Fleury | .... | set dresser | |
| Marc Kuitenbrouwer | .... | construction manager | |
| Glenn Locke | .... | scenic artist | |
| Vic Rigler | .... | property master | |
| Odetta Stoddard | .... | set decoration buyer | |
| Colin Woods | .... | first assistant art director | |
Sound Department | |||
| Bruce Carwardine | .... | sound mixer | |
| Pat Cassin | .... | second boom operator | |
| Vincent Cirilli | .... | ProTools engineer | |
| Anne Couk | .... | first assistant sound editor | |
| Patrick Cyccone Jr. | .... | re-recording mixer (as Patrick Cyccone) | |
| Marc Fishman | .... | re-recording mixer | |
| Galen Goodpaster | .... | assistant sound editor | |
| Robin Harlan | .... | foley artist | |
| Susan Kurtz | .... | dialog editor | |
| Susan Kurtz | .... | sound editor | |
| Chuck Michael | .... | supervising sound editor | |
| Sarah Monat | .... | foley artist | |
| Willard Overstreet | .... | foley editor | |
| Vic Radulich | .... | adr editor | |
| Christopher Sidor | .... | sound recordist | |
| Randy Singer | .... | foley mixer | |
| Frank Smathers | .... | sound editor | |
| Beth Sterner | .... | supervising sound editor | |
| Robert Ulrich | .... | supervising adr editor | |
| Markus Wade | .... | boom operator | |
| David Yonson | .... | adr recordist: Toronto | |
Special Effects by | |||
| Rob Sanderson | .... | special effects director | |
Visual Effects by | |||
| Chris Anderson | .... | roto/paint artist: CIS Hollywood | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Jeremy Burns | .... | digital compositing supervisor: CIS Hollywood | |
| Steven Fagerquist | .... | visual effects compositing artist | |
| Larry Gaynor | .... | senior paint artist: CIS Hollywood | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Peter Koczera | .... | senior digital artist | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Gregory Oehler | .... | senior Inferno artist: CIS Hollywood | |
| Chris Allen | .... | research & development supervisor: CIS Hollywood (uncredited) | |
| Matt Ashton | .... | systems: CIS Hollywood (uncredited) | |
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Julia Gaudette | .... | visual effects coordinator: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood (uncredited) | |
Stunts | |||
| Nada Abdel-Shahid | .... | stunt performer | |
| Taryn Ash | .... | stunts | |
| Laurene Boutet | .... | stunts (as Lauren Boutette) | |
| Randi Lee Butcher | .... | stunts | |
| Erin Carter | .... | stunts | |
| Natalie Cultraro | .... | stunts | |
| Sandra Feldman | .... | stunts | |
| Kym Kristalie | .... | stunts | |
| Angelique Lewis | .... | stunts (as Angel Lewis) | |
| Danny Lima | .... | stunts | |
| Billy Oliver | .... | stunts | |
| Chauntelle Page | .... | stunts | |
| Colleen Park | .... | stunts | |
| Vlasta Racki | .... | stunts | |
| Alison Reid | .... | stunts | |
| Kevin Rushton | .... | assistant stunt coordinator | |
| Shayna Segal | .... | stunt double | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Rebecca Stoneham | .... | stunts (as Rebcca Moore) | |
| Bryan Thomas | .... | stunts | |
| Christine Thomas | .... | stunts | |
Camera and Electrical Department | |||
| Sean Bourdeau | .... | assistant key grip | |
| Michael Carella | .... | camera operator | |
| Angelo Colavecchia | .... | camera operator | |
| Mark Cyre | .... | first assistant camera | |
| Tim Davis | .... | video assist operator | |
| Cylvan Desrouleaux | .... | assistant camera | |
| Richard Emerson | .... | key grip | |
| Michael Galbraith | .... | gaffer | |
| Mark W. Hindle | .... | video playback operator | |
| Jim MacCammon | .... | electrician | |
| David Morenz | .... | first assistant camera: Chicago | |
| Michael Plant | .... | generator operator | |
| Keith Pokorski | .... | second assistant camera: Chicago | |
| Ron Renzetti | .... | dolly grip: "b" camera | |
Casting Department | |||
| Ruthie Brownfield | .... | casting assistant | |
| Dane Clark | .... | casting assistant: Canada | |
