| Photos (see all 18 | slideshow) | Videos (see all 2) |
| Chris Cooper | ... | Dickie Pilager | |
| Richard Dreyfuss | ... | Chuck Raven | |
| Cajardo Lindsey | ... | Lloyd | |
| John C. Ashton | ... | Director | |
| Elizabeth Rainer | ... | Leslie | |
| Donevon Martinez | ... | Lazaro Huerta | |
| James Gammon | ... | Sheriff Joe Skaggs | |
| Benjamin Kroger | ... | Deputy Davis | |
| Charles Mitchell | ... | Henry | |
| Danny Huston | ... | Danny O'Brien | |
| Alma Delfina | ... | Lupe Montoya | |
| Roslyn Washington | ... | Hilary | |
| David Clennon | ... | Mort Seymour | |
| Mary Kay Place | ... | Grace Seymour | |
| Tim Roth | ... | Mitch Paine | |
| Thora Birch | ... | Karen Cross | |
| Maria Bello | ... | Nora Allardyce | |
| Jan Van Sickle | ... | Reporter #1 | |
| Miguel Ferrer | ... | Cliff Castleton | |
| Denis Berkfeldt | ... | Reverend Tubbs | |
| Billy Zane | ... | Chandler Tyson | |
| Patty Calhoun | ... | Reporter #2 | |
| Maggie Roswell | ... | Ellie Hastings | |
| Paul Rohrer | ... | Phil Ross | |
| Rich Beall | ... | Freddy Mondragon (as Richard Beall) | |
| Mare Trevathan Phillpott | ... | Rebecca Zeller (as Mare Trevathan Philpott) | |
| David Russell | ... | Foreman | |
| Luis Saguar | ... | Vince Esparza | |
| Sal Lopez | ... | Tony Guerra | |
| Gary Sirchia | ... | Preacher | |
| Michael Murphy | ... | Senator Judson Pilager | |
| Ralph Waite | ... | Casey Lyle | |
| Kris Kristofferson | ... | Wes Benteen | |
| Rodney Lizcano | ... | Yanez | |
| Stephen Brackett | ... | Dewey Jr. | |
| Daryl Hannah | ... | Maddy Pilager | |
| Aaron Vieyra | ... | Fito | |
| Hugo E. Carbajal | ... | Rafi | |
| Michael Shalhoub | ... | Leo | |
| Amie MacKenzie | ... | Marcy | |
| Larry Gallegos | ... | Contreras | |
| rest of cast listed alphabetically: | |||
| James Aidan | ... | Newscaster (voice) (uncredited) | |
Directed by | |||
| John Sayles | |||
Writing credits(WGA) | ||
| John Sayles | (written by) | |
Produced by | |||
| Suzanne Ceresko | .... | associate producer | |
| Robert Lansing Parker | .... | co-producer (as Lansing Parker) | |
| Maggie Renzi | .... | producer | |
| Sam Tedesco | .... | associate producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| John Sayles | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Toby Corbett | |||
Set Decoration by | |||
| Alice Baker | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Lynn Barber | .... | makeup artist | |
| Melinda Dunn | .... | assistant hair stylist | |
| Matt Griffin | .... | special effects makeup | |
| Colleen Provost | .... | assistant makeup artist | |
| Dee Sandella | .... | hair stylist | |
| Melissa A. Yonkey | .... | hair stylist (as Melissa Yonkey) | |
Production Management | |||
| Kendall McCarthy | .... | post-production supervisor | |
| Robert Lansing Parker | .... | unit production manager (as Lansing Parker) | |
Sound Department | |||
| Laura Civiello | .... | dialogue editor | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Chris Fielder | .... | first assistant sound editor | |
| Judy Karp | .... | sound mixer | |
| Frank Kern | .... | foley editor | |
| George A. Lara | .... | foley engineer | |
| Terrance Laudermilch | .... | re-recording engineer (as Terry Laudermilch) | |
| Marissa Littlefield | .... | adr editor | |
| Glenfield Payne | .... | sound designer | |
| Jaime Reyes | .... | boom operator | |
| Nani Schumann | .... | sound apprentice | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Philip Stockton | .... | supervising sound editor | |
| Robert Troeller | .... | technical services (as Bob Troeller) | |
| Steven Visscher | .... | foley supervisor | |
| Jacob Ribicoff | .... | foley editor (uncredited) | |
Special Effects by | |||
