| Photos (see all 26 | slideshow) | Videos (see all 3) |
| Will Friedle | ... | Calvin Menhoffer | |
| Chris Owen | ... | Leonard Smallwood | |
| Louise Lasser | ... | Doris Mundt | |
| Renée Taylor | ... | Betty Mundt | |
| Nikki Schieler Ziering | ... | Charlene (as Nikki Ziering) | |
| Rudy De Luca | ... | Uncle Walt | |
| Jack Ong | ... | Mr. Woo | |
| J.J. Cole | ... | Minister | |
| Carmen Twillie | ... | Gospel Singer | |
| Gabriel Bologna | ... | Jail Guard | |
| Mary Albee | ... | Woman on the Street | |
| Draegin | ... | Bruno 'The Dog' | |
| rest of cast listed alphabetically: | |||
| Akira Lane | ... | Fantasy Girl (uncredited) | |
| John Paul Lubran | ... | Young Leonard Smallwood (uncredited) | |
| Rena Riffel | ... | Fantasy Girl (uncredited) | |
Directed by | |||
| Gary Preisler | |||
Writing credits(in alphabetical order) | ||
| Michael Canale | story | |
| Gary Preisler | writer | |
Produced by | |||
| Don Ashley | .... | producer | |
| Dean Blagg | .... | co-producer | |
| Amy Greenspun | .... | producer | |
| Brian Greenspun | .... | executive producer | |
| Howard Houng | .... | co-producer | |
| Charles V. Kinstler | .... | executive producer | |
| J.B. Moresco | .... | associate producer | |
| Kami Norton | .... | co-producer | |
| Gary Preisler | .... | producer | |
| Leland Preisler | .... | executive producer | |
| Michael T. Rutter | .... | associate producer | |
| Nick Goodwin Self | .... | line producer | |
Original Music by | |||
| Chris Horvath | |||
Cinematography by | |||
| Thomas L. Callaway | |||
Film Editing by | |||
| Robert Brakey | |||
Casting by | |||
| Aaron Griffith | |||
Production Design by | |||
| Terrence Foster | |||
Set Decoration by | |||
| Melanie Jones | |||
Costume Design by | |||
| Ellen Falguiere | |||
| Rachel Sage | (re-shoots) | ||
Makeup Department | |||
| Danielle Friedman | .... | special makeup effects artist | |
| Cindy Miguens | .... | personal makeup artist: Louise Lasser | |
| Erica Pearce | .... | makeup artist | |
| Kathleen Toner | .... | hair stylist | |
| Kathleen Toner | .... | key makeup artist | |
Production Management | |||
| Kami Norton | .... | post-production supervisor | |
| Kami Norton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Lu | .... | second assistant director: pick-ups | |
| Dawn Stewart | .... | second assistant director | |
Art Department | |||
| Pedro Barquin | .... | stand-by greensman | |
| Joshua T. Duman | .... | propmaker | |
| Greg Finnin | .... | property master | |
| Tom Gould | .... | assistant property master | |
| Regan Redding | .... | carpenter | |
| Jason Puga | .... | painter (uncredited) | |
Sound Department | |||
| Doug Andham | .... | sound re-recording mixer (as Doug Andorka) | |
| Lisa Hannan | .... | sound effects editor | |
| Markus Innocenti | .... | supervising sound editor | |
| John Kohlbrenner | .... | sound effects editor | |
| George E. Marshall Jr. | .... | boom operator | |
| Sterling Moore | .... | boom operator | |
| Mike Welker | .... | first assistant sound editor | |
| Nelson Ferreira | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Owen Demers | .... | 3D paint lead: ESC Entertainment | |
| David Emerson | .... | optical and digital line-up | |
| Scott Fritts | .... | modeler | |
| Shane Roberts | .... | matte painter | |
Stunts | |||
| Mary Albee | .... | stunt performer | |
| Ben Bray | .... | stunt coordinator | |
| Max Daniels | .... | stunt performer | |
| Denney Pierce | .... | stunt performer | |
| Lori Seaman | .... | stunt double | |
| Ray Siegle | .... | stunt performer | |
| Lisa Varga | .... | stunt performer | |
| Frank Torres | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Derek Lee Bell | .... | grip | |
| Mike Booth | .... | electrician | |
| Cris Borgnine | .... | electrician | |
| Rocky W. Ford | .... | key grip | |
| Saul Herckis | .... | grip | |
| Craig Kief | .... | gaffer | |
| Paul Marshall | .... | best boy electric | |
| Craig Price | .... | dolly grip | |
| Michael Rha | .... | grip | |
| Eric Sievering | .... | electric swing | |
| Eric Sievering | .... | grip | |
| Charles M. Smallwood | .... | key grip | |
| C.J. Julian | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Erika Munro | .... | costumer | |
Music Department | |||
| David R. Barkley | .... | orchestrator | |
| Gerry Gershman | .... | music supervisor | |
Transportation Department | |||
| George Bolton | .... | transportation captain | |
| Abiff Salcedo | .... | talent driver | |
| Mario Simon | .... | transportation coordinator | |
Other crew | |||
| Leonid Choub | .... | location manager | |
| Jill Coughlin | .... | stand-in | |
| Harold De Jesus | .... | title designer | |
| Myles DeRussy | .... | stand-in | |
| Judy Dixon | .... | unit publicist | |
| Leia Dunlap | .... | production assistant | |
| Jeff Eveleth | .... | production assistant | |
| Eric Fierstein | .... | supervising location manager | |
| Vanessa Grayson | .... | stand-in | |
| Jennifer S. Jackson | .... | script supervisor (as Jennifer Helmuth) | |
| Scott Jolgen | .... | production assistant | |
| Timothy Kiley | .... | assistant location manager | |
| Marcel Valcarce | .... | title designer | |
| Julie Anne Wight | .... | script supervisor: pick-up shots | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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I'm a 43 year old father in a small Southern town. Just saying that so you will understand that I am not the target audience for this type of movie. I ignored it at the theater and had no plans to ever watch it. However, after enjoying National Lampoon's Dorm Daze, I figured I would give it a try at the rental store. I am glad I did.
The previews and such are not entirely truthful about this movie. It appears to be 2 young guys out to scam 2 older women. While it is that, it is also 2 older women out to scam 2 young guys who are some of the dumbest criminals ever. The "old women being sexy" angle is not played up nearly as much as you would think and rather than make fun of them, they seem to be making just as much fun of stereotypes.
This is not an Oscar movie or one with long lasting deep plots but it is a decent way to laugh on a rainy day. You will not split your sides laughing but the pace is good and the jokes funny rather than silly most of the time. While this is not a movie I am sorry I missed at the theater, and perhaps not one I will go out and buy, it was one that I enjoyed watching and felt well worth the rental. Just because the cover and premise seem so silly, don't just pass it by.