| Robin D. Cook | .... | casting: Canada | |
| Donna Dupere | .... | extras casting | |
| Brad Gerstl | .... | extras casting representative | |
| Danis Goulet | .... | casting associate: Canada | |
| Sharon D. King | .... | extras casting: local | |
| Erica Palgon | .... | casting associate: New York | |
| Jamie Sparer Roberts | .... | casting associate (as Jamie Sparer) | |
| Susan Shopmaker | .... | casting: New York | |
| Aaron Unrau | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Ciara Brennan | .... | assistant costume set supervisor | |
| Christina Cattle | .... | set costume supervisor | |
| Jordanna Fineberg | .... | assistant costume designer | |
| Gayle Franklin | .... | costumer: extras | |
| Dana Kay Hart | .... | costume supervisor | |
| Mary Iannelli | .... | costumer (as Mary White) | |
| Lindsay Jacobs | .... | costume supervisor | |
| Luis Sequeira | .... | assistant costume designer | |
Editorial Department | |||
| Gena Bleier | .... | assistant editor | |
| Kris Cole | .... | first assistant editor | |
| Brian Day | .... | assistant editor | |
| Robert Doyle | .... | assistant editor | |
| Dana E. Glauberman | .... | additional editor | |
| Chas Hollis | .... | assistant editor | |
| Russell Langille | .... | second assistant editor | |
| Dave Muscat | .... | telecine suite operator | |
| David Tarnawsky | .... | first assistant film editor: Canada | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Stephen Coleman | .... | music arranger: vocals | |
| Stephen Coleman | .... | music programmer | |
| Buck Damon | .... | music supervisor | |
| Jim Harrison | .... | music editor | |
| Steve Kempster | .... | score mixer | |
| Stephanie Murray | .... | score stage administrator | |
| Ralph Sall | .... | executive soundtrack album producer | |
| Amanda Scheer-Demme | .... | music supervisor | |
| Nick South | .... | music editor | |
| Patrick Spain | .... | score assistant engineer | |
Transportation Department | |||
| Ron Annabelle | .... | picture car captain | |
| Dave Staples | .... | transportation coordinator | |
| Ian C. Harris | .... | daily driver (uncredited) | |
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"Mean Girls" is a fun movie that can be enjoyed thoroughly by the adult set as well as its seeming target audience, teens. The flick opens up with Cady Heron (Lindsay Lohan) embarking on her first day of the jungle that is high school ever as she has been home-schooled in Africa her whole life. After some initial bumps in the road, she manages to befriend two "artsy" misfits, Janis (Lizzy Caplan) and Damian (Daniel Franzese). Surprisingly, however, she is also quickly welcomed into the Plastics, a group of uber-popular girls who seem to be simultaneously admired and resented by all. On Janis's urgings, Cady infiltrates the Plastics, and her mission becomes personal when the Plastics leader, Regina (Rachel McAdams), stabs Cady in the back.
"Mean Girls" is indeed an exaggerated version of reality, but its depiction of the brutality and ridiculousness of high school and the need to find and stay true to oneself within a social construct manage to ring true. It does not stray away from or gloss over the dark humor that high school inevitably draws out nor is it apologetic in its over-the-topness. The result is a hilarious, well-written/performed film that is unpredictable and worth seeing.
Lindsay Lohan shows us once again that not only is an actress with range and a deft comedienne, she is also extremely likable and charismatic. Other stand-out performances go to Caplan and Franzese as well as Tina Fey (who plays a teacher), Amanda Seyfried (as one of the Plastics, Karen), and McAdams. McAdams, probably best known as the title character in "The Hot Chick", is an actress who continues surprise me with her great comedic skills (don't believe me? Watch her deleted scenes from "The Hot Chick" DVD. I liked them better than the whole movie!!).
All in all, this flick is great fun and more well-done than might be initially expected!