| William Boggs | .... | special effects coordinator (as Bill Boggs) | |
| Kti Eaton | .... | special effects model maker (as KT! Eaton) | |
| John Perry | .... | special effects foreman | |
| Timothy Hampton | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Joshua Frankel | .... | visual effects (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
Casting Department | |||
| Kathleen Broyles | .... | casting: Denver | |
| Ali Durlin | .... | casting intern: Denver | |
| Noah Geisel | .... | casting assistant: Denver | |
| Brendan McNamara | .... | casting assistant | |
| Tamara Notcutt | .... | principal casting associate (as Tamara-Lee Notcutt) | |
| Rob Sackett | .... | casting assistant: Denver | |
| Jessica Clark | .... | casting assistant: USA (uncredited) | |
| MaryLynn Malone | .... | extras casting intern (uncredited) | |
Costume and Wardrobe Department | |||
| Kelli Hobson | .... | wardrobe assistant | |
| Annette Holt | .... | on-set costumer | |
| Mimi Kaupe | .... | on-set costumer | |
| Lorie L. LaBrant | .... | wardrobe assistant | |
| Katie Saunders | .... | costume supervisor | |
Editorial Department | |||
| Steve Bowen | .... | digital color timer | |
| Mo Henry | .... | negative cutter | |
| Mario Ontal | .... | associate editor | |
| Chris Regan | .... | color timer | |
| Plummy Tucker | .... | associate editor | |
| Steve Barnett | .... | post-production consultant (uncredited) | |
| Ben Estrada | .... | digital colorist assistant (uncredited) | |
Music Department | |||
| Jeanine Cowen | .... | music editor | |
| Bill Elliott | .... | conductor | |
| Bill Elliott | .... | orchestration | |
| Sato Knudsen | .... | contractor | |
| Duke Levine | .... | musician: guitars | |
| Dave Mattacks | .... | musician: percussion | |
| Mike Peipman | .... | musician: trumpet | |
| Gus Sebring | .... | musician: French horn | |
| Dave Shacter | .... | music recordist and mixer: Daring Studios, Marblehead | |
| Frank Wolf | .... | music recordist and mixer: Mix One Studios, Boston (as Frank Wolfe) | |
Transportation Department | |||
| Frank Braham | .... | driver: set dressing | |
| Steve Davenport | .... | driver: makeup/hair | |
| C. David Earle | .... | driver: production van (as David Earle) | |
| Suzette Earle | .... | driver: camera truck | |
| Rhonda Hansen | .... | driver: van | |
| Phil Helman | .... | driver: props | |
| Jerry Jencks | .... | driver: grip | |
| Darryl Maggs | .... | driver: stakebed | |
| Anna Maxwell | .... | driver: van | |
| Eddie McGarraugh | .... | driver: van | |
| Pat Moser | .... | driver: van | |
| Terry R. Owens | .... | transportation captain | |
| Dennis Steele | .... | driver: set dressing | |
| Gene Ward | .... | transportation coordinator | |
| Jeff Woodward | .... | driver: honeywagon | |
Other crew | |||
| Carol Alexander | .... | accounting clerk | |
| Julia Anderson | .... | intern | |
| Matt Anderson | .... | additional set production assistant | |
| Tara Anderson | .... | office intern: New York | |
| Jeff Archuleta | .... | additional set production assistant | |
| Len Aslanian | .... | office intern: New York | |
| Marcus Barben | .... | first assistant chef (as Markus Barben) | |
| Meredith Blake | .... | office manager: New York | |
| Susan H. Bodine | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Sue Bodine) | |
| Karen Bosma | .... | production coordinator | |
| Todd Callan | .... | additional set production assistant | |
| Andrea F. Cannistraci | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Andrea Cannistraci) | |
| Ricardo Casillas | .... | office production assistant | |
| Franklin Crosby | .... | intern | |
| Mary Cybulski | .... | script supervisor | |
| Payton Dunham | .... | set production assistant | |
| Sinan Germirli | .... | intern | |
| Alec Giardino | .... | stand-in | |
| Lisa Goldsworthy | .... | additional set production assistant | |
| Hannah Hancock Rubinsky | .... | office intern: New York | |
| Sheri Kaz | .... | additional set production assistant | |
| Todd Kruger | .... | intern | |
| Sandy Madden | .... | intern | |
| Angela C. Maez | .... | production secretary | |
| MaryLynn Malone | .... | intern (as Marylynn Malone) | |
| Ilana McAllister | .... | first assistant accountant | |
| Gary Miller | .... | chef | |
| Julie Anne Moore | .... | assistant location manager | |
| Matt Mosley | .... | office intern: New York | |
| Dylan Mulick | .... | office intern: New York | |
| Henry Oshell | .... | second assistant chef (as Henry R. Ochel Jr.) | |
| James Pagel | .... | medic (as Jim Pagel) | |
| Monica Perez Gelbman | .... | post-production accountant | |
| Sabrina Rehnke | .... | intern | |
| Jessica Renzi-Bailey | .... | location assistant | |
| Lynne Robertson | .... | craft service | |
| Aaron Rosenbloom | .... | set production assistant | |
| Bryan Saunders | .... | set production assistant (as Bryan 'Boo' Saunders) | |
| Nicole Sherwin | .... | intern | |
| A. Rochell Smith | .... | additional set production assistant (as Rochell Smith) | |
| Justine Spicer | .... | additional set production assistant (as Justin Spicer) | |
| Spooky Stevens | .... | unit publicist | |
| Daniell Taff | .... | location assistant | |
| Sharon Vise | .... | production accountant | |
| Angelica Vogt | .... | intern | |
| Rachel Young | .... | office production assistant (as M. Rachel Young) | |
| MaryLynn Malone | .... | set medic (uncredited) | |
| Kirk Tedeski | .... | video effects supervisor (uncredited) | |
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Yes, Sayles is over-ambitious in this movie and lectures us about too many things. But Silver City is worth seeing just for the wonderful individual performances of its actors. Chris Cooper is dead-on in his imitation of Dubya. He conveys privileged arrogance, impatience, mangled English and downright cluelessness. Alongside Cooper's work stand the performances of Kris Kristoffersen (how does he manage to be so soft-spoken and so threatening at the same time?)and the wonderful Ralph Waite (the quintessential American actor.) Also great performances from Tim Roth as the radical blogger, James Gammon as the Sheriff and Sal Lopez as a Mexican cook. But do other people think Danny Huston was miscast as the main character, Danny O'Brien? He seemed so "aw-shucks" goofy and dumb much of the time. Plus, was he made up to look like Mike Connors in Mannix or what? That 50's hairstyle was WEIRD. Now Tim Roth, HE looked and acted like a burnt-out radical reporter. The problem goes right back to the writing - Sayles is just trying to say way too much in this movie, and we get long lectures (instead of good storytelling) about land-developers, dirty politicians, immigrant abuse, pollution, journalistic ethics, corporate America, dysfunctional dynastic families, recreational substance abuse, casual sex, broken hearts - the list goes on and on. Lone Star was much more focused, and the relationship in that movie between Sheriff Sam Deeds and his Hispanic lover, Pilar, became a metaphor for the strange & symbiotic & incestuous relationship between Mexico and the U.S. Lone Star had the same great individual performances Silver City has, but it trusted its audience to be more intelligent and "get it" without hammering us over the head with the message. If you have the chance to see Silver City, definitely see it - the acting is wonderful. But expect a flawed movie.